The Development of PSYCHLOPS Kids
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(MA) in Counseling Psychology with a Concentration in Drama Therapy
Master of Arts (MA) in Counseling Psychology with a concentration in Drama Therapy Program Learning Outcomes – MCP PDT MA Drama Therapy (PDT) – Program Learning Outcomes 1.0 Students will be able to evaluate and apply drama therapy approaches in working with clients. 1.1 Situate drama therapy within a critical historical context focusing on the relationship between dramatic art and healing traditions from various world cultures. 1.2 Evaluate theories and methods of major drama therapy approaches, and ways in which they overlap, diverge, and complement one another. 1.3 Integrate foundational concepts underlying drama therapy and action techniques to support and complement the Recovery Model and other major models of psychotherapy in therapeutic practice. 1.4 Develop drama therapy interventions that address the needs of different clinical populations and age groups in a culturally sensitive manner (taking into account factors of human difference including gender, race, ethnicity, socioeconomic status, sexual orientation, gender identification/expression, and spiritual/religious practices). 1.5 Use drama therapy and action methods skillfully as a means of clinical intervention. 1.6 Use a drama therapy framework to assess clients and implement treatment plans, individually and in groups. 1.7 Translate drama therapy concepts and terminology in professional communication (oral and written) that is clear and relevant to both clients and allied professionals. 1.8 Integrate drama therapy and action methods with best practices from verbal, somatic, and expressive arts-based approaches into clinical work with individuals and groups. Masters in Counseling Psychology (MCP)– Clinical Skills 1.0 Students will develop the clinical and personal skills to serve as professional therapists at the MA level. -
ATINER's Conference Paper Series ART2012-0080
ATINER CONFERENCE PAPER SERIES No: ART2012-0080 Athens Institute for Education and Research ATINER ATINER's Conference Paper Series ART2012-0080 How Can Dramatic Expression Promote Mental Health? The Use of Drama Therapy in Post-Traumatic Stress Disorder: Insights from Neuroscience Lígia Batista Undergraduate Student Bachelors of Liberal Arts and Sciences Quest University Canada, Canada North-American Drama Therapy Association 1 ATINER CONFERENCE PAPER SERIES No: ART2012-0080 Athens Institute for Education and Research 8 Valaoritou Street, Kolonaki, 10671 Athens, Greece Tel: + 30 210 3634210 Fax: + 30 210 3634209 Email: [email protected] URL: www.atiner.gr URL Conference Papers Series: www.atiner.gr/papers.htm Printed in Athens, Greece by the Athens Institute for Education and Research. All rights reserved. Reproduction is allowed for non-commercial purposes if the source is fully acknowledged. ISSN 2241-2891 4/09/2012 2 ATINER CONFERENCE PAPER SERIES No: ART2012-0080 An Introduction to ATINER's Conference Paper Series ATINER started to publish this conference papers series in 2012. It includes only the papers submitted for publication after they were presented at one of the conferences organized by our Institute every year. The papers published in the series have not been refereed and are published as they were submitted by the author. The series serves two purposes. First, we want to disseminate the information as fast as possible. Second, by doing so, the authors can receive comments useful to revise their papers before they are considered for publication in one of ATINER's books, following our standard procedures of a blind review. Dr. -
The Future of Drama Therapy Robert J
The Arts in Psychotherapy 33 (2006) 135–142 The future of drama therapy Robert J. Landy Ph.D., RDT/BCT ∗ New York University, Educational Theatre and Applied Psychology, 35 West 4 Street, New York, NY 10012, USA Abstract The author surveys the discipline of drama therapy as it exists in 2005 and discusses its current identity as a profession, including its strengths and weaknesses in terms of training, theory and practice, research and mentoring. While offering a critical perspective, the author looks toward the future, elaborating upon the challenges facing drama therapists and offering a vision of where the field ought to be headed. © 2005 Elsevier Inc. All rights reserved. Keywords: Drama; Therapy; Future What is drama therapy? Drama therapy is one of the several expressive or creative arts therapies, among which are art therapy, bibliotherapy, dance/movement therapy, music therapy, poetry therapy and psychodrama. Drama therapy concerns a relationship between a therapist and a client or clients who attempt to make sense of their life experience as they engage partly or fully in a creative process, in this case through the media of drama and theatre. These media include, but are not limited to, storytelling and storymaking, role-playing and role-reversal, improvisation, mask and puppet play, sandplay, play therapy, rehearsal and theatrical performance. The clients are the ones who work toward making sense of their lives. The drama therapists are the guides that help the client along the way through applying any number of techniques, approaches and theoretical frameworks. Most importantly, drama therapists help their clients though examining their own temperaments, affective styles, personal strengths and weaknesses, guiding principles and biases, and using what they know to be true about themselves in the service of their client’s search for meaning. -
Refugee Emergency: Defining and Implementing Novel Evidence-Based Psychosocial Interventions
RE-DEFINE: Refugee Emergency: DEFining and Implementing Novel Evidence-based psychosocial interventions Study protocol for review by WHO Ethical Review Committee. Turkey 11 March 2019 Version 4.1 Contact person: Mark van Ommeren, PhD World Health Organization (WHO) Department of Mental Health and Substance Abuse Email: [email protected] Telephone: +41 22 791 36 19 PROJECT SUMMARY Background Since the start of the war in Syria in 2011, more than 5 million Syrians had to take refuge in a safer place and they had chosen neighbouring countries including Turkey, Lebanon, Jordan, Iraq and countries in Africa including Egypt and North Africa (1). Along with displacement from their homes, refugees also have been susceptible to countless traumatic events and lack of vital needs during and after displacement (2). Physical and mental challenges they endure do not end after resettlement as well. As a consequence of aforementioned adversities, refugees are at great risk of developing symptoms of common mental disorders, notably posttraumatic stress disorder (PTSD), depression, anxiety and related somatic health symptoms along with other forms of disabling psychological distress (3;4;5;6;7). The World Health Organization (WHO) has developed a new low-intensity 5- session self-help intervention called Self-Help Plus (SH+) in order to manage stress and cope with adversity (8). SH+ is a brief and trans-diagnostic intervention which may be delivered by trained non-specialists facilitators to people with and without mental disorders. SH+ has been evaluated in RCTs in low and middle income countries, while there is no rigorous evidence on its cost-effectiveness in preventing the onset of mental disorders in refugees in Turkey. -
Towards a Research Tradition in Gestalt Therapy
Towards a Research Tradition in Gestalt Therapy Towards a Research Tradition in Gestalt Therapy Jan Roubal (Executive Editor) Philip Brownell, Gianni Francesetti, Joseph Melnick and Jelena Zeleskov-Djoric (Contributing Editors) Philip Brownell (Series Editor) Towards a Research Tradition in Gestalt Therapy Edited by Jan Roubal Towards a Research Tradition in Gestalt Therapy Series: The World of Contemporary Gestalt Therapy Edited by Jan Roubal This book first published 2016 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2016 by Jan Roubal and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-0734-6 ISBN (13): 978-1-4438-0734-0 TABLE OF CONTENTS Preface ...................................................................................................... viii Leslie Greenberg Introduction ................................................................................................. 1 Bridging Practice and Research in Gestalt Therapy Jan Roubal, Gianni Francesetti, Philip Brownell, Joseph Melnick, Jelena Zeleskov-Djoric Part I: Theoretical Ground Chapter One .............................................................................................. -
Drama Therapy Videos
Drama Therapy Videos Acting Healthy: Playback Theatre in a Medical Hospital. A film by Hemal Trivedi. Available from Paula Patterson, RDT/BCT at 352-336-6485 or [email protected]. The Alice Project: Creative Arts Therapy in Action. (2003). A film by Phil Herbison. Available from Films for the Humanities and Sciences at www.films.com.id/13314/The_Alice_Project_Human_Development_in_Action. Arts Play with Elders: !Improvise! and Victoria’s Court a documentary by Naida Weisberg, RDT and Rose Pavlov, RDT. 12 minutes. Available from The Drama Therapy Fund at www.dramatherapyfund.org. Caring for the Inner One: Self-expression and self-acceptance. (1990). A film by Brandy Brawner, RDT and Renee Emunah, RDT/BCT. 42 minutes. Available from Renee Emunah at [email protected]. Creative Healing in Mental Health: Art & Drama in Assessment & Therapy. (2010). A film by Judith A. Rubin, ATR and Eleanor C. Irwin, RDT. 50 minutes. Available from Expressive Media, Inc. www.expressivemedia.org Dancing Colors: Scarves for Dance Therapy, Education, Performance and Ritual. (1992). A film by Emily Day and Paula Patterson. 35 minutes. Available from Emily Day at (360) 221-5989, or email to: [email protected] OR from Sportime at (800) 283-5700, or go to: www.sportime.com/ordering/index.jsp Dancing Colors Take To the Air. 60 minutes. Available from Emily Day at (360) 221- 5989, or email to: [email protected] OR from Sportime at (800) 283-5700, or go to: www.sportime.com/ordering/index.jsp. Drama Therapy: The Line that Separates and/or Unites Us as Artists and Therapists. (1995). Panel discussion from the 1995 NADT Conference. -
Using a Person-Generated Mental Health Outcome
Transcult Psychiatry 0(0) 1–27 ! The Author(s) 2019 Article reuse guidelines: sagepub.com/journals-permissions DOI: 10.1177/1363461519854831 journals.sagepub.com/home/tps Article Using a person-generated mental health outcome measure in large clinical trials in Kenya and Pakistan: Self-perceived problem responses in diverse communities Melissa Harper Shehadeh University of Geneva World Health Organization Edith van’t Hof World Health Organization Alison Schafer World Vision International, UK Mark van Ommeren World Health Organization Saeed Farooq Lady Reading Hospital, Pakistan Syed Usman Hamdani Human Development Research Foundation, Pakistan Phiona Koyiet World Vision Kenya Parveen Akhtar, Aqsa Masood and Huma Nazir Human Development Research Foundation, Pakistan Katie Dawson University of New South Wales Emiliano Albanese University of Geneva Corresponding author: Melissa Harper Shehadeh, Institute of Global Health, University of Geneva, Building G6, 9 Chemin des Mines, Geneva 1202, Switzerland. Email: [email protected] 2 Transcult Psychiatry 0(0) Abstract Health care should be informed by the physical, socioeconomic, mental, and emotional well-being of the person, and account for social circumstances and culture. Patient- generated outcome measures can contribute positively to mental health research in culturally diverse populations. In this study, we analysed qualitative responses to the Psychological Outcome Profiles (PSYCHLOPS) Questionnaire—a patient-generated outcome measure based on open-ended questions, and compared the qualitative responses gathered to conventional, nomothetic measures used alongside the PSYCHLOPS in two studies. Data were collected as part of outcome research on a psychological intervention in Pakistan (N ¼ 346) and Kenya (N ¼ 521). Two researchers coded the qualitative responses to the PSYCHLOPS and identified overarching themes. -
For Health Settings
1 The Development of a ‘CORE’ for Health Settings Krystel Dawn Shelmerdine Submitted in accordance with the requirements for the degree of Doctor of Clinical Psychology (D. Clin. Psychol.) The University of Leeds Academic Unit of Psychiatry and Behavioural Sciences School of Medicine May 2013 The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. © 2013 The University of Leeds and Krystel Dawn Shelmerdine The right of Krystel Dawn Shelmerdine to be identified as Author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988. 2 Acknowledgements I would like to thank: those who participated in this research, for giving up their time to thoughtfully respond to my questions; my supervisors Gary Latchford and Stephen Morley, for continuously motivating and calming me through pertinent advice and welcome joviality; the support staff in the DClin office, for their practical help and friendly encouragement; and the wonderful people in my life who have endured my ‘thesis head’ vociferations and supported me to make sense of my thoughts. All of your contributions have been much appreciated! 3 Abstract At present there is no outcome measure suitable for use across different health conditions seen within Clinical Health Psychology (CHP) settings which satisfactorily capture the main aspects relevant to service user outcomes. Several types of measure have previously been developed according to different assumptions about what and how best to measure outcomes. -
The Development of PSYCHLOPS KIDS: a New Child-Centred Outcome
CORE Metadata, citation and similar papers at core.ac.uk Provided by King's Research Portal King’s Research Portal DOI: 10.1111/camh.12271 Document Version Peer reviewed version Link to publication record in King's Research Portal Citation for published version (APA): Godfrey, E., Aubrey, M., Crockford, S., Haythorne, D., Kordowicz, M., & Ashworth, M. (2018). The development and testing of PSYCHLOPS Kids: A new child-centred outcome measure. Child and Adolescent Mental Health. https://doi.org/10.1111/camh.12271 Citing this paper Please note that where the full-text provided on King's Research Portal is the Author Accepted Manuscript or Post-Print version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version for pagination, volume/issue, and date of publication details. And where the final published version is provided on the Research Portal, if citing you are again advised to check the publisher's website for any subsequent corrections. General rights Copyright and moral rights for the publications made accessible in the Research Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognize and abide by the legal requirements associated with these rights. •Users may download and print one copy of any publication from the Research Portal for the purpose of private study or research. •You may not further distribute the material or use it for any profit-making activity or commercial gain •You may freely distribute the URL identifying the publication in the Research Portal Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. -
Drama Therapy Article
Drama Therapy Article Albert Einstein once said, “Imagination is more important than knowledge. For knowledge is limited to all we now know and understand, while imagination embraces the entire world, and all there ever will be to know and understand.” This emphasis on the value of imagination and creativity coincides with the underlying concept in the field of drama therapy of how anxiety, depression and other mental health issues can take over when we forget how to imagine, play, create, make messes, and laugh. Which is why artistic expressions—such as painting, music, poetry, dance, and drama—are considered to be the most natural, effective and powerful enzymes to consume, break down, process, absorb, release, and transform our human experiences and emotions. So then, what exactly is “Drama Therapy”? Drama therapy is the intentional use of drama and/or theatre processes to achieve therapeutic goals. It is a uniquely active and experiential approach that skillfully combines theater and psychotherapy that aims to facilitate change, uncover and express feelings, and, as appropriate, achieve catharsis in order to resolve problematic patterns and emotional issues. Through a multitude of various drama and theatre process techniques, such as: storytelling, projective play, games, purposeful improvisation, psychodrama, facilitated enactments of real situations, scenework, ritual and performance, participants are invited to rehearse desired behaviors, practice being in relationship, expand and find flexibility between life roles, and perform the change they wish to be and see in the world. Drama therapy provides participants with a safe, yet stimulating context in which the depth and breadth of inner experience can be actively explored and interpersonal relationship skills can be enhanced. -
Drama in Therapy
2012 Webinar Series Tales of Transformation: Drama Therapy in Hospitals The Society is grateful to the National Endowment of the Arts for its support of this webinar series, which strives to provide affordable resources to individuals and organizations wishing to establish or advance arts and health programming. Keith Whipple, MA, RDT Drama Therapist Drama therapy combines tools from the art of theatre, like story and role, with tools from psychotherapy to target treatment goals. Drama therapy is … … the methodical use of written, verbal, and non-verbal means of expression derived from the practices of theatre for the purposes of psychotherapy. A Drama Therapist works with clients to explore roles, create narrative, embody experience, and practice social interaction for insight, behavior change, and to promote the optimal healthy functioning of individuals and social systems. —Institute for Therapy through the Arts, 2011 Drama therapy is … … active and experiential … provides a context for participants to set goals and solve problems, express feelings or achieve catharsis. … Inner experience can be actively explored and interpersonal relationship skills can be enhanced. Participants may expand their repertoire of roles to find that the roles they play in life are stronger and more varied. —National Association for Drama Therapy, 2010 Nine Core Processes of Drama Therapy Phil Jones, 1996 1. Dramatic Projection is a technique that allows the client project his or her inner feelings and issues onto a roll or object. 2. Personification and impersonation describes two different dramatic forms in which the client expresses his or her personal material in the form of a role-play or an object. -
Young Adults in Art Therapy: an Ipa Analysis
Running head: YOUNG ADULTS IN ART THERAPY: AN IPA ANALYSIS Portfolio Volume 1: Major Research Project Experiences of Art Psychotherapy in Early Adulthood: An Interpretative Phenomenological Analysis Katerina Alexandraki June 2019 Submitted to the University of Hertfordshire in partial fulfilment of the requirements for the degree of Doctorate in Clinical Psychology. Student number: 14116770 2 3 Acknowledgements A special thanks to the participants of this study, for generously sharing with me their experiences. I would like to express my gratitude to my first therapist, Evita Zafeiropoulou, who helped me make sense of my experiences through creativity. Thank you to my late mum, for all the pebbles we painted together in my early years and to my dad who has always supported my bold steps, even when these led me to a country away from him. Thank you to my partner, David, for supporting this work with all his resources. I am very grateful to my library buddies, for being on my side. I would like to thank my supervisors Dr Pieter Nel for welcoming my queries, concerns and celebrations, Prof Jonathan Smith for his rigorous supervision and Prof Dominik Havsteen- Franklin for his insights. 4 Contents Acknowledgements 3 List of Tables & Figures 9 Abstract 10 Chapter 1: Introduction 11 1.1 Overview 11 1.2 Personal and Epistemological Positions 11 1.2.1 Personal interest 11 1.2.2 Epistemological position 13 1.3 Therapies for Young Adults 14 1.4 Definitions of Art Therapy 15 1.5 Historical and Cultural background of Art Therapy 15 1.6 Approaches