Anales del Instituto de Investigaciones Estéticas ISSN: 0185-1276
[email protected] Instituto de Investigaciones Estéticas México BRADING, DAVID A. Myth and Images in Mexican History: Foundations and Legitimacy Anales del Instituto de Investigaciones Estéticas, vol. XXXIII, núm. 99, 2011, pp. 9-31 Instituto de Investigaciones Estéticas Distrito Federal, México Available in: http://www.redalyc.org/articulo.oa?id=36928271002 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative DAVID A. BRADING university of cambridge, inglaterra Myth and Images in Mexican History: Foundations and Legitimacy I n 1990 the Mexican government mounted an exhibition at the Met- ropolitan Museum of Art in New York entitled: “Mexico: Splendours of IThirty Centuries,” which presented a spectacular range of artefacts, de- rived in equal measure from the three periods of Mexican history, which was to say, the Mesoamerican empires, the viceroyalty of New Spain and the Mex- ican Republic. In the monumental catalogue, Octavio Paz averred that despite the peculiar heterogeneity of the cultures represented in the exhibition, a per- ceptive eye might observe “the persistence of a single will […] a certain con- tinuity […] not the continuity of style or idea, but something more profound and less definable: a sensibility.” The contemporary nation-state was thus the legitimate heir of three thousand years of history. In Posdata (1970), however, Paz had discerned a different kind of continuity, when he declared that the decision of Hernán Cortés to build his capital amidst the ruins of Mexico- Tenochtitlan perpetuated the dominance of the city over the national territory until the present day.