The Ukrainian Weekly 2012, No.21
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Billy Bob Thornton
AMAZON ORIGINAL PRESSEMAPPE INHALT Credits 3 Synopsis 4 Darsteller & Rollen 5 Über Amazon Video 21 Über Amazon Prime 22 PRESSEBETREUUNG LEWIS Communications Amazon.de GmbH Bettina Greiffer E-Mail: [email protected] E-Mail: [email protected] Tel.: +49 89 35803 530 Tel.: +49 89 173019 38 Fax: +49 89 35803 481 DOWNLOAD PRESSE- & BILDMATERIAL www.amazon-presse.de/Digitales CREDITS BESETZUNG Billy McBride: Billy Bob Thornton Brittany Gold: Tania Raymonde Gastrollen: Dwight Yoakam als Wendell Corey, Harold Perrineau Donald Cooperman: William Hurt Patty Solis-Papagian: Nina Arianda als Richter Roston Keller, Jason Ritter als FBI-Agent Joe Farley, Lucy Kittridge: Olivia Thirlby Jason Larson: Britain Dalton Ever Carradine als Rachel Kennedy, Damon Gupton als Leonard Michelle McBride : Maria Bello Kevin Wyatt: Cleo Anthony Letts, Diana Hopper als Denise McBride, Jorge-Luis Pallo als Callie Senate: Molly Parker Gina Larson: Sarah Wynter Alejandro Marquez, Juan Gabriel Pareja als Gabriel Marquez, Rigo Sanchez als Karl Stoltz, Gilbert Owuor als Pater Chibueze Anan, Jonell Kennedy als Betsy Blaine Letts, Kevin Weisman als Ned Berring, Parick Robert Smith als Officer Ezekiel Sanders 1 CREW Entwicklung: David E. Kelley, Jonathan Geschrieben von: David E. Kelley, Jonathan Produktionsdesigner: Michael Wylie, Elizabeth Gray, Jessica Shapiro Shapiro Kender Executive Producer: David E. Kelley, Jonathan Regie: Larry Trilling, Anthony Hemingway, Alik Kamera: Edward Pei Shapiro, Ross Fineman, Larry Trilling, David Sakharov und Bill D'Elia Editing: Arge O'Neal, John David Buxton, Semel Casting: Cami Patton, Jennifer Lare Kristin Windell Produzent: Robert Lloyd Lewis Music Supervisor: Manish Raval, Tom Wolfe Kostüm: Linda McMichael Gummersall Co-Produzenten: Derek Johansen, Aaron Komponist: Jon Ehrlich, Jason Derlatka Amazon Studios Executives: Morgan Wandell, Brian Harvey, Green Carina Walker TECHNISCHE DATEN Premiere: 18. -
Venus in Fur by David Ives Directed by Patrick Marber
Image Release – Monday 7 August Natalie Dormer and David Oakes in Venus in Fur By David Ives Directed by Patrick Marber IMAGE CAN BE DOWNLOADED HERE First image of Natalie Dormer and David Oakes in David Ives’ play Venus in Fur Royal Haymarket for a strictly limited run from 6 October. 200 seats at £15 for every performance. Tickets available here Directed by Patrick Marber with designs by Rob Howell and lighting designs by Hugh Vanstone. TRH Productions have released the exclusive first image of Natalie Dormer and David Oakes prior the West End premiere of David Ives’ hit Broadway play Venus in Fur which will run for a strictly limited nine week engagement at the Theatre Royal Haymarket run from 6 October to 9 December with opening night for press on 17 October. Enigmatic actress Vanda Jordan appears unannounced for an audition with director Thomas Novachek. She's determined to land the leading role in his new production - despite seeming wrong for the part. Over one evening in downtown Manhattan their charged meeting becomes a seductive dance to the end. Directed by Patrick Marber, designed by Rob Howell with lighting by Hugh Vanstone and casting by Executive Producer Ilene Starger, Venus In Fur is an intoxicating dark comedy of desire, fantasy and the innate love of fur. Natalie Dormer is to play Vanda Jordan. Dormer is known globally for film and television roles including Margaery Tyrell in HBO series Game of Thrones, Anne Boleyn in The Tudors for Showtime, Cressida in The Hunger Games: Mockingjay Parts 1 and 2, Focus Features' The Forest, Ron Howard's Rush, and Ridley Scott's The Counselor. -
Ukraine and NATO: Deadlock Or Re-Start? Ukraineukraine and and NATO: NATO: Ukraine Has Over the Past Ten Years Developed a Very Close Partnership with NATO
Ukraine and NATO: Deadlock or Re-start? UkraineUkraine and and NATO: NATO: Ukraine has over the past ten years developed a very close partnership with NATO. Key areas of Deadlock or Re-start? consultation and co-operation include, for instance, peacekeeping operations, and defence and Deadlock or Re-start? security sector reform. NATO’s engagement serves two vital purposes for Ukraine. First, it enhan- Jakob Hedenskog ces Ukraine’s long-term security and serves as a guarantee for the independence of the state; and JAKOB HEDENSKOG second, it promotes and encourages democratic institutionalisation and spreading of democratic norms and values in the country. JAKOB HEDENSKOG Ukraine and NATO: Deadlock or Re-start NATO’s door for Ukraine remains open. The future development of the integration depends on Ukraine’s correspondence to the standards of NATO membership, on the determination of its political leadership, and on an effective mobilisation of public opinion on NATO membership. This report shows that Ukraine has made progress in reaching the standards for NATO membership, especially in the spheres of military contribution and interoperability. However the absence of national consensus and lack of political will and strategic management of the government hamper any effective implementation of Ukraine’s Euro-Atlantic integration. It is also crucial to neutralise Russia’s influence, which seriously hampers Ukraine’s Euro-Atlantic course. Leading representati- ves of the current leadership, especially Prime Minister Viktor Yanukovych and his Party of Regions of Ukraine, prefer for the moment continued stable relations with Russia rather than NATO mem- ? bership. Jakob Hedenskog is a security policy analyst at the Swedish Defence Re- search Agency (FOI) specialised on Ukraine. -
March 21, 2013 MEDIA CONTACT: Susan Yannetti Public Relations
FOR IMMEDIATE RELEASE: March 21, 2013 MEDIA CONTACT: Susan Yannetti Public Relations Manager [email protected] Phone: 941.351.9010 ext. 4800 Mobile: 941.735.1131 STEAMY NEW COMEDY VENUS IN FUR HEATS UP THE STAGE AT ASOLO REPERTORY THEATRE (SARASOTA, March 21, 2013) — It’s more than just the Florida sun that’s sizzling at Asolo Rep this spring. The must-see hit of the recent Broadway season, Venus in Fur, written by theatrical mastermind David Ives opens in the Historic Asolo Theater Friday, April 5 and runs through April 28, 2013. Two preview performances are scheduled for April 3 and 4. Tea Alagić, an exciting new talent originally from the Czech Republic, directs this wickedly entertaining comedy that explores the complex relationship between an aspiring stage actress and her playwright/director. Venus in Fur is a hot ticket in every sense. This alluring tale of love, lust, and literature illuminates the ultimate battle of the sexes. Vanda is the far-from-typical young actress who arrives to audition for the lead in playwright Thomas’ adaptation of Leopold von Sacher-Masoch’s 1870 erotic novel, “Venus in Furs.” As her audition proceeds, Vanda’s continually shifting personas, accents, moods, expressions and apparent (and not-so-apparent) intentions engage Thomas in an emotionally charged game of cat and mouse. Is art imitating life? Or is it the other way around? As the lines between reality and fantasy become blurred the audience is swept up in Thomas’ seduction. The Broadway production made an instant star of its leading actress, Nina Arianda, who won the Tony Award for Best Actress in 2012. -
ANYTHING GOES -Sutton Foster and Joel Grey Star As Reno Sweeney and Moonface Martin in Cole Porter's Musical Cruise Across the Atlantic Ocean
ANYTHING GOES -Sutton Foster and Joel Grey star as Reno Sweeney and Moonface Martin in Cole Porter's musical cruise across the Atlantic Ocean. BOOK OF MORMON, THE -Have they written it on golden plates? Only the creators (South Park + Avenue Q) know for sure. CHICAGO – There’s never been a better time to experience Broadway’s razzle-dazzle smash. A sensational tale of sin, corruption and all that jazz, it has everything you could want in a musical: knockout dancing, an edge-of-your-seat story, and one showstopper after another. CHINGISH - Playwright David Henry Hwang (M. Butterfly) explores the cultural barriers between America and China - especially linguistic ones - in this timely new comedy. COLUMNIST, THE - David Auburn's (Proof) latest drama portrays the dilemma faced by powerful Washington columnist Joseph Alsop, who publicly hosts the Kennedy Camelot circle while keeping hidden deep parts of himself. Starring John Lithgow. DEATH OF A SALESMAN - One man and his family are caught up in the pressures and delusions of living the American Dream. Miller's play is the story of a traveling salesman whose illusions of picture-perfect business and family life cave in on him. Philip Seymour Hoffman stars as the distressed salesman Willy Loman in Arthur Miller's masterpiece. Also starring Andrew Garfield and Linda Emond. END OF THE RAINBOW - It's December 1968 and Judy Garland is about to make her comeback…again. In a London hotel room with her young new fiancé at her side, Garland battles with a tornado of drugs and alcohol as she undertakes an exhausting series of concerts at the Talk of the Town to try and reclaim her crown as the greatest talent of her generation. -
Venus in Fur by David Ives
VENUS IN FUR reprint file.qxd 10/7/2014 12:31 PM Page i VENUS IN FUR BY DAVID IVES # # DRAMATISTS PLAY SERVICE INC. VENUS IN FUR reprint file.qxd 10/7/2014 12:31 PM Page 2 VENUS IN FUR Copyright © 2012, David Ives All Rights Reserved CAUTION: Professionals and amateurs are hereby warned that performance of VENUS IN FUR is subject to payment of a royalty. It is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copyright relations. All rights, including without limitation professional/amateur stage rights, motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all other forms of mechanical, electronic and digital reproduction, transmission and distribution, such as CD, DVD, the Internet, private and file-sharing networks, information storage and retrieval systems, photocopying, and the rights of translation into foreign languages are strictly reserved. Particular emphasis is placed upon the matter of readings, permission for which must be secured from the Author’s agent in writing. The English language stock and amateur stage performance rights in the United States, its territories, possessions and Canada for VENUS IN FUR are controlled exclusively by DRAMATISTS PLAY SERVICE, INC., 440 Park Avenue South, New York, NY 10016. No professional or nonprofessional performance of the Play may be given without obtaining in advance the written permission of DRAMATISTS PLAY SERVICE, INC., and paying the requisite fee. -
Broadway Theatre
Broadway theatre This article is about the type of theatre called “Broad- The Broadway Theater District is a popular tourist at- way”. For the street for which it is named, see Broadway traction in New York City. According to The Broadway (Manhattan). League, Broadway shows sold a record US$1.36 billion For the individual theatre of this name, see Broadway worth of tickets in 2014, an increase of 14% over the pre- Theatre (53rd Street). vious year. Attendance in 2014 stood at 13.13 million, a 13% increase over 2013.[2] Coordinates: 40°45′21″N 73°59′11″W / 40.75583°N The great majority of Broadway shows are musicals. His- 73.98639°W torian Martin Shefter argues, "'Broadway musicals,' cul- minating in the productions of Richard Rodgers and Os- car Hammerstein, became enormously influential forms of American popular culture” and helped make New York City the cultural capital of the nation.[3] 1 History 1.1 Early theatre in New York Interior of the Park Theatre, built in 1798 New York did not have a significant theatre presence un- til about 1750, when actor-managers Walter Murray and Thomas Kean established a resident theatre company at the Theatre on Nassau Street, which held about 280 peo- ple. They presented Shakespeare plays and ballad op- eras such as The Beggar’s Opera.[4] In 1752, William The Lion King at the New Amsterdam Theatre in 2003, in the Hallam sent a company of twelve actors from Britain background is Madame Tussauds New York to the colonies with his brother Lewis as their manager. -
Analyzing the Ground Zero. What Western Countries Can Learn from Ukrainian Experience of Combating Russian Disinformation
Kremlin Watch Report 11.12.2017 Analyzing the Ground Zero. What Western Countries can Learn From Ukrainian Experience of Combating Russian Disinformation Kateryna Kruk Kremlin Watch is a strategic program which aims to expose and confront instruments of Kremlin Watch Special Fellow Russian influence and disinformation operations focused against Western democracies. Analyzing the Ground Zero The report analyses different ways in which Ukraine tried to combat Russian information attacks, covering the period from the annexation of Crimea until the end of 2017. It provides the assessment of the effectiveness of the activities of the state and civil society according to the following response areas: putting hostile disinformation efforts on the foreign and security policy agenda, publicly challenging supporters of the Kremlin-sponsored efforts, disclosing disinformation campaigns substance and vehicles, systematically building resilience within free societies (see the table below). Adoption of the Doctrine of information security was warmly welcomed as an important step to increase information defense capacities. However, so far the implementation of the Doctrine has a limited impact due to the lack of the effective system of efforts coordination among state and civil society actors. Political will to make decisive steps is another important element of the success of disinformation fight. Example of Ukrainian Ministry of Information Policy shows that creating a new government body to fight disinformation only makes sense if there is a sufficient political will and consensus between the leading political actors to ensure that it receives enough staff, budgetary allowances, and proper division of labour with existing institutions. However controversial, opinion polls indicate that the decision to ban Russian TV channels from the Ukrainian media space was correct. -
87Th Academy Awards Reminder List
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 87TH ACADEMY AWARDS ABOUT LAST NIGHT Actors: Kevin Hart. Michael Ealy. Christopher McDonald. Adam Rodriguez. Joe Lo Truglio. Terrell Owens. David Greenman. Bryan Callen. Paul Quinn. James McAndrew. Actresses: Regina Hall. Joy Bryant. Paula Patton. Catherine Shu. Hailey Boyle. Selita Ebanks. Jessica Lu. Krystal Harris. Kristin Slaysman. Tracey Graves. ABUSE OF WEAKNESS Actors: Kool Shen. Christophe Sermet. Ronald Leclercq. Actresses: Isabelle Huppert. Laurence Ursino. ADDICTED Actors: Boris Kodjoe. Tyson Beckford. William Levy. Actresses: Sharon Leal. Tasha Smith. Emayatzy Corinealdi. Kat Graham. AGE OF UPRISING: THE LEGEND OF MICHAEL KOHLHAAS Actors: Mads Mikkelsen. David Kross. Bruno Ganz. Denis Lavant. Paul Bartel. David Bennent. Swann Arlaud. Actresses: Mélusine Mayance. Delphine Chuillot. Roxane Duran. ALEXANDER AND THE TERRIBLE, HORRIBLE, NO GOOD, VERY BAD DAY Actors: Steve Carell. Ed Oxenbould. Dylan Minnette. Mekai Matthew Curtis. Lincoln Melcher. Reese Hartwig. Alex Desert. Rizwan Manji. Burn Gorman. Eric Edelstein. Actresses: Jennifer Garner. Kerris Dorsey. Jennifer Coolidge. Megan Mullally. Bella Thorne. Mary Mouser. Sidney Fullmer. Elise Vargas. Zoey Vargas. Toni Trucks. THE AMAZING CATFISH Actors: Alejandro Ramírez-Muñoz. Actresses: Ximena Ayala. Lisa Owen. Sonia Franco. Wendy Guillén. Andrea Baeza. THE AMAZING SPIDER-MAN 2 Actors: Andrew Garfield. Jamie Foxx. Dane DeHaan. Colm Feore. Paul Giamatti. Campbell Scott. Marton Csokas. Louis Cancelmi. Max Charles. Actresses: Emma Stone. Felicity Jones. Sally Field. Embeth Davidtz. AMERICAN REVOLUTIONARY: THE EVOLUTION OF GRACE LEE BOGGS 87th Academy Awards Page 1 of 34 AMERICAN SNIPER Actors: Bradley Cooper. Luke Grimes. Jake McDorman. Cory Hardrict. Kevin Lacz. Navid Negahban. Keir O'Donnell. Troy Vincent. Brandon Salgado-Telis. -
The Conflict in the Donbas Between Gray and Black: the Importance of Perspective
The Conflict in the Donbas between Gray and Black: The Importance of Perspective Report to DHS S&T Office of University Programs and DoD Strategic Multilayer Assessment Branch December 2016 National Consortium for the Study of Terrorism and Responses to Terrorism A Department of Homeland Security Science and Technology Center of Excellence Led by the University of Maryland 8400 Baltimore Ave., Suite 250 • College Park, MD 20742 • 301.405.6600 www.start.umd.edu National Consortium for the Study of Terrorism and Responses to Terrorism A Department of Homeland Security Science and Technology Center of Excellence About This Report The author of this report is Evgeny Finkel, PhD, Assistant Professor of Political Science and International Affairs at George Washington University. Questions about this report should be directed to Barnett S. Koven at [email protected]. This report is part of START project, “Shadows of Violence: Empirical Assessments of Threats, Coercion and Gray Zones,” led by Amy Pate. This research was supported by a Centers of Excellence Supplemental award from the Department of Homeland Security’s Science and Technology Directorate’s Office of University Programs, with funding provided by the Strategic Multilayer Assessment (SMA) Branch of the Department of Defense through grand award number 2012ST061CS0001-05 made to the National Consortium for the Study of Terrorism and Responses to Terrorism (START). The views and conclusions contained in this document are those of the authors and should not be interpreted as necessarily representing the official policies, either expressed or implied, of the U.S. Department of Homeland Security, the U.S. -
THE NATURAL Her Director
out for an Off Broadway production of a BACKSTAGE CHRONICLES new play by David Ives, “Venus in Fur,” the story of a fierce and funny psychosex- ual power struggle between an actress and THE NATURAL her director. Arianda had fallen in love with the heroine of the play, Vanda, an Nina Arianda: Broadway’s new star. aspiring actress, who—in a scenario fa- miliar to Arianda—arrives at a rehearsal BY JOHN LAHR hall to audition for a part she has no chance of getting. In Vanda’s case, it was a part in an adaptation of Leopold von Sacher-Masoch’s classic about the erotic forms of hate, “Venus in Furs.” “Am I too late? I’m too late, right? Fuck. Fuck!” Vanda says as she arrives onstage, hoping to read for the role of Vanda von Dunayev, an emancipated nineteenth-century Con- tinental woman. The dramatic pitch of Vanda’s opening line captured Arianda’s imagination. “I’d never read something and been so enthralled by where a charac- ter could go,” she told me recently. “The humor is what always gets me. The com- mitment she has to what she’s doing or saying. There’s no comment. She lives it.” The actress who plays Vanda is re- quired to metamorphose from a twenty- first-century street-smart New Yorker into the nineteenth-century European cosmopolitan of the Sacher-Masoch play- within-the-play, and even have the emo- tional extravagance to suggest the goddess Aphrodite, who emerges as a sort of fab- ulous eleven-o’clock number. -
Culture and Customs of Ukraine Ukraine
Culture and Customs of Ukraine Ukraine. Courtesy of Bookcomp, Inc. Culture and Customs of Ukraine ADRIANA HELBIG, OKSANA BURANBAEVA, AND VANJA MLADINEO Culture and Customs of Europe GREENWOOD PRESS Westport, Connecticut • London Library of Congress Cataloging-in-Publication Data Helbig, Adriana. Culture and customs of Ukraine / Adriana Helbig, Oksana Buranbaeva and Vanja Mladineo. p. cm. — (Culture and customs of Europe) Includes bibliographical references and index. ISBN 978–0–313–34363–6 (alk. paper) 1. Ukraine—Civilization. 2. Ukraine—Social life and customs. I. Buranbaeva, Oksana. II. Mladineo, Vanja. III. Title. IV. Series. DK508.4.H45 2009 947.7—dc22 2008027463 British Library Cataloguing in Publication Data is available. Copyright © 2009 by Adriana Helbig, Oksana Buranbaeva, and Vanja Mladineo All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2008027463 ISBN: 978–0–313–34363–6 First published in 2009 Greenwood Press, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.greenwood.com Printed in the United States of America The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48–1984). 10 9 8 7 6 5 4 3 2 1 The authors dedicate this book to Marijka Stadnycka Helbig and to the memory of Omelan Helbig; to Rimma Buranbaeva, Christoph Merdes, and Ural Buranbaev; to Marko Pećarević. This page intentionally left blank Contents Series Foreword ix Preface xi Acknowledgments xiii Chronology xv 1 Context 1 2 Religion 30 3 Language 48 4 Gender 59 5 Education 71 6 Customs, Holidays, and Cuisine 90 7 Media 114 8 Literature 127 viii CONTENTS 9 Music 147 10 Theater and Cinema in the Twentieth Century 162 Glossary 173 Selected Bibliography 177 Index 187 Series Foreword The old world and the New World have maintained a fluid exchange of people, ideas, innovations, and styles.