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Written/Directed by Brian Kohne, Produced by Stefan Schaefer PRESS KIT - March 2018 Public Relations: [email protected] General Inquiries: [email protected] TABLE OF CONTENTS <<< • DIRECTOR’S STATEMENT • MOTION PICTURE SYNOPSIS & LOGLINE • CREATIVE TEAM • HAWAI’I CAST • CAST AND CREW LIST • THE MUSIC OF KULEANA • RECENT REVIEWS • OUR PREVIOUS FEATURE: GET A JOB • COMPARABLE FEATURES & CONTACT INFORMATION Brian Kohne and Stefan Schaefer proved with "GET A JOB" that high- quality motion pictures can be funded and produced entirely in Hawaii. And with “KULEANA”, they raised the bar another level, story-wise. Maui County is committed to helping local producers such as these two realize their dreams and empower our culture, while we collectively build an industry together. Film Commissioner TRACY BENNETT County of Maui - Office of Economic Development Proprietary and Confidential, Kuleana Movie LLC 2018, All Rights Reserved !2 STATEMENT | writer/director Brian Kohne <<< After playing competitive soccer and working in Silicon Valley, I returned to the islands in 2005 committed to the creation of music, live events, and motion pictures. As producer of a dynamic musical duo, the BAREFOOT NATIVES, I also developed a number of motion picture projects. Our team began production with a screwball comedy, GET A JOB, starring many beloved island entertainers. Our newest work, set in Hawaii in 1971: KULEANA, is a unique mystery/drama which critics have labeled ‘tropical noir.’ Certainly this ambitious motion picture puts to screen experiences, observations, and feelings I’ve held since my family’s arrival from Detroit, Michigan in 1969. KULEANA explores attitudes and issues which precede the Hawaiian renaissance of the 1970s, and features a talented all-Hawai’i cast. -
Johnny Wilson
Written/Directed by Brian Kohne, Produced by Stefan Schaefer www.HawaiiCinema.com PRESS KIT - March 2018 Public Relations: [email protected] General Inquiries: [email protected] TABLE OF CONTENTS <<< • DIRECTOR’S STATEMENT • MOTION PICTURE SYNOPSIS & LOGLINE • CREATIVE TEAM • HAWAI’I CAST • CAST AND CREW LIST • THE MUSIC OF KULEANA • RECENT REVIEWS • OUR PREVIOUS FEATURE: GET A JOB KULEANA on Rotten Tomatoes: www.rottentomatoes.com/m/kuleana www.imdb.com/title/tt5722516/ Proprietary and Confidential, Kuleana Movie LLC 2018, All Rights Reserved !2 STATEMENT | writer/director Brian Kohne <<< Our latest motion picture is set in Hawaii in 1971: KULEANA. We put to screen experiences, observations, and feelings I’ve held since my family’s arrival from Detroit, Michigan in 1969. KULEANA explores attitudes and issues which precede the Hawaiian renaissance of the 1970s, and features an all-Hawaii cast. Willie K and Johnny Wilson provide an original score, the hypnotic soundtrack features groundbreaking recordings by the Sons of Hawaii, Sunday Manoa, Marlene Sai, Genoa Keawe, and classic hits of the era from Procol Harum, Joni Mitchell, Tony Orlando and Dawn, The Platters, Dinah Washington, and Climax. Our World Premiere was held in June outdoors at the prestigious Maui Film Festival Celestial Cinema in Wailea for over 3,500 people, and was honored as Audience Choice Feature. Our North American Premiere in the San Antonio Film Festival earned the picture a second Audience Choice Narrative Feature award. At the Tribal Film Festival in Oklahoma we were honored as Best Feature, and then achieved Best of Fest in the Guam International Film Festival. -
Press Contact: Rebeca Conget Susan Senk Film Movement Susan Senk PR 109 W
ARRANGED A film by Stefan Schaefer & Diane Crespo USA/2007/89 mins. HD/shot with 35mm lenses/16:9/ Color / Stereo Distributor Contact: Press Contact: Rebeca Conget Susan Senk Film Movement Susan Senk PR 109 W. 27th St., Suite 9B, New York, NY 10001 1755 York Avenue, Suite 33F New York, NY 10001 New York, NY 10128 Tel: 212-941-7744 ext. 213 Fax: 212-941-7812 Tel: 212-876-5948 [email protected] [email protected] SYNOPSIS Ditmas Park, Brooklyn. A young Orthodox woman, ROCHEL MESHENBERG, is about to begin her first year as a special education teacher at the local public school. She is also about to embark on what her father and mother call the “most exciting time of her life” – the process of finding a husband via the time-tested method of using a “shadchen,” or matchmaker. As the school year gets underway, Rochel meets NASIRA KHALDI, a Muslim woman of Syrian descent. Nasira is also a first-year teacher. The two young women – Rochel in long skirt and conservative blouse, Nasira in headscarf – stand out in this public school context. The principal, a secular Westchester Jew, is forever reminding them that although they are some of her smartest, most gifted teachers, they are also stunted by their outmoded customs, religions, and by their patriarchal worldviews. She tells them of her experiences in the women’s movement and her desire to see them reach their full potentials. As the school year progresses, Rochel and Nasira realize they share much in common, not least of which is that they are both going through what the outside world would call “arranged marriages.” As their friendship deepens, they are exposed to their respective worlds.