~ KEEP THE WHOLE WORLIl SINGING ~;.:,r Cost: $2, 495 from New York. 'ncludes: Round trip ail; 3 star hotel, 3 meals daily, a/l ground transporataion, tickets to .1/1 performances, cultural program For details contact: www.fineartstours.com Novomborl Doco mbor 200,' VOLU ME I.XIII N UMBEn FAREWELL HARMONY 6 HALL. Many present and past staff members gathered for one last picture in front of what had been Society head· quarters since 1957. The building is to be a private home again. The architecture and location of a permanent headquarters is yet to be determined. Current headquarters is now 7930 Sheridan Road, Kenosha, WI 53143. Features 1 The maldng of Power Play A barbershop vacation In a magic moment in 1992, the group we know A vacation sprinkled with my hobby instead of as Power Play came into being vice~versa -w h y didn't I try this sooner? EI ·N.w Lorin May 1 Sing for the sporting public 2 A strong Valentines program Sports teams love barbershop--here's how to Been doing Singi ng Valentines for years? Keep get more prominent national anthem gigs your program (rOin getting inm a rut Bob S,,/lOII Reed Sampsoll ------Departments ------2 12 LET'S HARMONIZE HARMONY HOW-TO How can YOll make this year YOlll' best? S ing by car: learn how to woodshed 4 29 THE PRESIDENT'S PAGE CHARITABLE ACTIVITIES Time for a new transition and a new A new, slistainable Harmony Foundation presicient----(lid you get your $2 wonh? 32 On the Cover 6 STAY TUNED MlCUIIY, 2OOl : "'IkE SCKWAlI ll ('~ J, AIIIHUFlll)IJlS ,lSI. IIICI .IUIO III Nameless quartet, national exposure AIIO .01 sunGI (TJ LETTERS fATHlRlY AOVICE , 19": IIll Trcs Magnifiqlle ! Bob Johnson Passing on international for a bigger audience THUIINOII'I"), IUIIT IUUII11")' OICI( IEK (ll. bAlI flllGU.GlIl n HAUOR CITY CHO~U $, 2000 8 36 fIR(WOIIIS; 'HOI05.CO .. TEMPO THE TAG 12 million listeners times two "Keep The W hole World S inging" Haunted quartet takes to the screen

Society for the Preservation and Encouragement • of Barber Shop Quartet Singing in America The Barbershop Harmony Society: An International Organization

Non'lIIbe/'IDel'l'mh/'!1' 2003 • The II ARMON IZER 1 LET'S HARMONIZE What will you do to make this next year the best for your chapter?

Our best years hances are that by the time you read this your chapter leaders will have already becn to COTS and retumed home wi th great ideas (01' the new year. I recall the very best yem, of my C anton (O hio) Chapter's history. It began aftcr our chapter officers attended CO TS. That particular year was different. Instead of coming home, mounting their steeds and riding off in all directions, our chapter board organized an aci lnillistrativc retreat. All of the chapter's musical and administrative leaders gathered for an all -day Saturday affair. We rethought our chapter's mission by asking ourselves who we wanted to be over the next few yeani. We carefully considered each and every important part of chetpter life then laid down a 1,,3·, 5,year plan. W hat a payoff! O ver the next few years we grew to 100 members; we won a district championship and pe r~ fOllned on the international stagcj wc had at least five qumtets <-md four assistant musical di rec~ tors during those years, and our shows all sold out. Of course, the administrative retreats co ntin ~ ued every winter. It's not so much about sending our leaders to COTS as it is about what you agree to do with the wealth of information and learning they bring home to the chapter. Try your own special administrative retreat this season. It could be the start of so me~ thing grand.

The very best idea W::U1na do something next year that will be • Your # 1 best fllnd ~ mi se r ? • Your # ! Ocst solution to community awareness ? • Your # 1 best activity for both quartet activity and quarret development! • Your # 1 best progratn to involve the women of your chapter? • Your # 1 best and most intense singing experience of your life? • YOlll' # 1 best dmpter temn growth event of the year? Is that what you want to do! If so, make sure to read and study page 26 for lots of information on our very best a ll;time idea--Singing Valentines.

The best of Harmony Hall You'll recall that we sold Harmony Hall a few weeks ago. \'

2 The HMH"l ONI ZER • Norell/bel /December l UO.? visiting guests and members over the long years. A melancholy moment? SlIlvrisingly, WWW.SPEBSQSA.ORG/HARMONIZER no. 111e grandeur of Harmony Hall r------~ served us we ll during the most iml)()f' November/December 2003 ...;/.".) Volume LXIII Number 6 tant years in our histmy. \Vhen we SPEBSQSA, Inc., The Barbershop Harmony SOCiety, closed the fron t door (or the last time, an International Organization: Vision Statement The Society is to be an ever-growing fraternity of barbershop'style singers, we knew another door was opening in leading the cause of encouraging vocal music in our schools and communities. the form of our dream for a new and oil HARMONY modern Harmony Hall designed to ~ FOUND'lTION serve our membership for the next 50 to The official charily of SPEBSaSA, its mission is to ~ be a leading philanthropic force dedicated to perpelualing the Barbershop Harmony art form for present and future generations to enjoy." Call 75 years, 800·876·7464 x8447 for donation, gift-planning, grant or sponsorship information. HEADQUARTERS OFFICE STAFF SPEBSQSA BOARD OF DIRECTORS The best letter this month EXECUTIVE DiRECTOR S OCIETY PRE SIOWT Old fri end Webb Scrivnor writes, "I'm a U,\lOO"l fu~:.: l8H3) ROGlR LE\lli D ~EC TOfI OF MuSIC EOUCAllOIl & SERVICES 20 125 12 ~Iik Rd. '83111{' Cf<.'d;.l-o ll-lQ01-1 member of the Muskegon (Michigan) Ik Guo l\ ~L l8549) SOCIm E XECUTIVE VICe PR ESlOUI1 Chapter. In addition to our ch011ls, we DiRECTOR OF Fllwlce & A D!J.i/i!S TRAOOtl Roa.rkl 11 (lI>I.;l~s FR."': S'\"I"'Il11LJ, CPA, C,\ E (8..\ 50) 16J AIlUI\ho:Jd War ' C'liIHOfl, NY 13J13 have three qllClrtets." '\I/cbb, who is 82, HAAMOtlY FOUUO.TlOII P RESIOEHT & CEO S OCIETY TREASURER recalled a conversation from 60 long CL\JlM. CUIIHll (8-146) RnUl 1l1 M. GU<:i(;U' MAlIAG!NG DiRECTOR , CO... .JJUII!C.TlOII & P U8LJCAOONS 5 HQu .m ST. ' TorsilUD. MA 01983- 1-1 09 years ago. It was a fri endly dcbate be, B!ll'" l\")I,TU (8SH) SOCIETY IWJ.EOIAIE PAST P RESIOEUT tween Bill Diekema and Rudy HOlt. MAtlAG!IXl DiREC TOR, MEJ.!BERSHIP DEVElQPLtEIlT (tilt .... W,\TSOS Bill, now deceased, was the fellow who E\' NAU (8478) 78--1 McCall C'OUr1 • Columbus, 011..\3235 MAHAG!lIO D~EC T OR , PUBLIC R ELATlOIIS SOCIETY EXW.ITIV£ D.RECTOR I B OARD S ECRETARY wrote our marvelous themc song "Keep RELD S.\\li'SO" (8592) D.\RR'I'l FI".... America Singing." Rudy who is alive MAlI.AG!llG DiRECTOR , COtlVulOOHS & EVEllT s J STAff COUllSEl r ,\ll \~ A II.'-O~r: and well in Michigan City, Indi ~ma, is JOIl" SW\UOFR (84,,\,,\) 12 IL\.'\{IlO; RI). · M.\lllf.", MA 021..\8·62 11 PROOUCT & P AOI.!;("fR (SS '& 1) 2S 1 I.~ Jming1on Rood.' tOWllll)" CVl 6:-.' 11 , UK DUTCH ASSOCIATlml OF BARBERSHOP SltlGE RS (DABS) My response to Webb was, in part, HARMONIZER STAFF J,... 'un KIU)I. PI\'.id.-nl LO>JS M,w (F.OITVll.). JUl iE SII.I'I.U (AsslSl.\.\'l E OlTo~l ("OI",,'N il ll ' USSd l!dn ].102 HO. Tho.: Ne!h.:.l1nJ> "1l1is Society o( ours is t1uly the love of RF.f[) S,\.\lF'SO", DR1\." l ":':01 (CO~"l1I.Jllun"G E[)flu:u). IRISH ASSOCIATION OF BARBERSHOP Sl tlGERS (lABS) hOn'l,,· i'''''''''r.'' · Tel. OS7 21H1-4S SOCIETY HEADQUARTERS tlEW ZEALAND ASSOC. OF BARBERSHOP SlllGERS (/lZABS) hear that YO li and othcrs are getting to' Ol\iJ Rifll!in~. PI\'.;Jmt SPEBsaSA 1 Ori<<.i Cr('5("rnl ' U~.JJ.J\Ioi ' \\,~1Iin~I .," (~ ' N("\\' ZrJbnJ music gether to sing and to harmonize is 79J{) Shctidm Rood' Krnosh.l, WI 531 ..\ 3-5101 SOCIETY OF IIOROIC BARBERSHOP SlIlGERS (SllOBS) Jm Alnan.kr.>CJ(I to my ears." I wish CVCl)' one of our 820 262-65J.S..j..l0 · goo·S76-SI1\'G (7.&64) LkI.\ lOSS ' 1+12 1 ROIIIIinSe · SII.t.Jm Fa.'\: 262·65-1-l().lS (Musk, Marketing. E.\(1"b l l'"H".'I1.",,\ ,>( II,,· f' .. ict r f,'{ .h.. · 1', ...... 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Nol"t'lIIher/De(."('mh,,/' l UW • The HAR ~'iIONI ZE R 3 THE PRESIDENT'S PAGE

"It was a very good (2) yeaf(s) • • • " 'I wa s approaching m)' presidency, I set some goals for the Society in the com ing years. A parriallisr would look like this: l. Establish a Society Hall of Fame 2. Visit every district at its convention A 3. Study our two properties: Harmony Hall and Sheridan Road 4. Prepare for Danyl Flinn's retirement 5. Evaluate the Society's financial status, the cash reserves/contingency fund 6. Increase DirectOJ' College schohu, hips for front-line directors attending for the first time 7. Increase membership (Darn. We didn't make it) 8. Review the Society st11lcture A common underlying theme in that list is "change." Each goal was dependent on having a board of directors, committees, district boards and staff willing to make tough decisions that required change . It would be difficult for me to heap cnollgll praise on all of these men and women and Ol ll" muny volunteers for all they've done. J' ve been blessed with two year:) of the finest board o( direc tors in the history of the Society. (Tl1Ie, even if perhaps I am a bit prejudiced.) The Society President doesn't get to pick his successor, but I couldn't be morc proud of Rob Hopkins and am confident that the Society is in good and capable h,mds. We think alike in so many areas that it's scary, so I hope you like where we've been in the last two years- the direction of the Society will be consistent. Many things we've beblllll will require a lot of care and work in the years to come. (I'd also guess that Rob approaches the presi­ dency with his own list of goals). One of the challenges of being Society President is that most substantial goals can't be completed during the term of your presidency. Many things that were started over the past two years will be continued or completed while Rob is Society President. Because Rob's lead­ ership is coming at such a (or the Society, I'm going to hand a portion of this ca l ~ llinn over to him---{)ne issue earlier than most Society Presidents get the chance- to discuss some imlX)rtant isslles.

Society at the Crossroads Our Society slands al a crossroads, and choices we make in Iheco ming year will conlribule mighlily 10 de­ fining our fulure. Six subslanlial circumslances provideIhe basis for a profound relhinking of who we are and whal we mighl become: 1. The Sociely Board will re-examine Ihe Sociely's vision and mission. The Sociely Board will focus on aligning Ihe membership behi nd a vision and mission so Ihal we are clear aboul our fulu re direction and our slralegic pri or ilies. 2. Reorganization of our Sociely governance and management. The Sociely Board will nolV focus on slralegic and long -Ie rm planning and po licies, and wi ll hand over Ihe daily operati ona l delails of manag ing Ih e Sociely 10 Ihe Sociely slall and Ih e Sociely Operations Tea m (Ihe dislricl pres idenls, eighl major commill ee chairmen and 1l1 eir slall liaiso ns, and a Harmony Foundal ion represenlalive). 3. Siraleg ic research and markel planning from the Markeling Task Force. Never before has Ihe Sociely underlaken such a massive program of consumer resea rch and largeled marketi ng for membership growlh. 4. Hiri ng a new executive direclor. In January, Ihe Sociely Board will choose a new executive direclor, who wi ll be invo lved in discussi ons concern ing Ihe vision and mission slalemenls and playa key role in delerm ining a vision of whallhe Sociely slall and headquarlers should be in Ihe fulure. The new executive direclor will have an even grealer responsibil ily for managi ng Ihe operati ons of vol unleer leadersh ip. 5. New headquarlers facil ities. Se lling Ihe Iwo bu ildings in Kenosha was a simple slep, sentimenl as ide. The big nexl slep, defini ng Ihe needs and localion for a new facilily, req uires of us a much longer, broader underslanding of whal we expecl lo be in Ihe fulure. 6. Harmony Foundation revitalization. Under Ihe ab le leadership of Foundalion President/CEO Clarke Rob Ca ldwell , Ihe Harmony Foundati on loo ks 10 Ihe Sociely for a cohe renl, energizing vision Ihal rallies Ihe Hopkins financial reso urces of members as donors 10 a compell ing cause . Your Society leadersh ip is commilled 10 building a beller fulure for Ihe Society and is looking 10 you, Iheme m-

4 The HARMON IZER . NUI'('l/Iht'I'//Jeccmher 2003 ber, to help. Communicale with your chapler, who arc now lifelong fri ends. to all the people she knows while I wait. dislricl, and Society leaders to share your AlIlhis tim\.\ I've :) ung in two eho; She's also a great hostess for our many Ihoughts about what vision and mission should fu ses, Baltic C reek and Kalmnmoo, and planned and imprOlnpru gatherings. guide us to Ihal brighler fulure. two qUClITets, the Harmony Hounds Russ and Shirley Seely have been by - Rob Hopkins, Society President-elect and Antiques Roadshow, winning the our side constalltly, too, Inaking gllcstS Pioneer Dis trict Senior C hampionship welcome ancl making things nm Thank you, Rob-the Sociel y's fu­ and competing in the InternatiorlCll Se~ smoothly. Thanks, Russ al1i ted Rocky Moun­ t(Xl). have warned me that it's the "thud" lain and Cardinal, and during 2002; Add three weeks total at Harmony yea r, I'm not going to disappear. Serving 2003, visited 13 more di strict con VCI1' College, 10 Society Board meetings , the Society and my wonderful ba r be r~ tions. llnissed Land 0' Lnkes-one of category school, two Sweet Adelines shop hobby is a way of life. Life would the nearest to home. (Next rail!) I feel Internation81 conventions, 11 weekend be prett), dull without it. like I've shaken hands with or hugged schools or retreats, 11 tri ps to Kenosha, Finally, you should be aware that the about 10,000 of you, and you affirm that \'Vis. , and ahout a half-dozen more mis; Society president is a paid position. He we arc a Society of the best people in eellane{ll is barbershop-related trips, and is paid $ 1.00 per yea r. I hope )'ou reel the world. you'll know why the grass is often uncut you've gotten your (2) dollars worth. I' ve attended a total of 24 co n ven~ at the Lewis residence. SINGING IS LIFE .. . the rest is just [i ons since being elected. Sue has ac; Knowing I'd mi ss someone, I don't details companied me to all but two, when I dare list some of our great supporters in was on the judging panel. \Y./e've the last two yea rs, but my wife, Sue, fl own more than 100,000 miles

Nlln'lII beIIDI!('('wilel· lOll] • The II AR~"'ON I ZE R 5 LETTERS IlZrletters @spebsqsa.org September comments and a lesson in harmonics OIlrreal: Tres Magnifique!" in rhe September/October (ar prefer a cho l1.ls to chapter quartets, which quite Harmonizer was by far the most entertaining, colorful , often are margina l. This judgment is shared by the witty, we ll ~ wr i ttc n article I've ever read in Tlte f/anllo­ folks to whom I sell show tickers. Da ny l Flinn states nizer. Congratulations and keep 'em corning! that quartetting llas been his favorite topic in his 40, M ROBERT LENOIL 50 Harmonizer articles. With a diminishing member, Placerville, Calif. ship, I think he should redirect his prioriries. JOHN M. KOZIOL Highest congratulations on the con test issue of Th e Roseville, Minn. Harmonizer! Because of the number and type of pi c~ (lire.') and the writciupS surrounding them, I reall y felt as if I had been there for the entire convention ! This July tag-was that intentional? is by far the best evocation of an in tern ational contest I enjoy Joe Liles' tag page, but in the July/August 2003 Y()l1'VC ever done. Congratulations! isslle there is a chord that mllst be n misprint. lvteasure O AVJO UPI' three on the word "I" is what Armngement judges Overland Park , Kan. once called a "non,chord." If YOli were to give the baritone A ,flar instead of B,fl at, you will have a D­ minor-flat-fifth chord. I rhink you will find rhis to Bob's greatest achievement sound be tter than the printed chord. Your tribute to Bob Jolmson left out what I know Bob MILTON T EITEL considered one of his greatest barbershop achieve; Floml Park, NY ments--{lirecting the Chorus of the Chesapeake to an international championship in 1961, with 160 or The July issue has a tag, the ending of which is a Flat so mt! n on the risers (one of the Inrgest choruses, if not VII plus 9 minus the 7th and in the 5rh IXlSirion. In the largest, ever). Bob )01111S0 11 'S love fo r barbershl )p, rny humble opinion, this is a no-no as we ll as being his dedication to the preservation of the barbershop discordant. Even the Beach Boys wouldn't tollch it, style and his influence on the Society, (IS we ll as on me You're gonna hear from Burt Szabo. personall y, can never be adequately expressed ill Roy KEYS woltls- but I think you could have done berter. Barrie, ant. Bon B Al.l lEltoON Joe l'eponds: 171e stnll1ge looking chord was illtell­ Milwau kee, Wis. tiOlw/, although HllC0111l1101I. The lIotes represent the 61h, 8th, 91h alld 10lh harmollics q/lhe overtolle se­ ries. IVhen pmperl)' Illned and balanced tlte result is a That was no British flag slmllg "rillg " abol'e al1d below the eltord. Find tltis Regarding the ad in the last issue: rhe lag illlhe Free & Easy 1hgs all/he lVebsite, wltere all U nion Jack looks a little we ird and the printer must A,/lat has beell added as all optiollal/lDte/ or the pur­ have a Scottish roo!.5. The flag of St. George (En­ ists. Sillg alld Pel/orm > Getllll(sic > Free and Em:)'. gland) is red cross on a white background. St. Andrew (Scotl and) is a white cross with a blue background. This has been a fact for a few years now. Corrections and clarifications BILL SPARKS;!AN The West Towns Chorus actually finished 19th at Calgary, Alb. the Ivlontreal convention, not 20th as the current ;leol/srix has gollell an emfitl about this aile! - ed. Harmonizer 5.'l yS. N ot that it makes all that much dif­ ference, but I know that our people would appreciate lhe cOITection. Choruses are underrated ED M c D EVITT I cllallenge our executive d irector's statement lhat The West Towns C hol1ls "quartets provide public relations far beyond what a Cll0 11.1S can" ("Let's Hannoni ze," September/October 50-year-members: Seveml membe" with 50-plus 2003). A guest quartet pelforming at an annual chap, years in the Society called to note that they had not tel' concert certainly makes quite an impression. How, been included in last issue's list of 50,year members. ever, these premier qUClrtets are few in number and are To clarify: rhere wasn't room to list the roughly 515 expensive to bring in. That leaves it up to the challiS towl members who have reached the milestone, so we

to (ulfill the public relations role and provide a venue li sted only this year's new members o( the II SO' Plus (or Ilon'qllartetters. Club." All membe" with 60 or more years in the Soci­ In my two ch Cl pters, I've obse rved that audiences by ety were listed.

6 The HAIU... 10NIZE R • NOl'('/II hc/'/lJI!('('Jl/ li('I' 2003

TEMPO Timely news 12 million listeners get double dose (Of mbe1Sb p

hether or not you subscribe to Scan Hannity's poli tics, )'OU\IC got to like his taste in music. During a recent traveling "Town HalF' radio tour, the political raelio/telev ision personality commissioned two Society choruses to sing patriotic mllsic for his roughly 12 million radio li steners. The Vocal Ma­ jority and The Big Chicken Chorus were sc heduled within five days of each other. Both choruses sang scv' eral songs from their patriotic reper, toire for the on-site audiences and the li steners on 200 U.S. stations. Por­ tions also were broadcast on televi­ sion. The Vocal Majority performed Oct. 17 at SMU's McFarlin Audito­ PATRIOTIC ENTERTAINMENT lor businesses or media is clearly a legitimate Society functionj however, when a Soci· rium in front of a li ve audience of about 2,300, and the llig Chicken ety group is invited to perform for a politician or political Chorus performed Oct. 22 at party, certain rules must be followed to preserve the A tlanta's Symphony Hall. Society's non·profit status. For details, see The publicity lxxm for each chorus www.spebsqsa.org Run Your Chapter> Chapter Business> Policy regarding chapters and political activities. has been outstanding. For example, the VM got several hundred hits all its Web site dur­ 600,000 listeners. The station even rebroadcast the ing the broadcast, and many visitors to the site left show in its entirety the fo llowing Sunday. glowing comments. Dallas' WBAP on~a ir personali~ For mme information on the performances and ties were so pumped about the performance they radio tOllr, see wWH'.lirl1lllity.colJI or were talking about it days after the fac t to their own \ PHIl II/OX II e l I's. COlli /Iu 11111 i Iya 11 dco 1111 e s/

Submit recordings for the Not enough informal singing going CARAs. The Contempo­ rary A Cappell a Society is on? Raise their IQ! seeking recording s ll bmis~ , Do guys seem to need some help d o~ sions ft1t. the CARAs- Contemporary A Cappella ing informal singing at barbershop Recording Awards. Recordings mllst have been re, gatherings? Play the Q uartet Promo ~ leased during calendar year 2003. There is a sepmate tion Sticker game: category for barbershop, although barbershop rec o rd~ 1. Pick lip a strip of four IQ stickers. ings have received awards in other categories. lnfor~ 2. Go find three other Iistickerl ess" singers in appro­ mation is available at w\I'H'.casa.org/caJ'{ls.litml. priate voice parts. Send two copies of the recording (they IIIlIst arrive 3. \'{Ioodshed a song, sing a tag, sing your favori te before Jan. 1, 2004) to CASA, 2525 Van Ness Ave. arrangement, etc. Ste. 205, San Francisco, CA 941 09. 4, ~v1ake sure each singer (and this includes you) ...... ,...--...J...., walks away wearing his new gold IIIQ" sticker DON'T FORGET HARMONY proudly, Now it's his turn to si ng wi th someone MARKETPLACE during the who doesn't have a sticker yet. holidays for gifts, music, Order stickers by calling 802-253-2011 (phone clothing and more. Visit nurnber for wcbsticker.com) and tell them you want www.harmonymarketplace.com to buy stickers with II Riptide's IQ sticker des ign." or call us at 800·676·7464 Typically, the shipment can be se nt within a week or x8410 or e-mail two. Large o rders cost less than 6 cents per sticker, [email protected]. plus shipping.

8 The HARlvlONIZER • NII\'(,lI/h~I //Jt'('C:lllber 2003 Get free vintage sheet Published arrangements: music online unravel the secret to "Bohemia Rag"! "He Mal' Be O ld, But He's Got Young Ideas"! If you're a So­ learning music quickly ciety member, you have free access to Into your part for "VO-DE-O"! Ready the original sheet music fo r these and to get down with "Ever Since We Got 111DrC familiar pub­ That Waterbed"? No? Then, learning lie domain tunes in tapes may be the solution for you! Adobe Acrobat for­ Systems guru? Apply now The Society cUlTently has lcaming Inat. Approxi­ Here's your chance! \Ve're looking for tapes for more than 600 published ar­ Inatcly fi ve new a new systems administrator to work in nm gements , including nearly all song titles arc added our Kenosha, W is. headquarters. If books and 17 published Harmony Col­ each week. Get you're em experienced systems and nct­ lege shows. TIl.ey are voice~part pre~ thelll. a t work professional, specializing in W in­ dominant \FII'II'.sp ebsqsa. OJg dows 2000 Server and/or lvlicrosoft on the > members 011 ()I > Old Songs Librm )l Exchange, we want to talk to YO ll. right (Login required). Direct questions to Here's a rare opportunity to fulfill your channel. Tom Barr at 800-876-7464 x8545 or dream of be ing a profe ss ional So, singers tbal·l {jiJ:;pebsqsa.olg. barbershopper. Don't yet have an can team MCSA or MCSE? We can help you their part, ge t there. Limitcd, if an y, travcl. Send then tun) New ASCAP procedures your resume to shoge@:.pebsqsa. orgor down the call 800-876-7464 x8485. right soon to be online charul.el and practice singing with the A new blanket agreement between ASCAP and the Society covers music li ce n s~ other three parts in a "quartet," ing and copyright for all Society chapter shows. Payments are now made after the The tapes are a quick way to acc u~ show and are based on the seating capacity of the show and a percentage of rev~ rately learn a part and are ideal for s ing~ enue the chapter receives. The minimum annual fee for a chapter show is $183, ers who don't read music and for d ir ec~ and each show requires a separate license. A simple, automated process will soon tors who don't teach music well. Using be avail able at lI' wH'. ~pebsqsa . org/ascap. Additional details will be forthcoming, teaming tapes can save precious time Address questions to John Schneider at 800-876-7464 x8444 or because singers will know the music jscl,lleidel@sp ebsqsa. OIg. before they get to rehear&'11. The Society began making learning tapes around 1982. Since then, the teclulOlob'y used to make them has gone through six different phases- beginning with analog ope n ~ reel tapes to toclay's C Ds. It is expected that tapes for the tlu'ce most recent music se ri es-Barbe r ~ shop C lassics, Harmony Explos ion and Gold Medal-will be available on CD after the first of the year. Tapes for published arrangements can be ordered through Harmony Mar­ ketplace \ jI \ jI \l ~ ha} ·}1 1O }lY I}/{/} ke fplace. c0J11 T he If you're going to base a movie on a ride at Disneyland, what better Society docs not have tapes for legal way to evoke theme park atmosphere than the Dapper Dans? The quar· unpublished arran gements, but a call to tet voiced four singing busts for "The Haunted Mansiont a holiday Nancy Foris at 800-876-7464 x8472 blockbuster fright comedy starring Eddie Murphy. Details are sketchy can get you the names of severa l men regarding how much of the quartet appears in the final cut, but we do throughout the Society who create know the quartet appears in the trailer, on the soundtrack, and will be learning tapes. performing at the movie premiere- as stone busts! All the barbershop exposure helps us forgive Disney for neglecting to cast Reveille ("Aaaaaaar!") as barbershopping pirates for this year's other theme park.themed movie, Pirates of the Caribbean. The Dapper Dans are Tim Reeder (T). Shelby Grimm (L). Bill Lewis (Br) Jim Campbell (Bs). Bob Hartley of Metropolis also contributed tenor voice work for the film.

NOI'embC'ilDC'ccmbC'I" 2003 • The HARt'vIONIZER 9 See you in Biloxi Welcome new chapters! at Midwinter O ne of the best ways to ensure Society Enj oy the warm weather of growth is by adding new chapters. Biloxi, the to urs, shows, Please help liS we\come the following woodshedding , shows, new chapters and licensed chapters: shopping, shows, and (we CAR hope) some good Ilick at Greater Louisville, Ky. ". Licensed 9/20102 the Grand Casino Biloxi Chartered 9/20102 Bayv iew Hotel. A nd did we mention shows? Jli st $50 gets YO Ll the full performance pac k~ DlX ages of Power Play and the other fo ur 2003 qllartet medali sts, Jacksonville, N.C. """"""." Chart. 7/25/02 the international seniors contest and afterglO\\'s. EVG Another $ 12 gets you the Association of International Abbortsford , B.C. """" """ Chart. 4/05/03 Seniors Q uartet Champions show with Power Play, The Tri·Cities, Wash. ",,""""" ". Lie. 4/30103 Barons, Chicago Shuffle, Harmony, Jurassic Latks, One Chart. 10/12/03 More Time, a special appearance by 2003 collegiate cham­ FWD pion HEAT, pillS the AISQC C horlls directed by Joe Lil es. It Riverside , Calif. """"""". " Chart. 3/22/02 all takes place in Bilnxi , Mi ss., Jan. 25 to Feb. I, 2004. Fill Dana Point Harbor, Calif. """"" Lie. 4/8/02 out the reg istration form on page It. Reg ister online at Sutter Creek, Calif. """"""". Chart. 4/8/02 lI'II'II'.sp ebsqs(I.O/ g/lI1idll'illlel' or call 800-876-7464 x8462 . City of Brea, Calif. "" Li e. & Chart. 7/25/02 LaJolla, Calif. """""""""""". Lie. 7125/02 Get ready to Swingle in Lou isville Chart. 10/29/02 Show up Tuesday Sedona, Ariz. """"""""""" Chart. 11 /4/02 night in Louisville Greater Phoenix, Ariz. """" Chart. 11/4/02 for the big kick-off. ILL This year's II H ar~ Carbondale , Ill. """"""""". Lie. 10/1/02 & mony Foundation Chart. 03/27103 Presents" show will Naperville, Ill. """""""""""". Lie. 9/17103 feature the w orld ~ JAD famous Swingle New Martin sv ille, WV. """ Chart. 08/27103 S ingers, a mixed VO~ cal octe t performing LOL everything from Bemidji , Minn. "."""""""",,. Lie. 10/23/02 classical to jazz. Also performing will be 2002 champion Four MAD Voices with the Vo ices aflee-you don't want to miss their Five Town s College, NY "" Chart. 3/25/02 version of HAll Rise'!! VIP tickets include a pc)s t ~eve nt r ece p~ LaPlata, Md. """""""""""". Chart. 4/5/02 rion with all the pCl{onncrs. A po rtion of the ticket cost is tax Kilmarnock, Va. """"""""""" Lie. 8/30102 decluctible as a charitable clonation. Chart. 10/22/02 Louden County, Va. """"". "". Lie. 9/23/02 Clarke to develop marketing plan NED The Society has selected Clarke Communication G roup Bolton Landing , NY . """"" Lie. 10/28/02 (CeO) of Boston, an international marketing and co mmllni c a~ Chart. 08/12/03 tions finn, to develop a strategic marke ting plan for the Society. ONT The company was selected from among seven elite planning Hamilton , Ont. """""". "" Lie. 10/31 /03 finns. It will base its planning on consumer research conduc ted RMD by Harris Interactive this year. The plan will aim at long,tenn Monument Hill, Colo. """" Chart. 9/10102 increases in Society melnbcrship while creating greate r aware, ness of what the Barbershop Harmony Socie ty offe rs for men SWD who love to sing. Marble Falls, Texas """"""". Lie. 10/31 /03 CCG has extensive experience in advertiSing, brand build ~ SUN ing, marketing, public rclations, reputation management and Central Florida, Fla. """ Li e. 06/25/03 stra tegic communication, Tcrry C larkc, bass of the 1980 inte rna ~ Florida Gulf Coast, Fla. """". Lie. 08/20103 tional champion quarte t and a 52,year mem, Chart. 9122103 be l' of the Society, is chairman and chicf exccutive offi cer of the Sebring , Fla. ". """""""". "". Lie. 6/20102 company. Working pro bono, he will head C CG's team of lnar~ Chart. 3/24/03 keting professionals,

10 The IIARMONIZER • Nm'(' lII beriDecelllber 2003 Shop online/visit us on the web: www.HappinessEmporium.com

Or call/write for a catalog: 1308 Blue Phlox Court Northfield, MN 55057 507-645-5750

ISN'T IT TIME YOU HAD A SUNNY VACATION? January 25·February 1, 2004 Midwinter 20m Convention - Biloxi, Miss. date membership number (if applicable) chapter name (if applicable) registrant's name nickname for badge second guest name second guest nickname for badge registrant address city state/province ZIP/postal code work phone home phone email circle payment method: VISA MasterCard check money order card account # ,---,-,_-.--,-_,--,-----,-_,--,----,-_,--,--,_,-----,_ expiration dale (MMIVY) I I U CHECK HERE IF ANY PHYSICAL NEEDS REQUIRE SPECIAL ACCOMMODATION FOR YDU TO FULLY PARTICIPATE IN THE CONVENTION; CONVENTION STAFF WILL CONTACT YOU TO MAKE ARRANGEMENTS,

Registration package includes a convenlion badge, reserved sealing for Friday and Saturday Night shows, Saturday night Afterglow, and admission to the Seniors Quartet Contest. reg istrations @ $50 $

Mail with payment (checks: payable to SPEBSQSA) to: SPEBSaSA, 7930 Sheridan Road, Kenosha, WI 53143. If you register fo r more than one person, please attach complete information for each person on a separate sheet. A housing application and information regarding events and tou rs will be mailed to you when you register. All show and tour tickets may be picked up at the convention registration area. When you receive confirmation, please keep it as your receipt. Registrations may be transferred to anot/ler person, but they are NOT refundable. No phone orders, please. ( office use only )

Norembel/December 2003 • The HARMONIZER 11 HARMONY HOW-TO Toban Dvoretzky President, Ancient Harmonious Society of Woodshedders (AHSOW) Sing by ear: learn how to woodshed ooclshedding does not need to be intimidating! It is an art that can be learned, and it's intuitive enough that there's often very little formal learning required before YOll begin to slicceed at it. Remember that uauthentic woodshedding)!~a tenor, bari and bass improvisi ng harmony to a lead 's melody without a printed arrangement-was the foundation for this Society, and those pio­ neers weren't formally trained musicians, either. ~vlost were normaimcn who had a general idea what barbershop chords sounded like and who considered improvisational h("mnonizing to be one of the most enjoyable activities they knew, With only a bit of practice, you can enjoy wooclshcclcling as much as those pioneers and the thousands of Barbershoppers who are still doing it. In fact, you may have an advantage over many of the old harmonizers, assuming that YOll are familiar with the Barbeqx11e Cat songs. These pure, powerful barbershop songs contain the vast percentage of chords used in woodshedding: Major Triad: "My W ILD I-rish ROSE" Barbershop Seventh: "MY wild I- RISH ro-OSE" Diminished Seventh: "The swee~tes t flow'r that gro~ O ,ows; YOU MAY" Minor Triad: uShine ON me, in the eeev~ningn (second time through) If you have a basic se nse of circle~of~fifths barbershop chord progre~ions (you probably know more than you realize), all YOli need is three others and a barbershop melody. Here are some tips for getting started.

The lead's role Choose a readily hannonizable melody for which the harmony singers have not heard a written arrangement. This lessens the risk of replicating existing repertoire ancl enhances the experience and value of truer woodshedding. (See the ael on the opposite page for a folio of woodshedding melodies.) For the sake of everybody's ears, sing a melody __ Woodshedding through, solo, at least once, before the harmonizers join in-and then refresh AHSOW cvcl)'one's memory by repeating the first two to four measures. Woodshedding The woodshed lead needs to listen, too. Remember, the purpose of woodshed­ instruct ion , song ding is to ring chords rather than to sing songs. Sing morc slowly than in a perfor­ packages, meeling mance or Barberpole Cat environment. Don't move off the first four,part chord until places, more! it is locked and rung, with everyone sure of his starting note. From then on, hold notes www.ahsow.org as long as it takes for the harmony voices to locate a good note. Ensure that songs are Materials pitched where the singing is most comfortable for the participants, especially if some, Woodhedding Folio one is singing outside his natural voice part. on li ne: www.spebsqsa.org/ Harmony·part singers id_047283 When you first begin to woodshed, your normal voice part may feel the most intuitive, Complete instructional but don't let that inhibit the fun of trying other parts. Your voice range is often less of texl of Ihe Society an issue than you think-the barbershop bass part is not always as low as you might be woodsheddng tolio wilh tempted to sing it and the tenor part is not always as high. Barbershop is close hm" music at many, so average singers can often woodshed all four parts. harmonymarketptace.com As a general rule, stay on your note until your ear strongly suggests that you must AHSOW contacts move to another. If you have little formal musical experience or are newer to w(xxl~ Toban Dvoretsky, shedding, this sense will be more intuitive th<1I1 anything else. That's fine! [email protected] Don't get fancy for the sake of fanciness and don't unduly second,guess yourself. Steve Shannon. Just rela.x, listen, and move when required: SShanrlOn l@houston.([com • when you sense that the chord must change (has changed) from the one you were on • when someone else is taking your most recent note • when YOll otherwise sense that the chord being sling is somehow Clincompletc"

12 The HARMONIZER . NUI'embellDl!cember 2U03 • when the chord is not fulfilling or than the note that he might naturally CYBER-TUNE II ringing" opt to sing. Therefore, the bari should efassic THE NE'" ELECTRONIC Above all, Ir llsl )lOIlI' em: listen to the directi on of the melody PITCH PIPE Who gets what part of the chord? line-if the melody is going upward, ~tll SC.iel'/(, O n a barbershop seventh chord, on a and especiall y if it sklj)s upward, the ~'toe Pitc h I) 0,.. i\'1aintains pitch with comp.uter ~ccuracy, but relatively low note in the melody line, bad is mos t likely going to go down. stili dehvers that the bass usually has the right to the \Xlhen the melody is moving down, familial' "reed pipe" highes t note below the melody that the bari usually goes up. When other, sound. "'o!~",'~ makes the most sense. \X/hen the wise in doubt, the bari's salvation can &auk Uses a 9 Volt Bnttel'Y HowWllh Size: 1" x 2 3/8" x 3 3/4" melody is riding high, the tenor gener, be to sing the seventh of a chord. The OnlOff8wlich &SIIICllp ally has the right to the lowest note bari should seek to sing an internal A'\'nil. F . ....:.: C, I«~ys above the melody that makes the most note in the chord that neither doubles $49.95 INDEHAC, INC. Ip l u. $5.00 S /1I1 se nse. There are in frequent exceptions. the melody note nor doubl es the tenor Call : ~~~~ust~.r :I::::;;s,.~;~· (318) 865-4681 Shreveport , LA 71106 Trust y01l1' em: note an octave down. lhlsl YO llr em: How far do you jump? Depending on what the melody docs, the bass will be obliged to move in interva ls as Sing like a champ small as a half- or II'hole step (either up or down ) or in intervals as large as (our, and improve your woodshed ding! (our,and,a,half, or fi ve notes (either up or down), or by six or seven notes » Fourteen " new" ear-hannonizable m elodies! (usually up). The tenor and bari rare!)' » Includes a pocket-sized booklet of lyrics and backg round. have to make large jumps from one Mus ical selections to iiI your voice and laste. note to the next. Trllst YO llr em: » Bass tips. The bass can do the mos t » Makes a g real holiday or birthday g ift. fo r any chord, because he is virtually » An excellent chapter tool- contact AHSOW fo r details. alll'ays on the root or fi fth of the chord Play your recording ulltil th e melodies are burned into your brain. (a IIs t ro n g~ feelin g!1 or U(oundation,like" Then add the harmony part{ s) of your cho ice to a Di stri ct Champ tead. note). If the lead is on the fifth, the bass usually takes the rooti if the lead is A HSO IV members qllalif)' Jor special ra/es - cOIi/ac/ liS Jor de/ails. on the root, the bass usually takes the fifth. (Don't be intimidated if you Itcm Price Quantity Total don't understand these terms- these CD + booklet $ 19.95 x $._-- notes will be highly intuitive, espe, cially if you've sung bass before.) In a Cassette + booktet $ t6.95 x $--- barbershop,seventh chord, the bass is entitled to the highest possible bass note that will not create an incom, A Iso available! plete chord (per whatever note the Discovcry Singing -- 1\ pocket-sized fotio of 41 metodies chosen lead is on) and ll'hich lI' ill not lock the especially for their ease of harmonizin g and rich barbershop sound. bad out of a note that the bari should be singing. Trllsl y 01l1' em: rolio booktet $ 5.00 x $ Tenor tips. Very ge nerally speaking, --- and in melodies originall y in B,fl at, A, TOTAL ENCLOSED fl at, or C, the tenor will usually have $_-- success when harmonizing in thirds Name: above the melody. (If only one other singer we re harmonizing with a Shippiug "ddress: melody, the tenor line would sound a <;:it)', State, Zip: lot like that.) The tenor lI' ill generally be singing a preponderance of thirds E-mail I Phone: and sevenths of chords- whichever of Shipping costs are INcluded! Order securely on-line at www.ahsow.org these the bad is not sin ging in most or use thi s form with a check payable to 1\ HSOW. Mail to: cases. Trllst YOlfr em: Di ck Ri chnrds, 33 t 0 Hambtetonian Dr, rlorissant, MO 63033-3041 Bari tips. The bmi lI' ill sing either below or above the melody. rvtany Ca nadi an orders by chec k: Please ap pl y current U.S . c.'\c hange rat e. brand,new bari woodshedders tend to sing too high, or almos t always above For more inforlllation about AH SOW lind woodshcdding, contac t: the melody, which obliges the tenor to Tobnll Dvorctzky at TI30Ill'(i/)sl'lCl' .IICt shoot for a note considerabl y higher

N01"f!/IIh""l /)ecl!/IIhel' 20tH • The HAIU... IO!\l1ZER 13 A -DR lor the • • Power Play is tops in emotion and unity- on and off the stage •v

hat do we do now?" cess! Jack would be the dad. of cou"e. Mark would be It just sort of blurted out of Mike Slmnka's mouth the fim little boy shooting rabb its with his sling shot. after Power Play sang in the Ale reception in Monlrea l. Don would be the high-sc hooler with his baseball and We all laughed. for the rest of us knew that they could glove and Mike would graduate into adulthood as the probably do anything they wanted at this point ... yet. time moved along in the song "The Little Boy." As the the question WClS understandable. After all , they had just lyrics described each phascofhis life. each of the younger won an intclTlational championship after 12 attell1pts, charactel~ would cOllle out of the freeze Ix)se and live the longest run of any champion quarret in Society his, tory. Their persistence in keeping their goal in mind is documented so many ways. But, persistence is only one quality which marks this family foursome as unique. Consider the other traits as the aces which make rhe rest of us in the deck aspire to be like them . • Ace of Hearts- Compassion I became part of the Power Play family in 1991 asacoach. later a confidant. It was a period of rrnl1sition for the 1992, New Orleans was when a really good quartet. Don had rettllTlcci from college and had just family quartet turned Into the Power Play we started si nging in place ofJason Oyler, the o riginal tenor know today. with whom the quartet had won a district ch

14 The HARt\'IONrZER • NOI,t'lIIb£'rlD£'cl'lIIhel' 200] "Sing from the heart or don't bother." That's Power Play's motto, and indeed, no one crosses the foot­ lights better than the another sling shot ... unit of Don, Mike, and the look of glee ap­ Jack and Mark peared in his eye, for his Slamka. Those who memories were real and know them best note h e still had something that practice, talent to cling to. It was magic, and technique all and when the quartet playa big role, but in performed the set in the end only serve to Nell' Orleans in 1992, amplify a sincerity the room went lip for that's there 24/7, grabs. Power Playas we two years ('95, '96) to tend to growing families of th eir know them today was bom. own, they also had two occasions where they actually Years later, they reenacted that famolls set as I judged finished lower than they had the previous year. That them in Indianapolis, only this time, Jack left the sling has

Nm'l'mhed V('C('/IIhI!F 2003 • The HAIU"ION IZER 15 Allin The (Slamka) Family this one, From their inception, Power Play has had a deep affilia­ tion with the entire Slamka clan. \X1hen the quartet was planning its international contest sets, it gath, creel the clan together as an

16 The III\R;-"·IONIZER • NOI'('mlieI IDecem/Jer }(}(J3 so!II The boys never considered going on without Jack. would be part of the outfit. That was part of their style. It just wasn't the right thing to do as f

Don Mike Jack Mark 9oiM.- m-- d& www.nWI?/l.pf.c... l2 ... ~cc .... ! r

Featuring: Side By Side - The Sunshine 01 Your Smile " rij~~[~ Moonlight Becomes You - I've Been Workin' on Ihe Railioad Time AfterTime -A Sunday Kind ql Love - Play That Barbershop Chord - My Foolish Heart - Till Tomorrow - Takin' a Chance on Love - Let Me Be Your Wings - When There's Love al Home r~r - and, Rise, Shine the Light is a Comin'

• II I! I ' I . r

NOI 'l'lIIhl'rlDl'cl'lIIbl'l' 2003 • The HARi'v!ONIZER 17 Advertisement' Advertisement' Advertisement

IISWITOIED-ON" BARBERSHOP Seven Problems, One Solution ... By Ken Halton

PROBLEM #1: II/adeql/ale Sight-Readillg Silills. By the time the chorus learns the show songs. there are only five rehearsats left for artistic interpretation. And then there's the visual plan. AI Jolson used to get down on one knee when he felt a song needed a tift. But you guys will have to get down on 00lb knees to sell this stuff. You spent so much time on notes and words. you never got around to performing.

PROBLEM #2: Poor Learning Tools. A chapter quartet offers to make learning tapes. It's hard to criticize volunteers for wrong notes, missed words and poor support, but it's easy to understand why they miss your deadlines. After all, a chapter quartet has its own show songs and contest songs to prepare. Hey! What do you want for nothin'?

E'RQ8LEMJL3: Slow Delivery. You decide to try professional part tapes/CD's. The pro does much beller, but you're still waiting a long time because of the backtog resulting from an unavoidabte "one-song-a-day" production speed. Th is talented and poputar fellow is onty human, and he must use his voice in extreme vocat ranges , so even his fine product might include some tired singing and pitch errors. Your singers can pick up such habits, along with their notes and words. And in the weeks that pass between choosing the song and receiving the finished product, you can no longer remember whose idea it was to sing that song in the first place!

PROBLEM #4: Recording Doesn't Match Sheet Music. Voice recordings inctude breath points that are necessary for the singer to survive. But your sheet music doesn't show 'em, 'cause you don't want the chorus to take so many "common" breaths. And, oh yeah, the tape might have some interpretations that you didn't have in mind. The time you saved teach ing notes and words is spent answering, "Mr. Director, the tape says one thing, and the music says another. Which way is right?"

PROBLEM # 5: 101/ DOli 'I Need Tile /Vork. You produce four master tapes from the CD for duplication, but you don't have the expertise to make your own CD ctones. You can make casselle tape copies, but some singers no tonger have casselle players. The re­ master/duptication time means you missed the rehearsal deadline. Now it's been 7 weeks , and the product is still not in the hands of your singers.

PROBLEM #6: Lack Of Versalilily. Some singers prefer to learn by hearing just one part, all by itself, without the distractions caused by other voice parts. The recording you bought didn't include this feature, so you have to call extra section rehearsals anyway. "Why did we spend that money? Sure would have been nice to have more versions! "

PROBLEM 111: Slow Changes. After you receive your master recording , you aren't satisfied with the arrangement after all. You want changes made and recorded before you distribute copies, but that means additional weeks of waiting. You decide to sellie for the first draft ... you know, the one with the hard key change and the stupid tag.

THE SOLUTION: "Switched-On" Barbershop uses computer vocals to provide perfect notes and precise lyrics, but without the bad habits. The computer can sound male or female , never gets tired, never calls in sick, and never sings with poor support. This technology is ready to meet your needs by means of a proprietary phonetic dictionary, developed with barbershop singers in mind. Production is faster, and prices are reasonable. And it you want changes, we'll revise the recording at halt-price with an imulediale turnaround time. Each master CD includes a tull mix, tour overbalanced parts, and tour versions with the desired part assigned to the right channel , and three parts on the left channel. We'll even make the CD clones and/or tape copies it you like.

For prices and a list ot 100 songs already available, just e-mail toSw;[email protected]. or tax your sheet music to (502)- 491-9076. In a hurry? Call Ken Hallon with questions Monday-Thursday 10-5, at (502) 802-5680. Production is 3-4 songs per day, and delivery is currenlly 7-10 days. That's not a typo; we're shipping in about a week.

Do your part! .. _ With "Switched-On" Barbershop

18 The H AR~'10N 1 ZE R • Nlln'lI/lie,j/Jecelllb('l" 2003 f -o r[~ s;~ o rti-hlg -~ libi r) '\}\janllo ~ ing for thB "[Jig rJ0y~;"' ? You'd batter start gBtfing ready n{)w

any of us who sing ei~ ",ngement well b~/ore ther in choruses, q llar~ calling sports tcams­ ters or both, are proud you might be asked to of those preciolls times come in and audition when we get to pet{orm the next day! for a crowd that num­ 2. Make an an­ be" several hundred or them recording. even (gulp) 1,000 Most of the time, yotl people. Would it not be will need to submit great to be able to per­ evidence of your skill form for crowds nUIll.­ to get over an early bering in the tells of THE GOOD TIMES SINGERS performed for the Fal- hurdle. Better to pre­ thollsandsr Better yet, cons vs. Lions game last year (tenor Bill Schreiner pare that first; it's a whut about the PR lead Charlie Rittenhouse, bass Tom Schlinkert and short song and YOli value of prese nting bar­ bari Bob Snelling), marking the 18th anthem perfor­ can lay down a lot of be"hop to those tens of mance for Schreiner since 1969. He's such a regular tracks to get one thousands of people! that he's been paged from his seat to perform when you're proud of. ll1at's T here is no better the scheduled singer has been ill. The team's record far better the111 scram, venue fo r that than when Schreiner performs is 14-4, and with the Good bling to get the guys in thar of a profess ional or Times Singers it Is 5-0. Why schedule anyone else? one room on short college sporting event. notice and having to Imagine npplying (our-pan harmony to your national live with a l ess~th an~represe nt at ive tape. If YOllr home anthem, and enjoying a huge reacti on (rom the as­ team is in a league that has both U.S. (md Canadian sembled multitudes! teams, consider leaming both nations' rmthems-that It hns been my privilege to have sung the uSmr could give you <-U1 inside track to petform at a game with ll Spangled Banner (the &'lI11C rules apply to "0 Canada," a visiting team from across the border. "Ou Gamin, Du Fria'\ etc., by the way) for major leClglle 3. Only after recording a tape should you contact baseball games Inany times as a soloist since singing at the team. Every team will have a public relations dc, Fenway Park in Boston in the 19705. S ince joining the partment; generally it is the PR staff that is reslx >I1sible Society in L984, and now living in Virginia, it has been for planning the anthem singing. You'll frequently need a further privilege to have sung for O rioles ga rnes at to contact them months before the season starts. For Camden Yards in Baltimore with three different quar~ example. for baseball. call the team's office sometime in tets-well , actually fOllr, and that's a pretty wild story January. That's about a month before they uSlia lly start that I tell on the sidebar this page. putting together the roster of singers for the year,

Nun'lIIb(,llfJl!c('lI/her lOtH • The HARi\,IONIZER 19 Come to the ~ I Convention a!l ofa Lifetime!

On a day to raise awareness of Lou Gehrig's Disease, the Giants chose to have pre·game music provided by a Barbershopper who is himself battling the disease, Voices of the Valley bass Ernie Smith (seated). With Ernie in this pre-game warm-up photo are Bert Robinson (baril, Larry Head (lead) and Jeff Thompson (tenor). 27th to 37st October, 2004 gives YOLI time to work with them. Many they tell you they want you. When you A unique combination of teams may have public auditions before do get your acceptance letter or phone call Barbershop and Mixed Harmony the season, and this may prevent your (and after you wipe the silly grin off yom singing. having to compete against othersj at the face) be as prepared as possible to give an­ Join more than 1,000 least, you'll know in advance when the swers regClrdingscheduling. The better and international guests in the most "cattle call" is. quicker the answers you can give, the bet­ English city outside England. 4. Introduce yourself. Tell them you ter the dates they may give YOli. Remem­ are representing your chapter, chorus or ber that there are four guys in a quartet, quartet, and ask how they select, or au' with four sets of families to work around. dition, singers for their home gaines. (Scheduling a chorus mal' actually be Don't hesitate to use the word "barber, easier, because the absence of one man shop." It is who you are, and you'll be won't scuttle a performance date.) pleasantly slllvrised at how well barber, Promptly work out a performance date shop quartets are regarded. Often, we're with ciLe team office and stick to it. a novelty, in the good sense. Offer to pro­ 7. Be consummate gentlemen and vide them with a cassette or CD of your­ entertainers. Show up on time and sing selves doing the anthem. well! Normally there is a club representa­ 5. Go with their rules. If they insist tive or intem to escort you. I3e gracious, on your attendance at a public audition appreciative and upbeat. The image the or "cattle call ," do it. If they (lsk for a public heL'i of barbershop quartets is always recording, send it promptly. If they tell aft-ected by what you do, and you w~mt their you that all pelfonnances will consist of impression on game day to be that you sang a lip-sync to your audition tape (the well, kept it moving and, "Cool, a barber­ acollstics in some parks require that), shoJl quartet- where can 1 hear more of accept that format without argument. that?" Take the Barbershop Tour of New Aside from musical incompetence, noth­ Following all those rules, IHercLiry has Zealand and experience the ing is a bigger turnoff to busy PR office been invited three times to sing at O rioles scenery, flora, fauna, people and folks than playing ciLe prima donna or games over the past two year. Last year we food that make our Country insisting on dift-erent treatment. Never were asked/lViee, which was a great honor, famous! forget that they dOl/ 'tlleedyol/. The Ori­ and this year, when we finished, the in­ oles, for example, routinely get some 500 tern asked us to come back in the sevenciL Four days of Barbershop singing preceded by six days touring a inquiries per year for only alx1llt 65-70 inning, stand on the Orioles dugout and top tourist destination! games that don't have a special singer sing "God I3less America." Then we actu­ assigned. ally got interviewed live on the New En­ For more information: When the audition is over, let them gland Sports Network in the middle of the Check our website at make the next contact on their terms. If game. www.ppc2004.org.nz you wish to follow lip at some point, cL'i k National anthem dates are a great ex­ or email us at for pcrmis.., km and instlllctions while at posure for our groups and our style. Work team@co nference team.co.nz the audition. Abide by whatever answer hard on an arrangement and see if your you receive. group, too, can spread the barbershop 6. Be prepared and flexible when sound.

20 The IIARivlONIZER • Nrll'l!lIIber/f)ecl'mber 2003 INTRODUCING Do®[[) .N T Your hobby. Your web.

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For the first time, you can have an "@barbershop.net" email address like: [email protected] ymlhguy@barbershop,nel chorusbulletlnedllor@barbershop,nel myquarlel@barbershop,nel [email protected] [email protected] [email protected] Yocalcoach@barbershop,nel [email protected] Or simply YourName @Barbershop.net Log in to your hobby on the Webl Imagine: click on a Barbershop.NET icon on your desktop and log in to the world of barbershop harmony online. It's all yours with Barbershop.NET. the new SPEBSQSA Internet Service Provider (ISP). Now you can have a personalized email address that proudly tells the world about your hobby. Get the latest barbershop news. alongside your favorite news. weather. stocks and more. What's more. your chapter will enjoy a portion of the proceedsl The monthly fee for Barbershop.NET dial·up service Is $18.95 U.S. per month. with $2.00 of your monthly subscription reallocated back to your chapter by SPEBSQSA! If you already have a broadband provider like cable or DSL. then add the Barbershop.NET email only service for $9.95 U.S. per month. Again. a portion of your subscription will support both your chapter and SPEBSQSA. Barbershop.NET is available in most of the U.S. and Canada. As a subscriber, you'll also get: • Unlimited access (local dial· residential retail use) • 5 email accounts with 5MB per account • Personalized email address like ..Jo [email protected] .. • 50 MB of personal Web space for your own Web site • Barbershop.NET "portal" page with announce ment s & hyperlinks to re levant in and Web sites of interes t to SPEBSQSA Members along with news. weather. sports. • Options for filtered or unfiltered Internet access (filtered uses Web Balanced i • You will have access to any Internet search engine and instant messaging • Rapid response Customer Service with calls answered 24/7 • You can bill your subscription to your credit card. debit card or ACH account (checking. transactional savings or money market accounts) to sign-up Or log on to www.barbershop.net It took something as enjoyable as four· part harmonizing to pull me indoors from the mesmerizing sounds and views on deck.

The riverboating lifestyle taught me something about my hobby: The destination is i111- portcl11t, but the point ofthe trip is the journey itself.

Concept: a vacation sprinkled with barbershop-not vice-versa

here's the barbershop singing?" The boat hadn't even worried about how much they'd get to started clown the river and passengers were already ask~ hear. This cruise wasn't promoted ing me about fOUl·~part harmony. through barbershop channels and the HI sort of thought the minute we walked on board, it company had no way to track how many would be, 'hmmmrnm'/' intoned a Wisconsin woman Barbershoppers had booked, I knew of a as we chatted at one of the piano bars. HI mean the female quartet on board, and Joe Liles whole reason we chose this cmise was because we were was there to make a barbershop choir out expecting to hear people singing all over the place." of whomever showed lip to sing. I secretly To be precise, wasn't the whole dreaded that Joe and I would be attempt­ reason she was sitting in the breathtaking American ing a barbershop duet for the big barber­ Queen docked in Pittsburgh this beautiful May evening. shop show at the end of the tour. A half hour from this conversation, when we were to cast off, this 40~i sh woman would commence her 24th The "barbershop vacation" steamlxmt trip down an American river, accompany~ Luckily, I needn't have worried, At our ing her parents, who were about to start their 40th trip. first barbershop gathering the next At least half the passengers had been riverboating moming, we saw that quite a few Soc i ~ multiple times, ety members and Sweet Adelines had One reason I took this trip was to experience a Hbar~ managed to learn about this cruise. It hershop vacation." Sure, district and international con~ turned out that The Roaring 20s quar­ vent ions often feel like vacations, despite the fact I've tet also was there for entertainment. A handful of oth~ always been working or competing. But this was a ers joinecius for each day's singing, including some spec~ chance to take a real vacation and sprinkle it with my tators and the boat's purser, Jessica Yackovetsky, who hobby-not vice versa. told her boss she would quit if she wasn't allowed to Texl and pholos by ~vlany passengers booked this particular cruise be~ sing with liS. Lorin MaV cause of a single word listed in the theme block of the It didn't take me long to realize that whoever thought Edilor, Delta Stearnlxmt Company's brochure: HBarbershop." up this "vacation with barbershop" format was really The Harmonizer I, for one, was flattered by passenger enthusiasm but on to something-just a touch of harmony each day Part of the fun on America's wa· terways was never know· ing what col· orful charac· ter we'd meet next or what beautiful slice of America was about to scroll by.

Regular doses of barbershop from Special Delivery and The Roaring 20s quartets dovetailed wonderfully with the essence of steamboating-the joyful con· tinuation of an important part of America's past. Special Delivery is tenor Norie Barnick, lead Judy Nichols, bass Jo Consolo, bari Linda Sullivan. Roaring 20s is tenor Bob Moorehead, lead Gerry Kelly, bass Jim Gentil, bari Mike Connelly.

was a great change of planned my pace. Actually, the sleep arollnd whole ri verboating the late-night buffets.) The food was spectacular, and I pace was great. Sleep soon learned to order the to-die,for New Orleans fare in argo jogging in new whenever it was an option, Frankly, it took food that scenery daily? A gml l"' good and mllsic that good to make me break away from met, sit,clown break, the llypnotizing riverboat experience. fast or wide, open buf, fet while listening to The pace is the thing river lore? \X!indow Evening ti me, I always fclt conflicted. Go to a Barbershop sh opping or tour? show or stay olltside and take pictures?The scen, Riverboat trip There was always ery usually won out- unless a barbershop group Join Darryl Flinn, Joe something to cia, but was on st<.lge-although I did catch some very Liles and Harmony doing nothing was un' entertaining bits from the boat's pclfonners. Quartet for a post­ Built in 1996, the American expectedly fun in this In the afternoons, there was no doubt what Louisville convention Queen is like a large, upscale se tting. activity would win alit. \V'hen the boat hap' cruise on the Ameri­ hotel, but with better food, The evening meal !Jened to be traveling, my wife and I chose can Queen, July 4-9, more entertainment, and a dif· and the barbershop chirping birds and casual conversation with 2004. Fare begin at ferent front lawn every day. gath erings were the whoever was nearby for our on,board entertain, $1,180 per person, Even with 450 passengers, the only things we "hadll mcnt. \X!c'd make our way to a chair swing in double occupancy. boat is so big that one can en· to schedule . (Okay, thc shade, taking with liS another unneccssary Call 800-882-0499. joy solitude at any time. there was one more: I ice cream cone and a copy of Huck/eben)1 FiuJi

Nm'I!/1111edIJecember 2003 • The HARi,,!ON1ZER 23 that I never cracked open. T he sweet harmonizing, "Cruisin' down the country air provided great atmosphere river, on a Sunday afternoon ... " to digest another spectacular lunch while The mood indoors was every we watched scenic A merica silently bit as bright as it had been out­ scroll by at eight miles an hauL'. doors. Joe had selected music that perfectl y captured the mood of A perfect combination rive rboating, and the pace of the Twice I was in this state of bliss when I music and chee rful chords would looked at my watch and realized the cho­ uplift my already-high spirits. It n lS rehear,al had already started. I'd fi n­ was a typical chapter rehearsal at, ish my cone then get another (it's a long mosphere, in the best sense. The way to the back of the boat and, hey, 1 hour passed quickl y as \\le moved '?tf!.fi needed the energy), stop to snap another from song to song, cOlIntil1g Joe's ... and a world·class dining experience. couple of great photos on the way, and puns and quietl y exchanging eventually saunter in to the sound offolks wisecracks when another section was laugh for a while, perhaps singing a tag working on its part. Somehow, in or two before leav ing. There's something Luxury that Mark Twain never saw ... a few days, we we re actually about ringing chords together that makes sounding pretty good, despite the the time that mLlch more harmoniolls. fac t that I was unintenti onally The ri verboating li fes tyle tallght me woodshedding the baritone part something about my hobby: The desti­ much of the time. nation is im portant, but the point of the We were well prepared to per­ trip is the journey itse lf. Indeed, each form by the end of the week, and time I left one of those rehearsals, Ire, our numbers received hearty ap, tu rned to find my wi fe just a little bi t plause from a substantial audi , prettier, the sun a bi t brighter, my din, ence. However, the memori es ing companions wittier, and the ri ver that endure for me were the re, smelling even sweeter. hearsals themselves. After each Steam boating and barbershop-what ended, everyone would linger and a perfect combination.

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Mail wilh payment (checks: payable 10 SPEBSQSA) 10: SPEBSQSA, 7930 Sheridan Road, Kenosha, WI 53143-5944. Wilen you receive confirmation, please keep it as your receipt. Registration fee includes a convention badge, a reserved seat at all contest sessions and a souvenir program. If you register for more than one person, please furnish co mplete information for each person on a separate sheet and attach to th is order form. All registrations received prior to June 1,2004 will be mailed. Those received after that date may be picked up at the convention re gistration area add 53 PSH 'or ea<;h 8 reglslraHons ordered $ beginning Monday, June 30, 2004. Mailings will be made during the month of May 2004, Regi strations may be transferred to another person, but they are NOT refund· TOTAL $ able. No phone orders, please. (U.S. Fun ds)

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Nm'emhl/r!IJec:ember 2003 • The HARMON IZER 25 inging Valentines arc fU ll. They're (un fo r the re c i pi~ with that question . cnt) the giver and the quartet. Right now, with the ycar,end holidays soon to be lIpon LIS, it's not easy to Be sure the quartets are ready think about delivering Singing Valentines, But this busy Your Singing Valen tines quartets mllst be wc ll ~ r e' season of the year may be contributing to an unwanted hearsed and full y prepared. It doesn't hurt for the chap­ pitfall , ter music team to put the quartets together to ensure The wot, t thing that could happen to a chapter's the best blend and match of voices. Each quan et­ S inging Valentines pro­ either registered or those gram would be to let it get assembled (or S ingi ng into a rut. It's all tex:> easy Va lentines-should sing to develop a "We know in front of the chapter how to do tharl! attitude. sometime in januaL)'. Rc, Now just might be a member, delivery number good time for your chap­ 23 expects just as good a ter S inging Valentines performance (rom the Committee to review quartet as deli very LUllll' your program with an eye bel' one. DOll Ygo in and to keeping it vital and tell folks how tired YOll are healthy. Remember, the because yo u've been ClIstomer paid for, expects and deserves a top quali ty product. Your reputation is riding on it.

the Wall Street Journal, What is the product? Miss Texas or for an enor­ A Singing Valentine is a mous guy holding a meat magical, possibly tearful , cleaver, Valentine's Day is a momentj it's a gift of highlight of the year for thoughtfulness and usu­ many Barbershoppers. ally a slIl1Jrisc. The quar­ tet making the delivery is an integral part of that working all day. Go in as moment for the recipient. i( that delivery is the most im, The card, fl ower, balloon , pOltant one YOli have to do-­ photo and candy arc fun, because for the recipient, it is. but only window dress ing Appearance matters! Qual" for the real thing-the tets should be well-groomed song. \ and pro perl y attired . Your j slnilesas you walk through the One song or two? door set the mood for the occasion. Review in precise This is an ongoing issue, and the question is probably detail what the quartet should do in each visit. Reed best answered by say ing "Absolutely no more than two Sampson songs." If YOll have a wcll,cstablished reputation that Promote the program Managing includes a two,song package, you may not want to T his nmy be th e year to ramp up your promotional er Director, change that. If your chapter is relatively new to the forts----especially if you're able to have more quartets Public Relations SV business, you may have some wiggle room to deal than in previous years. YOlll' show maili ng list is a great

26 The HARMON IZER. No\'elllberiDecemba 2003 source of potential ClistOiners, as is your list of sllOw program advertisers. Quartets! Service clubs slich as Kiwanis, RotaL)" Li Ol1S alld o thers, usually have a prograln Get Connected at each meeting. Get on their calendar at least two weeks before Valentine's Day and promote your Singing Valentines program. These clubs also usually have a weekly door prize. A rrange to donate a Singing Valentine as the prize fo r that day. You'll likely find that this act stimu­ ~~i4~ on-line with SPEBSQSA's Singing lates sales among the other members at' Valentines and then give your patrons the tending. convenience of credit card booking through Rad io shows offer another opportu­ nity to give away a S ingi ng Valentine in GOTCIlA TICKtTSM . the interest of stimulating sales. You can, with proper coordination, get on the 10' 1t'4- ea4

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28 The I IARMONIZER • Nm"l'lIIhedDec{'lIIber 1003 A new, sustainable Harmony Foundation Adiscussion with Clarke Caldwell, Harmony Foundation president and CEO

...... ,. .. he Harmonizer: Clarke, when 1 he;!r about plans (or COlllilsion about that. the FotindatioIl, the emphasis seems to all be 0 11 large Some seem to find this a difficult message to accept. gi(ts. Are sllIaller gi(ts less o(a hXuS! The Foundation placed a tempoI'm), hold on its grant The Foundation docs and always will depend on award progmm last March and suspended it in Sep­ the gifts of many, regard less of size. A $5 check repre­ tember. Why? Because we knew we could find much sents someone who got up that day, thought aoout the more effective ways to manage grants rmel support the Society, and took the opportunity to make the world a Society with finances. little better for someone else. Our focus now is on gecring national grants to ex, Ilike what Henry Wadsworth Lonb,ellow sa id to panel the Society's impact and to teach districts and givers: uGive what YOli have. To someone, it may be chapters how to get state and local grants. better than you dare to think." I also like what Denzel \XlClshington said about giving: "I'm fulfilling my pmt Can you be more specific about ",hat lead to this sUa, of the bargain, which is to give back and be a positive tegie change! influence on others. That's all you can clOi mke what Two major reasons, really. First, the former system you've been given and spread it around." was fundamentally fl awed as a financial support system for the Society's districts and chapter>. Consider this: So wh y do some Barbcl'shoppers ha\'e the impression • Awarding grants to districts and chapters confused that on/}1big gifts matter! the type of Foundation we were chartered to be. I think the Foundation, itself, may have inadvcrt, Our reason for existence is to raise money for the endy created a wrong impression. Those who arc able Society, not to be a grant awarding foundation. to contribute larger gifts need attractive and appropri' • It required the Foundation to evaluate which music ate options. \'{!c've expanded giving progmms to pro, progmm would and would not get funcled. The So­ vide tllOse options and to effect a significallt increase ciety is expert at building music progralns; however, in the funds that come through an, the Foundation is not well-equipped to judge be­ l1ual giving. tween the variolls programs that compete for Maybe emphasizing these pro­ money. grams in an effort to increase aware, • u) preserve the interest of the donors, the Founda, ness of them suggested that only tion needed to ellsure that granted funds were be, large gifts are important, but that's ing used properly. Aga in, the required level of over­ simply not true. sight and expertise is not the Foundation's skill set. There's another issue that con, • ll1ere were not (and never would be) enough cems me: the way we collect our funds for the Foundation to grant every request gifts. When we ask othe" outside sent in by districts and chapters. No granting foun, the Foundation to support us, they dation has enough income to fund every applica, want verification of the percentage tion. of our members who give and how • U nlike true grant,awarding foundations, we re, much they give. Only to percent of all SOciety mem, ceived our funds from the same people who were bel'S contribute in a way we can verify. \Vhilc anony, seeking the grants! Undmtandably, those who mous gifts do much good, they don't put us in a strong made contributions did not expect to be denied a position to ask for outside assistance. Now, I know our grant. One is not wise to operate a program that members .mel friends contribute generously- ami predictably and systematically makes more enemies many others want to join them in giving- hut we with every new grant cycle. I have the e,mails to need to be able to verify the gifts. I knoll' a higher per­ prove it! centage of our members contribute, but wc can only veri fy 10 percent. The district "ice-presidents for fi­ Ybll mentioned a second major reason the Foundation nmlcial develt)pment will be helping tilC Foundation llO longer awards glCllltS. \\,/IJat ~ that! to make this work better. \'Ve're implementing a much more eAective ap,

}'Ou hwc mlked se\'eml times about the filet that the ~ HARMONY Foundation no longer awards grants, but there is still , FOUNDATION

NOI'I!lIIbedDeCt'III/If.'l'lOOJ • The 1-IARi'o.'lON IZER 29 proach that emlx>we rs districts and • The Foundation will hire a fu ll ~ time , Foundation will focus on fund ~ r a i s ing ch"pte". It h"s already worked and will expcricllCcd di rector ()f grant services for those music programs. continue to work; it is as positive as the to staff our grant deve lopment pro ~ fonner approach was negative. grams at alllcvcls--hop Harmony Society be­ far slII'pass this total because more yond the lifctilnc of its currcnt meln~ chapters wi ll be doing it and most • The Foundation wi ll train districts bers wi ll continue to get hetter at it. and chClpters to seek local private • Funding or helping to fund other Likewise, it is easier to maintain .mel corporate foundation grants in programs at a nationallcvel. These public fundi ng than to seek new add ition to public funcling. progmms wi ll benefi t individual money each year. • District vice~p r cside nts for financial chapter>, but arc opemted and • These 10c,,1 funds are not ava il able to development are working with the funded nationally. the Society unless they are sought at Foundation to ensure that c hap ~ the local level. It is all new money to ters-alld tllC districts, thclnsclves­ V?hat do you nc(:'c/ fi nm our members the Society. The chapter needs to will have the scrvices of lxxh a grant and friends? apply for them in its community or education chai rman and a grant de~ I realize this represents a new way of the di strict needs to apply for them velopmcnt chairman to help them thinking about the fundi ng role of the at the srate level. id entify (unding sources and ac~ Foundation. During the transition, es~ quire local grants. pecially while the strategic planning is If rhe chaprers and disrricrs arc getting being done, I am asking that everyone granr motley loca llv, rhell \\Ihat is tile \tlhat will the /-"oulldatioll c/o lI'ith rhe pull together to build a sustainable fu­ Foundation:, role related to grants? m Olle}, it raises? turc. We can be much more successful T he short answer is that the Fowld a~ The simplest answer is to advance in raising money for every level of aliI' tion will help chapters and districts Ull ~ the Barbershop Harmony Society now Socicty if we are wi lling to make some derstand how ro seek gra nts from their and into the future. But you're asking of these changes. We will make a own communities. We are in the pro ~ about the spccifics, aren't yo u ~ S tra te~ much larger impact on the Society if cess of implementing a new and ex~ gica ll y and operationally, Society lead­ we have a strategic plan that aligns panded grant emphasis for the Founda­ ershi p will make all decisions on what resources with dcfined objecti ves. But tion. Speci fi ca lly: projects will mCl ke the greatest impact. this will take some time, some hard • T he F(lll11dation Grant Commi ttee, T he FoundClt ion will no longer decide work ancl, fra nkly, so me will ingness to which created this program, will which progrCl111 is rhe best place to in ~ change (rom cveryone- the necessary continue to give gllidance (lnd l ead~ vest lil11ited resources. The Society is ingredient for all progress. crship to it. the expert in music programsi the I believe that we can be successfu l.

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NO I'cmberlDn'('lIIher 2(}03 • The llA RMONIZER 31 STAY TUNED ,~,~, ~'"."~" .M'_ ... ·~i------~ Last song for a governing barbershopper National exposure, honor, for a nameless pickup quartet _ ...... he State of Indiana was recently shocked by the passing of sitting governor Frank O'13annon. Shortly thereafter, Greater India, nalx )lis C hapter president Larry Anthony was asked to prov ide a quartet to sing "Danny Boy" for the late governor's rapidly approaching fll' neral-ivlrs. O'13annon's personal rcqucst­ because of the governor's Irish heritage and bar; bershop background. No organized quartet was available, so Larry ancl director Bryan Hughes contacted chapter members Duane Henry and Howard Foster to help them honor the request. After an over' night shipment of the Clrrangernent and a quick rc, HOllse. Parts of the performance were shown on all hearsal, this pick'llP quartet sang for a reverent the local media, the "Today Show," CNN and all C, crowd of over 10,000 people on the steps of the State SPAN.

HANG THESE HANDSOME FACES ON YOUR CHRISTMAS TREE. New York City has a lot of famous big trees, but how many have genuine harmonizers bedecking boughs of holly? Drop by the South Street Seaport in Lower Manhat­ tan this season and you're almost sure to see the Big Apple Chorus in one of its 34 (!) chap­ ter performances through the holiday season. Find out how they do it- www.spebsqsa.ol"g/ ID_060399

Tall Stacks a tall order for SGC Singing on the shore: the SOLlthern Gateway C horus made its fourth appearance at the Cinci nnati Tall Stacks Festival, a quacirenni.d event drawing 800,000 guests over five days. The Big Green Singing Machine wowed an SRO crowd numbering more than 5,000 in a Sunday afternoon gig that closed the festival. Talk about a hard-working group: the previ­ OllS day, the chorus had earned a wi ld carel slot fo r the intcmational contest with a second place.finish in the JAD contest in C leveland, a five,!lOur dri ve away.

32 The HARi'v!ONIZER • NOI'(!lIIbed Decl.'mbel" 2003 ~l'

Society IIII'll/bel:\" reportl'd (IS deceased hefwccl/ JII~)' I alld Sept. 30, 2003. Cardinal Far Western Akroll, OH Netherton, Robert Gross, Leol1md i\·Hddaugh, Richard Frank Thome SOlltll Bcw, CA COli tOil, OH Stroop, Ch,ules Harding,' Jack Pt'ters, Robert L(ljilyelle, IN Sallla "'e Springs, CA Colllmblls, OH Hoffman, Roger Schmidt, Robert Central States Tllcson, AZ North OhllS/ed, a ll Ikluwens, David Holloway, A lbert Fremolll, NE Visalia, CA Land 0' Lakes Lillcolll. NE BakersJield. CA Hicks, Dennis hitz, Louis Jones, Darwin St Clolld, MN Elkadel; IA Greater Phoellix, AZ Nelson, Emer\' Henry, Robert Kable, David St Cmix f'illle)', UN SI Charles, MO Sail Jose, CA lIi11top, MN . Luce, Glenn Stili Francisco Bay Cilies Nelson, LaVerne KClimey, NE Marshall, Emory Bloomington, MN Marquart, Greg Carson Cil),. NI' Tucker, Lloyd Des Moilles. IA Mctcalfc, John Nell' /,isbul/, WI Stucker, John Carsoll Cily. NI' Weigel, James Kal/sas CiIY. KS Mitchem, James Bmillel'd AIWI, MN \Valkcr, l'larry Fresno, CA Siollx Cily, IA Mid-Atlantic Illinois Dunkle, 1m Dixie Foley, Jim Ilarrisblllg, PA EnJs\ey, Richard Chicago/and lI ~sl SlIb., JL Johnson, Rolx! n Marief!a. GA IS. GA Bell , William Ridgewood, NJ fl eets best practices in layout and design. What \X'ih, George Blickeye-Colllmbus, OH Grand Stralld. SC Chambers, Roben Northeastern makes it work so well! Let's see ... Fosloria, OH DC\'inc, Thomas Be smart with clip art. The background image of Evergreen Crowell , Howard Nell' Hawl/, C7' tree ornaments comes straight out of a commerci al Fisher, John Cillcillllati. all Limlahl, Roland Oregon Mid-Coast Ho ltzapfel, Ralph Keene. Nil clip cut package. It creates a sense of quality, refine; ment

NOI,t'mhedD('ce/llhl!r 2003 • The HARMONIZER 33 "Never heard of us? How come?" You couldn't imagine how anyone on the Wasatch Front could not have heard of the Saltaires Show Chorus. A not~so~typical summer Sunday found them performing with the Utah Symphony at the Snowbird lvlountain resort, then racing down the mountain to the lviarriott Center on the BYU cam~ pus for the Provo Freedorn FestivaL Two shows a day: sure, we all do that. But that sec­ ond gig was for a local audience of 14, 000, alld a lI'orldll'ide TVaudiellce ill the milliolls. The festival was broadcast around the country, and to every U.S. military installation around the world. The Saltaires honored arnled forces personnel with the national anthell1 and patriotic numbers, drawing an extended standing ovation. The Saltaires summer calendar was filled with per~ formances at Tanner Amphitheater in Zion National Park, two pelformances with the Utah Symphony, and on the Temple Square Concert Series. So how come compliments are so often accompanied by the comment, II I had never heard of you guys!" Staying home from international competition this year appears to be yielding some IX1 welfui benefits in been called on local awareness. Says Gmy Forsberg, chapter vice~ the carpet years president for marketing and public relations, "That ago, and now, at may say something about how and when we strive to last, he has. The put our pnxluct in front of potential patrons. The Beverly (Massa· opportunities to pedonn outside the usual barber~ chusetts) Chap· shop environment should be cultivated proactively, ter bestowed the and each of us should strive to pelform at our peak in Good Guy Award the,e instances. Why , hould it be only rock stars on their pals in who garner enthusiastic fans?" the Granite Statesmen, in the form of this handsome rug, handmade by Beverly member Leon Pelletier.

Theberge, Aim ... Seneca Land Sunshine Lacollia. Nil Clark, Keith Ackman, James Roche.\"eJ: N}' Sf Pl.'fersbllrg. FI. Ontario Fallman, Carl Bothe, Robert I'D SOONER BE SINGING IN HOUSTON. When BlYlh, Gordon Mohawk '1"1t~.I'. NY Grealer SIIII Cil), Glle/ph. ON Green, Willi;lm Cenlcl: FI, Jim Graham, president of the Houston lander, Lennard Callio/I. NY Fischman, Daniel Tidelanders, checked the college back­ Broc/..:l'ill(', ON ;\.Iundell, \Villiam Boca Ratoll, FL grounds of the group's 100·plus membership, COllfOlI. N), tox, Terry Pioneer Selleck, Fred Boen Rafol/. FL he discovered that the University of Okla­ Kendall , Fred Califall , NY Klein , Leo nard homa had the greatest number of former stu­ BOC(I Ralol/. FL MuskegO/I. "'I dents in the chapter. Graham seized the op· Lo nshury, Doug Southwestern Palm Beach Plil/I, MI t-.·!athis, Daniel COl/lily, FL portunity for a textbook PR example of creat­ Nell' Bralll/jeIs. TX Peloquin, G eorge ing a story: OU ran the story and picture in its Summers, Ferris Daytolla Beach Rocky alumni association magazine, circulation Mountain TOII'II Norlh Plallo. Mel/v, FI. Llllp.l, Max TX Yon, Newton 143,000. No word yet on a counter-strike by Frallk Thome Pal/ama Ci~)'. FL Texas alums working behind the lines beyond the Oklahoma border •.• •

34 The HARMONIZER • NOI"I'mbedDecember 2003 HarmonyOnStaf!e.com S WIPES 'N' S WAPS Not-for-profit classified ad bargains for Ba r­ membe r "growing" chorus. We offer mo nthly com­ STARRING bershoppers, published as a service to read­ pensation, to include out-ol- pocket and trave l ex­ ers- ali copy subject to editorial approval. pe nses . For more information, co ntact Andy Kinne Rate: $25 per column inch. at Andy.K;[email protected] or ca ll 630 -567-3326. Th e West To wns Chorus of the Chi cago land West Central Oregon Cha pter is seeking enthusiastic mu­ Gay Subu rban Chapter seeks an expe rienced , dy ­ sic directo r applicants for active 35 member cho ru s namic director to lead us to the next leve l of with stro ng music team and associate director. Lo­ musical excellence. The West Towns Chorus is a cated in popu lar, growing re creation area of Bend 90's past International champi on chorus-ou r goal is Orego n, popu lation 150,000, the chorus enj oys to regain ou r statu re as a "medallist" chorus in strong co mmunity support. Chorus co nsistently Vest th e International are na. We have a talented and places in top 3 at divisio n co ntests and wa nts to 50 co mmitted music team and assistant directors , move up. Contact Ne il Chase at 541-548-4746, or S34 a strong boa rd of directors, and an energ ized 65 [email protected].

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No\·elllhaI Decl.'lIIht'l" 2(103 • The 1t ARi\·ION1ZER 35 THE TAG Joe liles, Tagmaster Rob is keeping the whole world singing lie Sociely's incomi1lg president Rob Hopkins is a familiar to B.ubershoppers, of course, but I wonder 1IIlIlli-lalel/led m(lll. He 's been (( chorm; director all but how often we have thought about what it meClIlS and /\\'0 alhis 27 years ill the Societ), and clIrrelll(l' directs what it can mean outside of the (act that we share our the JHohml'k Valley Chapter Chorus in fhe Seneca hobby with many men and women in variolls barber~ Lalld Districl. He sang baritone 011 the illtemational shop organizations throughout the world. It is erucictl stage with Iflll'JJlOllix this year alit! has .Iiii~. that the barbershop style of singing continues SlIllg lead, bari, alld bass in oIlier dis/riel for future generations to enjoy, bur withuut an .fil/alist quartets. emphasis on singing! how good me the Rob has a PhD. iI/music hislmy alltl chances of that? Moreover! where are future themyjiv11IIhe University of Pen myIva- barbershop singers going to come from if folks Ilia {md has taught 01 Hamiltoll College don!t learn the joy of singing! It is so critically since 1983. He is a currently certllied A'fu- in1portant that we do what we can to keep the sic judge, (111 active coach and a pIVltfic whole world singing. arrange/: The Society has published 16 q{ That starts wi th supporting vocal music in his anrmgemenls, and he has many more popular UII- our schools and communities. W hat is each one of us published arrallgemenls. In/itel, tlroll've ever heard doing to keep our part of the world singingr \Vhat op; sel'eral quartets in a contest pelform exactly the same IXlrtunities do wc provide in our communities! How anrmgement. lhere~' a good challce itlrl1S one q{his. do we reach out to other vocal groups! 1() what cxtent (Tllal so higll cOlllplilllell1 ill lily book!) do we support our local school vocal pl'Ogmms? If wc Here is olle qrRob~' recellttags alld some qlhis me to keep the whole world singing! surely we must cOlI/lllellls. Rob decided that there could be 110 beller start by keeping our own pcut of the world singing. sloganjor his presidency than the SocieZ), :\. 111 0 1/0. And that means outreach-to other people and other Thanks, Rub, Jar sharing YUllrlllllsical and leadership organizations and institutions. skills lI'ilil your/dloll' B(/rbe l ~hoppers. Share thc joy of singi ng. Shere the flln. Share thc Keep the Whole World Singing! This motto is camamderic. Kccp thc whole world singing!

KEEP THE WHOLE WORLD SINGING TAG

3 b) J 4 (~)) J

I sing - mg, sin g - mg, ..0 J ) 1.

7 j

song! ______

I ·/1

{') 2003 by Rob Il opkin s. Permi ssion grantl.'d to allmcmbcTs of SPEBSQSA nnd its atTiliall.'s to copy.

36 The HARi... ION IZER • Nm·t'lIIhcriDect'lIIher l003 ACOUSTIX Vocal Majority Credit card orders: i ~ lI -f~e e: . , 1990 INTERNATIONAL CHAMPIONS TEN ·TIME INTERNATIONAL 888 448 STIX (888 448 7849) D OWorship the King CD ONLY CHORUS CHAMPIONS " IJ I'V o Jazz, Jazz, Jazz CD ONLY o Freedom's Song Rew CD ONLY Credit card orders by fax: o Cool Yule o Twelve Days of Chrlstmas 972 424 5000 o Stars and Stripes o White Christmas Credit card o~de rs by ~ma i 'l : . o New Science of Sound o Vocal Majority with Strlngs [email protected] How Sweet the Sound 'r ,." . " ' "'' o Secure on-line ordering visit our Dealer's Choice o The Music Never Ends web site: www.acoustix.com 1973 INTERNATIONAL CHAMPIONS o Allelu ia! ,) ,to""" '" , " o Anthology: Includes four o The Secret of Christmas Be sure to include expiration complete albums. Songs Like I'll Be Seeing You date and phone number with o your credit card number Daddy Used to Play, Choice II, The o Best of the Early Years " ""! '" , "". '" Last Session, Like the First Time Send mall orders to: ACOUSTIX Productions Suntones 1001 INTERNATIONAL CHAMPIONS PMB 109-128 o Touch 01 live new CD ONLY Superb audio from a high -energy live 10455 North Central Expy Dallas TX 75231 -2211 USA performance on the Valley Forge, PA Sweet Adelines show in March of , . 1972. This disc Includes a bonus track of a never-before-released studio Make checks payable to: cut of If Ever I Would Leave You. A must for any barbershop collector. $20 ACOUSTIX Productions Canadian and foreign orders Afterglow CD ONLY mark for U.S. funds, please o Top Harmony Society quartets perform ing their non-contestable repertoire Including: ACOUSTIX, , , The Gas House Texas reSidents, please add Gang, Joker's Wild, , , , 8.25% sales tax MetropoliS, Excallbur, Saturday Evening Post, Uptown Sound, BSO, Special Allow two weeks for delivery Feature, and The Bay Rum Runners Overseas postage will be charged at cost and wi ll vary Barbershop's Best CD ONLY according to size of order o ACOUSTIX, Boston Com mon, Bluegrass Student Union, Main Event, and destination , Keepsake, Panache, Fred, Chordlac Arrest, Rumors, Platinum, Joker's Wild, Weekend Edltion,The , , Ambiance Shipping Charges If your order totals ...... a dd ...--­...... up to $15.00 ...... $3.50 Prlcas: All single COs: $1 5 Oaalsl's Choice "Anthology" $15.01 to $25.00 ...... $3.50 All single cassettes: $10 Set 014 COs $60 $25.01 to $50.00 ...... $4.50 Set 01 4 cassettes $35 $50.01 to $75.00 ...... $5.25 Volume Discount Over $75.00 ...... $6 .00 Any 3 ACOUSTIX tapes $25 No Volume Discounts" on Show Chairmen: Call Any 3 ACOUSTIX COs $40 Vocal Majority recordings 8884497849 or email Buy 4 tapes $40 get one free [email protected] for Buy 4 CDs $60 get one free audio demo CD or MP3 Travel across the hall ...

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