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9/5/2011-4/21/2012. Letters from a Danceaturg. Neil Baldwin to Lori Katterhenry
9/5/2011-4/21/2012. Letters from a Danceaturg. Neil Baldwin to Lori Katterhenry. No.1 - September 5, 2011 Dear Lori: I am grateful to Ryoko Kudo, Maxine Steinman and our MSU dancers for opening the doors to the studio in Life Hall last week and welcoming me to sit in on three sessions of the setting of excerpts from There is a Time (1956) by Jose Limon. They worked on “Opening Circle,” “Plant and Reap,” “Mourn,” “Laugh and Dance,” and “Hate & War.” Reviewing and editing my on-site notes, I recalled a helpful observation by Doris Humphrey in The Art of Making Dances with regard to this work. She writes, “There is a Time states its thematic material in the opening section and builds all the rest of its many parts on variations of the same movements. Unfortunately, this escapes most people; what they see is a suite form, contrasted ideas of dramatic or lyric significance. This is because the eye is not sufficiently trained to remember movement themes, and will usually miss them completely.” Indeed, the fact that the original title of There is a Time was Variations on a Theme came through powerfully during these sessions. Ryoko’s precisely-planned and at the same time intuitively- executed method was the embodiment of Limon’s preliminary concept notes for the dance, when he said that “the community…form[s] a very close circle which pulsates symbolizing an ovum or womb in travail…[T]he large circle…symbolize[s] time – the great continuity – eternal, unbroken…without hurry and without end.” I was also mindful of a point that Carla Maxwell made in an interview with The New York Times ten years ago about classic modern dance: “What's indispensable is a consistent point of view that relates to the times,'' she said. -
New England Retreat
2011 California Switzer Fellows Retreat Agenda DRAFT FRIDAY, September 30 th (Evening arrival for all 2011 California Fellows and out of town travelers. New Fellows please arrive in tme for dinner!) 5:00 pm Check-in 6 :00 – 7:00 pm DINNER 7:00 – 9:00 pm INTRODUCTIONS, ORIENTATION FOR NEW FELLOWS. This evening will allow tme for welcoming and introductons for new Fellows, as well as presentaton of leadership concepts to be explored throughout the weekend. Fellows will have a chance to identfy topics for networking over the weekend. Partcipant and staf introductons will be made. SATURDAY, October 1 st 8:00 – 9:00 am BREAKFAST and check-in for new arrivals 9:00 – 9:15 am INTRODUCTIONS. Lissa Widof, Executve Director of the Switzer Foundaton, will welcome partcipants and introduce the Communicatons training, trainers and context for this work. 9:15 – 12:30 TRAINING: MESSAGING AND COMMUNICATIONS We ofer this training at the fall retreat as the frst step in our efort to help Fellows develop efectve communicatons skills. For these trainings, we have the great privilege of engaging with a terrifc group of trainers and practtoners. Liz Neeley of COMPASS (Communicaton Partnership for Science and the Sea) specializes in training scientsts and experts to hone their messages so they can communicate their work to a wide range of audiences. The morning session will include training with actve feld journalists and topics such as - Welcome to My World – real world stories from professional journalists - Bridging the worlds of science and journalism - Show Don’t Tell: The Storytelling Process - An introducton to messaging using a tool called the Message Box, a simple yet powerful tool for organizing and focusing any message for any audience that will be useful beyond the workshop setng. -
339623 1 En Bookbackmatter 401..420
References Alexander, Christopher, Sara Ishikawa, and Murray Silverstein. 1977. A pattern language: Towns, buildings, construction. New York: Oxford University Press. Allen, Gary L. 2004. Human spatial memory: Remembering where. New Jersey: Lawrence Erlbaum. Amidon, E.L. and G.H. Elsner. 1968. Delineating landscape view areas: A computer approach. In Forest Research Note PSW–180, ed. US Department of Agriculture. Washington DC. Amini Behbahani, Peiman, Michael J. Ostwald, and Ning Gu. 2016. A syntactical comparative analysis of the spatial properties of Prairie style and Victorian domestic architecture. The Journal of Architecture 21 (3): 348–374. Amini Behbahani, Peiman, Ning Gu, and Michael J. Ostwald. 2017. Viraph: Exploring the potentials of visibility graphs and their analysis. Visualization in Engineering 5 (17). https:// doi.org/10.1186/s40327-017-0056-z. Amorim, Luiz. 1999. The sectors paradigm: A study of the spatial and functional nature of modernist housing in northeast Brazil. London: University of London. Antonakaki, Theodora. 2007. Lighting and spatial structure in religious architecture: A comparative study of a Byzantine church and an early Ottoman mosque in the city of Thessaloniki. In Proceedings 6th International Space Syntax Symposium, 057.02–057.14. Istanbul. Appleton, Jay. 1975. The experience of landscape. London: John Wiley and Sons. Asami, Yasushi, Ayse Sema Kubat, Kensuke Kitagawa, and Shin-ichi Iida. 2003. Introducing the third dimension on Space Syntax: Application on the historical Istanbul. In Proceedings 4th International Space Syntax Symposium, 48.1–48.18. London. Aspinall, Peter. 1993. Aspects of spatial experience and structure. In Companion to contemporary architectural thought, ed. Ben Farmer, and Hentie Louw, 334–341. -
Collaborations: the Private Life of Modern Architecture Author(S): Beatriz Colomina Source: Journal of the Society of Architectural Historians, Vol
Collaborations: The Private Life of Modern Architecture Author(s): Beatriz Colomina Source: Journal of the Society of Architectural Historians, Vol. 58, No. 3, Architectural History 1999/2000 (Sep., 1999), pp. 462-471 Published by: University of California Press on behalf of the Society of Architectural Historians Stable URL: http://www.jstor.org/stable/991540 Accessed: 25-09-2016 19:05 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms Society of Architectural Historians, University of California Press are collaborating with JSTOR to digitize, preserve and extend access to Journal of the Society of Architectural Historians This content downloaded from 204.168.144.216 on Sun, 25 Sep 2016 19:05:51 UTC All use subject to http://about.jstor.org/terms Collaborations The Private Life of Modern Architecture BEATRIZ COLOMINA Princeton University bout a year ago, I gave a lecture form in the Madrid, space-and how the there city is nothing in Mies's work, where I was born. The lecture was on the work of prior to his collaboration with Reich, that would suggest Charles and Ray Eames and, to my surprise, most such a radical approach to defining space by suspended sen- of the discussion at the dinner afterward centered around suous surfaces, which would become his trademark, as the role of Ray, her background as a painter, her studies with exemplified in his Barcelona Pavilion of 1929. -
Rudolf Laban in the 21St Century: a Brazilian Perspective
DOCTORAL THESIS Rudolf Laban in the 21st Century: A Brazilian Perspective Scialom, Melina Award date: 2015 General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 30. Sep. 2021 Rudolf Laban in the 21st Century: A Brazilian Perspective By Melina Scialom BA, MRes Thesis submitted in partial fulfilment of the requirements for the degree of PhD Department of Dance University of Roehampton 2015 Abstract This thesis is a practitioner’s perspective on the field of movement studies initiated by the European artist-researcher Rudolf Laban (1879-1958) and its particular context in Brazil. Not only does it examine the field of knowledge that Laban proposed alongside his collaborators, but it considers the voices of Laban practitioners in Brazil as evidence of the contemporary practices developed in the field. As a modernist artist and researcher Rudolf Laban initiated a heritage of movement studies focussed on investigating the artistic expression of human beings, which still reverberates in the work of artists and scholars around the world. -
The MCL “North Marin Unit” Always Has a Full Plate
May-June 2009 May-June 2009 EDITORIAL Focus on North Marin Is the MTC too HOT to Trot? Why The MCL MCL is Concerned About HOT Lanes “North Marin The long- awaited Unit” Always Highway 101 Gap Closure project’s HOV Has a Full Plate lanes, funded by Susan Stompe and Nona Dennis by Measure A, could Geographic “Units” of Marin potentially Conservation League be converted to HOT lanes When Marin Conservation League was under the launched by its founders as the “Marin MTC plan County Survey Committee” in late 1934, one of the fi rst objectives was to engage rep- resentatives from all parts of the county in photo: Dru Parker planning for its future. As the “Committee” evolved into “Marin Conservation League” n occasion, Marin Conservation The claimed attractions of the concept are and gained wide support, the representation OLeague fi nds itself questioning threefold: coalesced into geographic units – initially whether “the Emperor is wearing any It expands mobility options by providing Mill Valley, San Rafael, West Marin, and clothes” – or, put another way: is the pub- an opportunity for reliable travel times to then North Marin and Rural Land Use. At a lic being given all the facts while a grand users willing to pay a signifi cant premium time when there were few environmental plan is rushed forward with inadequate for this service (hence the nickname, organizations in the county, the League’s public education? The current discussion “Lexus Lanes”); Units provided an opportunity for people about implementing High Occupant Toll in a region to get together to discuss local (HOT) Lanes along 800 miles of Bay Area HOT lanes generate a source of revenue, issues, track local developments, meet with freeways seems to fall into this category. -
Oyster Growers and Oyster Pirates in San Francisco Bay
04-C3737 1/20/06 9:46 AM Page 63 Oyster Growers and Oyster Pirates in San Francisco Bay MATTHEW MORSE BOOKER The author is a member of the history department at North Carolina State University, Raleigh. In the late nineteenth century San Francisco Bay hosted one of the American West’s most valuable fisheries: Not the bay’s native oysters, but Atlantic oysters, shipped across the country by rail and seeded on privately owned tidelands, created private profits and sparked public resistance. Both oyster growers and oyster pirates depended upon a rapidly changing bay ecosystem. Their struggle to possess the bay’s productivity revealed the inqualities of ownership in the American West. An unstable nature and shifting perceptions of San Francisco Bay combined to remake the bay into a place to dump waste rather than to find food. Both growers and pirates disappeared following the collapse of the oyster fishery in the early twentieth century. In 1902 twenty-two-year-old Oakland writer Jack London published his first book, an adventure story for boys. In the novel, London’s boy hero runs away from a comfortable middle-class home to test his mettle in the rough world of the San Francisco waterfront. Plucky but naïve, Joe Bronson soon finds himself sailing down San Francisco Bay in a rickety sloop called the Dazzler, piloted by hard-drinking French Pete and his tough orphan sidekick, the ’Frisco Kid. The Dazzler joins a small fleet of boats congregating in the tidal flats along the eastern shoreline of San Francisco Bay where French Pete orders Joe and the Kid to drag a triangular piece of steel, an oyster dredge, over the muddy bottom. -
The Kaufmann House, a Seminal Modernist Masterpiece, to Be Offered for Sale at Christie’S
For Immediate Release October 31, 2007 Contact: Rik Pike 212.636.2680 [email protected] THE KAUFMANN HOUSE, A SEMINAL MODERNIST MASTERPIECE, TO BE OFFERED FOR SALE AT CHRISTIE’S © J. Paul Getty Trust. Used with permission The Kaufmann House May 13, 2008 New York - Christie’s Realty International, Inc. is delighted to announce the sale of Richard Neutra’s seminal Kaufmann House on the night of Christie’s New York May 13 Spring 2008 Post- War and Contemporary Art Evening sale. Along with Mies van der Rohe’s Farnsworth House and Philip Johnson’s Glass House, Neutra’s Kaufmann House is one the most important examples of modernist residential architecture in the Americas and remains singular as the most important example of mid-century modernist architecture in the Americas to remain in private hands. It carries an estimate of $15,000,000 to $25,000,000. Christie’s Realty International Inc. 20 Rockefeller Plaza, New York, NY 10020 phone 212.478.7118 www.christies.com In 1946, the Pittsburgh department store magnate, Edgar J. Kaufmann Sr., who had previously commissioned Frank Lloyd Wright to build Fallingwater, engaged Richard Neutra to build a house in the Palm Springs desert as a winter retreat for his wife and him. Representing the purest realization of Neutra's modernist ideals, the Kaufmann House's rigorously disciplined design scheme integrates horizontal planes of cantilevered roofs under which blocks of glass floor-to-ceiling sliding walls shimmer. Set against the rugged backdrop of a mountainous landscape in the Palm Springs desert and positioned in an equally minimalist paradise of manicured lawns, placed boulders and plantings, this modernist icon represents the culmination of Neutra's highly influential achievement and contribution to architectural history. -
Nomination Form, “The Tuckahoe Apartments.” (14 June 2000)
NPS Form 10- 900 OMB No. 1024-0018 (Rev. Aug. 2002) United States Department of the Interior National Park Service NATIONAL REGISTER OF HISTORIC PLACES REGISTRATION FORM This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in How to Complete the National Register of Historic Places Registration Fonn (National Register Bulletin 16A). Complete each item by marking "x" in the appropriate box or by entering the information requested. If any item does not apply to the property being documented, enter "NIA" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. Place additional entries and narrative items on continuation sheets (NPS Form 10-900a). Use a typewriter, word processor, or computer, to complete all items. ...................................................... - - - ...........................................................................................................................................................................1. Name of Property historic name John Rolfe Apartments other nameslsite number DHR # 127-6513 ---------- 2. Location street & number 101 Tem~sfordLane not for publication NIA city or town Richmond vicinity state Virqinia code & county Independent Citv code 760 zip code 23226 3. StatelFederal Agency Certification As the designated authority under the National Historic Presewation Act, as amended, I hereby certify that this -
Mid-Century Modernism Historic Context
mid-century Modernism Historic Context September 2008 Prepared for the City of Fresno Planning & Development Department 2600 Fresno Street Fresno, CA 93721 Prepared by Planning Resource Associates, Inc. 1416 N. Broadway Fresno, CA 93721 City of Fresno mid-century Modernism Historic Context mid-century Modernism, Fresno Historical Context Prepared For City of Fresno, Planning and Development Department Prepared By Planning Resource Associates, Inc. 1416 N. Broadway Fresno CA, 93721 Project Team Planning Resource Associates, Inc. 1416 Broadway Street Fresno, CA 93721 Lauren MacDonald, Architectural Historian Lauren MacDonald meets the Secretary of the Interior’s Professional Qualifications in Architectural History and History Acknowledgements Research efforts were aided by contributions of the following individuals and organizations: City of Fresno Planning and Development Department Karana Hattersley-Drayton, Historic Preservation Project Manager Fresno County Public Library, California History and Genealogy Room William Secrest, Librarian Fresno Historical Society Maria Ortiz, Archivist / Librarian Jill Moffat, Executive Director John Edward Powell Eldon Daitweiler, Fresno Modern American Institute of Architects, San Joaquin Chapter William Stevens, AIA Les Traeger, AIA Bob Dyer, AIA Robin Gay McCline, AIA Jim Oakes, AIA Martin Temple, AIA Edwin S. Darden, FAIA William Patnaude, AIA Hal Tokmakian Steve Weil 1 City of Fresno mid-century Modernism Historic Context TABLE OF CONTENTS I. PROJECT DESCRIPTION Introduction………………………………………………………………………………………………….3 -
Classy City: Residential Realms of the Bay Region
Classy City: Residential Realms of the Bay Region Richard Walker Department of Geography University of California Berkeley 94720 USA On-line version Revised 2002 Previous published version: Landscape and city life: four ecologies of residence in the San Francisco Bay Area. Ecumene . 2(1), 1995, pp. 33-64. (Includes photos & maps) ANYONE MAY DOWNLOAD AND USE THIS PAPER WITH THE USUAL COURTESY OF CITATION. COPYRIGHT 2004. The residential areas occupy the largest swath of the built-up portion of cities, and therefore catch the eye of the beholder above all else. Houses, houses, everywhere. Big houses, little houses, apartment houses; sterile new tract houses, picturesque Victorian houses, snug little stucco homes; gargantuan manor houses, houses tucked into leafy hillsides, and clusters of town houses. Such residential zones establish the basic tone of urban life in the metropolis. By looking at residential landscapes around the city, one can begin to capture the character of the place and its people. We can mark out five residential landscapes in the Bay Area. The oldest is the 19th century Victorian townhouse realm. The most extensive is the vast domain of single-family homes in the suburbia of the 20th century. The grandest is the carefully hidden ostentation of the rich in their estates and manor houses. The most telling for the cultural tone of the region is a middle class suburbia of a peculiar sort: the ecotopian middle landscape. The most vital, yet neglected, realms are the hotel and apartment districts, where life spills out on the streets. More than just an assemblage of buildings and styles, the character of these urban realms reflects the occupants and their class origins, the economics and organization of home- building, and larger social purposes and planning. -
Files Events/Artists
Files events/artists ____________________________________________________________________________________________ tuesday 16 > sunday 21 april 3 pm > 9 pm Garage Pincio tuesday 16 april 6 pm opening Marcel Türkowsky/Elise Florenty (D/F) We, the frozen storm audio-visual installation production Xing/Live Arts Week with the collaboration of Bologna Sotterranea/Associazione Amici delle Vie d'Acqua e dei Sotterranei di Bologna We, the frozen storm is the title of the new and site-specific installation conceived for the evocative spaces of the tunnels of the Pincio shelter, under the Montagnola Park. The title is inspired by Bildbeschreibung (Explosion of memory/description of an image) by Heiner Muller. " What could be the travel from the self to the other? Imagine to face portraits of characters that carry multidentity-stories: from the old to the new world, from the factual to the fictional, from the undead past to the speculative future. A delirium embracing the cosmic world. This travel will be colorful, hypnotic, engaging, pushing the spectator into unconscious meandering and disorientation." For their first exhibition in Italy, Florenty and Türkowsky have composed a work made up of video projections, sounds, glows and shadows, marking an important first step in the research currently underway after the great project Through Somnambular Laws (2011) toward a new series of works. Elise Florenty & Marcel Türkowsky. Since the beginning of their collaboration in 2005 Elise Florenty - with a background in visual arts and film - and Marcel Türkowsky - with a background in philosophy, ethnomusicology and, later, visual art – have shared their passion for the power of language through songs, writing and instructions.