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Melodrama, Sickness, and Paranoia: Todd Haynes and the Womanâ•Žs
University of Texas Rio Grande Valley ScholarWorks @ UTRGV Literatures and Cultural Studies Faculty Publications and Presentations College of Liberal Arts Winter 2016 Melodrama, Sickness, and Paranoia: Todd Haynes and the Woman’s Film Linda Belau The University of Texas Rio Grande Valley Ed Cameron The University of Texas Rio Grande Valley Follow this and additional works at: https://scholarworks.utrgv.edu/lcs_fac Part of the Film and Media Studies Commons, and the Modern Literature Commons Recommended Citation Belau, L., & Cameron, E. (2016). Melodrama, Sickness, and Paranoia: Todd Haynes and the Woman’s Film. Film & History: An Interdisciplinary Journal 46(2), 35-45. https://www.muse.jhu.edu/article/643290. This Article is brought to you for free and open access by the College of Liberal Arts at ScholarWorks @ UTRGV. It has been accepted for inclusion in Literatures and Cultural Studies Faculty Publications and Presentations by an authorized administrator of ScholarWorks @ UTRGV. For more information, please contact [email protected], [email protected]. Film & History 46.2 (Winter 2016) MELODRAMA, SICKNESS, AND PARANOIA: has so much appeal precisely for its liberation from yesterday’s film culture? TODD HAYNES AND THE WOMAN’S FILM According to Mary Ann Doane, the classical woman’s film is beset culturally by Linda Belau the problem of a woman’s desire (a subject University of Texas – Pan American famously explored by writers like Simone de Beauvoir, Julia Kristeva, Helene Cixous, and Ed Cameron Laura Mulvey). What can a woman want? University of Texas – Pan American Doane explains that filmic conventions of the period, not least the Hays Code restrictions, prevented “such an exploration,” leaving repressed material to ilmmaker Todd Haynes has claimed emerge only indirectly, in “stress points” that his films do not create cultural and “perturbations” within the film’s mise artifacts so much as appropriate and F en scène (Doane 1987, 13). -
Sight & Sound Films of 2007
Sight & Sound Films of 2007 Each year we ask a selection of our contributors - reviewers and critics from around the world - for their five films of the year. It's a very loosely policed subjective selection, based on films the writer has seen and enjoyed that year, and we don't deny them the choice of films that haven't yet reached the UK. And we don't give them much time to ponder, either - just about a week. So below you'll find the familiar and the obscure, the new and the old. From this we put together the top ten you see here. What distinguishes this particular list is that it's been drawn up from one of the best years for all-round quality I can remember. 2007 has seen some extraordinary films. So all of the films in the ten are must-sees and so are many more. Enjoy. - Nick James, Editor. 1 4 Months, 3 Weeks and 2 Days (Cristian Mungiu) 2 Inland Empire (David Lynch) 3 Zodiac (David Fincher) = 4 I’m Not There (Todd Haynes) The Lives of Others (Florian Henckel von Donnersmarck) 6 Silent Light (Carlos Reygadas) = 7 The Assassination of Jesse James by the Coward Robert Ford (Andrew Dominik) Syndromes and a Century (Apichatpong Weerasethakul) No Country for Old Men (Ethan and Joel Coen) Eastern Promises (David Cronenberg) 1 Table of Contents – alphabetical by critic Gilbert Adair (Critic and author, UK)............................................................................................4 Kaleem Aftab (Critic, The Independent, UK)...............................................................................4 Geoff Andrew (Critic -
Post-Postmodern Cinema at the Turn of the Millennium: Paul Thomas Anderson’S Magnolia
Revista de Estudios Norteamericanos, vol. 24, 2020. Seville, Spain, ISSN 1133-309-X, pp. 1-21. DOI: http://dx.doi.org/10.12795/REN.2020.i24.01 POST-POSTMODERN CINEMA AT THE TURN OF THE MILLENNIUM: PAUL THOMAS ANDERSON’S MAGNOLIA JESÚS BOLAÑO QUINTERO Universidad de Cádiz [email protected] Received: 20 May 2020 Accepted: 26 July 2020 KEYWORDS Magnolia; Paul Thomas Anderson; post-postmodern cinema; New Sincerity; French New Wave; Jean-Luc Godard; Vivre sa Vie PALABRAS CLAVE Magnolia; Paul Thomas Anderson; cine post-postmoderno; Nueva Sinceridad; Nouvelle Vague; Jean-Luc Godard; Vivir su vida ABSTRACT Starting with an analysis of the significance of the French New Wave for postmodern cinema, this essay sets out to make a study of Paul Thomas Anderson’s Magnolia (1999) as the film that marks the beginning of what could be considered a paradigm shift in American cinema at the end of the 20th century. Building from the much- debated passing of postmodernism, this study focuses on several key postmodern aspects that take a different slant in this movie. The film points out the value of aspects that had lost their meaning within the fiction typical of postmodernism—such as the absence of causality; sincere honesty as opposed to destructive irony; or the loss of faith in Lyotardian meta-narratives. We shall look at the nature of the paradigm shift to link it to the desire to overcome postmodern values through a recovery of Romantic ideas. RESUMEN Partiendo de un análisis del significado de la Nouvelle Vague para el cine postmoderno, este trabajo presenta un estudio de Magnolia (1999), de Paul Thomas Anderson, como obra sobre la que pivota lo que se podría tratar como un cambio de paradigma en el cine estadounidense de finales del siglo XX. -
ALISON ROSA UPM PGA & DGA Member
ALISON ROSA UPM PGA & DGA Member FEATURES (UPM Credits) WITHOUT REMORSE Paramount Prod: Josh Applebaum, Andre Nemec, Dir: Stefano Sollima (UPM – DC/Virginia Unit) Michael B. Jordan, Akiva Goldsman Denis Stewart WIDOWS (AUPM/UPM) 20th Century Fox Prod: Ian Canning, Bergen Swanson Dir: Steve McQueen F.E.L.T. (UPM, 1st AD - DC Unit) Mandalay Prod: Marc Butan, Anthony Katagas Dir: Peter Landesman BELIEVE (UPM) Power of 3 Prod: Nelson Diaz, Ben Holmes, Dir: Billy Dickson Jacob Patrick, Kevin Sizemore LEE DANIELS’ THE BUTLER Weinstein Co. Prod: Adam Merins Dir: Lee Daniels (UPM – 1st AD, DC Unit) TELEVISION (UPM Credits) COVERT AFFAIRS (UPM, 1st AD) USA Prod: Stephen Kay Dir: Stephen Kay LIMITLESS (Season 1) (Asst. UPM) CBS Prod: Kati Johnston Dir: Various THE WIRE (AUPM) HBO Prod: Nina Kostroff-Noble Dir: Various FEATURES (AD Credits) DARK WATERS (Key 2nd AD) Focus/Participant Media Prod: Pamela Koffler, Jeff Skoll, Dir: Todd Haynes Christine Vachon GLASS (Key 2nd AD) Universal Prod: Marc Bienstock, Jason Blum, Dir: M. Night Shyamalan Ashwin Rajan, M. Night Shyamalan KILL THE MESSENGER (Key 2nd AD) Focus Prod: Naomi Despres, Jeremy Renner Dir: Michael Cuesta PHILOMENA (Key 2nd AD) Weinstein Co. Prod: Steve Coogan, Jeff Pope Dir: Stephen Frears ARGO (1st AD – 2nd Unit, DC Unit) Warner Bros. Prod: Ben Affleck, Grant Heslov Dir: Ben Affleck WHITE HOUSE DOWN (2nd AD – VFX, DC Unit) Columbia Prod: Roland Emmerich, Dir: Roland Emmerich Bradley J. Fischer, Larry Franco J. EDGAR (2nd AD – DC Unit) Warner Bros. Prod: Clint Eastwood, Brian Grazer, Dir: Clint Eastwood Robert Lorenz UNANSWERED PRAYERS Lifetime Movie Network Prod: James Spies Dir: Steven Schachter (1st AD – 2nd Unit, Key 2nd AD) SYRIANA (Key 2nd AD) Warner Bros. -
68Th EMMY® AWARDS NOMINATIONS for Programs Airing June 1, 2015 – May 31, 2016
EMBARGOED UNTIL 8:40AM PT ON JULY 14, 2016 68th EMMY® AWARDS NOMINATIONS For Programs Airing June 1, 2015 – May 31, 2016 Los Angeles, CA, July 14, 2016– Nominations for the 68th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Bruce Rosenblum along with Anthony Anderson from the ABC series black-ish and Lauren Graham from Parenthood and the upcoming Netflix revival, Gilmore Girls. "Television dominates the entertainment conversation and is enjoying the most spectacular run in its history with breakthrough creativity, emerging platforms and dynamic new opportunities for our industry's storytellers," said Rosenblum. “From favorites like Game of Thrones, Veep, and House of Cards to nominations newcomers like black-ish, Master of None, The Americans and Mr. Robot, television has never been more impactful in its storytelling, sheer breadth of series and quality of performances by an incredibly diverse array of talented performers. “The Television Academy is thrilled to once again honor the very best that television has to offer.” This year’s Drama and Comedy Series nominees include first-timers as well as returning programs to the Emmy competition: black-ish and Master of None are new in the Outstanding Comedy Series category, and Mr. Robot and The Americans in the Outstanding Drama Series competition. Additionally, both Veep and Game of Thrones return to vie for their second Emmy in Outstanding Comedy Series and Outstanding Drama Series respectively. While Game of Thrones again tallied the most nominations (23), limited series The People v. O.J. Simpson: American Crime Story and Fargo received 22 nominations and 18 nominations respectively. -
DAVID KLOTZ Music Editor TELEVISION CREDITS
DAVID KLOTZ Music Editor David Klotz has devoted his career to the music side of the film and tv industry, primarily as a music editor, but also as a composer, songwriter and music supervisor. He has won six Emmy awards for his work on Stranger Things, Game of Thrones, and American Horror Story. He got his start music supervising Christopher Nolan’s critically acclaimed film, Memento. Soon after, he moved into music editing, working on the shows Buffy The Vampire Slayer, Angel, Firefly, and Blade, the TV Series, to name a few. In 2005, he formed Galaxy Beat Media, his music editorial and production company, working on TV shows including Entourage, Prison Break, Glee, and the Marvel feature film, Iron Man. David co-wrote and performed the theme song to the 2001 Robert Rodriguez blockbuster, Spy Kids. He most recently produced and arranged a cover of the 1984 classic “Never Ending Story” for Stranger Things Season 3, available on the show’s soundtrack album. David’s band Dream System 8 has created music for dozens of TV shows including 9-1-1, American Horror Story, Scream Queens, and Pose. TELEVISION CREDITS Perry Mason (TV Series) I Am Not Okay with This (TV Series) Executive Producers: Robert Downey Jr., Susan Downey, Executive Producers: Josh S. Barry, Dan Cohen, Jonathan Ron Fitzgerald, Rolin Jones, Timothy Van Patten, Entwistle, Christy Hall, Dan Levine & Shawn Levy Matthew Rhys, Amanda Burrell & Joseph Horacek 21 Laps Entertainment/Netflix HBO American Horror Story (TV Series – Seasons 1- Ratched (TV Series) 10) Executive Producers: -
Emmy Nominations
2021 Emmy® Awards 73rd Emmy Awards Complete Nominations List Outstanding Animated Program Big Mouth • The New Me • Netflix • Netflix Bob's Burgers • Worms Of In-Rear-Ment • FOX • 20th Century Fox Television / Bento Box Animation Genndy Tartakovsky's Primal • Plague Of Madness • Adult Swim • Cartoon Network Studios The Simpsons • The Dad-Feelings Limited • FOX • A Gracie Films Production in association with 20th Television Animation South Park: The Pandemic Special • Comedy Central • Central Productions, LLC Outstanding Short Form Animated Program Love, Death + Robots • Ice • Netflix • Blur Studio for Netflix Maggie Simpson In: The Force Awakens From Its Nap • Disney+ • A Gracie Films Production in association with 20th Television Animation Once Upon A Snowman • Disney+ • Walt Disney Animation Studios Robot Chicken • Endgame • Adult Swim • A Stoopid Buddy Stoodios production with Williams Street and Sony Pictures Television Outstanding Production Design For A Narrative Contemporary Program (One Hour Or More) The Flight Attendant • After Dark • HBO Max • HBO Max in association with Berlanti Productions, Yes, Norman Productions, and Warner Bros. Television Sara K. White, Production Designer Christine Foley, Art Director Jessica Petruccelli, Set Decorator The Handmaid's Tale • Chicago • Hulu • Hulu, MGM, Daniel Wilson Productions, The Littlefield Company, White Oak Pictures Elisabeth Williams, Production Designer Martha Sparrow, Art Director Larry Spittle, Art Director Rob Hepburn, Set Decorator Mare Of Easttown • HBO • HBO in association with wiip Studios, TPhaeg eL o1w Dweller Productions, Juggle Productions, Mayhem Mare Of Easttown • HBO • HBO in association with wiip Studios, The Low Dweller Productions, Juggle Productions, Mayhem and Zobot Projects Keith P. Cunningham, Production Designer James F. Truesdale, Art Director Edward McLoughlin, Set Decorator The Undoing • HBO • HBO in association with Made Up Stories, Blossom Films, David E. -
Andrew Groves Editor
ANDREW GROVES EDITOR FEATURES MOTHER / ANDROID Miramax Films Prod: Matt Reeves, Rafi Crohn, Dir: Mattson Tomlin Adam Kassan CAPTIVE STATE Focus Features Prod: David Crockett, Jonathan King, Dir: Rupert Wyatt Jeff Skoll NINAH’S DOWRY Fintu Films Prod: Victor Viyuoh, Hilarius Che Fuh, Dir: Victor Viyuoh Daniel Tan TELEVISION THE PERIPHERAL (Season 1) Amazon Prod: Jonah Nolan, Vincenzo Natali, Dir: Various Scott B. Smith, Greg Plageman HOLLYWOOD (Season 1) Netflix Prod: Ryan Murphy, Alexis Martin Woodall Dir: Daniel Minahan, Janet Mock HUNTERS (Season 1) Amazon Prod: David Weil, Nikki Toscano, Jordan Peele, Dir: Nelson McCormick (Ep. 107) Alfonso Gomez-Rejon STUMPTOWN (Pilot) ABC Prod: Jason Richman, Ruben Fleischer Dir: James Griffiths David Bernad TELL ME A STORY (Season 1) CBS All Access Prod: Kevin Williamson, Aaron Kaplan Dir: Liz Friedlander Liz Friedlander FEUD (Season 1) FX Prod: Ryan Murphy, Alexis Martin Woodall, Dir: Gwyneth Horder-Payton, Brad Pitt, Dede Gardner Ryan Murphy, Helen Hunt *Nominated – Golden Globe – Best Television Limited Series or Motion Picture Made for Television, 2018 SCREAM QUEENS (Seasons 1 & 2) FOX Prod: Ryan Murphy, Alexis Martin Woodall Dir: Various THE EXORCIST (Pilot) FOX Prod: Rolin Jones, Barbara Wall Dir: Rupert Wyatt AMERICAN HORROR STORY FX Prod: Ryan Murphy, Brad Falchuk, Dir: Various (Season 5 – 1 Episode) Alexis Martin Woodall TALES FROM THE DARK SIDE (Pilot) CBS/The CW Prod: Alex Kurtzman, Heather Kadin Dir: Brad Buecker GLEE (Seasons 5 & 6) FOX Prod: Alexis Martin Woodall, Brad Buecker, Dir: Various Ryan Murphy THE NEW NORMAL (Season 1) NBC Prod: Alexis Martin Woodall, Brad Buecker, Dir: Various Ryan Murphy 405 S Beverly Drive, Beverly Hills, California 90212 - T 310.888.4200 - F 310.888.4242 www.apa-agency.com . -
James Newton Howard
JAMES NEWTON HOWARD AWARDS/NOMINATIONS SATURN AWARD (2009) DARK KNIGHT Best Music * ACADEMY AWARD NOMINATION (2009) DEFIANCE Best Original Score BAFTA AWARD NOMINATION (2008) THE DARK KNIGHT Music * BROADCAST FILM CRITICS ASSOCIATION THE DARK KNIGHT NOMINATION (2008) Best Composer * GOLDEN GLOBE AWARD NOMINATION (2008) DEFIANCE Best Original Score GRAMMY AWARD AWARD (2008) DARK KNIGHT Best Score Soundtrack Album* iTUNES AWARD (2008) DARK KNIGHT Best Score* WORLD SOUNDTRACK AWARD (2008) CHARLIE WILSON’S WAR Film Composer of the Year MICHAEL CLAYTON I AM LEGEND ACADEMY AWARD NOMINATION (2008) MICHAEL CLAYTON Best Original Score INTERNATIONAL FILM MUSIC CRITICS ASSOCIATION NOMINATION (2007) Film Composer of the Year GRAMMY AWARD NOMINATION (2007) BLOOD DIAMOND Be st Score Soundtrack Album GOLDEN GLOBE AWARD NOMINATION (2005) KING KONG Best Original Score ACADEMY AWARD NOMINATION (2005) THE VILLAGE Best Original Score GRAMMY AWARD NOMINATION (2002) “Main Titles” from SIGNS Best Instrumental Composition EMMY AWARD (2001) GIDEON’S CROSSING Outstanding Main Title Theme Music The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 JAMES NEWTON HOWARD GRAMMY AWARD NOMINATION (2000) “The Egg Travels” from DINOSAUR Best Instrumental Composition ACADEMY AWARD NOMINATION (1997) MY BEST FRIEND’S WEDDING Best Original Musical or Comedy Score GRAMMY AWARD NOMINATION (1997) "For The First Time" Best Song Written for a Motion Picture or Television* from ONE FINE DAY ACADEMY AWARD NOMINATION (1996) "For The First Time" GOLDEN GLOBE AWARD NOMINATION from ONE FINE DAY (1996) Best Original Song* ACADEMY AWARD NOMINATION (1994) "Look What Love Has Done" GOLDEN GLOBE NOMINATION (1994) from JUNIOR Best Original Song* ACADEMY AWARD NOMINATION (1993) THE FUGITIVE Best Original Score ACADEMY AWARD NOM INATION (1991) THE PRINCE OF TIDES Best Original Score EMMY AWARD NOMINATION (1995) E.R. -
For Immediate Release September 18, 2016 8:00 Pm Pdt
FOR IMMEDIATE RELEASE SEPTEMBER 18, 2016 8:00 PM PDT COMPLETE LISTING OF 68TH EMMY AWARDS WINNERS Los Angeles, CA Sunday, September 18, 2016 -- The Television Academy tonight awarded the 68th Emmy® Awards, recognizing excellence in primetime programming and individual achievement for the 2015-2016 television season. The 68th Emmy Awards telecast took place at the Microsoft Theater in Los Angeles. Hosted by Jimmy Kimmel and produced by Don Mischer Productions, the live telecast on ABC featured awards in 27 categories, presented by an array of top talent and entertainers from various networks and television platforms including Anthony Anderson, Kristen Bell, James Corden, Bryan Cranston, Larry David, America Ferrera, Tom Hiddleston, Rami Malek, Keri Russell, Jeffery Tambor and Kerry Washington. These honors add to the Emmys already awarded in 85 other categories and juried areas at the Creative Arts Awards on September 10 and September 11, 2016 from the Microsoft Theater. For more information, visit Emmys.com PRESS CONTACTS FOR THE TELEVISION ACADEMY: Jim Yeager breakwhitelight public relations [email protected] 818-264-6812 Stephanie Goodell breakwhitelight public relations [email protected] 818-462-1150 TELEVISION ACADEMY 68TH PRIMETIME EMMY AWARDS The awards, as tabulated by the independent accounting firm of Ernst & Young LLP, were distributed as follows: Creative Arts Telecast Total HBO 16 6 22 FX Networks 12 6 18 Netflix 6 3 9 PBS 6 2 8 Amazon 4 2 6 FOX 5 1 6 NBC 4 2 6 A&E 4 - 4 ABC 3 1 4 Adult Swim 4 - 4 Cartoon Network 4 - 4 Comedy Central 3 1 4 CBS 3 - 3 AMC 1 1 2 CNN 2 - 2 CW 2 - 2 National Geographic Channel 2 - 2 Showtime 2 - 2 USA 1 1 2 ActingDead.com 1 - 1 AOL 1 - 1 BBC America - 1 1 IFC 1 - 1 Logo 1 - 1 MTV 1 - 1 Nickelodeon 1 - 1 Oculus Platform 1 - 1 Starz 1 - 1 TLC 1 - 1 A complete list of all awards presented tonight is attached. -
This Year's Emmy Awards Noms Here
FOR IMMEDIATE RELEASE 2017 EMMY® AWARDS NOMINATIONS FOR PROGRAMS AIRING JUNE 1, 2016 – MAY 31, 2017 Los Angeles, CA, July 13, 2017– Nominations for the 69th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Hayma Washington along with Anna Chlumsky from the HBO series Veep and Shemar Moore from CBS’ S.W.A.T. "It’s been a record-breaking year for television, continuing its explosive growth,” said Washington. “The Emmy Awards competition experienced a 15 percent increase in submissions for this year’s initial nomination round of online voting. The creativity and excellence in presenting great storytelling and characters across a multitude of ever-expanding entertainment platforms is staggering. “This sweeping array of television shows ranges from familiar favorites like black- ish and House of Cards to nominations newcomers like Westworld, This Is Us and Atlanta. The power of television and its talented performers – in front of and behind the camera – enthrall a worldwide audience. We are thrilled to once again honor the very best that television has to offer.” This year’s seven Drama Series nomInees include five first-timers dIstrIbuted across broadcast,Deadline cable and dIgItal Platforms: Better Call Saul, The Crown, The Handmaid’s Tale, House of Cards, Stranger Things, This Is Us and Westworld. NomInations were also sPread over dIstrIbution Platforms In the OutstandIng Comedy Series category, with newcomer Atlanta joined by the acclaimed black-ish, Master of None, Modern Family, Silicon Valley, Unbreakable Kimmy Schmidt and Veep. Saturday Night Live and Westworld led the tally for the most nomInations (22) In all categories, followed by Stranger Things and FEUD: Bette and Joan (18) and Veep (17). -
TODD A. DOS REIS, A.S.C. Director of Photography
TODD A. DOS REIS, A.S.C. Director of Photography Television Council of Dads | NBC/Universal| Jerry Bruckheimer | Season 1 directors| James Strong, Jonathan Brown, Lily Mariye, Nicole Rubio, Gearey McLeod, Benny Boom executive producers| Tony Phelan, Joan Rater, Jonathan Brown, Jonathan Littman, James Oh, cast| Sarah Wayne Callies, J. August Richards, Clive Standen, Michael O’Neil, Michele Weaver David Makes Man | OWN | Warner Horizon| Pilot & Season 1 directors | Michael Williams, Daina Reid executive producers| Tarell Alvin McCraney, Michael B. Jordan, Oprah Winfrey, Dee Harris Lawrence cast | Akili McDowell, Alana Arenas, Isaiah Johnson, Travis Coles, Phylicia Rashad • PEABODY AWARD WINNER 2020 Crazy Ex Girlfriend | CW Network | CBS | Season 1, 2 and 3 directors| Marc Webb, Erin Erlich, Stuart McDonald, Alex Hardcastle, Michael Schultz, Joseph Kahn executive producers | Aline Brosh McKenna, Rachel Bloom, Sarah Caplan cast | Rachel Bloom, Donna Lynne Champlin, Vincent Rodriguez, Pete Gardner, Vella Lovell Longmire | Netflix | Warner Horizon | Season 1, 3, 4, 5 and 6 directors | Chris Chulack | J. Michael Muro, Zetna Fuentes, Michael Offer, Magnus Martens executive producers | Greer Shephard | Hunt Baldwin | John Coveny | Pat McKee cast | Robert Taylor, Katee Sackhoff, Lou Diamond Phillips | Cassidy Freeman, Adam Bartley Entourage | HBO | Warner Bros.| Season 5, 6, 7 and 8 directors | Mark Mylod, Julian Farino, David Nutter, Ken Whittingham, Dan Attias, Tucker Gates executive producers | Mark Wahlberg, Doug Ellin, Stephen Levinson cast | Kevin Connolly, Adrian Grenier, Kevin Dillon, Jerry Ferrara, Jeremy Piven Necessary Roughness | USA Network | Season 3 directors | Kevin Dowling , Kevin Hooks, Tim Hunter, James Hayman, Craig Shapiro executive producers | Liz Kruger, Craig Shapiro, Jeffrey Lieber, Kelly Manners cast | Callie Thorne, Scott Cohen, Mechad Brooks, John Stamos, David Anders, Autumn Reeser Suburgatory | ABC | Warner Bros.