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The Dramaturgy of Edmond Rostand. Patricia Ann Elliott Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1968 The Dramaturgy of Edmond Rostand. Patricia Ann Elliott Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Elliott, Patricia Ann, "The Dramaturgy of Edmond Rostand." (1968). LSU Historical Dissertations and Theses. 1483. https://digitalcommons.lsu.edu/gradschool_disstheses/1483 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. This dissertation has been microiilmed exactly as received 69-4466 ELLIOTT, Patricia Ann, 1937- THE DRAMATURGY OF EDMOND ROSTAND. [Portions of Text in French]. Louisiana State University and Agricultural and Mechanical College, Ph.D., 1968 Language and Literature, modern University Microfilms, Inc., Ann Arbor, Michigan THE DRAMATURGY OF EDMOND ROSTAND A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy m The Department of Foreign Languages by Patricia Ann Elliott B.A., Catawba College, 1958 M.A., University of North Carolina at Chapel Hill, 1962 August, 1968 ACKNOWLEDGMENTS I wish to express my deep personal appreciation to Professor Elliott Dow Healy for his inspiration to me and guidance of my studies at Louisiana State University, and particularly for his direction of this dissertation. I am especially grateful to my parents for their encouragement throughout my studies. -
Cyrano De Bergerac
DOSSIER PÉDAGOGIQUE saison 2017-2018 CYRANO DE BERGERAC DE EDMOND ROSTAND PAR JEAN LIERMIER anthéa, théâtre d’Antibes 260, avenue Jules Grec 06600 Antibes • 04 83 76 13 00 [email protected] • www.anthea-antibes.fr Cher.e enseignant.e, Vos élèves et vous-même assisterez dans quelques semaines à un spectacle à anthéa, théâtre d’Antibes. L'expérience qu'auront les élèves du spectacle dépendra, en partie, de la préparation qui en sera faite. Ce dossier pédagogique a pour objectif de vous aider à préparer les jeunes RECOMMANDATIONS spectateurs dans la découverte de l’œuvre en vous apportant des informations et des • Le spectacle débute à l’heure pistes pédagogiques exploitables en classe, précise. Il est donc impératif d’arriver en amont de la représentation. Ainsi, le spectacle pourra être pleinement vécu. au moins 30 minutes à l’avance, D’autres activités et pistes de travail vous les portes sont fermées dès le début permettront de prolonger l’expérience de du spectacle. Afi n de gagner du spectateur après que le rideau soit retombé. temps, les élèves doivent laisser Cela permettra aux élèves de faire un retour en leurs sacs dans l’établissement. classe sur leurs ressentis et leurs émotions. • Pendant la représentation, il est demandé aux enseignants de veiller à ce que les élèves Au plaisir de vous demeurent silencieux. Il est interdit accueillir à anthéa ! de manger et de boire dans la salle, de prendre des photos ou d’enregistrer. Les téléphones portables doivent être éteints. Toute sortie de la salle sera défi nitive. • Nous rappelons aux enseignants et accompagnateurs que les élèves restent sous leur entière responsabilité pendant toute la durée de leur présence à anthéa et nous vous remercions de bien vouloir faire preuve d’autorité si nécessaire. -
Housing, Education, Heartland Alliance Could Not Do This Important Work Without Employment, Healthcare, and Justice
HEARTLAND ALLIANCE HEARTLAND ALLIANCE EQUITY. OPPORTUNITY. FOR ALL. ANNUAL REPORT JULY 2016 - JUNE 2017 2017 ANNUAL REPORT | 1 HEARTLAND ALLIANCE CHANGE IS POSSIBLE. WE SEE IT EVERY DAY. Heartland Alliance believes that society is better for all of us We also see it as we foster community partnerships and when everyone can participate, prosper and reach their full implement innovative programs to tackle tough issues. potential. We work across our companies to provide direct For example, we recently launched READI Chicago — in service and advocate for policy change to help those most collaboration with seven community partners on Chicago’s vulnerable heal and move towards self-sufficiency. south and west sides — to address gun violence by engaging high-risk individuals through job training, coaching, and This year we have seen increased challenges for those we supportive services. serve. However, Heartland Alliance remains steadfast as we provide access to safe environments, housing, education, Heartland Alliance could not do this important work without employment, healthcare, and justice. We know that those our public and private supporters, our community-based who experience disparities can exit poverty, heal from partners, and our volunteers. Because of the awareness trauma, and achieve stability — we see that change you bring to our work, and your generous support, people’s is possible. lives change. We see it with the nearly 50,000 torture survivors and EQUITY. OPPORTUNITY. FOR ALL. refugees we counsel each year as they address trauma and set out on a path towards healing. EVELYN DIAZ We see it in the 15,000 immigrants we provide legal services to as they fight to establish lives in the U.S. -
1 Education Resource Pack Adapted by Deborah Mcandrew from The
Northern Broadsides Education Resource Pack Adapted by Deborah McAndrew From the original play Cyrano de Bergerac by Edmond Rostand Directed by Conrad Nelson Designer - Lis Evans Lighting Designer - Daniella Beattie Musical Director – Rebekah Hughes Presented in partnership with The New Vic Theatre, Newcastle-u-Lyme 1 About this pack We hope that teachers and students will enjoy our production and use this learning resource pack. It may be used in advance of seeing the performance – to prepare and inform students about the play; and afterwards – to respond to the play and explore in more depth. Teachers may select, from the broad range of material, which is most suitable for their students. The first section of this document is a detailed companion to our production: plot synopsis, who’s who in the play, and interviews with cast and creatives. It reveals the ways in which our company met with the many challenges of bringing CYRANO to the stage. The second section examines the background to the play. The original work by Edmond Rostand, and the real life Cyrano and his world; and the poetic content and context of the play. At the end of the second section are exercises and suggestions for study in the subjects of History, English and Drama. CYRANO by Deborah McAndrew, is published by Methuen and available to purchase from http://www.northern- broadsides.co.uk 2 CONTENTS PAGE INTRODUCTION 4 SECTION ONE Our play Characters 5 Plot synopsis Production Meet the team: In rehearsal – o Nose to nose with Christian Edwards o Eye to Eye with Francesca Mills A Stitch In Time – with the New Vic ‘Wardrobe’ Let there be light – with Daniella Beattie SECTION TWO Backstory Edmond Rostand The Real Cyrano Poet’s corner Verse and Cyrano SECTION THREE STUDY History, Literacy, Drama Credits and Links 40 3 INTRODUCTION The play CYRANO is a new English language adaptation of a French classic play by Edmond Rostand entitled Cyrano de Bergerac. -
Putting It Together
46th Season • 437th Production SEGERSTROM STAGE / September 11 - October 11, 2009 David Emmes Martin Benson Producing ArtiStic director ArtiStic director presents PUTTING IT TOGETHER words and music by Stephen Sondheim devised by Stephen Sondheim and Julia McKenzie Thomas Buderwitz Soojin Lee Steven Young Drew Dalzell Scenic deSign coStume deSign Lighting deSign Sound deSign Joshua Marchesi Jamie A. Tucker* Production mAnAger StAge mAnAger musical direction by Dennis Castellano directed by Nick DeGruccio Dr. S.L. and Mrs. Betty Eu Huang Huang Family Foundation honorAry ProducerS corPorAte Producer Putting It Together is presented through special arrangement with music theatre international (mti). All authorized performance materials are also supplied by mti. 421 West 54th Street, new york, ny 10019; Phone: 212-541-4684 Fax: 212-397-4684; www.mtiShows.com Putting It Together• SOUTH COA S T REPE R TO R Y P1 THE CAST (in order of appearance) Matt McGrath* Harry Groener* Niki Scalera* Dan Callaway* Mary Gordon Murray* MUSICIANS Dennis Castellano (conductor/keyboards), John Glaudini (synthesizer), John Reilly (woodwinds), Louis Allee (percussion) SETTING A New York penthouse apartment. Now. LENGTH Approximately two hours including one 15-minute intermission. PRODUCTION STAFF Casting ................................................................................ Joanne DeNaut, CSA Dramaturg .......................................................................... Linda Sullivan Baity Assistant Stage Manager ............................................................. -
June 2018 Welcome Mike Hausberg
JUNE 2018 WELCOME MIKE HAUSBERG Welcome to The Old Globe and this production of The Tempest. Our goal is to serve all of San Diego and beyond through the art of theatre. Below are the mission and values that drive our work. We thank you for being a crucial part of what we do. MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large. STATEMENT OF VALUES The Old Globe believes that theatre matters. Our commitment is to make it matter to more people. The values that shape this commitment are: TRANSFORMATION Theatre cultivates imagination and empathy, enriching our humanity and connecting us to each other by bringing us entertaining experiences, new ideas, and a wide range of stories told from many perspectives. INCLUSION The communities of San Diego, in their diversity and their commonality, are welcome and reflected at the Globe. Access for all to our stages and programs expands when we engage audiences in many ways and in many places. EXCELLENCE Our dedication to creating exceptional work demands a high standard of achievement in everything we do, on and off the stage. STABILITY Our priority every day is to steward a vital, nurturing, and financially secure institution that will thrive for generations. IMPACT Our prominence nationally and locally brings with it a responsibility to listen, collaborate, and act with integrity in order to serve. -
Chicago Shakespeare in the Parks Tour Into Their Neighborhoods Across the Far North, West, and South Sides of the City
ANNOUNCING OUR 2018/2019 SEASON —The Merry Wives of Windsor Explosive, Pulitzer Prize-winning drama. Shakespeare’s tale of magic and mayhem—reimagined. The “76-trombone,” Tony-winning musical The Music Man. And so much more! 5-play Memberships start at just $100. We’re Only Alive For A Short Amount Of Time | How To Catch Creation | Sweat The Winter’s Tale | The Music Man | Lady In Denmark | Twilight Bowl | Lottery Day GoodmanTheatre.org/1819Season 312.443.3800 2018/2019 Season Sponsors MACBETH Contents Chicago Shakespeare Theater 800 E. Grand on Navy Pier On the Boards 10 Chicago, Illinois 60611 A selection of notable CST events, plays, and players 312.595.5600 www.chicagoshakes.com Conversation with the Directors 14 ©2018 Chicago Shakespeare Theater All rights reserved. Cast 23 ARTISTIC DIRECTOR CARL AND MARILYNN THOMA ENDOWED CHAIR: Barbara Gaines EXECUTIVE DIRECTOR: Playgoer's Guide 24 Criss Henderson PICTURED: Ian Merrill Peakes Profiles 26 and Chaon Cross COVER PHOTO BY: Jeff Sciortino ABOVE PHOTO BY: joe mazza A Scholar’s Perspective 40 The Basic Program of Liberal Education for Adults is a rigorous, non- Part of the John W. and Jeanne M. Rowe credit liberal arts program that draws on the strong Socratic tradition Inquiry and Exploration Series at the University of Chicago. There are no tests, papers, or grades; you will instead delve into the foundations of Western political and social thought through instructor-led discussions at our downtown campus and online. EXPLORE MORE AT: graham.uchicago.edu/basicprogram www.chicagoshakes.com 5 Welcome DEAR FRIENDS, When we first imagined The Yard at Chicago Shakespeare and the artistic capacity inherent in its flexible design, we hoped that this new venue would invite artists to dream big as they approached Shakespeare’s work. -
Cyrano De Bergerac
Cyrano de Bergerac Summer Reading Guide - English 10 Howdy, sophomores! Cyrano de Bergerac is a delightful French play by Edmond Rostand about a swashbuckling hero with a very large nose. It is one of my favorites! Read this entire guide before starting the play. The beginning can be tough to get through because there are many confusing names and characters, but stick with it and you won’t be disappointed! On the first day of class, there will be a Reading Quiz to test your knowledge of this guide and your comprehension of the play’s main events and characters. If you are in the honors section, you will also write a Timed Writing essay the first week of school. After school starts, we will analyze the play in class through discussions and various writing assignments. We will conclude the unit by watching a French film adaptation and comparing it to the play. By the way, my class is a No Spoiler Zone. This means that you may NOT spoil significant plot events to classmates who have not yet read the book. If you have questions about the reading this summer, please email me at [email protected]. I’ll see you in the fall! - Mrs. Lee 1 Introduction Cyrano de Bergerac is a 5-act play by French dramatist and poet Edmond Rostand (1868-1918). Our class version was translated into English by Gertrude Hall. Since its 1897 Paris debut, the play has enjoyed numerous productions in multiple countries. Cultural & Historical Background By the end of the 1800s, industrialization was taking place in most of Europe, including France, and with it came a more scientific way of looking at things. -
Musical Theater Sheet
FACT MUSICAL THEATER SHEET Established by Congress in 1965, the National Endowment for the Arts is the independent federal agency whose funding and support gives Americans the opportunity to participate in the arts, exercise their imaginations, and develop their creative capacities. Through partnerships with state arts agencies, local leaders, other federal agencies, and the philanthropic sector, the Arts Endowment supports arts learning, affirms and celebrates America’s rich and diverse cultural heritage, and extends its work to promote equal access to the arts in every community across America. The National Endowment for the Arts is the only funder, public or private, to support the arts in all 50 states, U.S. territories, and the District of Columbia. The agency awards more than $120 million annually with each grant dollar matched by up to nine dollars from other funding sources. Economic Impact of the Arts The arts generate more money to local and state economies than several other industries. According to data released by the National Endowment for the Arts and the U.S. Bureau of Economic Analysis, the arts and cultural industries contributed $804.2 billion to the U.S. economy in 2016, more than agriculture or transportation, and employed 5 million Americans. FUNDING THROUGH THE NATIONAL ENDOWMENT FOR THE ARTS MUSICAL THEATER PROGRAM: Fiscal Year 2018 marked the return of musical theater as its own discipline for grant award purposes. From 2014-2017, grants for musical theater were included in the theater discipline and prior to 1997, were awarded with opera as the opera/musical theater discipline. The numbers below, reflect musical theater grants awarded only when there was a distinct musical theater program. -
Chicago Theatres Announce FRANKENSTEIN: Unearthed
Contact: Cathy Taylor / Kelsey Moorhouse FOR IMMEDIATE RELEASE Cathy Taylor Public Relations, Inc. 773-564-9564 [email protected] [email protected] Chicago Theatres Announce FRANKENSTEIN: Unearthed Special Joint Event Between Court Theatre and Manual Cinema, Lifeline Theatre, Lookingglass Theatre Company and Remy Bumppo Theatre Company Explores Four Unique Productions of Frankenstein Coming to Chicago Stages This Season Chicago, IL–Lookingglass Theatre Company, Court Theatre and Manual Cinema, Lifeline Theatre, and Remy Bumppo Theatre Company announce FRANKENSTEIN: Unearthed, a one-time-only event exploring the four productions of this classic tale coming to Chicago stages during the 2018-2019 season. FRANKENSTEIN: Unearthed takes place September 30, 2018 at 1:00 p.m. at Lookingglass Theatre Company. Tickets are $15 and can be purchased online at https://secure.acceptiva.com/?cst=85009b. Lookingglass is located at 821 N Michigan Avenue at Pearson. In celebration of the 200th Anniversary of the first publishing of Frankenstein, Mary Shelley's monster comes to life in Chicago this season with four distinctive theatrical productions at Court Theatre, Lifeline Theatre, Lookingglass Theatre Company, and Remy Bumppo Theatre Company. What is Chicago’s fascination with this undying tale? How will this story be told? Four Frankensteins, seriously? Artists David Catlin and Cordelia Dewdney (Lookingglass Theatre Company), Sarah Fornace (Manual Cinema), Ian Frank and Eliza Stoughton (Remy Bumppo Theatre Company), and Robert Kauzlaric -
November 2017 • 50Freeevents
NOVEMBER 2017 • 50 FREE EVENTS BY DATE Wednesdays, Nov. 1-Dec. 20, 10-11:30am. Encinitas Comm. Ctr., 1140 Oak Crest Park Dr. $142.50, $152.50 Musical Spanish Preschool Class. Ages 2½-5 years. Musical Spanish is a fun, dynamic class that includes singing, dancing, books, and games. The instructor is a native speaker who holds an Early Childhood Education certificate. Parent participation is required. Info: www.EncinitasParksandRec.com 760-943-2260 Wednesday, November 1, 12:00-12:45pm. Encinitas Library, 540 Cornish Drive. Free Wednesdays@Noon: Virginia Sublett, soprano, Gabriel Arregui, piano. Virginia has appeared as principal artist with opera companies throughout the United States and France, including New York City Opera, Los Angeles Opera, and San Diego Opera. Gabriel has appeared for 22 seasons as soloist and in chamber ensembles with the Baroque Music Festival of Corona del Mar. They will perform works by Copland, Poulenc, Ives and Guastavino. (Cultural Arts Division) Info: www.Encinitasca.gov/WedNoon 760-633-2746. Wed. & Sun. Nov. 1-29. Call for times. Encinitas Comm. Center, 1140 Oak Crest Park Drive. $27.50, $37.50 Karate. Ages 8 years and older. Designed to teach the art, discipline, and traditions of classic Japanese Karate. Students will learn fundamentals for the purpose of developing character, respect, conditioning, and self-protection. Info: www.EncinitasParksandRec.com 760-943-2260. Every Wednesday, 3-4pm. EOS Fitness, 780 Garden View Court. Free to cancer patients and survivors Zumba: Gentle Dance Fitness Class for Cancer Recovery. Research shows that movement to music provides a wide range of benefits: it reduces physical and mental fatigue, increases blood flow, aids lymphatic system and boosts immunity. -
Performing Arts Venue Relief Grants Program � Round 1 & 2 Grantees �
Performing Arts Venue Relief Grants Program � Round 1 & 2 Grantees � A Red Orchid Theatre The Gift Theatre Stage 773 Adventure Stage Chicago Goodman Theatre Steppenwolf Theatre Aguijon Theater Company Green Mill Company Aloft Dance Harris Theater for Music and Subterranean Andy's Dance Thalia Hall The Annoyance The Hideout Theater Wit Artango Bar and Steakhouse Hungry Brain Tight Five Productions Auditorium Theatre The Hyde Room Timeline Theatre Avondale Music Hall Hydrate Nightclub The Tonic Room Beat Kitchen The Jazz Showcase Trap Door Theatre Beauty Bar Lifeline Theatre Trickery Berlin Lincoln Hall The Underground Beverly Arts Center Links Hall The Vig Black Ensemble Theater Local 83 Victory Gardens Theatre Chicago Children's Theatre Lookingglass Theatre Watra Nightclub Chicago Chop Shop Company West Loop Entertainment Chicago Dramatists Martyrs' Windy City Playhouse Chicago Magic Lounge Metro Smartbar Zanies Comedy Club Chicago Shakespeare Theater The Miracle Center Chicago Symphony Orchestra The Neo-Futurists Chopin Theatre Newport Theater City Lit Theater Nocturne Cobra Lounge Old Town School of Folk Cole's Bar Music The Comedy Clubhouse Otherworld Theatre ComedySportz Company Concord Music Hall Owl Bar Constellation Arts The Patio Theater Copernicus Center persona Corn Productions Prysm Dance Center of Columbia Public Media Institute College Chicago Radius Davenport's Piano Bar and Raven Theatre Company Cabaret Redtwist Theatre The Den Theatre Reggie's Music Club Dorian's The Revival Drunk Shakespeare Rosa's Lounge Elastic Arts Rufuge Live! The Empty Bottle Schubas Epiphany Center for the Arts Silk Road Rising Escape Artistry Silvie's Escape Artistry II Sleeping Village eta Creative Arts Foundation Slippery Slope .