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Elegant Table Runner H
Elegant Table Runner Designed By Patty Peterson Featuring Kreinik Metallic Machine Sewing Threads Finished size 11.5" X 40.75" ave you ever wondered how you can use the decorative stitches on H your sewing machine? Well here’s a quick and easy project where you can combine your machine’s decorative stitches with beautiful metallic threads and make an absolutely elegant table accessory. Whether you make it for your own home or as a gift, this table runner project will help you see the possibilities of those decorative machine stitches in a whole new light! ! SUPPLY LIST: 1.!!! Kreinik Metallic Machine Sewing Threads (34 colors available). This project uses:! Fine Twist threads: 0001 SILVER, 0002 PEWTER, 0003 WHITE GOLD, 0006 ANTIQUE DK GOLD 2.!!! Kreinik Silver Metallized Gimp:! 0030 SILVER, 0032 ANTIQUE GOLD, 0033 BRASSY GOLD! 3.!!! Size 14 Topstitch needle 4.!!! Sewing or embroidery machine/combination 5.!!! Walking foot or dual feed foot to construct table runner 6.!!! Tear-away stabilizer (depending on your hoop size) 7.!!! Bobbin thread 8.!!! Scissors 9.!!! Kreinik Custom Corder!™ 10. !If you plan on embroidering out the stitches in your embroidery hoop you will need 3/4 yard of Kona Bay, Black cotton fabric !! 11. If you are sewing the decorative stitches you will need!1/2 yard Kona Bay, Black cotton fabric 12.! Background fabric 13" x 44" (WOF) width of fabric (our model uses light weight patterned nylon)! 13.! Backing fabric: Kona Bay, Black cotton 13" X 44" (WOF) 14. !Extra fabric to sew test stitches, such as a couple of 6" x 6" squares 15. -
Advanced Silk Shading
ROYAL SCHOOL OF NEEDLEWORK 2019-2020 ACADEMIC YEAR DIPLOMA ADVANCED SILK SHADING Traditionally worked with silk thread on silk or linen fabric, but now more usually worked in stranded cotton thread. Silk is still the most usual background fabric but a variety of other fabrics may be used. For Advanced Silk Shading you may work EITHER an animal, bird, fish or reptile; OR a tapestry shaded human figure. SILK SHADED ANIMAL OR BIRD AIM – To demonstrate an advanced level of technical skill by working a realistic and naturally shaded embroidery of an animal, fish, reptile or bird using Long and Short Stitch with one strand of stranded cotton (or fine silk thread). To utilise shading and stitch direction to accurately depict musculature, fur, scales and clearly defined feathers as appropriate. Please note: All preparatory work (e.g. outlines, drawings, stitch plans, original source material) MUST be handed in for assessment or the work will not be marked. DESIGN Try to come with some ideas for a design and bring along some photographs. The photograph must be printed a similar size to the embroidery size otherwise it is very difficult to work. It is essential to work from a crisp, clear, well-focused photograph where you can see the individual colours and changes from dark to light. Illustrations can sometimes be harder to follow, and you should be wary of images from the Internet, which are often poor quality and may not print sufficiently well. However there are many places online from which you can purchase high quality images. The tutor will be able to make suggestions and help you bring your ideas together. -
Altar Guild Handbook, Rev
HANDBOOK FOR ALTAR GUILDS Revised 2014 (Former versions entitled “Altar Guild Manual”) The Episcopal Diocese of Texas i The National Altar Guild Association (NAGA) The purpose of the National Altar Guild Association (NAGA) is to assist parish, diocesan, and provincial altar guilds through information, resources, and communication, including a quarterly newsletter—the EPISTLE www.nationalaltarguildassociation.org National Altar Guild Prayer Most gracious Father Who has called me Your child to serve in the preparation of Your Altar, so that it may be a suitable place for the offering of Your Body and Blood; Sanctify my life and consecrate my hands so that I may worthily handle Those Sacred Gifts which are being offered to You. As I handle holy things, grant that my whole life may be illuminated and blessed by You, in whose honor I prepare them, and grant that the people who shall be blessed by their use, May find their lives drawn closer to Him Whose Body and Blood is our hope and our strength, Jesus Christ our Lord. AMEN. Oh Padre bondadosa, que has llamado a tu hija(o) a sevir en la preparación de Tu Altar, para que sea un lugar digno para la Ofrenda de Tu Cuerpo y de Tu Sangre; Santifica mi vida y consagra mis manos para que de esta manera yo pueda encargarme dignamente de estos Dones Sagrados que te ofrecemos. Mientras sujeto estos santos objetos, concede que mi vida sea iluminada y santificada por Ti, en cuyo honor los preparo, y permite también que el pueblo bendecido por su participación, se una más a Él, Cuyo Cuerpo y Sangre son nuestra esperanza y nuestra fortaleza, Jesucristo nuestro Señor. -
Owner's Manual
creative 2170 Owner‘s manual This household sewing machine is designed to comply with IEC/EN 60335-2-28 and UL1594 IMPORTANT SAFETY INSTRUCTIONS When using an electrical appliance, basic safety precautions should always be followed, including the following: Read all instructions before using this household sewing machine. DANGER - To reduce the risk of electric shock: • A sewing machine should never be left unattended when plugged in. Always unplug this sewing machine from the electric outlet immediately after using and before cleaning. • Always unplug before relamping. Replace bulb with same type rated 5 Watt. WARNING - To reduce the risk of burns, fi re, electric shock, or injury to persons: • Do not allow to be used as a toy. Close attention is necessary when this sewing machine is used by or near children or infi rm person. • Use this sewing machine only for its intended use as described in this manual. Use only attachments recommended by the manufacturer as contained in this manual. • Never operate this sewing machine if it has a damaged cord or plug, if it is not working properly, if it has been dropped or damaged, or dropped into water. Return the sewing machine to the nearest authorized dealer or service center for examination, repair, electrical or mechanical adjustment. • Never operate the sewing machine with any air openings blocked. Keep ventilation openings of the Sewing machine and foot controller free from the accumulation of lint, dust, and loose cloth. • Keep fi ngers away from all moving parts. Special care is required around the sewing machine needle. • Always use the proper needle plate. -
Computer Aided Embroidery & Needle Worker
COMPUTER AIDED EMBROIDERY & NEEDLE WORKER COMPUTER AIDED EMBROIDERY & NEEDLE WORKER COMPETENCY BASED CURRICULUM (Duration: 1 Year 3 Months) APPRENTICESHIP TRAINING SCHEME (ATS) NSQF LEVEL- 4 SECTOR – APPAREL GOVERNMENT OF INDIA MINISTRY OF SKILL DEVELOPMENT & ENTREPRENEURSHIP DIRECTORATE GENERAL OF TRAINING COMPUTER AIDED EMBROIDERY & NEEDLE WORKER COMPUTER AIDED EMBROIDERY & NEEDLE WORKER (Revised in 2018) APPRENTICESHIP TRAINING SCHEME (ATS) NSQF LEVEL - 4 Developed By Ministry of Skill Development and Entrepreneurship Directorate General of Training CENTRAL STAFF TRAINING AND RESEARCH INSTITUTE EN-81, Sector-V, Salt Lake City, Kolkata – 700 091 COMPUTER AIDED EMBROIDERY & NEEDLE WORKER ACKNOWLEDGEMENT The DGT sincerely express appreciation for the contribution of the Industry, State Directorate, Trade Experts and all others who contributed in revising the curriculum. Special acknowledgement to the following industries/organizations who have contributed valuable inputs in revising the curricula through their expert members: Special acknowledgement is expended by DGT to the following expert members who had contributed immensely in this curriculum. Sl. Name & Designation Mentor Council Organization No. Shri/Mr./Ms. Designation Expert group on restructuring of Apprenticeship Training Modules 1. Sandeep Kumar Sharma, SASMIRA SEP DEPT, Mumbai Chairman Manager Production 2. Deepak k Pethar, Manager Body Line Clothing, Mumbai Member 3. Umesh V Kapure, Manager, Body Line Clothing, Mumbai Member Finishing Dept. 4. Mahesh Kumar, Executive SK Enterprise, Mumbai Member Marketing 5. Anil Pachariwar, Executive Creative Garment, Mumbai Member 6. Mrs Pranoti Mhatre, Director Pratitis Fashion Design, Dadar, Member Mumbai 7. Mrs Meena Pokale, Executive Bar Code, Colaba, Mumbai Member 8. SD Prabhu, Designer M/s Tex style International, Lowe Member Parel, Mumbai 9. Rajesh Bukari, Designer M/s Tex Part Syndicate, Andheri, Member Mumbai 10. -
How to Needlepoint
How to Needlepoint A quick guide for the on the go learner to get started stitching By Casey Sheahan What is needlepoint? Needlepoint is a type of embroidery where wool, cotton or silk is threaded through an open weave canvas. Needlepoint can be used to create many different objects, crafts or art canvases. Sources : Colorsheets, Viviva, and Shovava. “What Is Needlepoint? Learn the DIY Basics to Begin This Fun and Colorful Craft.” My Modern Met, 9 Sept. 2018, https://mymodernmet.com/what-is-needlepoint/. The Editors of Encyclopaedia Britannica. “Needlepoint.” Encyclopædia Britannica, Encyclopædia Britannica, Inc., 4 Sept. 2019, https://www.britannica.com/art/needlepoint#:~:targetText=Needlepoint as it is known,the foundation for the embroidery Needlework has been around for centuries. Throughout history we have seen a variety of different types History of of stitching. Tapestries have been found dating back to the 15th century Needlepoint and needlepoint was even found in the cave of a Pharaoh. In the 17th century when upholstered furniture became pooular. Source: “The English Needlepoint.” Ghorbany, https://ghorbany.com/inspiration/the-english-needlepoint. Getting Started Now that you know a little more about the history of needlepoint, you will start collecting your materials to begin stitching. Getting Started Material Options: Threads and Yarns Althea DeBrule outlines some of the most common types of threads used in needlepoint. Persian Yarn: By far the most popular yarn used for needlepoint. Persian wool can be be purchased in hundreds of colors from delicate hues to bold shades. Tapestry Yarn: Tapestry wool is a single strand thread that cannot be separated for fine stitching. -
A Hole New Story Jumper & Socks Edition
Workshop no.1 A hole new story jumper & socks edition Don’t let your textiles go to waste workshop series Contents 1. Who are we? 3 2. Mending, a story of tradition and care 7 3. Fabrics 101 11 4. Material kit explained 16 5. Visible mending techniques 18 6. Basic sewing skills 23 7. Step-by-step mending techniques 25 2 1. Who are we? 3 TextileLab Amsterdam TextileLab Amsterdam is a group of people that researches, questions and Pictured above (from left to right): speculates how we can help transition the textile and clothing industry towards a more sustainable and value driven approach. From a holistic Cecilia Raspanti approach we look at materials, tools/instruments, processes, culture and Co-founder TextileLab Amsterdam, systems and how these are related. Co-founder Fabricademy: textile academy The research always has a collaborative and value driven nature, where Ista Boszhard findings are shared in a fully open source fashion to create knowledge Co-founder TextileLab Amsterdam, exchange and foster collaboration with a range of diverse stakeholders. Lecturer Amfi Circular economy, sustainable value flows and networks, as well as material Margherita Soldati research and innovation are at the core of the TextileLab operations, going Concept and design TextileLab Amsterdam, hand in hand with exploring informal hands-on alternatives for design, Independent Designer fabrication and production. This wide range of operations and outcomes all feed into education innovation, supporting the change of this field starting Beatriz Sandini from existing educational structures. Concept and design TextileLab Amsterdam, Independent Designer 4 REFLOW Textiles have been a critical and polluting industry since the Industrial Revolution – each year, 14,000 tons of textiles are thrown away in Amsterdam only. -
De Laudibus Legum Angliae
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com UNIVE NFORD UBRAR School of Law ह பல UL PREMY . JSN LFO XKD 1874 DE LAUDIBUS LEGUM ANGLIÆ A TREATISE IN COMMENDATION OF THE LAWS OF ENGLAND BY CHANCELLOR SIR JOHN FORTESCUE WITH TRANSLATION BY FRANCIS GREGOR NOTES BY ANDREW AMOS AND A LIFE OF THE AUTHOR BY THOMAS ( FORTESCUE ) LORD CLERMONT . CINCINNATI : ROBERT CLARKE & CO . 1874 Entered , according to act of Congress , in the year 1874 , By ROBERT CLARKE & CO . , In the office of the Librarian of Congress , at Washington . Stereotyped by OGDEN , CAMPBELL & Co. , Cin . , o . 93144 PUBLISHERS ' NOTICE . In carrying out our plans for the republication of some of the most noted “ Legal Classics , ” Sir John Fortescue's “ De Laudibus Legum Angliæ ” was selected as the third of our series , and the edition by Amos , published in 1825 , was fixed upon for republication . Just as we were about putting it into the printers ' hands , we fortunately heard of Lord Clermont's privately printed edition of Fortescue's Life and Works , in 2 vols . royal 4to , printed in 1869 , a detailed description of which will be found on page liv . After some correspondence we learned that the edition was a limited one - 120 copies — designed for family friends and important public libraries . On being informed of our in tended republication , and of our desire to refer to it for comparison , Lord Clermont generously sent to us a copy of this sumptuous work , for our use in the preparation of this edition , and then to be presented to the Public Library of Cincinnati . -
Project: Blowing in the Wind
American Patchwork & Quilting | Quilt Sampler | Quilts and More Project: Blowing in the Wind DESIGNER: BY TSUKI FOX (LITTLEGRAYFOXBLOG.COM) Long straight stitches dotted with French knots radiate from the center of this graceful dandelion pouf. Wispy fly-stitch florets create a sense of movement. Pattern may be downloaded for personal use only. No electronic or printed reproduction permitted without the prior written consent of Meredith Corporation. ©Meredith Corporation 2014. All rights reserved. 1 American Patchwork & Quilting | Quilt Sampler | Quilts and More Project: Blowing in the Wind Materials on wrong side, press finished • 12" square of blue linen embroidery. Insert embroidery • 6"-diameter wooden embroidery into hoop, centering design and hoop pulling fabric taut. • Embroidery floss: white • Embroidery needle 7. When all stitching is complete, • Matching sewing thread turn the hoop over. Stitch a running stitch approximately 1 1 ⁄ 2” outside the hoop in the Instructions fabric that extends past the hoop 1. Pattern is on page 4. Using a edges. Pull the thread to gather light box or a sunny window, the fabric; knot the thread. trace the pattern onto the center Trim away the extra fabric of the fabric using a sharp approximately 1” outside the pencil. gathered line. 2. Place blue linen square in 8. If desired, cut a felt circle that is embroidery hoop, centering slightly smaller than the back of traced design inside hoop and the embroidery hoop. Whipstitch pulling fabric taut. Tighten the felt circle to the gathered screw. fabric on the back side of the hoop. 3. Using four strands of white embroidery floss and beginning at the bottom of dandelion stem, chain stitch stem. -
Sewing Fun! Feather
Sewing Fun! Feather. Blanket. Straight. Cross. Satin. Zig-zag. Chain. Running. Back. Whip. Slip. Knotting. These are not yoga poses! These are stitches that you can learn as you become a sewing master! Sewing is an essential skill that is practical and fun! Lose a button? No need to ask mom for help! You can fix it yourself! Want to create a personalized gift for someone? Sew it! Make your own bedroom accessories, stuffed animals, pencil cases, tote bags, blankets, pillows, doll clothes, design your own fashion. Dream it! Sew it! How to earn the Summer Reading patch the Girl Scout way: Steps: 1. Discover—Gather the materials you need and practice a few stitches. 2. Connect—Complete your first sewing project. 3. Take Action—Put your new skill to use! Materials Needed: In order to complete this patch, you’ll need a few things: • basic sewing supplies (See Step 1 for list or purchase an embroidery kit) • fabric: scraps or embroidery cloth • sewing resources: You can either go online with an adult, ask a professional, or visit your public library • a box or basket to use as your sewing kit • a quilting hoop • buttons STEP 1 Discover the basics of sewing. Before you start a project, it’s important to have all the tools you may need on hand. An easy way to gather everything is to create a sewing kit. Here are some items that you might want to have before you begin: • needles • thread • embroidery floss • needle threader • scissors • seam ripper • pins Optional: • measuring tools 800-248-3355 • marking tools gswpa.org • painter’s tape/colored tape (This is great for learning to sew straight lines!) Use your resources wisely to learn about hand sewing—you can find books about different kinds of stitches at your local library, or with the help of an adult, go online! There are websites and videos that can show you how to do easy, intermediate, and complicated stitches. -
My BERNINA Embroidery Workbook
MYMy BERNINA BERNINA EMBROIDERY WORKBOOK BERNINA MASTERY BOOK SERIES EMBROIDERY BERNINA EMBROIDERY WORKBOOK For BERNINA 880 PLUS, 790 PLUS, 770 QEE, 700, 590, 570 QEE, 535, and 500 EMBROIDERY MACHINES 1 ©2017 BERNINA of America. Permission granted to copy and distribute in original form only. Content may not be altered or used in any other form or under any other branding. 012918 My BERNINA BERNINA EMBROIDERY WORKBOOK TABLE OF CONTENTS INTRODUCTION ....................................... 4 CENTERING A COMBINED DESIGN IN THE HOOP . 21 SETTING UP - MACHINE/MODULE .......... 5 CHECK/TRACE ........................................ 21 SETTING UP - MACHINE .......................... 6 VIRTUAL POSITIONING/ABSOLUTE CHECK ..22 SETTING UP-HOOPING FABRIC AND STABILIZER .. 7 CHANGING TO SINGLE COLOR EMBROIDERY . 23 SETTING UP-ATTACHING BERNINA HOOPS .. 8 ADDING A BASTING BOX ...................... 23 DESIGN LIBRARY ...................................... 9 STITCHING A DESIGN ............................. 24 DESIGN SELECTION ................................ 10 SEQUENCE CONTROL ........................... 25 PRESSER FOOT SELECTION .................... 11 PINPOINT PLACEMENT .......................... 26 STITCH PLATE SELECTION ...................... 11 THREAD-UP COMMAND ....................... 27 HOOP SELECTION/DISPLAY MENU ........ 12 CHANGING LETTERING SIZE .................. 28 HOOP CALIBRATION .............................. 13 WORD ART - CHANGING LETTERING SPACING . 28 JUMP STITCH LENGTH ........................... 14 WORD ART ........................................... -
What Are Fabric Scissors?
What are fabric scissors? Fabric scissors or fabric shears as they are more commonly referred to are the main tool used for cutting out your fabric. There are various different types of fabric shears on the market which range from general purpose to a traditional tailors shears. Shears should cut cleanly and smoothly so the type you choose usually depends on what material you need to cut and what you find comfortable to use. If you are buying hand crafted shears, your choice will also be influenced by the shear manufacturers skill and the quality of steel used. Heavy fabrics such as leather and denim are easier to cut using shears that have longer handles or sharper blades. Synthetic fabrics tend to slip on smooth blades so a serrated pair for better control would be the answer. Elastic or pivoted shears offer precision cutting right to the tip of the blades. Most dressmakers shears are angled (or bent) to keep the blades flat on the table reducing disruption to your lay. But very angled shears can be awkward to use if you need to stretch across a table. Lightweight shears are recommended for occasional use where as drop forged shears are for more prolonged use. The size you choose should depend largely on what you find comfortable to use. If possible try to borrow a pair to handle them and see if they suit you before buying. They mustn’t be to heavy for comfort. If you are in doubt, then go for the larger size. The maintenance of scissors and shears is very important, yet often neglected.