Comprehension and Translation Problems of Stream- Of-Consciousness Texts a Case Study: William Faulkner’S the Sound and the Fury
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Stream of Consciousness: a Study of Selected Novels by James Joyce and Virginia Woolf
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Italian translations of English stream of consciousness: a study of selected novels by James Joyce and Virginia Woolf Giulia Totò PhD The University of Edinburgh 2014 Declaration I hereby declare that this thesis was composed by myself, that the work contained herein is my own except where explicitly stated otherwise in the text, and that this work has not been submitted for any other degree or professional qualification except as specified. Giulia Totò iii To little Emma and Lucio, for the immense joy they spread and the love they allow me to return. iv Acknowledgments I am pleased to take this opportunity to thank my supervisors Federica G. Pedriali and Yves Gambier for their guidance and, most of all, for their support and patience during these years. -
Narrative Structure in Literature
ELA Virtual Learning English II April 27, 2020 English II Lesson: April 27, 2020 Objective/Learning Target: ● I can analyze how an author’s choices in story structure impact the reader. BELL RINGER The night was calm, but a storm -- full of Timing is everything, especially when it rain and budding anger -- began to swell A in the distance. comes to writing and storytelling. But what if your timing is off? John felt excited. Afterall, it was his B sixteenth birthday. Take a look at the story details to the left. Place the lettered sections in order from Mrs. Peabody saw him snake through the lowest point of tension to the highest and yard from her kitchen window. And that’s answer the prompt below in a quick write: what she told police during the missing C ● Why does this order create the most amount person investigation. of tension? Explain. John was grounded, but snuck out the back door. The door’s creak seemed D louder than a siren. BELL RINGER ANSWER KEY (Answers will vary) John felt excited. Afterall, it was his Our story begins with a character, likely our protagonist, named sixteenth birthday. John. We learn it’s his 16th birthday, a milestone for many B teenagers but not a whole lot of tension so it may come first. John was grounded, but snuck out the Looks like John has gotten himself into trouble in the past and the back door. The door’s creak seemed tension rises a bit because he is breaking the rules. D louder than a siren. -
AESTHETIC PERSPECTIVE in POETRY FILM: a STUDY of CHARLES BUKOWSKI’S “BLUEBIRD” POEM and ITS VISUAL FORM ADAPTATION by MICHAT STENZEL Abeer M
Global Journal of Arts, Humanities and Social Sciences Vol.6, No.9, pp.54-70, September 2018 ___Published by European Centre for Research Training and Development UK (www.eajournals.org) AESTHETIC PERSPECTIVE IN POETRY FILM: A STUDY OF CHARLES BUKOWSKI’S “BLUEBIRD” POEM AND ITS VISUAL FORM ADAPTATION BY MICHAT STENZEL Abeer M. Refky M. Seddeek1, Amira Ehsan (PhD)2 1Associate Professor, Arab Academy for Science, Technology and Maritime Transport (AASTMT), P.O. Box: 1029, Gamal Abdel Nasser Avenue, Miami, Alexandria, Egypt 2College of Language and Communication (CLC), Arab Academy for Science, Technology and Maritime Transport (AASTMT), P.O. Box: 1029, Gamal Abdel Nasser Avenue, Miami, Alexandria, Egypt ABSTRACT: This paper is divided into two parts; the first aims at investigating how poetry film fuses spoken word poetry with visual images and sound to create meanings, connotations and associations stronger than those produced by each genre on its own. The paper studies the stream of consciousness flow of images and nonlinear narrative style as the main features of that genre in addition to the editing/montage aesthetics and the spatio-temporal continuity. It also highlights William Wees’ notion that in the cinema the union of words and images strengthens the film’s ties to realism and sheds light on the Russian film-director Andrei Tarkovsky who developed the filming strategy poetic logic and made poetry assert the potential of the cinematic image as a form of artistic expression. In the second part the paper explores Charles Bukowski’s poem “Bluebird” (1992) and Michat Stenzel’s short film “Bluebird” (2017) by analyzing the verbal and visual forms to prove whether the filmmaker has succeeded in transferring the poet’s message and feelings or not through various tools and techniques. -
Alexis Wright's Carpentaria and the Swan Book
Exchanges: The Interdisciplinary Research Journal Climate Fiction and the Crisis of Imagination: Alexis Wright’s Carpentaria and The Swan Book Chiara Xausa Department of Interpreting and Translation, University of Bologna, Italy Correspondence: [email protected] Peer review: This article has been subject to a Abstract double-blind peer review process This article analyses the representation of environmental crisis and climate crisis in Carpentaria (2006) and The Swan Book (2013) by Indigenous Australian writer Alexis Wright. Building upon the groundbreaking work of environmental humanities scholars such as Heise (2008), Clark (2015), Copyright notice: This Trexler (2015) and Ghosh (2016), who have emphasised the main article is issued under the challenges faced by authors of climate fiction, it considers the novels as an terms of the Creative Commons Attribution entry point to address the climate-related crisis of culture – while License, which permits acknowledging the problematic aspects of reading Indigenous texts as use and redistribution of antidotes to the 'great derangement’ – and the danger of a singular the work provided that the original author and Anthropocene narrative that silences the ‘unevenly universal’ (Nixon, 2011) source are credited. responsibilities and vulnerabilities to environmental harm. Exploring You must give themes such as environmental racism, ecological imperialism, and the slow appropriate credit violence of climate change, it suggests that Alexis Wright’s novels are of (author attribution), utmost importance for global conversations about the Anthropocene and provide a link to the license, and indicate if its literary representations, as they bring the unevenness of environmental changes were made. You and climate crisis to visibility. -
Glossary of Literary Terms
Glossary of Critical Terms for Prose Adapted from “LitWeb,” The Norton Introduction to Literature Study Space http://www.wwnorton.com/college/english/litweb10/glossary/C.aspx Action Any event or series of events depicted in a literary work; an event may be verbal as well as physical, so that speaking or telling a story within the story may be an event. Allusion A brief, often implicit and indirect reference within a literary text to something outside the text, whether another text (e.g. the Bible, a myth, another literary work, a painting, or a piece of music) or any imaginary or historical person, place, or thing. Ambiguity When we are involved in interpretation—figuring out what different elements in a story “mean”—we are responding to a work’s ambiguity. This means that the work is open to several simultaneous interpretations. Language, especially when manipulated artistically, can communicate more than one meaning, encouraging our interpretations. Antagonist A character or a nonhuman force that opposes, or is in conflict with, the protagonist. Anticlimax An event or series of events usually at the end of a narrative that contrast with the tension building up before. Antihero A protagonist who is in one way or another the very opposite of a traditional hero. Instead of being courageous and determined, for instance, an antihero might be timid, hypersensitive, and indecisive to the point of paralysis. Antiheroes are especially common in modern literary works. Archetype A character, ritual, symbol, or plot pattern that recurs in the myth and literature of many cultures; examples include the scapegoat or trickster (character type), the rite of passage (ritual), and the quest or descent into the underworld (plot pattern). -
THE TRENDS of STREAM of CONSCIOUSNESS TECHNIQUE in WILLIAM FAULKNER S NOVEL the SOUND and the FURY'' Chitra Yashwant Ga
AMIERJ Volume–VII, Issues– VII ISSN–2278-5655 Oct - Nov 2018 THE TRENDS OF STREAM OF CONSCIOUSNESS TECHNIQUE IN WILLIAM FAULKNER S NOVEL THE SOUND AND THE FURY’’ Chitra Yashwant Gaidhani Assistant Professor in English, G. E. Society RNC Arts, JDB Commerce and NSC Science College, Nashik Road, Tal. & Dist. Nashik, Maharashtra, India. Abstract: The term "Stream-of-Consciousness" signifies to a technique of narration. Prior to the twentieth century. In this technique an author would simply tell the reader what one of the characters was thinking? Stream-of-consciousness is a technique whereby the author writes as though inside the minds of the characters. Since the ordinary person's mind jumps from one event to another, stream-of- consciousness tries to capture this phenomenon in William Faulkner’s novel The Sound and Fury. This style of narration is also associate with the Modern novelist and story writers of the 20th century. The Sound and the Fury is a broadly significant work of literature. William Faulkner use of this technique Sound and Fury is probably the most successful and outstanding use that we have had. Faulkner has been admired for his ability to recreate the thought process of the human mind. In addition, it is viewed as crucial development in the stream-of-consciousness literary technique. According encyclopedia, in 1998, the Modern Library ranked The Sound and the Fury sixth on its list of the 100 best English-language novels of the 20th century. The present research focuses on stream of consciousness technique used by William Faulkner’s novel “The Sound and Fury”. -
Jane Austen's Powers of Consciousness Diane M
Marshall University Marshall Digital Scholar Theses, Dissertations and Capstones 1-1-2003 Jane Austen's Powers of Consciousness Diane M. Counts Follow this and additional works at: http://mds.marshall.edu/etd Part of the Classics Commons, Literature in English, Anglophone outside British Isles and North America Commons, and the Women's Studies Commons Recommended Citation Counts, Diane M., "Jane Austen's Powers of Consciousness" (2003). Theses, Dissertations and Capstones. Paper 550. This Thesis is brought to you for free and open access by Marshall Digital Scholar. It has been accepted for inclusion in Theses, Dissertations and Capstones by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected]. Jane Austen’s Powers of Consciousness Thesis Submitted to The Graduate College of Marshall University In Partial Fulfillment of the Requirements for the Degree of Master of Arts Humanities by Diane M. Counts Dr. Joyce E. East, Committee Chairperson Dr. Arline R. Thorn Dr. Reidun Ovrebo Dr. Barbara E. Ladner Marshall University April 2003 Abstract “Jane Austen’s Powers of Consciousness” By: Diane M. Counts This thesis incorporates information from recent biographies, feminist studies, and scholarly interpretations focusing on Jane Austen’s narrative strategies. Such incorporation of material provides a context for understanding the significance of Austen’s contributions to the novel form and illuminating the development of the female narrative voice. It focuses on Emma, Austen’s last novel published during her lifetime, as an exemplification of Austen’s enunciation of a feminine perspective of life and vocalization of a growing female self-awareness—her powers of consciousness—through Emma. -
ELEMENTS of FICTION – NARRATOR / NARRATIVE VOICE Fundamental Literary Terms That Indentify Components of Narratives “Fiction
Dr. Hallett ELEMENTS OF FICTION – NARRATOR / NARRATIVE VOICE Fundamental Literary Terms that Indentify Components of Narratives “Fiction” is defined as any imaginative re-creation of life in prose narrative form. All fiction is a falsehood of sorts because it relates events that never actually happened to people (characters) who never existed, at least not in the manner portrayed in the stories. However, fiction writers aim at creating “legitimate untruths,” since they seek to demonstrate meaningful insights into the human condition. Therefore, fiction is “untrue” in the absolute sense, but true in the universal sense. Critical Thinking – analysis of any work of literature – requires a thorough investigation of the “who, where, when, what, why, etc.” of the work. Narrator / Narrative Voice Guiding Question: Who is telling the story? …What is the … Narrative Point of View is the perspective from which the events in the story are observed and recounted. To determine the point of view, identify who is telling the story, that is, the viewer through whose eyes the readers see the action (the narrator). Consider these aspects: A. Pronoun p-o-v: First (I, We)/Second (You)/Third Person narrator (He, She, It, They] B. Narrator’s degree of Omniscience [Full, Limited, Partial, None]* C. Narrator’s degree of Objectivity [Complete, None, Some (Editorial?), Ironic]* D. Narrator’s “Un/Reliability” * The Third Person (therefore, apparently Objective) Totally Omniscient (fly-on-the-wall) Narrator is the classic narrative point of view through which a disembodied narrative voice (not that of a participant in the events) knows everything (omniscient) recounts the events, introduces the characters, reports dialogue and thoughts, and all details. -
Stream of Consciousness Technique: Psychological Perspectives and Use in Modern Novel المنظور النفسي واستخدا
Stream of Consciousness Technique: Psychological Perspectives and Use in Modern Novel Weam Majeed Alkhafaji Sajedeh Asna'ashari University of Kufa, College of Education Candle & Fog Publishing Company Email: [email protected] Email: [email protected] Abstract Stream of Consciousness technique has a great impact on writing literary texts in the modern age. This technique was broadly used in the late of nineteen century as a result of thedecay of plot, especially in novel writing. Novelists began to use stream of consciousness technique as a new phenomenon, because it goes deeper into the human mind and soul through involving it in writing. Modern novel has changed after Victorian age from the traditional novel that considers themes of religion, culture, social matters, etc. to be a group of irregular events and thoughts interrogate or reveal the inner feeling of readers. This study simplifies stream of consciousness technique through clarifying the three levels of conscious (Consciousness, Precociousness and Unconsciousness)as well as the subconsciousness, based on Sigmund Freud theory. It also sheds a light on the relationship between stream of consciousness, interior monologue, soliloquy and collective unconscious. Finally, This paper explains the beneficial aspects of the stream of consciousness technique in our daily life. It shows how this technique can releaseour feelings and emotions, as well as free our mind from the pressure of thoughts that are upsetting our mind . Key words: Stream of Consciousness, Modern novel, Consciousness, Precociousness and Unconsciousness and subconsciousness. تقنية انسياب اﻻفكار : المنظور النفسي واستخدامه في الرواية الحديثة وئام مجيد الخفاجي ساجدة اثنى عشري جامعة الكوفة – كلية التربية – قسم اللغة اﻻنكليزية دار نشر كاندل وفوك الخﻻصة ان لتقنية انسياب اﻻفكار تأثير كبير على كتابة النصوص اﻻدبية في العصر الحديث. -
International Researcher Volume No.2 Issue No4. December 2013 INTERNATIONALINTERNATIONAL RESEARCHERSRESEARCHERS
International Researcher Volume No.2 Issue No4. December 2013 INTERNATIONALINTERNATIONAL RESEARCHERS RESEARCHERS Narratology of Symbolism Based On Stream Of Consciousness in V.Woolf's To the Lighthouse and Maroufy's Symphony of Dead Kiyan Pishkar and Nooshin Nasery Volume No.2 Issue No.4 December 2013 WWW.IRESEARCHER.ORGwww.iresearcher.org ISSN 227-7471 127 Page = www.iresearcher.org International Researcher Volume No.2 Issue No4. December 2013 THE INTERNATIONAL RESEARCH JOURNAL ―INTERNATIONAL RESEACHERS‖ www.iresearcher.org © 2013 (individual papers), the author(s) © 2013 (selection and editorial matter) This publication is subject to that author (s ) is (are) responsible for Plagiarism, the accuracy of citations, quotations, diagrams, tables and maps. All rights reserved. Apart from fair dealing for the purposes of study, research, criticism or review as permitted under the applicable copyright legislation, no part of this work may be reproduced by any process without written permission from the publisher. For permissions and other inquiries, please contact [email protected] INTERNATIONAL RESEARCHERS is peer-reviewed, supported by rigorous processes of criterion-referenced article ranking and qualitative commentary, ensuring that only intellectual work of the greatest substance and highest significance is published. INTERNATIONAL RESEARCHERS is indexed in wellknown indexing diectories with ICV value 5.90 and moniter by 128 Page www.iresearcher.org International Researcher Volume No.2 Issue No4. December 2013 Narratology of Symbolism Based On Stream Of Consciousness in V.Woolf's To the Lighthouse and Maroufy's Symphony of Dead Kiyan Pishkar1, Nooshin Nasery2 1PhD candidate of ELT and lecturer of Islamic Azad University, Jieroft Branch, I.R. -
Introducing I-Docs to Geography: Exploring Interactive Documentary’S Nonlinear Imaginaries
1 Introducing i-Docs to Geography: Exploring interactive documentary’s nonlinear imaginaries Abstract This paper introduces interactive documentaries, or i-Docs, to Geography through an analysis of one i-Doc; Gaza Sderot. Interactive Documentary is an increasingly popular documentary form. I-Docs are defined by ‘nonlinear’ spatiotemporal organisation as their interactive capacities enable multiple pathways through documentary footage and materials. It is often argued that this nonlinearity is politicized by i-Docs to enable polyvocality and the destabilisation of dominant narratives. I argue that i-Docs deserve Geographical attention for two key reasons. Firstly, if Geographers have long explored articulations and reformulations of space-time through media then i-Docs offer an insight into contemporary constructions of nonlinear spatiotemporal imaginaries through interactive medium. Secondly, nonlinearity and its politics has also become foundational to Geography’s own approaches to space-time, making pertinent the explorations of nonlinearity and its socio-political implications that engagement with i-Docs enables. In this context, I analyse Gaza Sderot to explore its construction of a nonlinear spatiotemporal imaginary and question the political perspectives that imaginary generates for its subject of the Gaza conflict. In concluding, I also suggest that i-Docs could be a valuable methodological tool for Geographers. Key Words: Interactive Documentary, Nonlinearity, Space-time, Gaza Sderot, Imaginaries, Politics 2 Introduction Interactive documentary is a new form of documentary that is swiftly gaining prominence. I- Docs can take many digital forms but are defined by their ‘nonlinear’ spatiotemporal organisation and interactive capacities. Rather than presenting footage in a predetermined order, i-Docs offer collections of material such as video clips and still images which users can navigate in various ways. -
E Shadows of Imberfewon a Study of Self-Reflexivitv Iman Rushdie's
e Shadows of ImberfeWonem .* . œ A study of Self-reflexivitv 1n R. K. Npyan9sThe Taslima Nasrin's Lq~a.m. ad Sa Iman Rushdie's Midnipht 's Children Apma V. Zambare Thesis Submitted in partial hilfillment of the requirements for the Degree of Master of Atts (English) Acadia University Fall Convocation 1999 O by Apama Vasant Zambare, 1999 I, Aparna V. Zambare, grant permission to the University Librarian at Acadia University to reproduce, loan, or distrubute copies of my thesis in microform, paper or electronic formats on a non-profit basis. I, however, retain the copyright in my thesis. Signature of Author Date II Chapter I - Introduction ------------ 1 III Chapter II - A Precursor of Self-reflexivity: R. K. Narayan's The aide -------- 19 IV Chapter III - The Imitation of Non-Literary Discourse An Analysis of Taslima Nasrin's Laja ---- 42 V Chapter - N The Chutnification of Narrative Salrnan Rushdie's Midnight S Children ------ 66 VI Chapter - V Conclusion ------------ 93 This thesis aims at examinhg the complex narrative mode of self-reflexivity, ascertainhg how it senes the postcolonial agenda of destabilizing the power of Eurocentric lit- discourse, the discourse that marginalized Literary traditions of subject peoples. Denved fiom mcient literary traditions, self-reflexive narrative asserts the cul- identity of colonized societies. In particular, this thesis focuses on three self- reflexive novels fiom the indian subcontinent: R. K. Narayan's The Guide, Taslima Nasrin's LuJa, and Salman Rushdie's Midnight 's Children. The self-reflexive techniques employed in each of these narratives Vary a great deal. Narayan's nte Guide is modeled on various ancient patterns of storytelling and on mythic haditions.