Oberlin College Archives Richard E. Spear Collection
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ALL PINAKOTHEK MUSEUMS IN THE KUNSTAREAL MÜNCHEN ORIENTATION Schelling- straße Bus 154 Bus 154 U H H Universität Arcisstraße H 7/28 2 ENGLISH 6 m U a / 3 NEUE Tr Heßstraße PINAKOKTHE U e ß e a U2 ß r a Pinakotheken t Bus 100 r s t n s e Theresienstraße g i U H H H i l w a MUSEUM d ALTE m u A PINAKOTHEK BRANDHORST L TÜRKENTOR e ß e a ß PINAKOTHEK DER r a t r S t MODERNE s r s e Gabelsbergerstraße i H r e c a ß 100 B Ar Bus a 0 r t 10 s PALAIS en LENBACH- s s Karolinen- k PINAKOTHEK Bu r HAUS platz ü GLYPTOTHEK H T U U Königsplatz Brienner Straße H KUNSTBAU STAATLICHE Odeonsplatz ANTIKENSAMMLUNGEN 6 U ALTE PINAKOTHEK / 3 Daily except MON 10.00–18.00 | TUE 10.00–20.00 8 U /2 www.pinakothek.de/en/alte-pinakothekAlter B otanischer 7 Garten 2 m a NEUE PINAKOTHEK Tr 8 U Daily except TUE 10.00–18.00 | WED 10.00–20.00 S1–S S Marienplatz www.pinakothek.de/en/neue-pinakothek H S S U H PINAKOTHEK DER MODERNE Karlsplatz (Stachus) S1–S8 Hauptbahnhof DB Daily except MON 10.00–18.00 | THU 10.00–20.00 www.pinakothek.de/en/pinakothek-der-moderne U2 MUSEUM BRANDHORST Daily except MON 10.00–18.00 | THU 10.00–20.00 www.museum-brandhorst.de/en SAMMLUNG SCHACK WED–SUN 10.00–18.00 | Every 1st und 3rd WED in a month 10.00–20.00 www.pinakothek.de/en/sammlung-schack DEAR VISITORS, ALTE PINAKOTHEK We wish you a pleasant visit to the Alte Pinakothek. -
Early Art Literature
ARS LIBRI Early Art Literature Catalogue 139 EARLY ART LITERATURE Catalogue 139 A selection from Ars Libri’s stock of rare books on art Full descriptions and additional illustrations are available at our website, www.arslibri.com. Payment details are supplied at the end of the catalogue. Please contact us for further information. 1 AN ALBUM OF BAROQUE REPRODUCTIVE PRINTS. 4 (ALGAROTTI COLLECTION) [SELVA, GIOVANNI 75 seventeenth- and eighteenth-century etchings and engravings, ANTONIO]. Catalogue des tableaux, des desseins et des livres mounted on 71 leaves. Folio. Nineteenth-century English marbled qui traitent de l’art du dessein, de la galerie du feu Comte boards, 3/4 morocco gilt (rubbed). The album includes, among other Algarotti à Venise. (8), lxxx pp. Handsome engraved headpiece at contents, Agostino Carracci’s “Saint Francis Consoled by the Musi- the outset, by Volpato. Lrg. 8vo. Contemporary marbled wraps., cal Angel” after Vanni (cf. Bohlin 204) and his “Ecce Homo” after backed in the 19th century with cloth tape. Correggio (cf. Bohlin 143); Michel Dorigny’s “The Academy of The privately printed catalogue of the collection of Count Art,” and Cornelis Cort’s “Rest on the Flight to Egypt” after Baroc- Francesco Algarotti and his brother Count Bonomo Algarotti, ci. There are several partial or nearly complete reproductive series, simultaneously issued in Italian and (per Schlosser) in German. All including Dietrich-Theodor Crüger after Sarto’s Life of the Baptist three issues are very rare. Though not stated, the catalogue was (17 plates on 15); Pietro Santi Bartoli after Lanfranco (16 plates, compiled by the Venetian architect, garden designer and writer Gio- including title); and 22 various plates after Vouet by Dorigny, Torte- vanni Antonio Selva (1751-1819), with contributions by Pietro bat, Daret and others. -
Julius S. Held Papers, Ca
http://oac.cdlib.org/findaid/ark:/13030/kt3g50355c No online items Finding aid for the Julius S. Held papers, ca. 1921-1999 Isabella Zuralski. Finding aid for the Julius S. Held 990056 1 papers, ca. 1921-1999 Descriptive Summary Title: Julius S. Held papers Date (inclusive): ca. 1918-1999 Number: 990056 Creator/Collector: Held, Julius S (Julius Samuel) Physical Description: 168 box(es)(ca. 70 lin. ft.) Repository: The Getty Research Institute Special Collections 1200 Getty Center Drive, Suite 1100 Los Angeles 90049-1688 [email protected] URL: http://hdl.handle.net/10020/askref (310) 440-7390 Abstract: Research papers of Julius Samuel Held, American art historian renowned for his scholarship in 16th- and 17th-century Dutch and Flemish art, expert on Peter Paul Rubens, Anthony van Dyck, and Rembrandt. The ca. 70 linear feet of material, dating from the mid-1920s to 1999, includes correspondence, research material for Held's writings and his teaching and lecturing activities, with extensive travel notes. Well documented is Held's advisory role in building the collection of the Museo de Arte de Ponce in Puerto Rico. A significant portion of the ca. 29 linear feet of study photographs documents Flemish and Dutch artists from the 15th to the 17th century. Request Materials: Request access to the physical materials described in this inventory through the catalog record for this collection. Click here for the access policy . Language: Collection material is in English Biographical / Historical Note The art historian Julius Samuel Held is considered one of the foremost authorities on the works of Peter Paul Rubens, Anthony van Dyck, and Rembrandt. -
N U M B E R T W E N T Y 1961 REMBRANDT
NumberTwenty 1961 REMBRANDT Christ and the Woman of Samaria AUCKLAND CITY ART GALLERY QUARTERLY NUMBER TWENTY —1961 EDITORIAL In 1634, Rembrandt married Saskia van Uylcnburgh who had a considerable dowry, As our Old Master collection has increased so which provided the artist, for a brief few years, much recently, we are building five more a pleasurable existence. He was an enthusias- mobile walls for the Mackelvie Gallery. Space tic collector, buying paintings and etchings- now, in the Gallery, is at a premium. It was particularly by Italian artists — and his work therefore encouraging to learn that it is in- of this period often reflects the influence of tended that the New Library building is to his collection. The present etching indeed is commence next year. The present library rooms clearly based on an Italian model. Valentiner will provide us with adequate space for many suggests Moretto's work at Bergamo, but years to come. Munz, more convincingly, suggests an engrav- ing by Girolamo Olgiati, who was an imitator of Cornelis Cort in Venice in the 1570s. It is REMBRANDT VAN RIJN (1606-1669) Dutch not surprising therefore to find certain simi- CHRIST AND THE WOMAN OF SAMARIA (Cover) larities between Olgiati's work (repr. Munz: Etching 121 x 106mm H. 122 II The Etchings of Rembrandt II p. 95) and that Signed Rembrandt f. J634 of Guido Reni. Annibale Carracci had made This etching was purchased, with others visit to Venice in 1585. and his brother Ago noticed in a previous issue, this year. Rem- stino had been there earlier in 1581-2. -
Annamaria Petrioli Tofani
©Ministero per beni e le attività culturali-Bollettino d'Arte ANNAMARIA PETRIOLI TOFANI POSTILLE AL u PRIMATO DEL DISEGNO" A MOSTRA dedicata al Primato del Disegno, allestita Heikamp tuttavia, avendo constatato notevoli discrepanze L a palazzo Strozzi nel quadro della Sedicesima Espo tra la serie alloriana come essa risulta descritta nei docu sizione del Consiglio d'Europa (Firenze, Ig8o}, ') ha menti di archivio e i panni esistenti - diversità di dimen costituito un'occasione estremamente favorevole per sioni, e il fatto che mentre la prima venne affidata per la tutta una serie di verifiche sui prodotti grafici degli arti tessitura a Benedetto Squilli, sugli altri compare invece sti fiorentini del Cinquecento. Nella fase della sua prepa la sigla dell'arazziere Guasparri Papini - è giunto alla razione, la presa in esame di un materiale necessariamente conclusione che gli arazzi pervenutici non siano stati molto più vasto di quello che è poi stato effettivamente tessuti sui cartoni forniti nel I 585 dall'Allori, bensì su esposto, ha condotto a varie puntualizzazioni sia sul piano un'altra serie di ugual soggetto, per la quale Michelangelo a ttri butiv o, sia per quanto riguarda l'accertamento della Cinganelli riceveva pagamenti nel I6r7. 3) Ora se, come destinazione (e di conseguenza, spesso, della cronolo è molto probabile, lo Heikamp ha colto nel vero, bisogna gia) di tal uni disegni: puntualizzazioni delle quali non ammettere che il Cinganelli nel I6I7 non fece che rico sempre è stato possibile dar conto (o illustrare e discutere piare le precedenti composizioni alloriane, due delle quali in maniera adeguata) nel relativo catalogo, per ragioni restano documentate in disegni preparatori di sicura auto di spazio o per altri impedimenti tecnici di vario ordine grafia : quello che appunto presentiamo in questa sede, e natura. -
Domenichino's Scenes from the Life
DOMENICHINO’S SCENES FROM THE LIFE OF ST. CECILIA: ARTISTIC INTERPRETATION AND THE COUNTER-REFORMATION by Emily Freeman Bachelor of Arts, 2005 The University of Texas at Austin Austin, Texas Submitted to the Faculty Graduate Division of the College of Fine Arts Texas Christian University in partial fulfillment of requirements for the degree of MASTER OF ARTS May 2008 DOMENICHINO’S SCENES FROM THE LIFE OF ST. CECILIA: ARTISTIC INTERPRETATION AND THE COUNTER-REFORMATION Thesis approved: Major Professor, Dr. Babette Bohn Dr. Mark Thistlethwaite Dr. Nadia Lahutsky Graduate Studies Representative For the College of Fine Arts ii Copyright © 2008 by Emily Freeman All Rights Reserved iii TABLE OF CONTENTS List of Illustrations.................................................................................................. v Introduction............................................................................................................. 1 St. Cecilia and the Revival of Her Cult................................................................... 4 St. Cecilia in Art and Literature............................................................................ 13 Early Life and the Carracci Academy................................................................... 22 Conclusion ............................................................................................................ 43 Images................................................................................................................... 45 Bibliography ........................................................................................................ -
JOHANN LISS, Attributed, the CURSING of CAIN
anticSwiss 25/09/2021 06:38:36 http://www.anticswiss.com JOHANN LISS, attributed, THE CURSING OF CAIN FOR SALE ANTIQUE DEALER Period: 17° secolo -1600 Wladyslaw Maximowicz Bratislava Style: Charles I ( 1625-1649 ) +421908351092 Length:70cm Height:93cm Price:16900€ DETAILED DESCRIPTION: JOHANN LISS, attributed THE CURSING OF CAIN JOHANN LISS, attributed Oldenburg 1597 – 1629 Verona Oil on canvas 93 x 70 cm / 36.6 x 27.6 in PROVENANCE Delvaux, Paris, Tableaux, Mobilier et Objets d'Art, 16 December 2016, lot 141 (as Atelier de Johann LISS) RELATED LITERATURE Exhibition catalogue, La pittura del seicento a Venezia, Second Edition (BIS). Ca' Pesaro, Venice. 1959:. Italian Renaissance and Baroque Paintings from the Collection of Walter P. Chrysler, Jr. Dec. 1967-May 1969. Catalogue by Robert L. Manning. Italian Renaissance and Baroque Paintings from the Collection of Walter P. Chrysler: An Exhibition to Mark the Opening of the Willis Houston Memorial Wing, Norfolk Museum of Arts and Sciences, December 2, 1967-May 15, 1968 Treasures from the Chrysler Museum at Norfolk and Walter P. Chrysler, Jr. : special selections exhibition, Tennessee Fine Arts Center at Cheekwood, Nashville, Tennessee, June 12-September 5, 1977 : catalogue One of the most interesting problems of the art of the XVII century in Italy is the active mutual influence of the Italian school itself and the numerous "northern" masters who worked in Italy at that time. While the world of northern Caravaggisti is quite well known 1 / 4 anticSwiss 25/09/2021 06:38:36 http://www.anticswiss.com to researchers, numerous "little-known" masters ("little-known" in this case is a very conventional designation, each of these masters is great in its own way) are very often in the shadow of their more eminent and "serious" contemporaries. -
096-Santa Maria Della Vittoria
(096/11) Santa Maria della Vittoria Santa Maria della Vittoria is a 17th century baroque is titular and conventual church in Rome dedicated to the Blessed Virgin, under her title of Our Lady of Victory. For wealth, harmony and beauty, this church is one of the most representative monuments of the baroque style. History The present church is on the site of a very small but ancient chapel dedicated to St Paul, which had a hermitage attached for one hermit in the early 16th century. He justified his social existence by helping travelers caught out by darkness, bad weather and the threat of robbery. Back then, the area was entirely rural to the point where the Roman nobility used to go hunting and shooting birds hereabouts, especially in the deserted and overgrown ruins of the Baths of Diocletian nearby. (1) In the reign of Pope Paul V, however, the little chapel was demolished and replaced with a bigger edifice called San Paolo alla Fontana Felice (St Paul of the Happy Fountain), after a new acqueduct which had its terminus at the fountain across the road. (1) The present church was built by the Discalced Carmelite Friars, who purchased the church and some land adjacent in 1607. Initially they financed the work themselves, but when clearing the foundations discovered a superb pagan statue, called the Borghese Hermaphrodite, which is now in the Louvre. Cardinal Scipione Borghese made a deal with them, whereby he obtained the statue in exchange for paying for the work. Construction by the friars started in 1608, under the direction of Carlo Maderno, but the Cardinal's architect Giovanni Battista Soria was also involved after 1624 and it was he who designed the façade. -
Here We Have Guido Reni's “St. Matthew and the Angel,”
3 About the Cover: Here we have Guido Reni’s “St. Matthew and the Angel,” an Italian Baroque painting c.1635-40. This painting not only symbolizes the mystic nature of Catholicism, but also embodies the theme of our journal “The Word and Image.” St. Matthew’s quill moves rapidly as the Angel moves his hands, indicating direct speech, yet the hypnotic gaze alludes to something more than spoken word. This demonstrates the importance and power behind literature, as the dialogue between word and image presents itself as complex yet cohesive. We hope you enjoy the thought- provoking essays within this journal, as they aim to analyze the theme of “Word and Image” in Christianity, past and present. Matthew Sottile Associate Editor From the Editor’s Desk: The theme for this edition is “The Word and Image” which explores how Christianity, or Christian themes, are represented or depicted in the various arts including visual arts, music, drama, and literature. The number of submissions far exceeded our expectations, and it is with joy that we present the following essays, which did not come without a hard gruelling review process. The following works explore Christian representation from a wide scope of artistic and literary angles from the time of early Christianity to the present day. Our first essay, by Lisa D’Souza, explores the depiction of the holy women Thecla and Perpetua in The Apocryphal Acts of Paul and Thecla. How did women in the early Church achieve holiness? Or how were women in the early Church expected to attain holiness? How was holiness manifested in their bodies? In written stories, how does the aesthetic depiction of these women inspire others to follow Christ? Our second essay, by Aliyah Bhatia, picks up the question of visual representation of holiness by adding a material dimension to acts of devotion with the role of relics and reliquaries in the medieval period, with a particular focus on the reliquary of the Virgin and Child. -
Metropolitan Museum Publishes List of European Paintings with Incomplete Nazi-Era Provenance
ARCHIVES The Metropolitan Museum of Art PLEASE POST For Release: Contact: IMMEDIATE Harold Holzer METROPOLITAN MUSEUM PUBLISHES LIST OF EUROPEAN PAINTINGS WITH INCOMPLETE NAZI-ERA PROVENANCE (New York, April 12, 2000) - The Metropolitan Museum of Art today issued a list of European paintings in its collections with incomplete provenance for the Nazi/World War II era. The list was made public today by Philippe de Montebeilo, Director of the Metropolitan, who testified this morning, along with other museum directors, before the Presidential Advisory Commission on Holocaust Assets in the United States. Inclusion on this list indicates that more information is required to complete the Metropolitan Museum's knowledge of the ownership of these works during the Nazi/World War II era, and does not indicate that the works are suspected of having been looted and not restituted. The list of the 393 works of art — titles, artists, and accession numbers — was posted today on the Metropolitan Museum Web site [www.metmuseum.org] under a "News from the Met" banner. "This is not a list of suspect pictures," Mr. de Montebeilo explained in his testimony. "Our list is an invitation for information that might help fill the elusive gaps during the Nazi era." Mr. de Montebeilo served in 1998 as chairman of the Association of Art Museum Directors (AAMD) Task Force on the spoliation of art during the Nazi era. The Task Force guidelines and principles, which were adopted in June 1998 by the full AAMD, committed all American museums to comprehensive reviews of their collections to ascertain if any works were unlawfully confiscated during the Nazi/World War II era and never returned." (Text of Mr. -
A Palace and the City
A PALACE AND THE CITY 150 years since Florence was named An exhibition created and curated by the Capital of Italy Stefania Ricci and Riccardo Spinelli Palazzo Spini Feroni opens its doors Design to the city in a fascinating exhibition Maurizio Balò on its centuries of history in collaboration with Davide Amadei Museo Salvatore Ferragamo Exhibition organised by Florence, Palazzo Spini Feroni Museo Salvatore Ferragamo 8 May 2015- 3 April 2016 in collaboration with inauguration 7 May Soprintendenza Speciale per il Patrimonio Storico, Artistico ed Etnoantropologico e per il Polo Museale della Città di Firenze Fondazione Ferragamo With the sponsorship of Ministero dei Beni e delle Attività Culturali e del Turismo Regione Toscana Comune di Firenze 1 A PALACE AND THE CITY “Long before I ever moved into the Palazzo Spini Feroni it was one of the buildings of Florence that I most admired and loved.” Salvatore Ferragamo From 8 May 2015 to 3 April 2016, at Palazzo Spini Feroni, via Tornabuoni, Florence, Museo Salvatore Ferragamo will hold an exhibition on the building’s centuries of history, commemorating the 150 years since Florence was named capital of the Kingdom of Italy (1865-1870), and Palazzo Spini Feroni became the city hall in 1865. Curated by Stefania Ricci and Riccardo Spinelli, the exhibition will include prestigious works of art and documents from museums and private collections and will tell the intricate stories behind the palace and its residents, in captivating displays created by stage designer Maurizio Balò, thus sharing one of the most important buildings in the city’s urban landscape with Florence, Florentines and travellers. -
Context: Palm Springs Between the Wars (1919-1941)
48 Context: Palm Springs between the Wars (1919-1941) O’Donnell House, Ojo del Desierto, 447 W. Alejo Road, 1925. Listed in the National Register; HSPB- 19. Source: Steve Vaught, Paradise Leased. FINAL DRAFT – FOR CITY COUNCIL APPROVAL City of Palm Springs Citywide Historic Context Statement & Survey Findings HISTORIC RESOURCES GROUP 49 CONTEXT: PALM SPRINGS BETWEEN THE WARS (1919-1941) Overview This context explores the transformation of Palm Springs from a modest spa town into a luxury winter resort in the years between the First and Second World Wars. By 1918 Nellie Coffman and her sons, George Roberson and Earl Coffman, understood the town’s potential, not as a health spa for asthmatics and consumptives, but as an exclusive winter resort for the well-to-do, and set about transforming their sanatorium into the luxurious Desert Inn, one of the most renowned hostelries in the country. Their success inspired the development of two equally spectacular hotels in the 1920s and cemented the town’s growing reputation as one of the country’s premier luxury winter resorts. These were the Oasis Hotel (121 S. Palm Canyon Drive; HSPB-10), designed by Frank Lloyd Wright, Jr. (known as Lloyd Wright) and opened in 1925 by Pearl McCallum McManus;97 and the grand Hotel El Mirador (1150 N. Indian Canyon Drive), designed by Walker and Eisen in a sumptuous Spanish Colonial Revival style and opened in 1927.98 El Mirador Hotel, photographed c. 1933. Source: Security Pacific National Bank Collection, Los Angeles Public Library. 97 The Oasis Hotel opened on a provisional basis in 1924, but the official opening was in 1925.