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Year in Review 2014–2015 About Bard Graduate Center
Year In Review 2014–2015 About Bard Graduate Center Founded in 1993 by Dr. Susan Weber, Bard Graduate Center is a research institute in New York City. Its MA and PhD programs, research initiatives, and Gallery exhibitions and publications, explore new ways of thinking about decorative arts, design history, and material culture. A member of the Association of Research Institutes in Art History (ARIAH), Bard Graduate Center is an academic unit of Bard College. Executive Planning Committee Dr. Barry Bergdoll Sir Paul Ruddock Edward Lee Cave Jeanne Sloane Verónica Hernández de Chico Gregory Soros Hélène David-Weill Luke Syson Philip D. English Seran Trehan Fernanda Kellogg Dr. Ian Wardropper Trudy C. Kramer Shelby White Dr. Arnold L. Lehman Mitchell Wolfson, Jr. Martin Levy Philip L. Yang, Jr. Jennifer Olshin Melinda Florian Papp Dr. Leon Botstein, ex-officio Lisa Podos Dr. Susan Weber, ex-officio Ann Pyne Published by Bard Graduate Center: Decorative Arts, Design History, Material Culture Printed by GHP in Connecticut Issued August 2015 Faculty Essays Table of Contents 3 Director’s Welcome 5 Teaching 23 Research 39 Exhibitions 51 Donors and Special Events Two-piece dress made for Madame Hadenge on the occasion of her honeymoon. France, 1881. Cotton Vichy fabric, bodice lined in white cotton. Les Arts Décoratifs, collection Union française des arts du costume, Gift Madame L. Jomier, 1958, UF 58-25-1 AB. Photographer: Jean Tholance. 2 Director's Welcome Director’s Welcome This is the fifth edition of Bard Graduate Center’sYear in Review. In looking at previous issues, it is remarkable to note how far we have travelled —and flourished—in four years. -
Frieze London 2012. This Diary Includes an Exciting
Welcome to Frieze London 2012. This diary includes an exciting programme of events organised by London’s museums and galleries during the week of the fair as well as details of VIP benefits. Your VIP Card provides exclusive professional entry to the fair between 11am and 12pm on public days, use of a dedicated concierge service, private club membership and a London guide with recommended hotels, restaurants and local travel information. As a Frieze London VIP, you are invited to all events in the diary and have free entry to all museum exhibitions listed from 8–14 October. For events that require an RSVP to Frieze London by 1 October, please log on to friezelondon.com/vip and use the password included in your welcome letter. Priority will be given in order of response. Please always carry your VIP Card with you to ensure access to exhibitions and events. Coinciding with the tenth edition of Frieze London, we are proud to launch Frieze Masters –a new fair that will also take place in Regent’s Park in October. Frieze Masters presents a unique contemporary perspective on historical art and showcases work made before the year 2000, from ancient to modern. Your Frieze London VIP Card will provide access to the Frieze Masters preview day on Wednesday 10 October 11am–7pm and on each of the fair’s public days, 11–14 October. Please visit friezemasters.com for further details. A new feature for 2012 is a special preview of the Sculpture Park on Tuesday 9 October with a curator- led tour by Clare Lilley, Director of Programme at Yorkshire Sculpture Park. -
Course Catalog 2013-2014
CATALOGUE 2013-2014 1 2 Table of Contents The Evolution of an Educational Innovation 5 Political Studies 173 Learning at Simon’s Rock 6 Psychology 178 The Goals of the Academic Program 6 Social Sciences 181 Degree Requirements 7 Sociology 183 The Lower College Program 8 Courses in the Interdivisional Studies 185 Sophomore Planning: Moderation or Transfer 11 African American and African Studies 186 The Upper College Program 12 Asian Studies 187 Signature Programs 13 Communication 188 International 13 Environmental Studies/Ecology 189 Domestic 14 Gender Studies 190 In-House 15 Intercultural Studies 192 Special Study Opportunities 16 Learning Resources 193 Study at Bard’s Other Campuses 18 Off-Campus Program 194 Academic Policies 20 Young Writers Workshop 195 Upper College Concentrations 27 Faculty 196 Courses 82 Faculty 196 General Education Seminars 82 Adjunct Faculty 215 The Senior Thesis 83 Faculty Emeritus 218 Courses in the Division of the Arts 84 Community Music Program Faculty 222 Art History 85 Boards Arts 89 Board of Trustees 225 Dance 90 Board of Overseers 225 Music 94 Our Location 226 Studio Arts 100 Campus Map 227 Theater 106 Index 228 Courses in the Division of Languages & Literature 114 Academic Calendar 232 World Languages, Cultures, and Literatures 115 Linguistics 121 Literature and Creative Writing 122 Courses in the Division of Science, Mathematics, and Computing 137 Biology 138 Chemistry 142 Computer Science 144 Mathematics 146 Natural Sciences 149 Physics 151 Courses in the Division of Social Studies 154 Anthropology 155 Economics 158 Geography 161 History 165 Philosophy 168 3 Bard College at Simon’s Rock is the nation’s only four- year residential college specifically designed to provide bright, highly motivated students with the opportunity to begin college after the tenth or eleventh grade. -
2019-2020 Year in Review
Table of Contents 3 Director’s Welcome 7 Objects in Space: A Conversation with Barry Bergdoll and Charlotte Vignon 17 Glorious Excess: Dr. Susan Weber on Victorian Majolica 23 Object Lessons: Inside the Lab for Teen Thinkers 33 Teaching 43 Faculty Year in Review 50 Internships, Admissions, and Student Travel and Research 55 Research and Exhibitions 69 Gallery 82 Publications 83 Digital Media Lab 85 Library 87 Public Programs 97 Fundraising and Special Events Eileen Gray. Transat chair owned by the Maharaja of Indore, from the Manik Bagh Palace, 1930. Lacquered wood, nickel-plated brass, leather, canvas. Private collection. Copyright 2014 Phillips Auctioneers LLC. All Rights Reserved. Director’s Welcome For me, Bard Graduate Center’s Quarter-Century Celebration this year was, at its heart, a tribute to our alumni. From our first, astonishing incoming class to our most recent one (which, in a first for BGC, I met over Zoom), our students are what I am most proud of. That first class put their trust in a fledgling institution that burst upon the academic art world to rectify an as-yet-undiagnosed need for a place to train the next generation of professional students of objects. Those beginning their journey this fall now put their trust in an established leader who they expect will prepare them to join a vital field of study, whether in the university, museum, or market. What a difference a generation makes! I am also intensely proud of how seriously BGC takes its obligation to develop next-generation scholarship in decorative arts, design his- tory, and material culture. -
Dr. SUSAN WEBER 18 West 86Th Street New York, New York 10024 Tel: (212) 501-3051
Dr. SUSAN WEBER 18 West 86th Street New York, New York 10024 tel: (212) 501-3051 EDUCATION Ph.D. Royal College of Art, London London, 1998 (Dissertation: E.W. Godwin: Secular Furniture and Interior Design) M.A. The Cooper-Hewitt Museum/Parsons School of Design New York, New York, 1990 Graduate Degree Program in the History of Decorative Arts (Thesis: Whistler as Collector, Interior Colorist and Decorator) A.B. Barnard College-Columbia University New York, New York, 1977 (magna cum laude) PROFESSIONAL EXPERIENCE 1991-present Founder, Director and Iris Horowitz Professor in the History of the Decorative Arts: The Bard Graduate Center: Decorative Arts, Design History, Material Culture New York, New York 2000-2008 Design Columnist: The Westchester Wag 2000-2003 Contributing Editor: nest magazine 1988-1991 Director: Philip Colleck of London, Ltd., New York, New York A gallery specializing in eighteenth-century English furniture and works of art. 1985-1991 Executive Director: The Open Society Fund, Inc., New York, New York A private foundation which supports internationally the advancement of freedom of ex- pression and cultural exchange through grants to individuals and associations. 1980-present Founder and Publisher: Source: Notes in the History of Art, New York, New York A quarterly journal devoted to all aspects of art history and archaeology. 1979 Associate Producer: In Search of Rothko A 28-minute film on the life and work of Mark Rothko. 1978 Associate Producer: The Big Picture A 58-minute film on the New York School of Art, shown as a part of the New York State Exhibition, "New York: The State of Art." 1977 Assistant Director: New York: The State of Art The first exhibition at the State Museum in Albany featuring over 300 works of New York State art. -
Whitechapel Gallery Ten Years of Transformation 2009–2019
Whitechapel Gallery Ten Years of Transformation 2009–2019 1 Message from the Director One of my first responsibilities on becoming Director of the Whitechapel Gallery in 2001 was to confirm the purchase of the grand Victorian Passmore Edwards Library, adjacent to the Gallery’s own 1901 Arts & Crafts building. We asked ourselves, how should we expand our physical footprint while saving a heritage building? And, what could this marvelous sequence of spaces contribute to the experience of art? All the while we needed to remain faithful to our founding mission of sharing great art with everyone. In 2009 – after eight years of planning, hundreds of meetings, millions of pounds raised and the sturm und drang of the construction itself – Whitechapel Gallery opened its new space. Designed by Flemish architects Robbrecht and Daem the dramatically expanded building also inaugurated a new chapter in the story of the Whitechapel Gallery. The decade that has passed since those whirlwind opening weeks has been one of conversation and partnership; of the local and the global; and of experimentation and innovation. The success of the past ten years is a cause for celebration and a source of inspiration as we forge ahead in our role as an international epicentre for the dissemination of art, culture and creativity. The extraordinary figures and images in the following pages are a testament to the collective accomplishments of the past decade. However, none of these would have been achieved without the individual efforts of so many. It has been a privilege to work with so many great artists, curators, critics, collectors, scholars, gallerists, educationalists, supporters, colleagues and of course visitors, all of whom have joined us in our curatorial adventure. -
The Professor, the Bishop, and the Country Squire
THE PROFESSOR. THE BISHOP, AND THE COUNTRY SQUIRE CHAPTER IT Second, one of his most passionate interests was the increase in the num The Professor, the Bishop, ber of Episcopal ministers. He was committed to one way above all others to further this objective, namely to find sincere young men of good character and the Country Squire (and usually modest finances) and to help them obtain first a college and then a seminary education. Third, John McVickar was the most influential member, a charter trustee, and for a long time the Superintendent of the Society for Promoting Religion In 1935 in preparation for the 75th anniversary of the founding of the Col and Learning. This was an off-shoot of the great landed endowments of Trini lege, George H. Genzmer, librarian and lecturer in English at Bard, com ty Church, New York City, established in 1839 as a separate corporation for piled a chronology (which he entitled "Annals of the College") running the purpose of supporting the college and seminary training of aspirants for from the College's earliest beginnings up as far as 1918. This chronology is the ministry. Its assets consisted of lands in downtown New York, and in the more precise in its dating and covers a wider area of the College's life than 1850's were yielding $10,000 to $20,000 per year. (A century later the any other historical treatment of Bard. assets had increased to over a million dollars and the annual income to nearly Mr. Genzmer starts his list of the dates of the events which led up to the $100,000.)' The Society's steady, firm support proved to be the determina founding of the College, with the year 1787, the birth of John McVickar. -
Selected Statements
2020 en ligne selected statements artmontecarlo.ch content editorials 3 galleries 4 musical break 115 solo shows 116 essayistic break 152 special exhibitions 155 video break 161 team & friends 162 artists index 164 very timely souvenir 165 our partners 167 culinary break 184 post-confinement 186 editorials Dear art lovers, In this very particular moment and following artmonte-carlo has imagined this digital catalogue the postponement of artmonte-carlo 2020 to as a manifesto to break down the boundaries of next spring, we are pleased to share with you confinement that prevent the organization of the through this digital catalogue a focused selection fair this year and we thank them warmly for this of artworks from participating galleries. initiative. In the spirit of our human-sized Salon d’art, Allow me to express my enthusiasm for this proj- our wish is to maintain the personal dimension ect, which, thanks to digital technologies, allows of our activity through the statements from art us all to participate together in this beautiful world personalities on selected works of art: adventure by discovering individual artistic curators, conservators, dealers, collectors, critics selections. and artists participate in the reflections. It is indeed essential, in the current context, to We aspire to offer you an accurate publication rich continue to exchange on common subjects that in content and details, and also will be disclosing lift us up and bring us closer to one another. some of the institutional exhibitions scheduled for 2021, another trademark of our Salons d’art. This is the very essence of Culture, which allows us to remain united in adversity. -
Diane Solway, 'Artful Finnish'
Diane Solway, ‘Artful Finnish’, W Magazine, October 17, 2014 A view of Suvikunta, one of the Zabludowiczes’ properties on Sarvisalo Island, Finland. Photography by Jason Schmidt Caragh Thuring in her cottage-turned-studio at Suvikunta preparing for a solo show opening in November. Nicolas Deshayes, Keith Tyson, Caragh Thuring, Erin and Sam Falls, Poju and Anita Zabludowicz, and Olafur Eliasson and his daughter Alma, with Schieleren (Smears), 2010, by Franz West. On a remote island in Finland, mega-collectors Anita and Poju Zabludowicz have established a breathtaking creative oasis. Perhaps it was the milky light of the night in summer, when the sun barely goes down. Or maybe it was the midnight saunas followed by bracing dunks in the sea. More likely, it was simply the light- headedness that comes from being out of the studio and plunked on a remote island off the southern coast of Finland, with little in sight except sky, water, forest, and fields. Whatever the cause, no one felt much like sleeping—not the rising stars Sam Falls, Caragh Thuring, or Nicolas Deshayes, all artists in residence on the property; nor Olafur Eliasson, who was visiting to scope out sites for a possible commission; nor Keith Tyson, a Turner Prize winner. Tyson’s Large Field Array, a work combining 300 sculptural elements, was soon to be housed in its own enormous barn on the grounds, which are dotted by rustic cabins. “Art camp” is how they all described the place. Such is the allure of Sarvisalo, home to the family retreat–turned–art colony and sculpture park owned by Anita and Poju Zabludowicz. -
The Great Warden and His College
CHAPTER Ill The Great Warden and His College Robert Brinckerhoff Fairbairn was Warden of St. Stephen's College for 36 years - from 1862 until 1898, a year before his death at age 81. He was styled the ''Great Warden''. by Thomas Richey, one of his predecessors, and that designation has continued throughout all of the College's history. The present-day college still gains a sense of Fairbairn's appearance and presence from the bronze bust of him which is above the mantel in the Presidents' Room of Kline Commons, and from the oil portrait hanging over the fireplace in the foyer of the President's office. In appearance Fairbairn was of slightly less than middle height, round, ruddy and of a stern visage. This sternness, however, was more that of dignity than of hardness. He was tender hearted and had delicate regard for the feelings and wishes of others. He was as devout as he was just, and abounded with kindness, self~sacrificing generosity, and refinement. 1 He was born in Greenwich Village, New York City, in 1818. His father, a Scotchman, was a modestly circumstanced book publisher and his mother a native of Poughkeepsie. After ordinary schooling and special training in the Mechanics school, he worked for three years in a book and stationery store, and then at the age of 16, decided to prepare himself for the ministry of the Episcopal Church. He started at Bristol College in Pennsylvania, and upon the demise of that institution he went on to Washington College (now Trinity) in Hartford, graduating with a bachelor of arts in 1840 at age 22. -
REPORT of GIFTS July 1, 2011 – June 30, 2012
REPORT OF GIFTS July 1, 2011 – June 30, 2012 Bard College TABLE OF CONTENTS 3 Letter from the President 4 Donors by Giving Societies 26 Foundation, Corporate, and Government Donors 29 Gifts in Honor of 33 Gifts in Memory of 35 Gifts in Kind 35 Bequests Received 35 John Bard Society Members 36 Bard College: Campus, Students, and Curriculum 53 Bard College: Graduate Education 55 Bard College: International Initiatives in the Liberal Arts 56 Bard College: Education Reform 62 Bard College: The Arts 65 Bard College: Boards LETTER FROM THE PRESIDENT Dear Alumni/ae, Parents, and Friends: It is my pleasure to present to you our annual Report of Gifts. It is our way of thanking and recognizing the generosity of all our donors from the 2012 fiscal year. Your gift was counted among the almost 3,500 others that resulted in $42,015,898 in funds raised this year to support scholarships and annual operating expenses, create and enhance endowment funds, and finance capital projects. Financial contributions are critical to the operations of the College; so too are the many volunteers who give of their valuable time and resources. My deepest thanks go to Board of Trustees, Board of Governors of the Bard–St. Stephen’s Alumni/ae Association, Parents Advisory Council, and members of the Boards of the Center for Curatorial Studies, Bard Graduate Center, Conservatory of Music, Fisher Center, Levy Economics Institute, Bard High School Early College, Bard Music Festival, and our newest group, the members of the Longy School of Music of Bard College. Two years ago we launched a five-year comprehensive campaign that had the ambitious goal of raising $594 million for our endowment and capital projects. -
Periodic Review Report Bard College Appendices
Periodic Review Report Bard College Appendices 59 Appendix 1.B-1 Bard College Programs UNDERGRADUATE PROGRAMS Division of Arts Interdivisional Programs Art History Americana Studies Dance Asian Studies Film and Electronic Arts Classical Studies Music Environmental and Urban Studies Photography French Studies Studio Arts German Studies Theater Human Rights Program Italian Studies Division of Languages & Literature Russian and Eurasian Studies Spanish Literature Written Arts Interdivisional Concentrations Foreign Languages, Cultures, and Literatures Africana Studies Division of Science, Mathematics, & Computing Gender and Sexuality Studies Global and International Studies (GISP) Biology Irish and Celtic Studies Chemistry Jewish Studies Computer Science Latin American and Iberian Studies Mathematics Middle Eastern Studies Physics Mind, Brain and Behavior Science, Technology, and Society (STS) Division of Social Studies Social Policy Theology Anthropology Victorian Studies Economics Economics and Finance Bard College Conservatory of Music Historical Studies Philosophy Undergraduate B.A. & B.M. Political Studies Psychology First-Year Programs Religion Sociology First-Year Seminar Language and Thinking Programs Citizen Science 60 May 31, 2012 GRADUATE PROGRAMS Bard Center for Environmental Policy Bard MBA in Sustainability M.S. in Environmental Policy M.B.A. in Sustainability M.S. in Climate Science and Policy M.S./J.D. dual-degree with Pace Law School in Center for Curatorial Studies and Environmental Policy/Environmental Art in Contemporary Culture Law Peace Corps Master's International (M.I.) M.A. in Curatorial Studies Program in Environmental Policy M.S./M.A.T. dual-degree with the Bard College International Center of Photography–Bard Master of Arts in Teaching Program Program in Advanced Photographic Studies Professional Certificate in Environmental Policy M.F.A.