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Making Energy More – Sustainability Report 2005
beyond petroleum® ABOUT THIS REPORT For BP, ‘sustainability’ means the capacity to 1 Group chief executive’s introduction endure as a group: by renewing assets; creating and delivering 3 Achievements and challenges better products and services that meet the evolving needs 4 Industry in context of society; attracting successive generations of employees; 6 BP at a glance contributing to a sustainable environment; and retaining the trust 8 Energy for tomorrow and support of our customers, shareholders and the communities in which we operate. 10 CHAPTER 1 – RESPOnSIBlE OPERATIOnS Each year we aim to improve our sustainability reporting 12 The way we work to reflect the concerns of our readers more closely and the 16 Dialogue and engagement Making energy more BP Sustainability Report 2005 priorities of the business more clearly. This year, we are giving 18 Safety and operational integrity more emphasis to the business case for activities that benefit 22 Environmental management society and promote environmental sustainability. For the second 30 Our people year, we have used in-depth analysis to define the non-financial issues material to our reporting. We have further developed this 36 BP worldwide ‘materiality’ process by categorizing issues according to the level of public exposure and awareness they have received, and by Making energy more taking into account the source of the interest – for example, the 38 CHAPTER 2 – BP And ClImATE CHAngE Sustainability Report 2005 media, regulatory organizations or engagements with NGOs or 40 Climate change socially responsible investors. 42 BP Alternative Energy This year’s report is entitled ‘Making energy more’ because it 45 Sustainable transportation focuses on improvement – whether to the quality of our products, the way we manage environmental issues or the influence we have on the communities around us. -
Oil Spill: How Fossil Fuel Funding Corrupts British Cultural Institutions
Oil Spill: How Fossil Fuel Funding Corrupts British Cultural Institutions By Raquelle Bañuelos B.A., University of South Florida, Tampa, 2019 THESIS Submitted as partial fulfillment of the requirements for the degree of Master of Arts in Museum and Exhibition Studies in the Graduate College of the University of Illinois at Chicago, 2021 Chicago, Illinois Defense Committee: Dr. Molly Doane, Chair and Advisor Dr. Therese Quinn, Museum and Exhibition Studies Dr. Lucy Mensah, Museum and Exhibition Studies Dedicated to Sarah Rae Grossman “Go spill your beauty on the laughing faces Of happy flowers that bloom a thousand hues, Waiting on tiptoe in the wilding spaces, To drink your wine mixed with sweet drafts of dews.” Claude McKay, “Song of the Moon”, 1922 ii TABLE OF CONTENTS List of Abbreviations ……………………………………………………………………… iv Summary …………………………………………………………………………………… v Introduction …………………………………………………………………………………. 1 Methodology ………………………………………………………………………… 6 Literature Review …………………………………………………………………… 7 Chapter 1: The Decline of Public Funding for the Arts and Turn to Corporate Support …… 11 Funding From the State ……………………………………………………………... 11 The Benefits of Corporate Sponsorship …………………………………………….. 15 Chapter 2: Greenwashing and the Consequences of Corporate Influence in the Arts ……… 19 What is Greenwashing? ……………………………………………………………... 19 Manipulation of Staffers, Exhibition Material, and Public Programs……………….. 23 Chapter 3: The Fossil Fueled Climate Crisis ……………………………………………….. 30 The Climate Crisis ………………………………………………………………….. 30 Environmental -
Ship-Breaking.Com 2012 Bulletins of Information and Analysis on Ship Demolition, # 27 to 30 from January 1St to December 31St 2012
Ship-breaking.com 2012 Bulletins of information and analysis on ship demolition, # 27 to 30 From January 1st to December 31st 2012 Robin des Bois 2013 Ship-breaking.com Bulletins of information and analysis on ship demolition 2012 Content # 27 from January 1st to April 15th …..……………………….………………….…. 3 (Demolition on the field (continued); The European Union surrenders; The Senegal project ; Letters to the Editor ; A Tsunami of Scrapping in Asia; The END – Pacific Princess, the Love Boat is not entertaining anymore) # 28 from April 16th to July 15th ……..…………………..……………….……..… 77 (Ocean Producer, a fast ship leaves for the scrap yard ; The Tellier leaves with honor; Matterhorn, from Brest to Bordeaux ; Letters to the Editor ; The scrapping of a Portuguese navy ship ; The India – Bangladesh pendulum The END – Ocean Shearer, end of the cruise for the sheep) # 29 from July 16th to October 14th ....……………………..……………….……… 133 (After theExxon Valdez, the Hebei Spirit ; The damaged ship conundrum; Farewell to container ships ; Lepse ; Letters to the Editor ; No summer break ; The END – the explosion of Prem Divya) # 30 from October 15th to December 31st ….………………..…………….……… 197 (Already broken up, but heading for demolition ; Demolition in America; Falsterborev, a light goes out ; Ships without place of refuge; Demolition on the field (continued) ; Hong Kong Convention; The final 2012 sprint; 2012, a record year; The END – Charlesville, from Belgian Congo to Lithuania) Global Statement 2012 ……………………… …………………..…………….……… 266 Bulletin of information and analysis May 7, 2012 on ship demolition # 27 from January 1 to April 15, 2012 Ship-breaking.com An 83 year old veteran leaves for ship-breaking. The Great Lakes bulker Maumee left for demolition at the Canadian ship-breaking yard at Port Colborne (see p 61). -
BP Sustainability Report 2006 to Provide Assurance on the Information Reported
Sustainability Report 2006 About this report In BP we define ‘sustainability’ as the capacity 1 Group chief executive’s introduction to endure as a group: by renewing assets; creating and delivering 3 Achievements and challenges better products and services that meet the evolving needs 4 Industry in context of society; attracting successive generations of employees; 6 The way we work contributing to a sustainable environment; and retaining the trust and support of our customers, shareholders and the communities 8 Chapter 1: Responsible operations in which we operate. 9 Safety Each year we aim to improve our sustainability reporting to 10 The Texas City incident and initial responses reflect the concerns of our readers more closely and the priorities 12 Improving process safety management of the business more clearly. 16 Operational integrity This year, BP’s performance on key sustainability issues related to 18 Environmental management our operations has been under intense scrutiny from governments, 22 Decommissioning and remediation investors, civil society and the media. Our intention in producing 23 Security 24 Engaging with communities this report has been to provide a clear and concise account of these 26 Our people issues and how we are responding to them. To achieve this, we 30 Compliance and ethics have produced a shorter, more focused printed report, with heavier weighting to the chapter on responsible operations. The printed report covers the issues that we have identified as most important for our audiences, while our online reporting covers 32 Chapter 2: BP and climate change a wider set of issues and reports on them in more depth. -
Cover Contents SD368.Qxd:Layout 1
+ 16 DIGITAL AGE 22 INDIA 46 STATS REVIEW The technology to Fuelling a Marking 60 years manage corrosion growing giant of energy data THE INTERNATIONAL MAGAZINE OF THE BP GROUP ISSUE 2 2011 BPMAGAZINE 08 SPOTLIGHT: EXPLORATION NEW PROSPECTS BP Magazine talks to the company’s Exploration leader about investing for the future. Welcome. There’s been a lot of debate lately about whether the days of ‘easy oil’ are over. But, contents / issue 2 2011 I suspect that if you were to ask the late William Knox D’Arcy – BP’s founder – he would probably + Features have told you there was nothing ‘easy’ about Cover story looking for oil in the early 20th century. One 08 Future assets BP’s head of Exploration, Mike Daly, talks about the company’s series of new access thing is clear – finding new sources of energy deals and the importance of passing on knowledge to remains the lifeblood of any oil and gas company. the next generation of explorers. By Lisa Davison We talk to Mike Daly, BP’s head of Exploration Photography by BP Imageshop & Corbis (page 8), about this ongoing search and find out 16 Corrosion control Managing the effects of corrosion on platforms and refineries is a daily task, so the why flexibility is crucial to success. On page 22, development of new technologies is proving vital in helping we head for India, a nation with rising energy BP’s engineers tackle it. By Jaclyn Clarabut Photography by Marc Morrison needs and the hydrocarbon potential to meet 22 Indian investment With a new partnership with some of that demand. -
BP's Cultural Sponsorship: a Corrupting Influence
BP’s cultural sponsorship: A corrupting influence Art Not Oil May 2016 Coalition artnotoil.org.uk The Art Not Oil coalition Art Not Oil is a coalition of groups united around the aim of ending oil sponsorship of the arts. They include BP or not BP?, Platform London; Rising Tide a theatrical protest group UK; UK Tar Sands who campaigned Network; Dharma successfully to end BP’s Action Network for sponsorship of the Climate Engagement; Edinburgh and the Progressive International Festival; Science Institute. Liberate Tate, whose We are part of the audacious art interventions international movement Gilberto Torres, who is currently suing helped force Tate and BP to for #FossilFreeCulture. BP for its role in his kidnap and split; the PCS Union Culture Sector, torture in Colombia, speaks about his For more info please visit our experiences in the British Museum. representing 5,000 workers in UK Photo: Kristian Buus museums and galleries; website: artnotoil.org.uk Far from being a ‘no strings attached’ Contents funder, BP’s behaviour is Summary 3 described by a member of Key findings 4 British Museum staff, Introduction 5 speaking exclusively for this report, as ‘extremely 1. BP-sponsored security 7 demanding of the a. Collusion Around the Management of Legitimate Protest 7 b. BP-hosted ‘Counter-Terrorism Training’ 9 Museum – bullying, c. Day-to-Day Security Collaboration 10 I would say.’ d. Security Collaboration at the Science Museum 12 Front cover photo: Performers from the e. Evidence Gaps in Security Disclosure 14 Art Not Oil coalition call for an end to BP sponsorship of culture, in the British Museum. -
BP's Impact on the UK Economy
BP’s impact on the UK economy A report by Oxford Economics September 2015 2 BP’s impact on the UK economy 01 Contents 02 Foreword – Bob Dudley, group chief executive, BP 03 Executive summary and highlights 06 How BP contributes directly to the UK’s economy 10 How BP contributes indirectly to the UK’s economy 14 BP’s impact on the UK’s regional economy 20 BP’s investments in UK technology and innovation 22 BP’s investments in UK education, sports partnerships and arts and culture 26 Methodology 28 Glossary 29 Contacts, links and further information About Oxford Economics Oxford Economics is a key Oxford Economics was founded adviser to corporate, financial and in 1981 as a commercial venture government decision makers and with the University of Oxford’s thought leaders. Its worldwide business college to provide client base now comprises economic forecasting and modelling more than 1,000 international to businesses and financial organizations, including leading institutions. It has become one of multinational businesses the world’s foremost independent and financial institutions; key global advisory firms, providing government bodies and trade research, forecasts and analytical associations; and top universities, tools on 200 countries, 100 consultancies and think tanks. industrial sectors and more than 3,000 cities and regions globally. 02 BP’s impact on the UK economy 03 Foreword Executive summary Welcome to this report on BP’s contribution to the UK economy. It sets out to quantify the impact of our • BP supported an estimated £8.4 billion gross value added contribution business in more detail than we have provided before. -
Annual Report and Accounts 20 0 0 Annual Report and Accounts
annual report and accounts 2000 exploration and production Activities: Present in 25 countries; production operations in 21 countries Daily production: 1.93 million barrels of crude oil and 7.6 billion cubic feet of natural gas (60% oil, 40% gas) Discoveries: 33 giant finds 1996-2000 (>250mmboe) Reserves: 15.2 billion barrels of oil equivalent (50% oil, 50% gas) Reserve replacement ratio: 160% Reserve replacement exceeded production in 2000 for the seventh consecutive year gas and power Activities: Gas sales contracts in 24 countries Gas sales volumes: 14.5 billion cubic feet a day Power: 1,900MW power generation projects under development or construction refining and marketing Refineries (wholly or partly owned): 24 Refinery throughput: 2.9 million barrels of crude oil a day Oil product marketing sales: 3.8 million barrels a day Service stations: 29,000 chemicals Sites worldwide: 55 Production: 22.1 million tonnes a year Revenues: $11.2 billion a year BP Amoco p.l.c. is the parent company of the BP group of companies. The term ‘shareholders’ in this report means, unless the context otherwise requires, investors in the equity capital of BP Amoco p.l.c., both direct and/or indirect. The report of the directors on the business of the company and its subsidiary undertakings is on pages 2-28 and 71-85 inclusive. The consolidated group accounts are on pages 30-62 inclusive. The report of the auditors is on page 63. Unless otherwise stated, the text does not distinguish between the activities and operations of the parent company and those of its subsidiary undertakings. -
BP Sponsorship (1990 — 2006)
BP Sponsorship (1990 — 2006) Year Amount 2006 £330,000.00 2005 £330,000.00 2004 £330,000.00 2003 £330,000.00 2002 £330,000.00 2001 £250,000.00 2000 E250,000.00 1999 £150,000.00 1998 £150,000.00 1997 £150,000.00 1996 £150,000.00 1995 £150,000.00 1994 £150,000.00 1993 £150,000.00 1992 £150,000.00 1991 £150,000.00 1990 £300,000.00 Confidential Ethics Committee BP'S SPONSORSHIP OF TATE 1. Purpose of Report The Ethics Committee are asked to review Tate's sponsorship relation with BP, specifically considering whether the reputational risk to Tate outweighs the benefit of BP's financial support. The Committee are asked to consider this relationship in light of recent adverse press coverage of the environmental consequences of BP's activities, the specific criticism of Tate by a number of activist groups and a number of related press enquiries to Tate about our continued relationship with BP. 2. Recommendations The Ethics Committee is asked to consider whether the continued acceptance of funds from BP would significantly damage the effective operation of Tate in delivering its mission, as defined by Tate's Ethical Fundraising Policy, because the acceptance of funds would: 1. Harm Tate's relationship with other benefactors, partners, visitors or stakeholders; 2. Create unacceptable conflicts of interest; 3. Materially damage the reputation of Tate; or, 4. Detrimentally affect the ability of Tate to fulfil its mission in any other way than is mentioned above. Tate's Ethics Policy is set out in full at Appendix 1. -
A Cultural Semiotic Study of the Print Advertising of the Oil Industry (1900-2000)
Good Guys: A Cultural Semiotic Study of the Print Advertising of the Oil Industry (1900-2000) Pamela Vang Linköping Studies in Arts and Science No. 621 Studies in Language and Culture No. 25 Linköping University Department of Culture and Communication Linköping 2014 Linköping Studies in Arts and Science • No 621 At the Faculty of Arts and Science at Linköping University, research and doctoral studies are carried out within broad problem areas. Research is organized in interdisciplinary research environments and doctoral studies mainly in graduate schools. Jointly, they publish the series Linköping Studies in Arts and Science. This thesis comes from the Graduate School in Language and Culture in Europe at the Department of Culture and Communication, Division of Language and Culture. Distributed by: Department of Culture and Communication Linköping University SE-581 83 Linköping, Sweden Pamela Vang Good Guys: A Cultural Semiotic Study of the Print Advertising of the Oil Industry (1900 – 2000) Edition 1:1 © Pamela Vang Department of Culture and Communication 2014 ISBN: 978-91-7519-318-2 ISSN 0282-9800 Cover image: Original water colour by Ida van Der Woude Printed by LiU-Tryck, Linköping 2014 Images removed due to copyright. For a complete copy contact [email protected] or [email protected] To Christopher Acknowledgements No project can be accomplished solo and as this project is nearing its completion, it is time to thank the people who have helped me along the way. First of all, I would like to thank Per-Olof Brehmer and Johan Holtström for making it possible by giving me the time that I needed to reach the goal. -
BP Sustainability Report 2007 Addresses the Issues That Five-Year Performance Data 36 We Have Identified As Most Important to Our Audiences
Sustainability Report 2007 Client: BP JSQ Project: Sustainability Report 2007 ID No: C13982 Page no:FCA Date: 07/05/2008 Work instruction no: verbal Operator: pm/sj/pm/slo/im/sl/pm/pm/wf/pm Proof Reader: IFCB About this report At BP we define sustainability as the Group chief executive’s introduction 1 capacity to endure as a group: by renewing assets; creating BP in 2007 2 and delivering better products and services that meet the The way we work 3 1 Responsible operations evolving needs of society; attracting successive generations 1.1 Safety 4 of employees; contributing to a sustainable environment; 1.2 Managing our impacts 12 and retaining the trust and support of our customers, 1.3 People 20 shareholders and the communities in which we operate. 2 BP and climate change 26 3 BP and development 32 BP Sustainability Report 2007 addresses the issues that Five-year performance data 36 we have identified as most important to our audiences. This Trends and interpretations 37 PDF report is aimed at specialist audiences with an interest Independent assurance statement in BP’s sustainability performance, including academics, to BP management 38 Our approach to reporting and glossary 40 investors and non-governmental organizations. In addition, our online reporting covers a wider set of issues and reports on them in more depth. In response to feedback, we have also produced #1BOEDMJNBUFDIBOHF BP Sustainability Review 2007, which contains a short selection of highlights from this PDF report. This document 1SPHSFTTJWF PQFSBUPS is available to view or order at www.bp.com. -
Picture This — a Portrait of 25 Years of Bp Sponsorship
PICTURE THIS — A PORTRAIT OF 25 YEARS OF BP SPONSORSHIP 1 “Twenty-five years ago people could be excused for not knowing much, or doing much, about climate change. Today we have no excuse. No more can it be dismissed as science fiction; we are already feeling the effects… It is clear that those countries and companies primarily responsible for emitting carbon and accelerating climate change are not simply going to give up; they stand to make too much money. They need a whole lot of gentle persuasion from the likes of us… We can encourage more of our universities and municipalities and cultural institutions to cut their ties to the fossil-fuel industry.” Archbishop Desmond Tutu1 “What is to be done? I am inclined to argue that the Award now has the opportunity to escape from the dead patronage of BP. Apart from all other matters in the Gulf of Mexico, the ghastly deaths of pelicans, turtles and other marine creatures, there are enough to convince me that BP is in such deep disgrace that its very initials sully everything associated with the firm. It would be wise to withdraw from its sponsorship of the arts.” Art critic Brian Sewell, commenting on the BP Portrait Award in 20102 Contents Introduction 4 A Portrait of 25 Years of BP 6 BP’s ongoing Gulf Coast disaster 14 Culture Clash infographic 16 Picturing the Future 22 Written, researched and compiled by Kevin Art Not Oil is a coalition of organisations Smith and Jane Trowell, Platform. Additional united around the aim of ending oil contributions by Emma Hughes, James sponsorship of the arts.