Venice La Fenice Opera Weekend Break

Total Page:16

File Type:pdf, Size:1020Kb

Venice La Fenice Opera Weekend Break For Expert Advice Call A unique occasion deserves a unique experience. 01722 744 695 https://www.weekendalacarte.co.uk/special-occasion-holidays/once-in-lifetime-events/italy/venice-la-fenice-opera-break/ Venice La Fenice Opera Weekend Break Break available: All year round 3 nights Highlights Venice creates the prefect backdrop for a night at La Fenice Opera House. Every year this incredible opera house showcases ● Enjoy an evening at the opera in Best Stall Seats in some of the world's most loved operas. Be seated in your top stunningly, opulent La Fenice Opera House level seats while you are surrounded by golden cherubs and a ● Venice Card providing free access to St Mark's Basilica and stunning ceiling to rival most others. With stunning sets and a Doge's Palace twelve month schedule, all you have to do is choose which opera ● 3 nights in 4 star hotel located within minutes walk of St is high on your wish list! Weekend a la Carte are a legally Mark's Square authorised trading body who are officially permitted to sell tickets for the La Fenice Opera House in Italy. Many ticket only web sites are not legally authorised to do so. We will always guarantee your seats and ticket level at booking stage. Day by Day Itinerary page 1/10 DAY 1Fly to Venice and Private Meet & Greet Watertaxi transfer to your hotel. Fly into Venice where your private meet & greet transfer will be waiting to transfer you to your hotel. 4 Star Hotel Bonvecchiati is the perfect base for the next 3 nights, as it is only a 5 mins walk from St Mark’s Square, and equal distance to La Fenice opera house. It is located on a canal and is right in the main hub of the shopping quarter in Venice. Alternatively, if you want a 5 Star Venetian experience, why not upgrade to Hotel Metropole, conveniently located on the Grand Canal. If you go for a Deluxe Lagoon View room, you can wake up to a view over San Giorgio Island. See Optional Extras below for more information. Rest of day at leisure. A la Carte Optional Extras Gourmet Tasting Meal at The Met Head to The Met Restaurant conveniently located within Hotel Metropole just along from the Grand Canal, for your gourmet tasting meal. This is undoubtedly one of the best, most sumptuous restaurants in Venice which is sure to re-awaken the taste buds! Sample traditional Venetian cuisine prepared by the Michelin Starred chef, using local ingredients. Price Per Person: £150 Upgrade to 5 Star Hotel Metropole Venice is all about the views and this is immediately apparent with Hotel Metropole. This 5 star hotel is located right on the lagoon, and is a 10 mins walk to St Mark’s Square. All the rooms are of a true Venetian design and include the lavish detail of this carnival city. The hotel also has it’s own Michelin starred chef, who showcases some of his favourite Venetian cuisine using local ingredients. Price Per Person: From £60 per person per night Upgrade Hotel Metropole to a Deluxe Lagoon View Room page 2/10 Whilst Hotel Metropole has the fantastic location, why not opt for a Deluxe Lagoon view room, instead of a street view. The Deluxe Lagoon view rooms come with a stunning view of San Giorgio Island and are larger in size. Wake up each morning to a view like no other! Price Per Person: From £70 per person per night DAY 2Day at Leisure and Attend La Fenice Opera page 3/10 Enjoy the day at leisure with your Venice Card providing free access to both the Doge’s Palace and the Basilica. This card also doubles up as a beat the queues card meaning you waste very little time queuing to get in. The Doge’s Palace was the seat of power for the ruling body in past Venice, and now displays paintings of the Doge’s through the ages. Be sure to visit the Map Room, which has to be one of the main splendours of the palace. Head downstairs to the prison, passing over The Bridge of Sighs on the way. This was named as it was the last view of the outside world the prisoners had before descending to their cells. Of course the most famous prisoner was Casanova who escaped for freedom, from this prison. Then visit St Mark’s Basilica. This building is an eclectic mix of east meets west with Venetian-Turkish design. In fact for several euros you can head up to the roof where the spoils of a historical conquest with Constantinople are a group of horses, which originated in Turkey. Alternatively, we can add in an Optional Extra for you. If you want to really discover these two buildings in depth, why not upgrade to a private guided tour. Other options include an island trip exploring nearby Murano, Burano and Torcello, or maybe you want to spoil a special loved one with a romantic gondola ride around the canals. See Optional Extras below for more information. This evening enjoy the splendour of Opera at La Fenice in your top seats. La Fenice is one of the most famous theatres in Europe and the site of many famous operatic premieres. Since opening and being named La Fenice, it has twice burnt down and been rebuilt. Please click on the photo opposite for a video sampler of some previous performances. 2020: JANUARY: La Traviata (Verdi) – 04, 05, 18, 22, 24, 26, 28, 29 A Hand of Bridge (Bartok) – 17, 19, 21, 23, 25 FEBRUARY: Duse (Neumier) Ballet – 05, 06, 07, 08, 09 L’elisir d’amore (Donizetti) – 15, 16, 18, 19, 20, 21, 22, 23, 25 MARCH: Carmen (Bizet) – 25, 26, 27, 28, 29, 31 APRIL: Carmen (Bizet) – 01, 02, 03, 04, 05 Rigoletto (Verdi) – 23, 26, 29 MAY: Rigoletto (Verdi) – 02, 06, 08, 19, 21, 23, 27, 29 Faust (Gounod) – 22, 24, 26, 28, 30 JUNE: Rinaldo (Handel) – 19, 21, 25, 27 Roberto Devereux (Donizetti) – 26, 28, 30 JULY: Rinaldo (Handel) – 01, 03 Roberto Devereux (Donizetti) – 02, 04 AUGUST: La Traviata (Verdi) – 27, 29 Aida (Verdi) – 23, 28, 30 SEPTEMBER: La Traviata (Verdi) – 03, 04, 06, 08, 10, 11, 12, 20, 24, 26 Aida (Verdi) – 01, 02, 05, 09, 13 Il Trovatore (Verdi) – 25, 27 OCTOBER: Il Trovatore (Verdi) – 04, 10, 13 page 4/10 The Barber of Seville (Rossini) – 03, 08, 14, 16, 18, 21, 22, 23, 24, 25, 27 page 5/10 A la Carte Optional Extras Private Highlights Tour of Venice For first timers to Venice, this is a great introduction. Your private guide will take you on a 3.5 hr tour around St Mark’s Basilica and the Doge’s Palace. You will be able to walk through the prison made famous for temporarily housing Casanova, along with walking over the Bridge of Sighs; prisoners last glimpse of the outside world. In the basilica, ascend to the roof where you can see the bronze horses taken from Constantinople in past battles. Price Per Person: £230 per person Lagoon Island Regular Excursion Begin this 4hr excursion sailing past San Giorgio Maggiore before disembarking on your first island of Murano. Murano is known for its glass manufacturing and the tour includes a visit to one of the factories. Travel onwards to Burano, an archipelago of four islands, and sample the lace which Burano is famous for. Finish the tour on Torcello, visiting the cathedral and church on this quieter island. Transfer back to Venice. Please note this is in a small group and is not private. Price Per Person: £30 Romantic Gondola Ride The most romantic tour in Venice is by gondola and with good reason. See this decadent floating city in the only way it can be seen to be truly appreciated; in the water. Glide along the Venetian canals and under bridges, as your gondolier steers you around the lagoon. Sit back and enjoy the calming, peaceful ride. Price Per Person: £65 page 6/10 DAY 3Day at leisure Day at leisure to further explore Venice at your own pace, or alternatively add one of our Optional Extras. We would particularly recommend the Semi Private Tour of Burano and Murano. For this evening, why not spoil yourself by adding on our Gourmet Tasting dinner cooked by a Michelin Starred Chef. Alternatively, if one night was not enough, you could add in a second opera experience. Please see Optional Extras below for more information. A la Carte Optional Extras Semi Private Tour of Murano & Burano The boat will collect you and take you onto both Murano and Burano with your guide. For no more than 8 people in total, this semi private tour, also includes a glass blowing demonstration on Murano. Price: From £170 per person for the small group (up to 8 people in total), to Burano and Murano with glass blowing introduction. Please note this is available on Mondays, Wednesdays and Fridays only. Gourmet Tasting Meal at The Met Head to The Met Restaurant conveniently located within Hotel Metropole just along from the Grand Canal, for your gourmet tasting meal. This is undoubtedly one of the best, most sumptuous restaurants in Venice which is sure to re-awaken the taste buds! Sample traditional Venetian cuisine prepared by the Michelin Starred chef, using local ingredients. Price Per Person: £150 page 7/10 Attend Musica a Palazzo Opera Evening Whether you are a first timer to opera, introducing someone who has not been before, an opera lover wanting a new experience, or La Fenice doesn’t have any operas being performed whilst you are staying in Venice, Musica a Palazzo may well be the option for you.
Recommended publications
  • Lafeniceinpiazza Don Carlo Di Giuseppe Verdi Inaugura Domenica
    ! COMUNICATO STAMPA Venezia, 23 ottobre 2019 LaFeniceinPiazza Don Carlo di Giuseppe Verdi inaugura domenica 24 novembre 2019 la Stagione Lirica e Balletto 2019-2020 del Teatro La Fenice. Lo spettacolo, con la regia di Robert Carsen e la direzione del Maestro Myung-Whun Chung, vede un cast prestigioso: Piero Pretti, Maria Agresta, Alex Esposito, Julian Kim, Veronica Simeoni. In attesa di questo evento la Fenice, in sinergia con l’Associazione Piazza San Marco e con i commercianti del Distretto del Commercio di Mestre, ha dato vita al progetto LaFeniceinPiazza trasportando l’opera di Verdi nelle vetrine del cuore di Venezia e di Mestre per condividere le emozioni e la bellezza dell’inaugurazione con un pubblico sempre più ampio e diversificato. Dal 24 ottobre al 24 novembre l’atmosfera della prima alla Fenice pervaderà Piazza San Marco e Piazza Ferretto, coinvolgendo molti esercizi commerciali che esporranno una vetrofania dedicata al Don Carlo, ideata da Massimo Checchetto, oltre ad oggetti di scena, foto e locandine provenienti dall’archivio storico del Teatro. Sono previsti quattro incontri culturali legati alle tematiche dell’opera verdiana. Il primo appuntamento avrà luogo mercoledì 30 ottobre alle ore 18.00 a Mestre, presso il Museo M9, dove lo scrittore Alberto Toso Fei racconterà la storia della Fenice attraverso curiosi aneddoti e di seguito il Sovrintendente Fortunato Ortombina illustrerà il Don Carlo. Il secondo incontro si terrà al The Gritti Palace, mercoledì 6 novembre alle ore 18.00, e vedrà protagonisti lo scrittore Giovanni Montanaro e l’attrice Ottavia Piccolo, che esploreranno il rapporto padre e figlio nella letteratura.
    [Show full text]
  • 1. Early Years: Maria Before La Callas 2. Metamorphosis
    ! 1. EARLY YEARS: MARIA BEFORE LA CALLAS Maria Callas was born in New York on 2nd December 1923, the daughter of Greek parents. Her name at birth was Maria Kalogeropoulou. When she was 13 years old, her parents separated. Her mother, who was ambitious for her daughter’s musical talent, took Maria and her elder sister to live in Athens. There Maria made her operatic debut at the age of just 15 and studied with Elvira de Hidalgo, a Spanish soprano who had sung with Enrico Caruso. Maria, an intensely dedicated student, began to develop her extraordinary potential. During the War years in Athens the young soprano sang such demanding operatic roles as Tosca and Leonore in Beethoven’s Fidelio. In 1945, Maria returned to the USA. She was chosen to sing Turandot for the inauguration of a prestigious new opera company in Chicago, but it went bankrupt before the opening night. Yet fate turned out to be on Maria’s side: she had been spotted by the veteran Italian tenor, Giovanni Zenatello, a talent scout for the opera festival at the Verona Arena. Callas made her Italian debut there in 1947, starring in La Gioconda by Ponchielli. Her conductor, Tullio Serafin, was to become a decisive force in her career. 2. METAMORPHOSIS After Callas’ debut at the Verona Arena, she settled in Italy and married a wealthy businessman, Giovanni Battista Meneghini. Her influential conductor from Verona, Tullio Serafin, became her musical mentor. She began to make her name in grand roles such as Turandot, Aida, Norma – and even Wagner’s Isolde and Brünnhilde – but new doors opened for her in 1949 when, at La Fenice opera house in Venice, she replaced a famous soprano in the delicate, florid role of Elvira in Bellini’s I puritani.
    [Show full text]
  • Jessica Pratt - Soprano
    Jessica Pratt - Soprano Jessica Pratt est considérée comme l’une des meilleures interprètes de Bel cantos, même des plus difficiles du répertoire. Depuis ses débuts européens en 2007 dans Lucia di Lammermoor, la carrière de Jessica comprend des performances dans des théâtres et festivals comme le Metropolitan Opera New York, Teatro alla Scala of Milan, Gran Teatre Liceu of Barcelona, Zurich Opera, Deutsche Oper Berlin, le Vienna State Opera et le Royal Opera House Covent Garden. Elle a travaillé avec des chefs d’orchestre comme Daniel Oren, Nello Santi, Kent Nagano, Sir Colin Davis, Giacomo Sagripanti, Gianandrea Noseda, Carlo Rizzi, Roberto Abbado, Wayne Marshall et Christian Thielemann. Le répertoire de Jessica compte plus de 30 rôles différents, dont le plus célèbre est Lucia Ashton de Lucia di Lammermoor de Gaetano Donizetti dans plus de 27 productions, suivi de Amima de La Sonnambula de Vincenzo Bellini et Elvira de I Puritani du même compositeur. Elle est éGalement spécialiste du répertoire de Rossini : invitée fréquemment au Rossini Opera Festival à Pesaro, Jessica a tenu 12 rôles dans des opéras de ce compositeur, notamment les rôles principaux de Semiramide, Armida, Adelaide de BorGoGna, plus récemment Desdemona dans Otello au Gran Teatre de Liceu de Barcelone et Rosina dans Barbiere di Siviglia à l’Arena de Vérone. Un autre compositeur au centre du travail de Jessica est Gaetano Donizetti. Elle a fait ses débuts à La Scala de Milan avec La Prima Donna in Convenienze ed Inconvenienze Teatrali et plus tard, Lucia di Lammermoor. La saison dernière, elle a ajouté 4 nouvelles œuvres de Donizetti à son répertoire : La Fille du Regiment à l’Opera Las Palmas, Don Pasquale à l’ABAO de Bilbao, L'elisir d'amore au Gran Theatre Liceu de Barcelone et le rôle principal de Rosmonda d'Ingliterra en version de concert pour l’Opera di Firenze.
    [Show full text]
  • Staged Treasures
    Italian opera. Staged treasures. Gaetano Donizetti, Giuseppe Verdi, Giacomo Puccini and Gioacchino Rossini © HNH International Ltd CATALOGUE # COMPOSER TITLE FEATURED ARTISTS FORMAT UPC Naxos Itxaro Mentxaka, Sondra Radvanovsky, Silvia Vázquez, Soprano / 2.110270 Arturo Chacon-Cruz, Plácido Domingo, Tenor / Roberto Accurso, DVD ALFANO, Franco Carmelo Corrado Caruso, Rodney Gilfry, Baritone / Juan Jose 7 47313 52705 2 Cyrano de Bergerac (1875–1954) Navarro Bass-baritone / Javier Franco, Nahuel di Pierro, Miguel Sola, Bass / Valencia Regional Government Choir / NBD0005 Valencian Community Orchestra / Patrick Fournillier Blu-ray 7 30099 00056 7 Silvia Dalla Benetta, Soprano / Maxim Mironov, Gheorghe Vlad, Tenor / Luca Dall’Amico, Zong Shi, Bass / Vittorio Prato, Baritone / 8.660417-18 Bianca e Gernando 2 Discs Marina Viotti, Mar Campo, Mezzo-soprano / Poznan Camerata Bach 7 30099 04177 5 Choir / Virtuosi Brunensis / Antonino Fogliani 8.550605 Favourite Soprano Arias Luba Orgonášová, Soprano / Slovak RSO / Will Humburg Disc 0 730099 560528 Maria Callas, Rina Cavallari, Gina Cigna, Rosa Ponselle, Soprano / Irene Minghini-Cattaneo, Ebe Stignani, Mezzo-soprano / Marion Telva, Contralto / Giovanni Breviario, Paolo Caroli, Mario Filippeschi, Francesco Merli, Tenor / Tancredi Pasero, 8.110325-27 Norma [3 Discs] 3 Discs Ezio Pinza, Nicola Rossi-Lemeni, Bass / Italian Broadcasting Authority Chorus and Orchestra, Turin / Milan La Scala Chorus and 0 636943 132524 Orchestra / New York Metropolitan Opera Chorus and Orchestra / BELLINI, Vincenzo Vittorio
    [Show full text]
  • Alvise Casellati Is Considered One of the Emerging Talents of the Latest Years in Addition to Being an Innovator and Manager. H
    Alvise Casellati is considered one of the emerging talents of the latest years in addition to being an innovator and manager. He is creator and Music Director of Opera Italiana is in the Air (www.operaitalianaisintheair.com – as of November 2016), European and International trademark since September 2019, an event with the aim of promoting knowledge and appreciation of Italian Opera through a free open air event that saw its debut in Central Park, New York in July 2017, attended by thousands of people, broadcast by TVs, local radios (NY1, NBC TV, WNYC radio) and RAI TV (Rainews, TG1 and TG2), advertised through an important media and social campaign (220 million impressions, broadcast/online 112 million, listings 107 million are the data of the 2019 New York campaign). The fundraising activity involves American and Italian partners: Intesa Sanpaolo bank, ENI, Brooks Brothers, San Benedetto Water, Foundation for Italian Art & Culture, ACP Group, Bracco, MSC, etc. Through a collaboration with the Sloan Kettering Memorial Cancer Hospital of New York, children and adults who are part of the Music Therapy program will participate with the aim of future involvement of unprivileged social categories. Through a collaboration with New York Philharmonic, Young Composers Program, the event opens with a short composition of a young composer (age 11/12). Due to Covid-19, the following 2020 performances have been postponed: April 3rd in Bayfront Park Miami, May 29th in Villa Borghese Park, Rome, June 15th in Millennium Park, Chicago, June 28th in Central Park, New York, July in Hyde Park, London. The most recent performances include the concert in Regatta Park, Miami, on April 13, 2019, in Central Park, New York, on July 1, 2019 and last October 4, 2019 in Galleria Umberto I in Naples, Italy, with Teatro di San Carlo, Accademia del Teatro alla Scala singers and Conservatory of Benevento.
    [Show full text]
  • Teatro La Fenice - 5 Days the Tour Includes
    The Italian specialist for group tours MAESTRO - Venice – Teatro la Fenice - 5 Days The tour includes: Transportation and Hotel - Arrival boat transfer from Venice airport to the Venice, La Fenice, Padova, Verona, Lake Garda hotel in Venice - Departure coach transfer from the hotel on Lake Garda to the airport in Venice An unforgettable tour of Northern Italy including an Opera Night - Transportation by deluxe AC motorcoach as per (tickets included) at the legendary Venice theater. itinerary - Accommodation in 4* hotel in Venice and on lake Garda ITINERARY - 2 nights in 4* hotel in Venice - 2 nights in 4* hotel on Lake Garda Food and Drinks - 4 buffet breakfast Day 1: Venice - 1 welcome drink at the hotel in Venice on arrival Arrival at Venice Airport and boat transfer to the hotel. Check in at the hotel, welcome day drink and rest of the day at leisure. - 2 4-course dinner at the hotel on Lake Garda Hotel in Venice Experiences and Services - 2-hours tour of Venice with English speaking guide - Opera ticket La Fenice Theatre (category Galleria or Day 2: Venice and La Fenice Opera House Loggione) In the morning we get an introduction to Venice on a guided walking tour exploring the - 2-hours tour of Padua with English speaking guide major sights: St. Mark’s square and basilica, Doge’s Palace, Grand Canal, Rialto Bridge, - Boat trip on Lake Garda - Headset during the sightseeing tours just to name a few. We will spend the afternoon discovering Venice’s hidden corners at - English speaking tour guide for every excursion our leisure before we get all dressed up for our great opera night in the famous La - Porterage upon arrival and departure at the hotel Fenice Theater.
    [Show full text]
  • Che Il Pubblico Non Venga Defraudato Degli Spettacoli Ad Esso Promessi’
    ‘Che il pubblico non venga defraudato degli spettacoli ad esso promessi’ The Venetian Premiere of La traviata and Austria’s Imperial Administration in 1853* Axel Körner Historical myth (rather than scholarship) has it that the Austrians did eve- rything in their power to make lovers of opera in the Habsburgs’ Italian provinces feel miserable, and that works by Giuseppe Verdi in particular were viewed with a persistent deal of suspicion. An image of ruthless cen- sors, armed officers in the stalls and police spies in the corridors comes to mind.1 In the case of opera in Habsburg Venice, this idea was fostered by a tradition of politically motivated historiography that tended to justify Italians’ struggle for independence with the alleged despotism of Austrian rule in the region, closely linked to the image of the Empire as a ‘prison of nationalities’.2 That many of Italy’s greatest opera houses were built, and * The author is grateful for two helpful reader reports. Research for this article was supported by a generous grant of the Leverhulme Trust. 1 See for instance Giovanni GAVAZZENI, in ID., Armando TORNO, Carlo VITALI, O mia patria. Storia musicale del Risorgimento, tra inni, eroi e melodrammi (Milan: Dalai 2011), 60: «I palchi della Scala [...] erano occupati dalla soldataglia e dagli austriacanti». For a recent version of Verdi’s role in this tale see Angelo S. SABATINI, “Il contributo di Verdi alla formazione del mito del Risorgimento”, in Giuseppe Verdi e il Risorgi- mento, ed. Ester CAPUZZO, Antonio CASU, Angelo SABATINI (Soverelli Mannelli: Rubbettino 2014), 11-24.
    [Show full text]
  • Jessica Pratt
    JESSICA PRATT SerenadeVINCENZO SCALERA Serenade from Péchés de vieillesse (?G. Torre) Jules Massenet 1842–1912 Vincenzo Bellini 1801–1835 1 Ouvre tes yeux bleus 2.03 From Sei ariette No.3 from Poème d’Amour (P. Robiquet) 10 No.5 Per pietà, bell’idol mio 2.31 (P. Metastasio) Charles Gounod 1818–1893 11 No.1 Malinconia, ninfa gentile 1.29 2 Sérénade (V. Hugo) 4.07 (I. Pindemonte) Alfred Bachelet 1864–1944 12 La ricordanza (C. Pepoli) 5.25 3 Chère nuit (E. Adenis) 4.38 From Tre ariette (Anon.) Eva Dell’Acqua 1856–1930 13 No.2 Dolente immagine di Fille mia 3.04 4 Villanelle (F. van der Elst) 5.22 14 No.3 Vaga luna che inargenti 2.43 Léo Delibes 1836–1891 Gaetano Donizetti 1797–1848 5 Les Filles de Cadix (A. de Musset) 3.24 15 La zingara (C. Guaita) 3.53 16 Il barcaiolo 2.57 Gioachino Rossini 1792–1868 No.1 from Nuits d’été à Pausilippe 6 La separazione (F. Uccelli) 4.39 (L. Tarantini) 7 Mi lagnerò tacendo 2.32 17 Una lagrima (Preghiera) 4.09 from Péchés de vieillesse (P. Metastasio) from Matinée musicale (Anon.) 8 Addio ai viennesi (Anon.) 4.49 9 La fioraia fiorentina 3.56 62.18 Jessica Pratt soprano Vincenzo Scalera piano 3 Jessica Pratt Hailed by the New York Times as a soprano of ‘gleaming sound, free and easy high notes, agile coloratura runs and lyrical grace’, Jessica Pratt is considered one of today’s foremost interpreters of some of bel canto’s most challenging repertoire.
    [Show full text]
  • MAESTRO - Venice – Teatro La Fenice - 5 Days the Tour Includes
    The Italian specialist for group tours MAESTRO - Venice – Teatro la Fenice - 5 Days The tour includes: Transportation and Hotel - Arrival boat transfer from Venice airport to the Venice, La Fenice, Padova, Verona, Lake Garda hotel in Venice - Departure coach transfer from the hotel on Lake Garda to the airport in Venice An unforgettable tour of Northern Italy including an Opera Night - Transportation by deluxe AC motorcoach as per (tickets included) at the legendary Venice theater. itinerary - Accommodation in 4* hotel in Venice and on lake Garda ITINERARY - 2 nights in 4* hotel in Venice - 2 nights in 4* hotel on Lake Garda Food and Drinks - 4 buffet breakfast Day 1: Venice - 1 welcome drink at the hotel in Venice on arrival Arrival at Venice Airport and boat transfer to the hotel. Check in at the hotel, welcome day drink and rest of the day at leisure. - 2 4-course dinner at the hotel on Lake Garda Hotel in Venice Experiences and Services - 2-hours tour of Venice with English speaking guide - Opera ticket La Fenice Theatre (category Galleria or Day 2: Venice and La Fenice Opera House Loggione) In the morning we get an introduction to Venice on a guided walking tour exploring the - 2-hours tour of Padua with English speaking guide major sights: St. Mark’s square and basilica, Doge’s Palace, Grand Canal, Rialto Bridge, - Boat trip on Lake Garda - Headset during the sightseeing tours just to name a few. We will spend the afternoon discovering Venice’s hidden corners at - English speaking tour guide for every excursion our leisure before we get all dressed up for our great opera night in the famous La - Porterage upon arrival and departure at the hotel Fenice Theater.
    [Show full text]
  • Correnti Della Storia
    CorrenTi della sToria TeaTro la feniCe This month’s essay (September, 2018) continues my annual series on great Italian opera houses. This year I focus on Venice’s Teatro la Fenice which is one of the most famous and prestigious opera houses in Italy, if not in the world. It was especially important in the development of opera in the 19th century since it is where several operas of the four major bel canto era composers— Rossini, Bellini, Donizetti, and Verdi—had their premieres. These included Rossini’s Tancredi (1813), Sigismondo (1814), and Semiramide (1823); Bellini’s I Capuleti e i Montecchi (1830) and beatrice di Tenda (1833); Donizetti’s belisario (1826), Pia de’ Tolomei (1837), and Maria de Rudenz (1838); and Verdi’s Ernani (1844), Attila (1846), Rigoletto (1851), La Traviata (1853), and Simon boccanegra (1857). The name “Fenice” means “Phoenix” in Italian. The name reflects the theater’s durability in allowing the opera company to “rise from the ashes” despite losing the use of three theaters to fire: the first in 1774 after the city’s leading house was destroyed and rebuilt, but not opened until 1792; the second in 1836, completely devastated the structure, but it was rebuilt within a year; the third fire, in 1996, was the result of arson and destroyed the entire theater, leaving only the exterior walls. It was rebuilt to the grand and magnificent condition we now see, and re-opened in 2004. hisTory of The TheaTer In 1774, the Teatro San benedetto, which had been Venice’s leading opera house for more than forty years, burned to the ground.
    [Show full text]
  • Late Eighteenth-Century Italian Opera: from Text to Performance
    International Conference Giuseppe Sarti and Late Eighteenth-Century Italian Opera: From Text to Performance The Jerusalem Academy of Music and Dance Campus Givat-Ram, 91904, Jerusalem, Israel March 3-4 2015 1 Giuseppe Sarti (1729–1802), recognized in his lifetime as one of the central figures of his generation, nowadays belongs to the category of virtually neglected eighteenth-century Italian composers: he is scarcely remembered except for “providing” his famous younger contemporaries Salieri and Mozart with sparkling melodies, quoted in their operas. The international conference “Giuseppe Sarti and Late Eighteenth-Century Italian Opera: From Text to Performance” aims at partially filling this lacuna by exploring Sarti’s contribution in the framework of Italian opera. Sarti’s most successful opera seria, Giulio Sabino (Venice, 1781), will be performed by the Jerusalem Academy of Music and Dance Vocal Department on March 3 and March 4 at 19:00, in the New Dance Studio (Jerusalem Academy Building, 3d floor). The opera production is accompanied by an international conference that features 13 lectures by invited speakers who are the prominent scholars in the field of Italian opera and operas by Sarti, their dramaturgy and musical style, reception, editing and performance. The conference is organized in collaboration and with support of the Musicology Department, Hebrew University, Jerusalem Istituto Italiano di cultura, Tel-Aviv Einstein Stiftung/ Universität der Künste, Berlin Israel Musicological Society 2 Program march 3, Jerusalem academy, 231 Hall 14:00 - Convergence, light refreshments (patio) 14:30 - Opening and greetings (231 Hall): − Dr. Bella Brover-Lubovsky, conference organizer − Prof. Yinam Leef, President, Jerusalem Academy of Music and Dance − Dr.
    [Show full text]
  • BEETHOVEN REFLECTIONS Beethoven/Liszt: Symphony 5 Beethoven/Alkan: Piano Concerto 3
    BEETHOVEN REFLECTIONS Beethoven/Liszt: Symphony 5 Beethoven/Alkan: Piano Concerto 3 Leonardo Pierdomenico BEETHOVEN REFLECTIONS Ludwig van Beethoven’s (1770-1827) symphonies themselves need no introduction today but Franz Liszt’s (1811-1888) transcription of them for the piano does. It was a task which occupied him, intermittently, for some Ludwig van Beethoven 1770-1827/ Ludwig van Beethoven/ three decades. He had initially intended transcriptions of only the third, fifth, Franz Liszt 1811-1886 Charles-Valentin Alkan 1813-1888 sixth and seventh symphonies but eventually only transcribed the first three Symphony No.5 Op.67 (S. 464/5) Piano concerto No.3 Op.37 of these together with the funeral march of the third. The transcription of 1 I. Allegro con brio 7’00 6 I. Allegro con brio the fifth has its beginnings in 1835, was completed in 1837 and published in 2 II. Andante con moto 8’51 (with original cadenza) 17’57 1840, the transcription of sixth symphony being composed and published 3 III. Allegro 5’04 simultaneously. Work was begun on the transcription of the seventh 4 IV. Allegro 10’49 symphony in 1838, its publication following in 1843. The transcription of the second movement of the third symphony, however, appeared in 1841 with the 5 An die ferne Geliebte title Marche funèbre de la Symphonie héroïque. All of these transcriptions, (S. 469) 12’40 save the latter, bore a dedication to the painter, Jean Auguste Dominique Ingres (1780-1867). By 1850, Liszt resolved to embark upon a complete transcription of the Leonardo Pierdomenico piano whole series and proposed the work to the publisher Breitkopf & Härtel, but it wasn’t until 1863 that a contract was finally settled.
    [Show full text]