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Debates ROSS WATTERS
Vol. 90 Issue 53 December 8, 2011 CSUF Parking Woes effect Fullerton Residents Spark of love Looking for something to do during the Watch the holiday break? Why not give back to the Daily Titan community. There are several volunteer opportunities within Orange County. News in 3 The OC Toy Collaborative is one. Get up- Scan to view ONLINE Scan to view EXCLUSIVES to-date dailytitan.com/ dailytitan.com/ coverage on sparkoflovef11 dtn312811 top campus news stories. dailytitan.com The Student Voice of California State University, Fullerton Renovating ROSS WATTERS {debates Daily Titan Heritage and culture–these are values the people on Fourth Street in Santa Ana pride themselves on. From restaurants, to shops, to art centers, to open marketplaces where different fruits and vegetables are sold, it is embedded with authentic Latino culture. However, many are looking to renovate this area and bring in new stores to pick up struggling businesses and “clean up the area.” Fourth Street in Santa Ana has been the hub of Latino business and culture for decades. Here most business signs are in Spanish. They sell authentic clothing, food and art that represent Latino culture. But with pressure from the economy to bring the imminent threat of “gentrification,” many long time Latino businesses are be- ing forced out. See GENT, page 2 WILLIAM CAMARGO / Daily Titan Canchola is driven to succeed Holidays welcome SUSANA COBO back NBA season Daily Titan PATRICK CORBET economics and labor law to a much Don’t smile. Daily Titan larger degree than your average Cal She laughs and questions, “How State Fullerton student. -
Music 18145 Songs, 119.5 Days, 75.69 GB
Music 18145 songs, 119.5 days, 75.69 GB Name Time Album Artist Interlude 0:13 Second Semester (The Essentials Part ... A-Trak Back & Forth (Mr. Lee's Club Mix) 4:31 MTV Party To Go Vol. 6 Aaliyah It's Gonna Be Alright 5:34 Boomerang Aaron Hall Feat. Charlie Wilson Please Come Home For Christmas 2:52 Aaron Neville's Soulful Christmas Aaron Neville O Holy Night 4:44 Aaron Neville's Soulful Christmas Aaron Neville The Christmas Song 4:20 Aaron Neville's Soulful Christmas Aaron Neville Let It Snow! Let It Snow! Let It Snow! 2:22 Aaron Neville's Soulful Christmas Aaron Neville White Christmas 4:48 Aaron Neville's Soulful Christmas Aaron Neville Such A Night 3:24 Aaron Neville's Soulful Christmas Aaron Neville O Little Town Of Bethlehem 3:56 Aaron Neville's Soulful Christmas Aaron Neville Silent Night 4:06 Aaron Neville's Soulful Christmas Aaron Neville Louisiana Christmas Day 3:40 Aaron Neville's Soulful Christmas Aaron Neville The Star Carol 2:13 Aaron Neville's Soulful Christmas Aaron Neville The Bells Of St. Mary's 2:44 Aaron Neville's Soulful Christmas Aaron Neville Tell It Like It Is 2:42 Billboard Top R&B 1967 Aaron Neville Tell It Like It Is 2:41 Classic Soul Ballads: Lovin' You (Disc 2) Aaron Neville Don't Take Away My Heaven 4:38 The Grand Tour Aaron Neville I Owe You One 5:33 The Grand Tour Aaron Neville Don't Fall Apart On Me Tonight 4:24 The Grand Tour Aaron Neville My Brother, My Brother 4:59 The Grand Tour Aaron Neville Betcha By Golly, Wow 3:56 The Grand Tour Aaron Neville Song Of Bernadette 4:04 The Grand Tour Aaron Neville You Never Can Tell 2:54 The Grand Tour Aaron Neville The Bells 3:22 The Grand Tour Aaron Neville These Foolish Things 4:23 The Grand Tour Aaron Neville The Roadie Song 4:41 The Grand Tour Aaron Neville Ain't No Way 5:01 The Grand Tour Aaron Neville The Grand Tour 3:22 The Grand Tour Aaron Neville The Lord's Prayer 1:58 The Grand Tour Aaron Neville Tell It Like It Is 2:43 Smooth Grooves: The 60s, Volume 3 L.. -
Polish Musicians Merge Art, Business the INAUGURAL EDITION of JAZZ FORUM SHOWCASE POWERED by Szczecin Jazz—Which Ran from Oct
DECEMBER 2019 VOLUME 86 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
Tolono Library CD List
Tolono Library CD List CD# Title of CD Artist Category 1 MUCH AFRAID JARS OF CLAY CG CHRISTIAN/GOSPEL 2 FRESH HORSES GARTH BROOOKS CO COUNTRY 3 MI REFLEJO CHRISTINA AGUILERA PO POP 4 CONGRATULATIONS I'M SORRY GIN BLOSSOMS RO ROCK 5 PRIMARY COLORS SOUNDTRACK SO SOUNDTRACK 6 CHILDREN'S FAVORITES 3 DISNEY RECORDS CH CHILDREN 7 AUTOMATIC FOR THE PEOPLE R.E.M. AL ALTERNATIVE 8 LIVE AT THE ACROPOLIS YANNI IN INSTRUMENTAL 9 ROOTS AND WINGS JAMES BONAMY CO 10 NOTORIOUS CONFEDERATE RAILROAD CO 11 IV DIAMOND RIO CO 12 ALONE IN HIS PRESENCE CECE WINANS CG 13 BROWN SUGAR D'ANGELO RA RAP 14 WILD ANGELS MARTINA MCBRIDE CO 15 CMT PRESENTS MOST WANTED VOLUME 1 VARIOUS CO 16 LOUIS ARMSTRONG LOUIS ARMSTRONG JB JAZZ/BIG BAND 17 LOUIS ARMSTRONG & HIS HOT 5 & HOT 7 LOUIS ARMSTRONG JB 18 MARTINA MARTINA MCBRIDE CO 19 FREE AT LAST DC TALK CG 20 PLACIDO DOMINGO PLACIDO DOMINGO CL CLASSICAL 21 1979 SMASHING PUMPKINS RO ROCK 22 STEADY ON POINT OF GRACE CG 23 NEON BALLROOM SILVERCHAIR RO 24 LOVE LESSONS TRACY BYRD CO 26 YOU GOTTA LOVE THAT NEAL MCCOY CO 27 SHELTER GARY CHAPMAN CG 28 HAVE YOU FORGOTTEN WORLEY, DARRYL CO 29 A THOUSAND MEMORIES RHETT AKINS CO 30 HUNTER JENNIFER WARNES PO 31 UPFRONT DAVID SANBORN IN 32 TWO ROOMS ELTON JOHN & BERNIE TAUPIN RO 33 SEAL SEAL PO 34 FULL MOON FEVER TOM PETTY RO 35 JARS OF CLAY JARS OF CLAY CG 36 FAIRWEATHER JOHNSON HOOTIE AND THE BLOWFISH RO 37 A DAY IN THE LIFE ERIC BENET PO 38 IN THE MOOD FOR X-MAS MULTIPLE MUSICIANS HO HOLIDAY 39 GRUMPIER OLD MEN SOUNDTRACK SO 40 TO THE FAITHFUL DEPARTED CRANBERRIES PO 41 OLIVER AND COMPANY SOUNDTRACK SO 42 DOWN ON THE UPSIDE SOUND GARDEN RO 43 SONGS FOR THE ARISTOCATS DISNEY RECORDS CH 44 WHATCHA LOOKIN 4 KIRK FRANKLIN & THE FAMILY CG 45 PURE ATTRACTION KATHY TROCCOLI CG 46 Tolono Library CD List 47 BOBBY BOBBY BROWN RO 48 UNFORGETTABLE NATALIE COLE PO 49 HOMEBASE D.J. -
WDAM Radio Presents the Rest of the Story
WDAM Radio Presents The Rest Of The Story # Artist Title Chart Comments Position/Year 0000 Mr. Announcer & The “Introduction/Station WDAM Radio Singers Identification” 0001 Big Mama Thornton “Hound Dog” #1-R&B/1953 0001A Rufus Thomas "Bear Cat" #3-R&B/1953 0001A_ Charlie Gore & Louis “You Ain't Nothin' But A –/1953 Innes Female Hound Dog” 0001AA Romancers “House Cat” –/1955 0001B Elvis Presley “Hound Dog” #1/1956 0001BA Frank (Dual Trumpet) “New Hound Dog” –/1956 Motley & His Crew 0001C Homer & Jethro “Houn’ Dog (Take 2)” –/1956 0001D Pati Palin “Alley Cat” –/1956 0001E Cliff Johnson “Go ‘Way Hound Dog” –/1958 0002 Gary Lewis & The "Count Me In" #2/1965 Playboys 0002A Little Jonna Jaye "I'll Count You In" –/1965 0003 Joanie Sommers "One Boy" #54/1960 0003A Ritchie Dean "One Girl" –/1960 0004 Angels "My Boyfriend's Back" #1/1963 0004A Bobby Comstock & "Your Boyfriend's Back" #98/1963 The Counts 0004AA Denny Rendell “I’m Back Baby” –/1963 0004B Angels "The Guy With The Black Eye" –/1963 0004C Alice Donut "My Boyfriend's Back" –/1990 adult content 0005 Beatles [with Tony "My Bonnie" #26/1964 Sheridan] 0005A Bonnie Brooks "Bring Back My Beatles (To –/1964 Me)" 0006 Beach Boys "California Girls" #3/1965 0006A Cagle & Klender "Ocean City Girls" –/1985 0006B Thomas & Turpin "Marietta Girls" –/1985 0007 Mike Douglas "The Men In My Little Girl's #8/1965 Life" 0007A Fran Allison "The Girls In My Little Boy's –/1965 Life" 0007B Cousin Fescue "The Hoods In My Little Girl's –/1965 Life" 0008 Dawn "Tie A Yellow Ribbon Round #1/1973 the Ole Oak Tree" -
Dansk Musikforskning Online / Særnummer 2016 Danish Musicology Online / Special Edition 2016
DANSK MUSIKFORSKNING ONLINE / SÆRNUMMER 2016 DANISH MUSICOLOGY ONLINE / SPECIAL EDITION 2016 PROCEEDINGS OF THE 17TH NORDIC MUSICOLOGICAL CONGRESS Preface 3 Justin Christensen Preparing Empirical Methodologies to Examine Enactive, Embodied Subjects Experiencing Musical Emotions 7 Marit Johanne Høye Sequence Melodies in Icelandic and Norwegian Manuscripts 27 Gunnar Ternhag, Erik Wallrup, Elin Hermansson, Ingela Tägil, and Karin Hallgren Writing Composer Biographies in the Project Swedish Musical Heritage 43 Per Dahl Text, Identity and Belief in Stravinsky’s Symphony of Psalms 61 Martin Knust Musical and Theatrical Declamation in Richard Wagner’s Works and a Toolbox for Vocal Music Analysis 81 Erik Steinskog Analog Girl in a Digital World Erykah Badu’s Vocal Negotiations of the Human 107 Erik Wallrup From Mood to Tone: On Schoenberg and Musical Worlds 123 Heli Reimann Jazz and Soviet Censorship: The Example of Late-Stalinist Estonia 147 Anne Reese Willén The Capital – The Core of Musical Life 165 Thomas Solomon The Play of Colors: Staging Multiculturism in Norway 187 Áurea Dominguez Manuel Garcia’s Infl uence on Nineteenth-century Instrumental Music: Bassoon Playing in France as a Case Study 203 Robin Rolfhamre Embellishing Lute Music: Using Renaissance Italian Passaggi Practice as a Model and Pedagogical Tool for an Increased Improvisation Vocabulary in the French Baroque Style 219 Note on the contributors 239 Guest editors Mark Grimshaw (Department of Communication and Psychology, Music and Sound Knowledge Group – MaSK, Aalborg University). -
1990S Playlist
1/11/2005 MONTH YEAR TITLE ARTIST Jan 1990 Too Hot Loverboy Jan 1990 Steamy Windows Tina Turner Jan 1990 I Want You Shana Jan 1990 When The Night Comes Joe Cocker Jan 1990 Nothin' To Hide Poco Jan 1990 Kickstart My Heart Motley Crue Jan 1990 I'll Be Good To You Quincy Jones f/ Ray Charles and Chaka Khan Feb 1990 Tender Lover Babyface Feb 1990 If You Leave Me Now Jaya Feb 1990 Was It Nothing At All Michael Damian Feb 1990 I Remember You Skid Row Feb 1990 Woman In Chains Tears For Fears Feb 1990 All Nite Entouch Feb 1990 Opposites Attract Paula Abdul w/ The Wild Pair Feb 1990 Walk On By Sybil Feb 1990 That's What I Like Jive Bunny & The Mastermixers Mar 1990 Summer Rain Belinda Carlisle Mar 1990 I'm Not Satisfied Fine Young Cannibals Mar 1990 Here We Are Gloria Estefan Mar 1990 Escapade Janet Jackson Mar 1990 Too Late To Say Goodbye Richard Marx Mar 1990 Dangerous Roxette Mar 1990 Sometimes She Cries Warrant Mar 1990 Price of Love Bad English Mar 1990 Dirty Deeds Joan Jett Mar 1990 Got To Have Your Love Mantronix Mar 1990 The Deeper The Love Whitesnake Mar 1990 Imagination Xymox Mar 1990 I Go To Extremes Billy Joel Mar 1990 Just A Friend Biz Markie Mar 1990 C'mon And Get My Love D-Mob Mar 1990 Anything I Want Kevin Paige Mar 1990 Black Velvet Alannah Myles Mar 1990 No Myth Michael Penn Mar 1990 Blue Sky Mine Midnight Oil Mar 1990 A Face In The Crowd Tom Petty Mar 1990 Living In Oblivion Anything Box Mar 1990 You're The Only Woman Brat Pack Mar 1990 Sacrifice Elton John Mar 1990 Fly High Michelle Enuff Z'Nuff Mar 1990 House of Broken Love Great White Mar 1990 All My Life Linda Ronstadt (f/ Aaron Neville) Mar 1990 True Blue Love Lou Gramm Mar 1990 Keep It Together Madonna Mar 1990 Hide and Seek Pajama Party Mar 1990 I Wish It Would Rain Down Phil Collins Mar 1990 Love Me For Life Stevie B. -
"" a N ¢ (,' S CRATCHING YOUR WAY to Is Flourishing
R &B Billboard OCTOBER 16, 1999 ARTISTS & MUSIC Hot Ra p SÌflgIes.. COMPILED FROM A NATIONAL SAMPLE OF RETAIL STORE SALES REPORTS z COLLECTED, COMPILED, AND PROVIDED BY rn o 1- SoundScan® U.K. Scratch DJs ITF Championship cn Eier p, w w = TITLE 1 i ARTIST H á IMPRINT & NUMBER/DISTRIBUTING LABEL "" _ a N ¢ (,' S CRATCHING YOUR WAY TO is flourishing. Turntable sales are THE TOP: Back in the day, pioneer- outstripping those of electric guitars, -- No. 1 a.- I WANT IT ALL WARREN G FEATURING MACK 10 O 1 1 5 ing DJs like Kool Herc, Afrika while this year's Mercury Music (CI (D) (T) G -FUNK 73721 /RESTLESS t 4 weeks at No. 1 Bambaataa, and Grandmaster prize winner -classically trained JIGGA MY N * * ** JAY -Z 2 2 2 7 Flash were able to rock the crowds musician Talvin Singh -counts the (C) (D) (T) ROC -A -FELLA 562201 /IDJMG SIMON SAYS PHAROAHE MONCH 3 3 3 5 with their record selection skills and turntable as one of his instruments. (C) (D) (T) RAWKUS 53567/PRIORITY t turntable dexterity. Now the hip -hop And the U.K. Musicians' Union U -WAY (HOW WE DO IT) YOUNGBLOODZ 4 4 4 11 or scratch DJ -also known as a recently announced it would now ICI (D) IT) (X) GHET -O-VISION /LAFACE 24413/ARISTA t JAMBOREE NAUGHTY BY NATURE FEATURING ZHANE 5 5 5 14 turntablist -is often replaced by a allow DJs to join its ranks. (C) (D) (T) (X) ARISTA 13712 t DAT machine at many live rap shows. -
Rap Vocality and the Construction of Identity
RAP VOCALITY AND THE CONSTRUCTION OF IDENTITY by Alyssa S. Woods A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music: Theory) in The University of Michigan 2009 Doctoral Committee: Associate Professor Nadine M. Hubbs, Chair Professor Marion A. Guck Professor Andrew W. Mead Assistant Professor Lori Brooks Assistant Professor Charles H. Garrett © Alyssa S. Woods __________________________________________ 2009 Acknowledgements This project would not have been possible without the support and encouragement of many people. I would like to thank my advisor, Nadine Hubbs, for guiding me through this process. Her support and mentorship has been invaluable. I would also like to thank my committee members; Charles Garrett, Lori Brooks, and particularly Marion Guck and Andrew Mead for supporting me throughout my entire doctoral degree. I would like to thank my colleagues at the University of Michigan for their friendship and encouragement, particularly Rene Daley, Daniel Stevens, Phil Duker, and Steve Reale. I would like to thank Lori Burns, Murray Dineen, Roxanne Prevost, and John Armstrong for their continued support throughout the years. I owe my sincerest gratitude to my friends who assisted with editorial comments: Karen Huang and Rajiv Bhola. I would also like to thank Lisa Miller for her assistance with musical examples. Thank you to my friends and family in Ottawa who have been a stronghold for me, both during my time in Michigan, as well as upon my return to Ottawa. And finally, I would like to thank my husband Rob for his patience, advice, and encouragement. I would not have completed this without you. -
The Effects of Hip-Hop and Rap on Young Women in Academia
The Effects of Hip-Hop and Rap on Young Women in Academia by Sandra C Zichermann A thesis submitted in conformity with the requirements for the degree of Doctor of Education Sociology in Education Ontario Institute for Studies in Education University of Toronto © Copyright by Sandra C Zichermann 2013 The Effects of Hip-Hop and Rap on Young Women in Academia Sandra C Zichermann Doctor of Education Sociology in Education University of Toronto 2013 Abstract This thesis investigates the rise of the cultures and music of hip-hop and rap in the West and its effects on its female listeners and fans, especially those in academia. The thesis consists of two parts. First I conducted a content analysis of 95 lyrics from the book, Hip-Hop & Rap: Complete Lyrics for 175 Songs (Spence, 2003). The songs I analyzed were performed by male artists whose lyrics repeated misogynist and sexist messages. Second, I conducted a focus group with young female university students who self-identify as fans of hip-hop and/or rap music. In consultation with my former thesis supervisor, I selected women enrolled in interdisciplinary programmes focused on gender and race because they are equipped with an academic understanding of the potential damage or negative effects of anti-female or negative political messaging in popular music. My study suggests that the impact of hip-hop and rap music on young women is both positive and negative, creating an overarching feeling of complexity for some young female listeners who enjoy music that is infused with some lyrical messages they revile. -
Kevin Ryan, Dallasobserver.Com: Chaka Khan Emerged Like A
Kevin Ryan, dallasobserver.com: Chaka Khan emerged like a flamenco dancer, fluttering a silken hand-fan with “CHAKA” etched into its folds. She was the surprise guest for The Roots’ collaboration with the Dallas Pops at The Pavilion at Toyota Music Factory on Tuesday night, and when she strode onto the stage an hour into the show, the audience lost their minds. Behind her, a 50-piece orchestra sweated in tuxedos. “OK, this next song I’m sure most of you over 30 are familiar with,” she said, her gold sequin dress reflecting light. Chimes rang. Strings undulated. Robert Glasper spun - one-handed - through a synth lead in a beanie, fingers spidering across the keyboard. It took a moment for the crowd to recognize the song “I Know You, I Live You.” With the orchestra, it sounded like Les Fleur-era Minnie Riperton. The beat wasn’t the electronic pulse of the original; it was exotic. Khan sang in perfect bursts, with a rowdy but angelic voice that induced shivers. She didn’t even need a microphone. The show had begun much quieter, with a lone synth and a sample from a poem about death, possibilities and dreaming. Black Thought dove into “Web” over strings, which animated the song. The beat stomped hard as the cellos swayed with Sam Cooke grace. A sea of heads nodded to the sweeping sounds of violins. Each song blended seamlessly into the next. No stops, no chatter, no politics, no time wasted - just music. The Roots’ “Star” melded into Miles Davis, melded into “20 Feet Tall.” Erykah Badu strode onstage in a Tom Petty top hat and majestic jewelry. -
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