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Scot Gresham-Lancaster T +01 510-482-1110 Scotgl @Gmail.Com Scot Gresham-Lancaster T +01 510-482-1110 scotgl @gmail.com http://scot.greshamlancaster.com Education 2003-2007 Master of Arts Multimedia , CSUEastbay 2004-2006 Bachelor of Science Digital Audio Technology, Cogswell College Profile He is dedicated to research and performance using the expanding capabilities of computer networks to create new environments for musical and cross discipline expression. For over two decades, he has worked with multimedia prototyping and user interface theory and its relationship to new markets as an independent consultant and at Interval Research, SEGA- USA, and Muse Comunications. Experience Media Specialist in Emerging Technologies for Media Technology Services California State University East Bay Hayward Campus 2008 - present Adjunct Lecturer, San Jose State University, San Jose, CA — 2004-present ElectroAcoustic techniques for Film and Video Adjunct Lecturer, Cogswell Polytechnical College, Sunnyvale, CA — 2004-present Audio Recording, Studio technique, Game Audio, Visual programming for Audio and the web. Lecturer, Diablo Valley College Concord,CA— 2003-2006 Sound for film, Tracking, Mixing and Mastering DVD Authoring and Mastering, University of California, Center for New Music Audio Technology CNMAT — 2003-2005 Editing Live concert footage in Final Cut Pro and 5.1 mastering for DVD Lecturer in Computer Music, Recordist, and Electronic Technician CSUHayward, Hayward, CA — 1986-2004 Responsible for all audio and inter media electronics on campus Audio Engineer and Composer Muse Corporation, San Mateo, CA — 1999-2001 Designing and implementing music, ambient sounds, and audio user interface cues for an interactive online 3d virtual world engine and associated community Game Audio Designer and Sound Track Composer, SEGA Foster City, CA — 2001 Designing and implementing music, ambient sounds, and audio user interface cues for an interactive online 3d virtual world engine and associated community Adjunct Lecturer, Ex'pressions Center for New Media Foster City, CA — 1999-2000 Teaching Audio Engineering, ProTools, DVD mastering, Music Theory Consultant Prototype Designer, Interval Research Palo Alto, CA — 1995-1998 Designing and implementing music, ambient sounds, and audio user interface cues for an interactive online 3d virtual world engine and associated community Technical Director, Center for Contemporary Music Mills College Oakland, CA—1981-1986 Teaching and assisting graduate students with graduate thesis projects as a technical advisor.Managed eight graduate assistants in running and maintaining the studios and concert series. Skills New Media, Sound Designer and Educator in Analog and Digital Media Techniques, Recording studio designer and engineer with 20 years of professional recording experience. ProTools certified and has worked professionally with Final Cut Pro, DVD Studio Pro,Nuendo, Logic, Cakewalk, Digital Performer, PD, Max/MSP. Programming languages: C/C++, Smalltalk, Python, Actionscript, Max/MSP, Pure Data, Csound, Saol, Supercollider, Mac OS X/Classic, Windows, Unix, Linux system administration, Microsoft Offices Suite, Hardware: Circuit design and layout, fabrication in metal, wood, and plastic Published author and technical theorist Accomplished composer, pianist and guitarist Chronology of work 2010 Remap (McCall.DEM) performed at Seconde Nature, during Sonification (what, where, how and why), a symposium sponsored by Locus Sonus, LAMES, CRISAP (LCC UAL) & Seconde Nature, Aix-en-Provence, March 4 & 5, 2010. 2009 Vineland: Toyoji's Song Data generated from Camalie Vineyard defines the musical gestures of this piece. In memory of our good friend Toyoji tomita Cellphonia: 4 min 33 sec as part of the 2009 NIME conference at Carnegie Melon Univ. in Pittsburg PA, co-sponsored by Harvestworks, NY,NY here a recording of the ongoing performance here: http://cellphonia.org/433 Cellphonia: 4 min 33sec is a tribute to the concept embodied in John Cage's landmark piece, 4 min 33 sec. It is a structural and aesthetic construct that is a formal expansion of the piece. Technology is used to examine the sounds around us, but also to include those parts of our personal sound scape that are augmented by technology, by the addition of the cellphone to our acoustic world. 2008 Cellphonia: Tempo Variabile as part of the E.A.T. revisited conference at Stevens Institute in Hoboken, NJ, co-sponsored by Harvestworks, NY,NY see a video of the performance here: http://www.sittv.com/videos/eat-revisited-perfomance The audience was encouraged to call a special phone number with their and leave a message that became part of the performance audio. “Experiments in Art in Technology (E.A.T) Revisited,” examined and honored E.A.T.’s historic work in promoting collaborations between artists and engineers, and explore its influences on contemporary art and technology. The weekend included an exhibition, panel discussion, sound performance and film screening. Cellphonia was the sound performance with my cellphonia partner: Steve Bull accompanied by William Brooks, Phil Edelestien and Hans Tammer. HUB retrospective 3 CD set called "Boundary Layer" on the Tzadik label 2007 Music Box 2 - Neural Network based Synthesizer working with Mark Holler and Forrest Warthman we are working to make an online sonic resource for sonic experimenters and educators that will give immediate realtime access to the ETANN (Electronically Trainable Analog Neural Net) Synthesizer develloped by Mark and Forrest for David Tudor in the 1990's Video design for "Telemaitc Circle Concert" Nov. 2007 The SoundWIRE ensemble Course@Stanford performed a concert with Tintinnabulate at RPI (NY) and VistaMuse at UCSD. The program includes TeleCello Concerto, Water Naught and Three Ways. Cellphonia: Wet with Steve Bull, Terese Svoboda at NIME 2007 a cellphone interactive sound/video installation. Visitors will experience a 6-minute 5-song looping vocals of naiads lamenting the loss of the world's fresh water with projected video accompaniment. Published "Cellphonia: a framework for Open Source "cellphone opera" creation" in partial completion of MA in New Media at CSU Eastbay. Progen Inc./Auraphoto working for Guy Coggins to develop new technologies for spiritual enrichment and entertainment, including opening new markets in autostereoscopic 3D for digital signage and entertainment with Progeny3D in collaboration with Enter Networks. Music in the Global Village: Budapest, HU September. the HUB were featured performers Netbased collaboration in computer musics Utopia>Music in the Global Village researches technological and artistic domains that are made available in the interaction of humans and machines in networked systems. To this end, in 2005 the initiators Georg Hajdu (Hamburg, Germany) and Andrea Szigetvári (Budapest, Hungary) founded the EBE (European Bridges Ensemble) together, a platform for musical internet- and network-performances. Presented the paper: No there, there. The Deep Listening Convergence Concert Series June in the Hudson Valley, NY, USA Forty five musicians representing 11 countries are coming together at the Lifebridge Sanctuary in High Falls NY after a five month virtual residency online to perform three New York State concerts. technical director Scot Gresham-Lancaster, the three concerts are the proof of concept. Via the internet using Skype, musicians form new ensembles, improvise, plan and rehearse in audio conferences up to ten players at a time. The concerts will feature various world premieres and a wide array of compositions 2006 Hub Tour late spring 2006- Cuneo Italy at the "Consevatorio di Musica "Giorgio Federico Ghendini" with the students of Stefano Bassanese -> Padua June 5, 2006 at 9:00 p.m. “The Hub” in concert at the Auditorium “C. Pollini” Centro d'arte degli studenti dell'Università with artistic director and musicologist Veniero Rizzardi making instant criticism in Italian via the online chat that we use to coordinate our playing. -> IRCAM to present at the NIME 2006. Serge Tcherepnin kindly hosted us while in Paris. -> Köln/DE, Brückenmusik, inside Deutzer Rhine bridge curated by Hans Koch Celllphonia:in the News working with Steve Bull and Tim Perkis we are developing a New York State Council for the Arts commision to create an Open Source Opera that uses the Asterisk PBX to prompt users to speak or sing specific cues that are then mixed with a precomposed score using csound. Perl is used to coordinate all the actions that link phone calls to a mySQL database and allow participants to retrieve the finished rendition of their "scene" via the web, podcast, or over their phone. Premiered at the Mobile Music conference 2006 in March at Brighton UK. 2005 HUB did a 6 day workshop at Tesla in Berlin with a concert on the evening of June 23, 2005. We focused our energy on getting oscgroups to work which enabled us to interconnect via TCP/IP using the OSC protocol. Then in November we did a Four city German tour playing in Dortmund (WDR AB_TIME III @ NIME 2005 the conference was hosted at the University of British Columbia in Vancouver, Canada May 26th. All spaces are interconnected in "near" s'real time over the Internet with large-scale video projections in the performance areas. Dancers interact with the distortion of time and space created by aiming the video camera at the video projection of the other spaces. Screen inversion, network delay and dropout artifacts all add to the unique texture and dimension of the projection.Tomie Hahn will be a featured artist in this performance dancing to Scot Gresham-Lancaster's
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