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Los Angeles Times 826 Brings Reading, Writing and Robots to Echo
Los Angeles Times: 826 brings reading, writing and robots to Echo Park 1/8/08 3:12 PM http://www.latimes.com/features/books/la-et-eggers31dec31,0,7374625.story?coll=la-books-headlines From the Los Angeles Times BOOK NEWS 826 brings reading, writing and robots to Echo Park A time-travelers' convenience store? Must be a new literacy center from author Dave Eggers' crew. By Steffie Nelson Special to The Times December 31, 2007 At the grand opening of the Echo Park Time Travel Mart on Dec. 15, the Robot Emotions were going like hot cakes (happiness and schadenfreude were the top sellers). The mystery product Chubble, on the other hand, available in more than 50 different varieties, wasn't really moving. A worker dressed like a cowboy shrugged. "It's really hot in the future." There were also bottles of optimism and socialism, dinosaur eggs, woolly mammoth chili, a bag of shade, a King Tut action figure and all manner of head wear, tri-corner hats as well as bonnets. Fortunately, it was a chilly night, because the slushie machine was on the blink. "Out of order. Come back yesterday," read the handwritten sign. This convenience store for time travelers, whose motto is "Whenever you are, we're already then," is the whimsical retail component of the new Echo Park 826LA, a free literacy and writing center for kids that was started by author Dave Eggers in San Francisco and then spun off in New York; Chicago; Ann Arbor, Mich.; Seattle; and Boston. Located on a busy stretch of Sunset Boulevard and scheduled to open for drop-in tutoring Jan. -
Cognotes Midwinter Meeting & Exhibits February 9–13, 2018 JANUARY PREVIEW | DENVER
COGNOTES MIDWINTER MEETING & EXHIBITS February 9–13, 2018 JANUARY PREVIEW | DENVER DENVER, CO AMERICAN LIBRARY ASSOCIATION Activists Patrisse Cullors, Marley Dias to Open the 2018 ALA Midwinter Meeting & Exhibits arley Dias, the girl- NAACP History Maker – and wonder who started she’s been invited to the White Mthe #1000black- House. Her appearance is girlbooks Campaign, inter- sponsored by Macmillan. views Patrisse Cullors, co- Dias made headlines as a founder of the Black Lives Mat- sixth grader, when she start- ter movement, to learn what de- ed the #1000blackbirlbooks termining factors and mindset Campaign to collect and do- led each of these activists and nate 1,000 books that featured motivated them to take ac- black girls as the main charac- tion. Discover these answers ters. She realized that she saw and more when two genera- no characters like herself in tions tackle issues of inequality the books she was reading and and strive for grassroots level wanted to make a difference. solutions. The Opening Ses- And a difference she has made sion will take place on Friday, with a campaign that has, to Elizabeth Acevedo February 9 from 4:00 – 5:15 Marley Dias Patrisse Cullors date generated more than (Photo by Curtis Moore) p.m. at the ALA Midwinter (Photo by Andrea Cipriani Mecchi) 10,000 books. She has been Author and Meeting. memoirs, Cullors co-wrote When They Call featured in the New York Times and was recog- Poet, Elizabeth Cofounder of Black Lives Matter, Cul- You A Terrorist with journalist asha bandele. nized as a “21 under 21” Ambassador for Teen lors is an artist, freedom fighter and perfor- The book, with a foreword by activist Angela Vogue. -
WHITNEY BIENNIAL 2006: DAY for NIGHT to OPEN Signature Survey Measuring the Mood of Contemporary American Art, March 2-May 28, 2006
Press Release Contact: Jan Rothschild, Stephen Soba, Meghan Bullock (212) 570-3633 or [email protected] www.whitney.org/press February 2006 WHITNEY BIENNIAL 2006: DAY FOR NIGHT TO OPEN Signature survey measuring the mood of contemporary American art, March 2-May 28, 2006 Peter Doig, Day for Night, 2005. Private Collection; courtesy Contemporary Fine Arts, Berlin. The curators have announced their selection of artists for the 2006 Whitney Biennial, which opens to the public on March 2, and remains on view at the Whitney Museum of American Art through May 28, 2006. The list of participating artists appears at the end of this release. Whitney Biennial 2006: Day for Night is curated by Chrissie Iles, the Whitney’s Anne & Joel Ehrenkranz Curator, and Philippe Vergne, the Deputy Director and Chief Curator of the Walker Art Center in Minneapolis. The Biennial’s lead sponsor is Altria. "Altria Group, Inc. is proud to continue its forty year relationship with the Whitney Museum of American Art by sponsoring the 2006 Biennial exhibition," remarked Jennifer P. Goodale, Vice President, Contributions, Altria Corporate Services, Inc. "This signature exhibition of some of the most bold and inspired work coming from artists' studios reflects our company's philosophy of supporting innovation, creativity and diversity in the arts." Whitney Biennial 2006: Day for Night takes its title from the 1973 François Truffaut film, whose original French name, La Nuit américaine, denotes the cinematic technique of shooting night scenes artificially during the day, using a special filter. This is the first Whitney Biennial to have a title attached to it. -
Dash Snow, the Drowned World Selections from the Dash Snow Archive March 31 – May 12, 2019 Opening Reception, Sunday, March 31, 7-9Pm
For Immediate Release, contact [email protected], 646-492-4076 Dash Snow, The Drowned World Selections from the Dash Snow Archive March 31 – May 12, 2019 Opening reception, Sunday, March 31, 7-9pm From March 31 – May 12, 2019, PARTICIPANT INC in collaboration with the Dash Snow Archive presents Dash Snow, The Drowned World: Selections from the Dash Snow Archive. Comprised of the contents of the studio of Dash Snow (1981-2009), the exhibition draws from this vast archive including Polaroids, 35mm photographs, collages, sculptural works, Super 8 films, and zines. Polaroids and serial works on paper highlight the methodical aspects of Snow’s daily practices and lifework, as do process sculptures, including three major assemblage works being exhibited for the first time. Snow’s earliest artistic output began during his teenage years in the mid-‘90s as a third generation graffiti writer on New York’s Lower East Side. As described by friend, poet, artist, and writer Rene Ricard: “Any Tag by any teenager on any train on any line is fairly heartbreaking” (“The Radient Child,” Artforum, December 1981). A portrait of Snow above the entrance to the F train on Allen Street has still not been bombed over. Art critic Edit DeAk, in speaking of the street art she championed since the ‘70s, once called it “information from the middle of the night” (“Edit DeAk: an interview by John Wallace and Geralyn Donohue,” REAL LIFE Magazine, 1982). This seems an apt description of Snow’s transition from graffiti writer to Polaroid documentarian, using his next choice of medium to mark time, remember, and be remembered through long darknesses. -
Dash Snow, Untitled, 2007, Col- Lage, 3.75 X 4”
Dash Snow, Untitled, 2007, Col- lage, 3.75 x 4”. Dash Snow, Untitled (Diptych), 2006, Digital C-Prints, Left: 121.9 x 100.3 cm, Right: 127 x 97.8cm. Dash Snow, The Accidental Insider: Moments Like This Never Last Dash Snow, Born Dashiell A. Snow (July 27, 1981-July 13, 2009) American artist “Snow ran away from home and began living on the streets at 13 or 14, and began taking photographs, he said, as a record of places he might not remember the next day. “He was included in the 2006 Wall Street Journal article titled ‘The 23- Year Old Masters,’ which selected ten top emerging US artists including Rosson Crow, Ryan Trecartin, Zane Lewis, Barney Kulok, Rashawn Griffin and Keegan McHargue. “The artist’s photographic work is in a thematically similar mode to photogra- phers Nan Goldin, Larry Clark, Ryan McGinley and Richard Billingham, Ryan McGinley, Dash Bombing, 2000, C-print 69 x 92 cm. often depicting scenes of a candid or illicit nature. Instances of sex, drug taking, violence and art-world preten- tiousness are documented with dis- arming frankness and honesty, offering insight into the decadent lifestyle associated with young New York City artists and their social circles. “Some of Snow’s recent collage- based work was characterized by the controversial practice of using his own semen as a material applied to or splashed across newspaper pho- tographs of police officers and other authority figures. His works have been acquired by influential collectors such as Charles Saatchi, Anita Zabludo- wicz, Dakis Joannou, The Whitney Museum of American Art and the Brooklyn Museum. -
Literature for the 21St Century Summer 2013 Coursebook
Literature for the 21st Century Summer 2013 Coursebook PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Sun, 26 May 2013 16:12:52 UTC Contents Articles Postmodern literature 1 Alice Munro 14 Hilary Mantel 20 Wolf Hall 25 Bring Up the Bodies 28 Thomas Cromwell 30 Louise Erdrich 39 Dave Eggers 44 Bernardo Atxaga 50 Mo Yan 52 Life and Death Are Wearing Me Out 58 Postmodernism 59 Post-postmodernism 73 Magic realism 77 References Article Sources and Contributors 91 Image Sources, Licenses and Contributors 94 Article Licenses License 95 Postmodern literature 1 Postmodern literature Postmodern literature is literature characterized by heavy reliance on techniques like fragmentation, paradox, and questionable narrators, and is often (though not exclusively) defined as a style or trend which emerged in the post–World War II era. Postmodern works are seen as a reaction against Enlightenment thinking and Modernist approaches to literature.[1] Postmodern literature, like postmodernism as a whole, tends to resist definition or classification as a "movement". Indeed, the convergence of postmodern literature with various modes of critical theory, particularly reader-response and deconstructionist approaches, and the subversions of the implicit contract between author, text and reader by which its works are often characterised, have led to pre-modern fictions such as Cervantes' Don Quixote (1605,1615) and Laurence Sterne's eighteenth-century satire Tristram Shandy being retrospectively inducted into the fold.[2][3] While there is little consensus on the precise characteristics, scope, and importance of postmodern literature, as is often the case with artistic movements, postmodern literature is commonly defined in relation to a precursor. -
What Features Does It Share with Classic Works Like Ho
Reading Group Discussion Questions—What is the What 1. In what ways can What Is the What be understood as a hero’s journey? What features does it share with classic works like Homer’s Odyssey and Virgil’s Aeneid or more modern works like Richard Wright’s Black Boy and Cormac McCarthy’s The Road? What are the most significant features of Valentino’s journey? In what ways is Valentino’s story both unique and universal? 2. When he is in the United States, Valentino says that he wants everyone to hear his stories. “Written words are rare in small villages like mine, and it is my right and obligation to send my stories into the world, even if silently, even if utterly powerless” [p. 29]. Through Eggers, Valentino has found a way to send his stories into the world. Are they powerless to alter the suffering he and his fellow Sudanese have endured? What powers do they possess? 3. What are Valentino’s most appealing qualities—as a character in his own story and as a narrator of that story? 4. What is the significance of Valentino addressing his stories to people who aren’t listening—to Michael, TV Boy, to Julian, the intake person at the hospital, to members of his gym, etc.? Why would Eggers make this narrative choice? 5. Why is a personal story—Valentino’s story—of the violence and oppression in Sudan more valuable than any purely historical account could be? What emotions does Valentino’s story arouse that a more objective treatment could not? 6. -
Download Program Notes
PROGRAM Uncharted Territories Hosted by Jane Kaczmarek “The Mast Year” by Diane Cook Performed by Jane Kaczmarek “Republica and Grau” by Daniel Alarcón Performed by David Strathairn INTERMISSION “The Alaska of Giants and Gods” by Dave Eggers Performed by Kate Burton PROGRAM: SELECTED SHORTS MAY 15 / 7:30 PM BING CONCERT HALL ARTISTS Kate Burton Jane Kaczmarek David Strathairn PROGRAM SUBJECT TO CHANGE. Please be considerate of others and turn off all phones, pagers, and watch alarms, and unwrap all lozenges prior to the performance. Photography and recording of any kind are not permitted. Thank you. encoremediagroup.com 23 PROGRAM: SELECTED SHORTS TONIGHT’S ARTISTS “One morning, Jane found Daniel Alarcón’s books include the short a man and woman sleeping story collection War by Candlelight, which was a finalist for the 2005 PEN/Hemingway in each other’s arms near Award, and the novel Lost City Radio, her roses. Jane figured they which was named a Best Novel of the Year were homeless, though they by the San Francisco Chronicle and the didn’t have that scruffy Washington Post. He is executive producer of Radio Ambulante, a Spanish-language look. Perhaps they were narrative journalism podcast. In 2010, the drunk and had gotten lost.” New Yorker named him one of the best —From The Mast Year by 20 writers under 40, and his most recent Jane Kaczmarek novel, At Night We Walk in Circles, was a Diane Cook. finalist for the 2014 PEN/Faulkner Award. the HBO film Empire Falls. She will appear Jane Kaczmarek is best known for her in the upcoming film Bleeding Heart, which role as Lois on the hit comedy Malcolm in will premiere at the Tribeca Film Festival. -
5441 Ca Object Representations
(1) Robin Winters and Christy Rupp at the (2) Arleen Schloss at the opening reception for (3) Anton van Dalen, Two-Headed Monster (4) Dave Sander and Ethan Swan at the opening reception for “Come Closer: Art Around “Come Closer: Art Around the Bowery, 1969– Destroys Community, 1981. Aerosol paint on opening reception for “Come Closer: Art the Bowery, 1969–1989,” New Museum, 1989,” New Museum, New York, September 19, paper, 29 x 23 in (73.7 x 58.4 cm). Installation Around the Bowery, 1969–1989,” New New York, September 19, 2012. Photo: Jesse 2012. Photo: Jesse Untracht-Oakner view: “Come Closer: Art Around the Bowery, Museum, New York, September 19, 2012. Untracht-Oakner 1969–1989,” New Museum, New York, 2012. Photo: Jesse Untracht-Oakner Courtesy the artist. Photo: Jesse Untracht-Oakner Published by When we announced that the New To date, the Bowery Artist Tribute has We are indebted to Hermine and Museum would construct a freestanding conducted over seventy interviews David B. Heller for funding the research, building on a parking lot at 235 Bowery, with artists, curators, and authors who development, and presentation of this one of our first concerns was finding a helped build the creative community archive, and for providing endowment newmuseum.org way to acknowledge the rich history of of the Bowery for the past seventy funds for its future. We are also grateful creative activity in our new neighbor- years. We’ve encountered artists who to a number of individuals who have Editor: Ethan Swan Designer: Chelsea Amato hood. We thought about 222 Bowery, were grateful for the opportunity to tell been instrumental in the research and Copy Editors: Frances Malcolm and Olivia Casa Printed by: Linco William Burroughs’s “Bunker” that shel- their Bowery stories for the first time, coordination of these efforts over the tered Lynda Benglis, John Giorno, Mark and others who weren’t convinced past nine years: Ethan Swan, Eungie Cover: Sylvia Plimack Mangold on the roof of her Grand Rothko, and a dozen more. -
Dave Eggers' Literacy Efforts Garner Award 10/29/2007 10:36 AM
Los Angeles Times: Dave Eggers' literacy efforts garner award 10/29/2007 10:36 AM http://www.latimes.com/sports/basketball/nba/lakers/la-et-eggers24oct24,1,3196629.story?coll=la-headlines-sports-nba-lakers From the Los Angeles Times Books & Authors Dave Eggers' literacy efforts garner award Bestselling author and founder of nationwide literacy centers receives the Heinz Award. By Carolyn Kellogg Special to The Times V If literary lions still exist, Dave Eggers is one. His debut, "A Heartbreaking Work of Staggering Genius," hit bestseller lists in early 2000, creating a dedicated fan base. Since then, he's helped shepherd McSweeney's, the literary quarterly he founded, led its quirky yet ever-growing publishing concern, edited the annual "Best American Non-Required Reading" anthology and continued to do his creative work. While his critics debate whether he's sold out, whether he's too ironic or too sentimental, whether there is too much realism in his fiction or not enough, Eggers has put his celebrity (and his money) behind a chain of nonprofit literacy centers, the first of which, 826 Valencia, opened in San Francisco's Mission District in 2002. There are six cities with 826 centers, including Los Angeles. On Monday night at a ceremony in Pittsburgh, Eggers was honored for this combination of creative work and community involvement with a 2007 Heinz Award in Arts and Humanities. Founded 13 years ago by Teresa Heinz, the Heinz Awards honor work in technology, the human condition, the environment, public policy and the arts. At 37, Eggers is the youngest winner of a Heinz Award, which comes with a $250,000 prize. -
Dash Snow 17 March – 16 April 2016 Opening Reception Wednesday, 16 March, 6 – 8Pm
DASH SNOW 17 MARCH – 16 APRIL 2016 OPENING RECEPTION WEDNESDAY, 16 MARCH, 6 – 8PM Annka Kultys Gallery is pleased to present an exhibition of works by Dash Snow (1981-2009), marking the first solo exhibition of the American artist to be held in London. HELLO, THIS IS DASH is organized around a group of eight works completed between 2004 – 2008 which represent the breadth of range within Snow’s oeuvre, including examples of his photography, collage and assemblage sculpture. Snow’s art is visceral, spontaneous and often offensive. He started taking Polaroids when a teenager to record the countless parties and orgies that neither he nor his friends could remember, using his camera to document his life and those of his circle. While formally filled with images of sex, genitalia, violence and hard drugs, Snow’s photographs are also full of honesty, beauty and authenticity. His photography is therefore often aligned with that Nan Goldin and Larry Clark, earlier American photographers who pioneered the depiction of the intimate life. Snow was born into one of America’s great art collecting dynasties, the de Menils, a family responsible for some of the most acclaimed art installations in twentieth century contemporary art : the Rothko Chapel in Houston, Donald Judd’s MARTHA, TEXAS, Walter de MARIA’S LIGHTENING FIELD, as well as for founding their eponymous museum and the DIA Arts Foundation. Yet Snow’s upbringing was tumultuous, his rebellious nature straining not just family ties, but the patience of the authorities as he spent years in juvenile detention, and ended up living rough on the streets of New York. -
The Mcsweeney's Group
Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 11-15-2013 The cSM weeney's Group: Modernist Roots and Contemporary Permutations in Little aM gazines Charles J. Crespo [email protected] DOI: 10.25148/etd.FI13120418 Follow this and additional works at: https://digitalcommons.fiu.edu/etd Part of the English Language and Literature Commons, and the Film and Media Studies Commons Recommended Citation Crespo, Charles J., "The cSM weeney's Group: Modernist Roots and Contemporary Permutations in Little aM gazines" (2013). FIU Electronic Theses and Dissertations. 985. https://digitalcommons.fiu.edu/etd/985 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida THE MCSWEENEY’S GROUP: MODERNIST ROOTS AND CONTEMPORARY PERMUTATIONS IN LITTLE MAGAZINES A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS in ENGLISH by Charles J. Crespo 2013 To: Dean Kenneth G. Furton College of Arts and Sciences This thesis, written by Charles J. Crespo, and entitled The McSweeney’s Group: Modernist Roots and Contemporary Permutations in Little Magazines, having been approved in respect to style and intellectual content, is referred to you for judgment. We have read this thesis and recommend that it be approved. _______________________________________ Heather Blatt _______________________________________ Michael P. Gillespie _______________________________________ Nathaniel Cadle, Major Professor Date of Defense: November 15, 2013 The thesis of Charles J.