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Fantasy & Science Fiction
Alphabetical list of Authors Clonmel Library Douglas Adams Kazuo Ishiguro Clonmel Library Issac Asimov PD James Ray Bradbury Robert Jordan Terry Brooks Kate Jacoby RecommendedRecommended Trudi Canavan Ursala K. Le Guin Arthur C Clarke George Orwell Susanna Clarke Anne McCaffery ReadingReading Philip K. Dick George RR Martin David Eddings Mervyn Peake Raymond E. Feist Terry Pratchett American Gods Philip Pullman Neil Gaiman Brandon Sanderson David Gemmell JRR Tolkein Terry Goodkind Jules Verne Robert A. HeinLein Kurt Vonnegut FantasyFantasy && Frank Herbert T.H. White Robin Hobb Aldous Huxley Clonmel Library ScienceScience FictionFiction Opening Hours & Contact Details Monday: 9.30 am – 5.30 pm Tuesday: 9.30 am – 5.30 pm Wednesday: 9.30 am – 8.00 pm Thursday: 9.30 am – 5.30 pm Friday: 9.30 am – 1pm & 2pm - 5pm Saturday: 10.00 am – 1pm & 2pm-5pm Phone: (052) 6124545 E-Mail: [email protected] Website: www.tipperarylibraries.ie/clonmel 11 Twenty Thousand Leagues Under the Sea AnAn IntroductionIntroduction Jules Verne First published 1869 toto FantasyFantasy French naturalist Dr. Aronnax embarks on an expedition to hunt down a sea monster, only to discover instead the && ScienceScience FictionFiction Nautilus, a remarkable submarine built by the enigmatic Captain Nemo. Together Nemo and Aronnax explore the antasy is a genre that uses magic and other supernatural forms underwater marvels, undergo a transcendent experience as a primary element of plot, theme, and/or setting. Fantasy is amongst the ruins of Atlantis, and plant a -
Fairies to Be Photographed! Press Reactions in “Scrapbooks” to the Cottingley Fairies Kaori Inuma
Fairies to Be Photographed! Press Reactions in “Scrapbooks” to the Cottingley Fairies Kaori Inuma Introduction In 1917, two girls (Elsie Wright and Frances Griffiths) used a “Midge” camera to produce two fairy photographs in the Cottingley glen, West Yorkshire. Though the fairies were made of paper, the girls stubbornly insisted that they were real fairies in order to play a joke on their parents and friends.1 A few years later, the photographs were forwarded to Edward L. Gardner, the president of Blavatsky lodge of the Theosophical Society in London. In addition, the news about the photographs reached Arthur Conan Doyle, best known for his fictional detective series of Sherlock Holmes, who was then writing an article on the belief in fairies in folklore. Doyle contacted Gardner and they commenced the investigation of the fairy photographs together. They consulted various experts in photography and made the girls take three more fairy photographs. As a result, Doyle published two articles in the Strand Magazine in 1920 and 1921 followed by a book titled The Coming of the Fairies (1922) in which he concluded that they could not find any evidence of tricks. Some previous research on this case has considered that the contemporary press primarily debated the existence of the fairies, whether the photographs were forged or genuine; critical views were dominant. Alex Owen, who argued the case in relation to power and privilege, stated: “All this occurred, however, at considerable cost to Conan Doyle’s reputation. His espousal of the fairies dismayed many of even his most ardent admirers. Nevertheless, there were those who Fairies to Be Photographed! felt that lingering questions over the possible authenticity of the photographs remained, and public interest and debate have continued down the years” (50). -
From: Reviews and Criticism of Vietnam War Theatrical and Television Dramas ( Compiled by John K
From: Reviews and Criticism of Vietnam War Theatrical and Television Dramas (http://www.lasalle.edu/library/vietnam/FilmIndex/home.htm) compiled by John K. McAskill, La Salle University ([email protected]) W2835 WATCHMEN (USA, 2009) Credits: director, Zack Snyder ; writers, David Hayter, Alex Tse ; graphic novel, Alan Moore, Dave Gibbons. Cast: Malin Akerman, Billy Crudup, Matthew Goode, Jackie Earle Haley, Jeffrey Dean Morgan, Patrick Wilson, Carla Gugino. Summary: Science fiction/superhero film based on the graphic novel written by Alan Moore and illustrated by Dave Gibbons. Set in an alternative 1985 US governed by Richard Nixon with occasional flashbacks to prior events. Masked superheroes were a normal part of American life through the 1960s. In Vietnam, the Comedian (Morgan) wields a flame thrower and engages in ground combat operations until the radioactive blue giant Dr. Manhattan (Crudup) arrives, at the behest of President Nixon, and ends the war in a matter of weeks. A formation of surrendering Viet Cong bow down to the Dr. like a god. In a Saigon bar shortly thereafter, the Comedian is confronted by his pregnant Vietnamese mistress about the future of their unborn child and he calmly shoots her. After Vietnam, masked superheroes were forced into retirement. However, as Cold War tensions between the US and the Soviet Union begin to rise, a washed up but no less determined masked vigilante named Rorschach (Haley) discovers a plot to kill and discredit all past and present superheroes. As Rorschach and his small group of retired superheroes investigate, they discover a deeper conspiracy with links to their shared past and catastrophic consequences for the future. -
Photographing Fairies Making and Faking Photos a Century After Cottingley 19 February - 19 August 2021 Stills.Org/Fairies Contents
Photographing Fairies Making and faking photos a century after Cottingley 19 February - 19 August 2021 Stills.org/fairies Contents Photographing Fairies 5 Introduction Stills Creative Learning Programme 9 Emma Black The Cottingley Fairy Photographs 11 Alice Sage The Ever-Changing Persistence of Fairies 23 Sarah Dunnigan Photography and Fairies 29 Alice Sage Detail, The Cottingley Fairies. Frank Quitely (1996) Printed copies of this booklet are available. If you would like one, please send an email to [email protected] Photographing Fairies This project was inspired by the 100th anniversary of the publication of the Cottingley Fairy Photographs in December 1920. This infamous hoax by Elsie Wright and Frances Griffiths produced the original viral selfies — photos of fairies which convinced many people of the existence of supernatural life, but also sparked fierce debate about the agency and ability of girls. We wanted to find out what young people the same age as Frances Griffiths thought about these photographs now — would they ever be fooled by fake images? Can we believe what we see in the media? How do we navigate a world of airbrushing, filters and deep fakes? Contents of the art box: In September 2020, we started working with two groups of Scissors young people who meet regularly through Edinburgh Young Glue Carers and Edinburgh Multi-cultural Family Base. We had Pens and pencils Pictures for collaging hoped to get together in the Stills darkroom, set up portrait Coloured paper sessions in the studio and go out finding fairies around the city. White card Of course, these plans had to change due to Covid-19. -
Serial Historiography: Literature, Narrative History, and the Anxiety of Truth
SERIAL HISTORIOGRAPHY: LITERATURE, NARRATIVE HISTORY, AND THE ANXIETY OF TRUTH James Benjamin Bolling A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2016 Approved by: Minrose Gwin Jennifer Ho Megan Matchinske John McGowan Timothy Marr ©2016 James Benjamin Bolling ALL RIGHTS RESERVED ii ABSTRACT Ben Bolling: Serial Historiography: Literature, Narrative History, and the Anxiety of Truth (Under the direction of Megan Matchinske) Dismissing history’s truths, Hayden White provocatively asserts that there is an “inexpugnable relativity” in every representation of the past. In the current dialogue between literary scholars and historical empiricists, postmodern theorists assert that narrative is enclosed, moribund, and impermeable to the fluid demands of history. My critical intervention frames history as a recursive, performative process through historical and critical analysis of the narrative function of seriality. Seriality, through the material distribution of texts in discrete components, gives rise to a constellation of entimed narrative strategies that provide a template for human experience. I argue that serial form is both fundamental to the project of history and intrinsically subjective. Rather than foreclosing the historiographic relevance of storytelling, my reading of serials from comic books to the fiction of William Faulkner foregrounds the possibilities of narrative to remain open, contingent, and responsive to the potential fortuities of historiography. In the post-9/11 literary and historical landscape, conceiving historiography as a serialized, performative enterprise controverts prevailing models of hermeneutic suspicion that dominate both literary and historiographic skepticism of narrative truth claims and revives an ethics responsive to the raucous demands of the past. -
Twin Peaks’ New Mode of Storytelling
ARTICLES PROPHETIC VISIONS, QUALITY SERIALS: TWIN PEAKS’ NEW MODE OF STORYTELLING MIKHAIL L. SKOPTSOV ABSTRACT Following the April 1990 debut of Twin Peaks on ABC, the TV’, while disguising instances of authorial manipulation evi- vision - a sequence of images that relates information of the dent within the texts as products of divine internal causality. narrative future or past – has become a staple of numerous As a result, all narrative events, no matter how coincidental or network, basic cable and premium cable serials, including inconsequential, become part of a grand design. Close exam- Buffy the Vampire Slayer(WB) , Battlestar Galactica (SyFy) and ination of Twin Peaks and Carnivàle will demonstrate how the Game of Thrones (HBO). This paper argues that Peaks in effect mode operates, why it is popular among modern storytellers had introduced a mode of storytelling called “visio-narrative,” and how it can elevate a show’s cultural status. which draws on ancient epic poetry by focusing on main char- acters that receive knowledge from enigmatic, god-like figures that control his world. Their visions disrupt linear storytelling, KEYWORDS allowing a series to embrace the formal aspects of the me- dium and create the impression that its disparate episodes Quality television; Carnivale; Twin Peaks; vision; coincidence, constitute a singular whole. This helps them qualify as ‘quality destiny. 39 SERIES VOLUME I, SPRING 2015: 39-50 DOI 10.6092/issn.2421-454X/5113 INTERNATIONAL JOURNAL OF TV SERIAL NARRATIVES ISSN 2421-454X ARTICLES > MIKHAIL L. SKOPTSOV PROPHETIC VISIONS, QUALITY SERIALS: TWIN PEAKS’ NEW MODE OF STORYTELLING By the standards of traditional detective fiction, which ne- herself and possibly The Log Lady, are visionaries as well. -
Why Do So Many People Still Believe in the Cottingley Fairies?
Why do so many people still believe in the Cottingley Fairies? Frances Griffiths in one of their famous Cottingley Fairies photographs One hundred years after the photographs were taken, why is one community still transfixed by the hoax? By David Barnett At the bottom of Luke Horsman’s garden, there are fairies. Or at least, there were, a century ago, when two young girls unwittingly created a modern tale that brought together two worlds; the relatively new one of photography and the ages- old sphere of folklore, entrancing a famous figure as Sherlock Holmes creator Arthur Conan Doyle. Mr Horsman, 35, lives in Main Street, a narrow road of terraced houses, in the village of Cottingley in West Yorkshire, with his partner Ruth. He’s an illustrator and is working on a graphic novel called, with perhaps a nod to the idyllic outlook from his end-of-terrace house, Edengate. But, despite the sometimes fantastical nature of his own work, he had no idea when he and Ruth purchased the property in November 2015 that he was buying a slice of the history of the famous Cottingley Fairies. “It wasn’t mentioned to us at all,” says Mr Horsman, leading me to the kitchen, which overlooks the garden behind the house. “It was only when we moved in and one of the neighbours said to us, ‘Ah, you’re the ones who’ve bought the fairy house’ that we had any idea. I had no idea what they were talking about at first.” Mr Horsman takes me through the garden, along slate paths to an arbour that perches on the edge of a brook that cascades down past the backs of the homes in Main Street. -
My Beloved Is a Bass Line: Musical, De-Colonial Interventions in Song Criticism and Sacred Erotic Discourse
THE BIBLE & CRITICAL THEORY My Beloved is a Bass Line: Musical, De-colonial Interventions in Song Criticism and Sacred Erotic Discourse Heidi Epstein, University of Saskatchewan Abstract How might musical settings of the Song of Songs provide critical interventions in the politics of love? This case study builds a womanist intertextual matrix for the Song such that its amatory and horticultural language can be reinterpreted as irreducibly “de-colonial.” Reread through Chela Sandoval’s model of love, Alice Walker’s search for her foremothers’ and foresisters’ gardens, and Toni Morrison’s “commentary” on the Song (Beloved), the biblical text circulates de-colonial energies. And, given that music figures centrally in these womanists’ genealogies of love, a de-colonial reading of the Song mandates deconstruction of a subaltern musical archive within the Eurocentric discourse of sacred eroticism, a discourse that the Song sustains as an Ur-text. If the biblical female protagonist’s longing and seeking are reread as de-colonial and trickster-esque, she begets a subaltern musical family tree—audible today in the “Shulammitic” bass playing and protest singing of Meshell Ndegeocello. Key words Meshell Ndegeocello; Song of Songs; Bible and music; love; de-colonial theory; Toni Morrison; Alice Walker Introduction What meanings might be produced from the Song of Song’s amatory and horticultural language if it is read with a sense of love as irreducibly “de-colonial”? Some of these meanings shall emerge over the course of this article as I re-read the Song of Song’s imagery and its musicality in four phases through womanist intertexts by Chela Sandoval, Toni Morrison, Alice Walker, and Meshell Ndegeocello. -
Tolono Library CD List
Tolono Library CD List CD# Title of CD Artist Category 1 MUCH AFRAID JARS OF CLAY CG CHRISTIAN/GOSPEL 2 FRESH HORSES GARTH BROOOKS CO COUNTRY 3 MI REFLEJO CHRISTINA AGUILERA PO POP 4 CONGRATULATIONS I'M SORRY GIN BLOSSOMS RO ROCK 5 PRIMARY COLORS SOUNDTRACK SO SOUNDTRACK 6 CHILDREN'S FAVORITES 3 DISNEY RECORDS CH CHILDREN 7 AUTOMATIC FOR THE PEOPLE R.E.M. AL ALTERNATIVE 8 LIVE AT THE ACROPOLIS YANNI IN INSTRUMENTAL 9 ROOTS AND WINGS JAMES BONAMY CO 10 NOTORIOUS CONFEDERATE RAILROAD CO 11 IV DIAMOND RIO CO 12 ALONE IN HIS PRESENCE CECE WINANS CG 13 BROWN SUGAR D'ANGELO RA RAP 14 WILD ANGELS MARTINA MCBRIDE CO 15 CMT PRESENTS MOST WANTED VOLUME 1 VARIOUS CO 16 LOUIS ARMSTRONG LOUIS ARMSTRONG JB JAZZ/BIG BAND 17 LOUIS ARMSTRONG & HIS HOT 5 & HOT 7 LOUIS ARMSTRONG JB 18 MARTINA MARTINA MCBRIDE CO 19 FREE AT LAST DC TALK CG 20 PLACIDO DOMINGO PLACIDO DOMINGO CL CLASSICAL 21 1979 SMASHING PUMPKINS RO ROCK 22 STEADY ON POINT OF GRACE CG 23 NEON BALLROOM SILVERCHAIR RO 24 LOVE LESSONS TRACY BYRD CO 26 YOU GOTTA LOVE THAT NEAL MCCOY CO 27 SHELTER GARY CHAPMAN CG 28 HAVE YOU FORGOTTEN WORLEY, DARRYL CO 29 A THOUSAND MEMORIES RHETT AKINS CO 30 HUNTER JENNIFER WARNES PO 31 UPFRONT DAVID SANBORN IN 32 TWO ROOMS ELTON JOHN & BERNIE TAUPIN RO 33 SEAL SEAL PO 34 FULL MOON FEVER TOM PETTY RO 35 JARS OF CLAY JARS OF CLAY CG 36 FAIRWEATHER JOHNSON HOOTIE AND THE BLOWFISH RO 37 A DAY IN THE LIFE ERIC BENET PO 38 IN THE MOOD FOR X-MAS MULTIPLE MUSICIANS HO HOLIDAY 39 GRUMPIER OLD MEN SOUNDTRACK SO 40 TO THE FAITHFUL DEPARTED CRANBERRIES PO 41 OLIVER AND COMPANY SOUNDTRACK SO 42 DOWN ON THE UPSIDE SOUND GARDEN RO 43 SONGS FOR THE ARISTOCATS DISNEY RECORDS CH 44 WHATCHA LOOKIN 4 KIRK FRANKLIN & THE FAMILY CG 45 PURE ATTRACTION KATHY TROCCOLI CG 46 Tolono Library CD List 47 BOBBY BOBBY BROWN RO 48 UNFORGETTABLE NATALIE COLE PO 49 HOMEBASE D.J. -
A Study of the Genre of T. H. White's Arthurian Books a Thesis
A Study of the Genre of T. H. White's Arthurian Books A Thesis for the Degree of Ph. D from the University of Wales Susan Elizabeth Chapman June 1988 Summary T. H. White's Arthurian books have been consistently popular with the general public, but have received limited critical attention. It is possible that such critical neglect is caused by the books' failure to conform to the generic norms of the mainstream novel, the dominant form of prose fiction in the twentieth century. This thesis explores the way in which various genres combine in The. Once alai Future King.. Genre theory, as developed by Northrop Frye and Alastair Fowler, is the basis of the study. Neither theory is applied fully, but Frye's and Fowler's ideas about the function of genre as an interpretive tool underpin the study. The genre study proper begins with an examination of the generic repertoire of the mainstream novel. A study of The. Qnce gknj Future King in relation to this form reveals that it exhibits some of its features, notably characterization and narrative, but that it conspicuously lacks the kind of setting typical of the mainstream novel. A similar approach is followed with other subgenres of prose fiction: the historical novel; romance; fantasy; utopia. In each case Thy Once angj Future King is found to exhibit some key features, unique to that form, although without sufficient of its characteristics to be described fully in those terms. The function of the comic and tragic modes within The. Qnce änd Future King is also considered. -
THE MANY FACES of MERLIN in MODERN FICTION Author(S): Christopher Dean Source: Arthurian Interpretations, Vol
THE MANY FACES OF MERLIN IN MODERN FICTION Author(s): Christopher Dean Source: Arthurian Interpretations, Vol. 3, No. 1 (Fall 1988), pp. 61-78 Published by: Scriptorium Press Stable URL: http://www.jstor.org/stable/27868651 . Accessed: 09/06/2014 19:11 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Scriptorium Press is collaborating with JSTOR to digitize, preserve and extend access to Arthurian Interpretations. http://www.jstor.org This content downloaded from 130.212.18.200 on Mon, 9 Jun 2014 19:11:41 PM All use subject to JSTOR Terms and Conditions THE MANY FACES OF MERLIN IN MODERN FICTION1 Merlin, Arthur's enchanter and prophet, a figure ofmystery, ofmagic, and of awesome power, is a name that has been part of our literature formore than eight centuries. But the same creature is never conjured, for, as Jane Yolen says, was he not "a shape-shifter, a man of shadows, a son of an incubus, a creature of the mists" (xii)? Or, to quote Nikolai Tolstoy, as a "trickster, illusionist, philosopher and sorcerer, he represents an archetype to which the race turns for guidance and protection" (20). -
Special Issue ARTHUR CONAN DOYLE
Special Issue on ARTHUR CONAN DOYLE FEBRUARY 2015 EDITOR’S INTRODUCTION An Adventure, A Magic Door and The Detective: An Invitation to Sir Arthur Conan Doyle’s Wide-Ranging Œuvre Sarah E. Maier University of New Brunswick “Conan Doyle…. Doyle…. Isn’t that the guy who wrote the series with Benedict Cumberbatch in it?” When one encounters such a response from a group of upper-level English students who have enrolled in my class on “Jack the Ripper & Co: Neo-Victorian Narratives of Crime,” it rather deflates the enthusiasm. Once I convinced them that in fact “the guy” was Sir Arthur Conan Doyle who had, in fact, written the “series” of stories about the detective, Sherlock Holmes, and his faithful doctor friend, Doctor Watson, I was able to reach back through history to the nineteenth century and introduce them to the original, marvelous texts.1 I boldly asserted that “the guy” had, in addition, written many, many other narratives in other genres that were absolutely worth reading. But alas, they did not feature Cumberbatch. The purpose of this special issue is to give a nod to the modern adaptations of Conan Doyle’s work, but to investigate via a series of essays his other works that seem too often to get left behind in the race after the cases of Holmes and Watson. Now to the man himself; Arthur Ignatius Conan Doyle was the eldest son and third of nine children born into the Irish Catholic family of Mary née Foley (1838-1921) and Charles Altamont Doyle (1832-1893) on 22 May 1859 in Edinburgh, Scotland.