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Baseball Eagles Now 16-2 TV LISTINGS Sponsored by Colby Eagle Varsity Baseball Gatz and Brett Wilson with One Hit Thursday at 4 P.N
FREE PRESS Page 10 Colby Free Press Wednesday, May 11, 2005 SSSPORTSPORTS Baseball Eagles now 16-2 TV LISTINGS sponsored by Colby Eagle varsity baseball Gatz and Brett Wilson with one hit Thursday at 4 p.n. added two more wins to its record each. Colby is ranked #1 in the region the COLBY FREE PRESS on Monday by taking two games Jeremy Dietz took the mound in and hopes for a first-round home from Healy-Leoti. Trenton Powell game #2. he gave up 1 run on 3 hits. game on Monday, May 16. pitched the first game, giving up 4 the game ended after four innings According to coach Kevin Cox, runs on 6 hits. Senior Matt August- by the run rule with the final score the regional seedings will be out WEEKDAYS MAY 10 - MAY 16 ine pitched the final inning and al- Colby 16, Healy-Leoti 1. today. It looks as though Colby may lowed 1 run on 1 hit. The offensive charge was led by get a home game against Goodland, Colby’s offense got started early, Brett Wilson, going 3 for 3. Matt Cox said that Colby’s regional tour- 6AM 6:30 7 AM 7:30 8 AM 8:30 9 AM 9:30 10 AM 10:30 11 AM 11:30 KLBY/ABC Good Morning Good Morning America Mak- Mak- The View Million- News putting 4 runs on the board in the Augustine, going 2 for 3 and Joe nament may be as tough as any in Hh Kansas eover eover aire first inning. -
THE GRYPHON TIMES Friday, January 10, 2019 Volume 12 Issue 8 Ms
THE GRYPHON TIMES Friday, January 10, 2019 Volume 12 Issue 8 Ms. Kivett: UA‟s Welcoming Face UA Music Tastes By Chadsity Durr By Jordan LeGrair At University Academy, there are many key staff mem- oughly enjoy,” she said. bers who contribute to the school‟s environment. Fun fact: Ms. Kivett The music industry is keeping a steady pace, with not Ms. Cynthia Kivett, Central Office Manager, is one of has more than 50 first much going on and only a few new releases by artists. these staff members. She has been dedicated to UA for 11 cousins. Also, two of A lot of people who use Spotify, a music streaming years. her grandchildren attend service, are reminiscing on their most played tracks “I started as a volunteer, and it turned into a permanent UA. throughout 2019. The service officially released this in- job,” she said. “I have two grand- formation to all listeners who use the platform. The top Ms. Kivett‟s job is of high importance, as she is the UA sons here, Anthony and streamed artist of 2019 were Ed Sheeran, with 62.91 mil- doorkeeper. Her job is not only to be responsible for who Keaton Reese, fifth and lion streams per month. Post Malone and Camila Cabello comes in and out of the building, but also to give a positive first grade. I love being followed just behind that. first impression of University Academy to all visitors. As here with my grandchil- Da‟Marion Young, a senior at University Academy, she maintains a positive environment, she also helps keep dren,” she said. -
A Dpics-Ii Analysis of Parent-Child Interactions
WHAT ARE YOUR CHILDREN WATCHING? A DPICS-II ANALYSIS OF PARENT-CHILD INTERACTIONS IN TELEVISION CARTOONS Except where reference is made to the work of others, the work described in this dissertation is my own or was done in collaboration with my advisory committee. This dissertation does not include proprietary or classified information. _______________________ Lori Jean Klinger Certificate of Approval: ________________________ ________________________ Steven K. Shapiro Elizabeth V. Brestan, Chair Associate Professor Associate Professor Psychology Psychology ________________________ ________________________ James F. McCoy Elaina M. Frieda Associate Professor Assistant Professor Psychology Experimental Psychology _________________________ Joe F. Pittman Interim Dean Graduate School WHAT ARE YOUR CHILDREN WATCHING? A DPICS-II ANALYSIS OF PARENT-CHILD INTERACTIONS IN TELEVISION CARTOONS Lori Jean Klinger A Dissertation Submitted to the Graduate Faculty of Auburn University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Auburn, Alabama December 15, 2006 WHAT ARE YOUR CHILDREN WATCHING? A DPICS-II ANALYSIS OF PARENT-CHILD INTERACTIONS IN TELEVISION CARTOONS Lori Jean Klinger Permission is granted to Auburn University to make copies of this dissertation at its discretion, upon request of individuals or institutions and at their expense. The author reserves all publication rights. ________________________ Signature of Author ________________________ Date of Graduation iii VITA Lori Jean Klinger, daughter of Chester Klinger and JoAnn (Fetterolf) Bachrach, was born October 24, 1965, in Ashland, Pennsylvania. She graduated from Owen J. Roberts High School as Valedictorian in 1984. She graduated from the United States Military Academy in 1988 and served as a Military Police Officer in the United States Army until 1992. -
Pacing in Children's Television Programming
DOCUMENT RESUME ED 434 364 CS 510 117 AUTHOR McCollum, James F., Jr.; Bryant, Jennings TITLE Pacing in Children's Television Programming. PUB DATE 1999-03-00 NOTE 42p.; Paper presented at the Annual Meeting of the Association for Education in Journalism and Mass Communication (82nd, New Orleans, LA, August 4-7, 1999). PUB TYPE Reports Research (143) Speeches/Meeting Papers (150) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS *Childrens Television; Content Analysis; Preschool Education; *Programming (Broadcast); Television Research IDENTIFIERS Sesame Street ABSTRACT Following a content analysis, 85 children's programs were assigned a pacing index derived from the following criteria:(1) frequency of camera cuts;(2) frequency of related scene changes;(3) frequency of unrelated scene changes;(4) frequency of auditory changes;(5) percentage of active motion;(6) percentage of active talking; and (7) percentage of active music. Results indicated significant differences in networks' pacing overall and in the individual criteria: the commercial networks present the bulk of the very rapidly paced programming (much of it in the form of cartoons), and those networks devoted primarily to educational programming--PBS and The Learning Channel--present very slow-paced programs. (Contains 26 references, and 12 tables and a figure of data.) (RS) ******************************************************************************** * Reproductions supplied by EDRS are the best that can be made * * from the original document. * ******************************************************************************** Pacing in Children's Television Programming James F. McCollum Jr. Assistant Professor Department of Communication Lipscomb University Nashville, TN 37204-3951 (615) 279-5788 [email protected] Jennings Bryant Professor Department of Telecommunication and Film Director Institute for Communication Research College of Communication Box 870172 University of Alabama Tuscaloosa, AL 35487-0172 (205) 348-1235 PERMISSION TO REPRODUCE AND OF EDUCATION [email protected] U.S. -
Nickelodeon Singapore : Program Schedule 1 - 4 January 2009 (R1)
NICKELODEON SINGAPORE : PROGRAM SCHEDULE 1 - 4 JANUARY 2009 (R1) Thu Friday Sat Sun SIN SIN 1-Jan 2-Jan 3-Jan 4-Jan 6:00 Go Diego, Go 6:00 6:15 Hey Arnold 6:15 6:30 The Fairly OddParents 6:30 7:00 Nick JR: The Backyardigans Nick JR: Blue's Clues 7:00 7:30 Nick JR: Hi-5 Nick JR: Hi-5 7:30 8:00 Nick JR: Yo Gabba Gabba! Nick JR: Go, Diego, Go 8:00 8:30 Nick JR: Go, Diego Go! Nick JR: Dora, the Explorer 8:30 9:00 Nick JR: WonderPets Tak & the Power of Juju 9:00 9:15 New Year Special: Dora Dances to the Rescue (9-10am) Nick JR: The Magic Roundabout 9:30 Nick JR: Dora, the Explorer The Fairly OddParents 9:30 10:00 Frankenstein's Cat 10:00 Upsized: The Fairly OddParents 10:30 Drake & Josh 10:30 11:00 Edgar & Ellen The Naked Brothers Band 11:00 11:30 New Year Special: Holidaze El Tigre 11:30 11:45 The Mighty B! Upsized: SpongeBob SquarePants 12:00 Ricky Sprocket 12:00 12:30 New Year Special: Team Galaxy : Predators from Outer Lola & Viginia Chalkzone 12:30 12:45 Space Frankenstein's Cat 13:00 SpongeBob SquarePants 13:00 Upsized: Danny Phantom 13:30 The Fairly OddParents 13:30 14:00 Edgar & Ellen 14:00 Upsized: The Fairly OddParents 14:30 The Adventures of Jimmy Neutron 14:30 15:00 The Fairly OddParents The Naked Brothers Band 15:00 15:30 El Tigre Zoey 101 15:30 15:45 The Mighty B! 16:00 Avatar, the Legend of Aang 16:00 Upsized: SpongeBob SquarePants 16:30 TEENIck: iCarly 16:30 17:00 TEENick: Drake & Josh El Tigre 17:00 17:30 Danny Phantom 17:30 Upsized: The Fairly OddParents 18:00 SpongeBob SquarePants 18:00 18:30 Grossology 18:30 Nicktoons: SpongeBob -
Nickelodeon and Paramount Players to Bring Rugrats Back for the Next Generation of Kids with an All-New TV Series and Feature Film
“Everything’s Back to Norman”: Nickelodeon and Paramount Players to Bring Rugrats Back for the Next Generation of Kids with an All-New TV Series and Feature Film July 17, 2018 Rugrats Movie and Brand-New, Original 26-Episode TV Series Will Feature Everyone’s Favorite Talking Babies in All-New Adventures NEW YORK & BURBANK, Calif. & HOLLYWOOD--(BUSINESS WIRE)--Jul. 17, 2018-- Viacom (NASDAQ: VIAB, VIA) flagship properties Nickelodeon and Paramount Pictures announced today a relaunch of the iconic kids’ TV series Rugrats, with a 26-episode greenlight from Nickelodeon, and a live-action film featuring CGI characters from Paramount Players. Both the TV series and the movie will include new adventures with beloved charactersTommy, Chuckie, Phil, Lil, Susie and Angelica, and will also introduce a new world of characters. Original creators Arlene Klasky, Gábor Csupó and Paul Germain will return to the TV series as executive producers. Nickelodeon’s Rugrats will be produced in Burbank, Calif., with production already underway. Additional news of the TVseries, airdate and casting--and Reptar sightings--will be announced in the coming months. This press release features multimedia. View the full release here: https://www.businesswire.com/news/home/20180717005654/en/ The Rugrats movie will be written by David Goodman and is set to be released on November 13th, 2020 by Paramount Players, the division of Paramount Pictures that develops and produces co-branded feature films with Viacom’s leading media networks. Rugrats is the seventh film title announced in connection with this cross-company initiative. “Rugrats is hands-down one of the most celebrated cartoons in TV history, and we are thrilled for a whole new audience to meet these iconic characters in brand-new adventures,” said Sarah Levy, COO, Viacom Media Networks; and Interim President, Nickelodeon. -
Small Town Polling Is Being Threatened It’S Fashionable for Politicians to to Goodland to Vote in Their Own Open Say They Care About Rural America
Op Ed Colby Free Press Wednesday, April 21, 2004 Page 3 Cynthia Haynes Small town polling is being threatened It’s fashionable for politicians to to Goodland to vote in their own Open say they care about rural America. elections. • Season It’s fashionable for politicians to Steve Haynes How long will city government say they are going to do something survive in small towns after this? for rural America. Along The scary thing is, state and But in truth, hardly anyone in • the Sappa county officials have rolled over Washington or Topeka knows what and just accepted this dictate from We’ll take it, even goes on out here. There are not very Washington. Not one county so far many of us any more, and they have has said, “Take your fancy ma- never been here. chines and your federal money and Washington gives a nod to rural Sure. Helping America Vote may which may cost $10,000 each and just stick ’em.” if it’s white moisture America now and then, mostly have started out as a good idea, but haven’t really been invented yet No state has stood up and said, They really should call spring the which had been in full bloom, hung when the Farm Bill is up. But the that was before all the special inter- anyway. “Our small towns are important, silly season heavy with snow on its branches Department of Agriculture is more ests and pressure groups got a hold The government may put up too, and we don’t want to see them I know that term is usually re- and flowers. -
INSTRUCTION BOOKLET TABLE of CONTENTS Introduction
INSTRUCTION BOOKLET TABLE OF CONTENTS Introduction . 2 System Requirements . 3 Installing The Wild ThornberrysTM Movie. 3 Running The Wild ThornberrysTM Movie . 4 Uninstalling The Wild ThornberrysTM Movie . 4 Keyboard Commands/Controls . 5 Getting Started . 6 Welcome to Africa! (Story Mode) . 7 Adventures in Africa (Mini-Games) . 15 Playing with Others (Multi-player Games) . 18 License Agreement . 20 Limited Warranty. 22 Notes. 23 Credits . 28 1 INTRODUCTION SYSTEM REQUIREMENTS “This is me, Eliza Thornberry. Part of your average family. I have Before installing The Wild ThornberrysTM Movie, you should make a dad, a mom, and a sister. Then there’s Donnie... we found him. And sure that your computer meets the following hardware and Darwin... he found us. software requirements: Okay, so we’re not that average... Minimum: You see, my dad hosts this NATURE show. And my mom shoots it. • Pentium II 233 MHz Oh yeah, about our house... it moves! Because we travel all over • 8M graphics card (DirectX 8.0a compatible) the world! • Sound card (Direct X 8.0a compatible) • 4x CD-ROM And, between you and me, something • 10MB HDD space for minimal installation AMAZING happened!” • 64MB RAM on Win98/ME Join Eliza and her family in an • 128MB RAM on WinXP adventure that leads from the wilds of the Serengeti to the streets of London as they Recommended: try and protect elephants • Pentium Celeron 300 MHz and other animals from • 16M graphics card (Direct X 8.0a compatible) illegal poachers! • Sound card (Direct X 8.0a compatible) • 8x CD-ROM • 200MB HDD space for typical installation INSTALLING THE WILD THORNBERRYSTM MOVIE: 1. -
Fight-Free Media List: Non-Violent Media for Under Sevens
AUSTRALIAN COUNCIL ON CHILDREN & THE MEDIA Fight-free media list: non-violent media for under sevens Look for these items for hire in your local library or video store. Some are available to buy from major outlets or online. Items reviewed by ACCM as non-violent media—they contain no violence (people deliberately hurting other people). Approved with Caution—they don’t have any violence, but there may be some scary scenes. You might also like to know about certain content, e.g. accidental harm, distressing scenes such as when animals are in danger, and so on. Reviews on the ACCM website www.childrenandmedia.org.au give details of these cautionary notes TV series TV series (cont.) TV series Adventures of Spot Jasper the Little Penguin Angelina Ballerina Andy Pandy Kipper Archibald the Koala Balamory Koala Brothers Backyardigans, The Bambaloo Lights, Camera, Action, Wiggles! Bananas in Pyjamas Barney: Sing with me, Dance with Little Bill Bill and Ben me Little Robots Boblins Bear in the Big Blue House Louie Boohbah Blue’s Clues Maisy Colours and Counting Bottle Top Bill Bob the Builder Maisy: Splash Brambly Hedge: Winter & Spring Boo! Max And Ruby Busy World of Richard Scarry Busy Buses Miffy and Friends Connie the Cow Caillou Monica’s Trip to the Moon Dougie in Disguise Charlie and Lola Mopatop’s Shop Dr Otter Construction Site New McDonald’s Farm Dragon Tales Cooking for Kids with Luis Oswald Eddy and the Bear Disney’s Little Einsteins: Mission Out of the Box Elmo’s World Celebration Pablo the Little Red Fox Engie Benjy Dora the Explorer -
The Tusker Tribune Hour This Weekend! the Student Newspaper of Somers Middle School
Set Clocks Ahead One The Tusker Tribune Hour This Weekend! The Student Newspaper of Somers Middle School Issue Number 23 http://somersschools.org/domain/995 Winter 2017 “Uranium” (Chapter 8) A NaNoWriMo Story By Nitin Seshadri too." it replied. Then it hit Andrew. The nurses Tusker Tribune Staff Writer were aliens, this thing was an alien, and they Editor’s Note: Somers Middle School were eating humans for food. And the thing he Eighth Graders have been writing novels was chewing on...it was most likely human meat! during the school year for the NaNoWriMo Andrew was disgusted and scared to death at program. The name is short for National Novel the same time. Writing Month. Nitin Seshadri, a Tusker "So, you found out our secret? Tribune Staffer, will be presenting his That we have been eating you Earth- NaNoWriMo entry chapter by chapter in lings for food?" the creature asked. the Tusker Tribune. Chapter 8 of his nov- "Yes," Andrew stuttered. el, “Uranium”, appears today. "Don't worry, kid, we won't eat Andrew woke up in a pitch-black you," it laughed. "That's for the Canni- room on a cold, hard surface. He was bals. We're the good guys. The Woks." probably lying down on a table or a bed, Andrew chuckled. What a funny because he could tell he was elevated name! he thought. from the linoleum-like floor. "Since we try not to kill sentient This was surely not the hospital beings, we only eat the meat of dead hu- room where he went to bed in last after- mans and animals. -
Fantasizing Disability: Representation of Loss and Limitation in Popular Television and Film
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-19-2014 12:00 AM Fantasizing Disability: Representation of loss and limitation in Popular Television and Film Jeffrey M. Preston The University of Western Ontario Supervisor Dr. Sharon Sliwinski The University of Western Ontario Graduate Program in Media Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Jeffrey M. Preston 2014 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Feminist, Gender, and Sexuality Studies Commons, Film and Media Studies Commons, and the Television Commons Recommended Citation Preston, Jeffrey M., "Fantasizing Disability: Representation of loss and limitation in Popular Television and Film" (2014). Electronic Thesis and Dissertation Repository. 2386. https://ir.lib.uwo.ca/etd/2386 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. FANTASIZING DISABILITY: REPRESENTATION OF LOSS AND LIMITATION IN POPULAR TELEVISION AND FILM (Monograph) by Jeffrey Preston Graduate Program in Media Studies A thesis submitted in partial fulfillment of the requirements for the degree of Doctorate in Media Studies The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Jeffrey Preston 2014 Abstract Most media texts currently being developed with disabled characters are crafted by individuals who are nondisabled and, as such, are based on what the nondisabled think it would be like to be disabled—a perception that is informed by the fantasy of disability. -
AGREEMENT (“Agreement”)
INDEPENDENT PRODUCTION AGREEMENT (“Agreement”) covering FREELANCE WRITERS of THEATRICAL FILMS TELEVISION PROGRAMS and OTHER PRODUCTION between The WRITERS GUILD OF CANADA (the “Guild”) and The CANADIAN FILM AND TELEVISION PRODUCTION ASSOCIATION (“CFTPA”) and THE ASSOCIATION DES PRODUCTEURS DE FILMS ET DE TÉLÉVISION DU QUÉBEC (“APFTQ”) (the “Associations”) ***VERSION WITH 2009 RATES FOR WGC WEBSITE USE ONLY*** November 19, 2006 to December 31, 2008 EXTENDED TO DECEMBER 31, 2009 © 2006 WRITERS GUILD OF CANADA and CANADIAN FILM AND TELEVISION PRODUCTION ASSOCIATION AND THE ASSOCIATION DES PRODUCTEURS DE FILMS ET DE TÉLÉVISION DU QUÉBEC. 10940 (06) TABLE OF CONTENTS Section A: General – All Productions p. 1 Article A1 Recognition, Application and Term p. 1 Article A2 Definitions p. 4 Article A3 General Provisions p. 14 Article A4 No Strike and Unfair Declaration p. 16 Article A5 Grievance Procedures and Resolution p. 16 Article A6 Speculative Writing, Sample Pages and Unsolicited Scripts p. 22 Article A7 Copyright and Contracts; Warranties, Indemnities and Rights p. 24 Article A8 Story Editors and Story Consultants p. 29 Article A9 Credits p. 30 Article A10 Security for Payment p. 42 Article A11 Payments p. 44 Article A12 Administration Fee p. 52 Article A13 Insurance and Retirement Plan, Deductions from Writer’s Fees p. 52 Article A14 Contributions and Deductions from Writer’s Fees in the case of Waivers p. 54 Section B: Conditions Governing Engagement p. 55 Article B1 Conditions Governing Engagement for all Program Types p. 55 Article B2 Optional Bibles, Script/Program Development p. 61 Article B3 Options p. 62 Section C: Additional Conditions and Minimum Compensation by Program Type p.