Dafnis Prieto Big Band 1Sheet 1801

Total Page：16

File Type：pdf, Size：1020Kb

DAFNIS PRIETO BIG BAND Making his biggest statement yet, Cuban-born drummer, composer, bandleader, and 2011 MacArthur “Genius” Fellow Dafnis Prieto premiered the Dafnis Prieto Big Band over three exhilarating nights at New York’s Jazz Standard in August 2017, followed by a studio recording of his first big band album. Titled Back To The Sunset, the album will released on April 6, 2018 on Dafnison Music, marking the 10th Anniversary of Prieto’s own record label. One of the leading musical voices of his generation, Prieto exclusively wrote and rearranged works of his own, underlining once again his prowess as a trailblazing composer while honoring musical heroes and mentors such as Eddie Palmieri, Chico O'Farrill, Michel Camilo, Henry Threadgill, and Steve Coleman, and making an artistic statement that transcends time and culture. Since arriving in the U.S. from Cuba in 1999, Prieto has been fearless in his vision, playing and writing across styles, always with a forward-looking eye. He is known for his inventive, sensitive drumming and propulsive rhythm. His compositions mix lush and jubilant melodies with polyrhythm, displaying a range of musical vocabularies from Latin jazz to classical chamber music. He has composed for numerous configurations, amassing a catalog of more than 50 original works. Prieto is committed to maintaining a bold vision for his music. The 17-piece orchestra showcases some of the world’s best Latin jazz musicians, many of whom have previously played his music in his other bands. It features three horn sections (saxophones, trumpets, and trombones) and a rhythm section of piano, bass, congas, and Prieto on drums. Joined by special guests Henry Threadgill, Steve Coleman, and Brian Lynch, the big band recorded its debut album in New York City in August 2017. Produced by GRAMMY and Latin GRAMMY-winning producer Eric Oberstein, heralded for producing big band projects with Arturo O’Farrill, the album will be released worldwide on April 6, 2018 on Prieto’s own label, Dafnison Music. For Prieto, creating a big band was also an opportunity to honor his heroes. The album features new versions of his pieces “Song for Chico” and “The Triumphant Journey,” previously recorded by Arturo O'Farrill and the Afro Latin Jazz Orchestra, paying tribute to Cuban composer and Arturo’s father Chico O’Farrill, as well as trumpeter Dizzy Gillespie and conguero Chano Pozo, respectively. Prieto also recorded several brand new compositions, including “Una Vez Más,” dedicated to Eddie Palmieri and trumpeter Brian Lynch. Other tracks include arrangements of Prieto’s “Two for One,” originally commissioned by the Doris Duke Charitable Foundation and premiered by his sextet at the 2012 Newport Jazz Festival, as well as “The Sooner the Better” and “Prelude Para Rosa” from his 2008 release, Taking the Soul for a Walk. With this project, Prieto continues the tradition of drummers leading big bands, including Chick Webb, Gene Krupa, Buddy Rich, and Mel Lewis, among others. He has had longstanding relationships with champions of the big band sound, including Arturo O’Farrill, Eddie Palmieri, and the late Bebo Valdés. “Cuban drumming phenom Dafnis Prieto scores big band gold with Back to the Sunset. He has taken his music a step further, writing and arranging a suite of big band charts that both pays homage to those who have inspired him while also blazing a trail forward into explosive new ground.” --The Huffington Post (from album preview) .

Copy Link

Recommended publications

Program Features Don Byron's Spin for Violin and Piano Commissioned by the Mckim Fund in the Library of Congress
Concert on LOCation The Elizabeth Sprague Coolidge Foundation The McKim Fund in the Library of Congress "" .f~~°<\f /f"^ TI—IT A TT^v rir^'irnr "ir i I O M QUARTET URI CAINE TRIO Saturday, April 24, 2010 Saturday, May 8, 2010 Saturday, May 22, 2010 8 o'clock in the evening Atlas Performing Arts Center 1333 H Street, NE In 1925 ELIZABETH SPRAGUE COOLIDGE established the foundation bearing her name in the Library of Congress for the promotion and advancement of chamber music through commissions, public concerts, and festivals; to purchase music manuscripts; and to support musical scholarship. With an additional gift, Mrs. Coolidge financed the construction of the Coolidge Auditorium which has become world famous for its magnificent acoustics and for the caliber of artists and ensembles who have played there. The McKiM FUND in the Library of Congress was created in 1970 through a bequest of Mrs. W. Duncan McKim, concert violinist, who won international prominence under her maiden name, Leonora Jackson, to support the commissioning and performance of chamber music for violin and piano. The audiovisual recording equipment in the Coolidge Auditorium was endowed in part by the Ira and Leonore Gershwin Fund in the Library of Congress. Request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 [email protected]. Due to the Library's security procedures, patrons are strongly urged to arrive thirty min- utes before the start of the concert. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the chamber music con- certs.
[Show full text]
GRAMMY© AWARD WINNING TRUMPETER Brian Lynch
GRAMMY© AWARD WINNING TRUMPETER Brian Lynch “You can lose yourself in the pure energy of his playing, but at any moment you can switch your attention to the logic and craftsmanship of his music and find multiple rewards.” NEIL TESSER, Jazziz “Lynch demonstrates that a dedicated, knowledgeable jazzman can play a diversity of styles with telling authenticity, and make the renditions extremely appealing to both musician and neophyte...Lynch is simply first- rate.” ZAN STEWART, Downbeat “When youʼre as dynamic and flexible a trumpeter as Lynch, everyone wants you.” THE NEW YORKER “ … a knife-blade articulation on his horn… his command of rhythm, sharpened by a long apprenticeship with Mr. Palmieri, lent impressive authority to his playing…” NATE CHINEN, The New York Times “Ranks in the top ten of current trumpeters.” SCOTT YANOW, Cadence Magazine “Brilliant… two steps ahead of the ordinary ear.” REUTERS NEWS TRUMPETER COMPOSER ARRANGER EDUCATOR BANDLEADER: “Spheres Of Influence” “Unsung Heroes Project” The Brian Lynch Big Band Brian Lynch "This is a new millennium, and a lot of music has gone down," Brian Lynch said several years ago. "I think that to be a straight-ahead jazz musician now means drawing on a wider variety of things than 30 or 40 years ago. Not to play a little bit of this or a little bit of that, but to blend everything together into something that sounds good. It doesn't sound like pastiche or shifting styles; it's people with a lot of knowledge." Few musicians embody this 21st century credo as profoundly as the 48-year-old trumpet master.
[Show full text]
Dafnis Prieto Big Band
DAFNIS PRIETO BIG BAND Making his biggest statement yet, Cuban-born drummer, composer, bandleader, and 2011 MacArthur “Genius” Fellow Dafnis Prieto premiered the Dafnis Prieto Big Band over three exhilarating nights at New York’s Jazz Standard in August 2017, followed by a studio recording of his first big band album. Titled Back To The Sunset, the album was released in April 2018 on Dafnison Music, marking the 10th Anniversary of Prieto’s own record label. Since then, the Big Band has performed to much acclaim at Carnegie Hall’s sold-out Zankel Auditorium, Duke University, the Savannah Music Festival, the Spoleto Festival USA, and the Newport and Northsea Jazz Festivals. Its crowning achievement was a 2018 Grammy Award for Best Latin Jazz Album. One of the leading musical voices of his generation, Prieto exclusively wrote and rearranged works of his own for the big band, underlining once again his prowess as a trailblazing composer while honoring musical heroes and mentors such as Eddie Palmieri, Chico O'Farrill, MicHel Camilo, Henry THreadgill, and Steve Coleman, and making an artistic statement that transcends time and culture. Since arriving in the U.S. from Cuba in 1999, Prieto has been fearless in his vision, playing and writing across styles, always with a forward-looking eye. He is known for his inventive, sensitive drumming and propulsive rhythm. His compositions mix lush and jubilant melodies with polyrhythm, displaying a range of musical vocabularies from Latin jazz to classical chamber music. He has composed for numerous configurations, amassing a catalog of more than 50 original works.
[Show full text]
Dafnis Prieto Big Band
12 SAT 8 PM DAFNIS PRIETO MARCH 21 Cullen Theater, BIG BAND Wortham Theater Center Dafnis Prieto, drums Josh Deutsch, trumpet and flugelhorn Román Filiú, alto saxophone, flute, clarinet Tim Albright, tenor trombone Michael Thomas, alto saxophone, flute, piccolo Alan Ferber, tenor trombone Peter Apfelbaum, tenor saxophone, melodica Jacob Garchik, tenor trombone Joel Frahm, tenor saxophone Jeff Nelson, bass trombone Chris Cheek, baritone saxophone Manual Valera, piano Mike Rodríguez, trumpet Ricky Rodríguez, bass Nathan Eklund, trumpet and flugelhorn Roberto Quintero, percussion Alex Sipiagin, trumpet and flugelhorn Selections to be announced from the stage Tonight’s concert will include one 20-minute intermission. Concert Sponsors ELAINE AND MARVY FINGER / THE FINGER COMPANIES 13 When Dafnis Prieto was a boy of 9 or 10, he heard a big a 17-piece orchestra—as well as producing the album band in Santa Clara, Cuba called Orquesta Cubana de and doing the studio mix-downs. Are you kidding me? Musica Moderna. Because of political constrictions, the Have we mentioned that Prieto received a MacArthur band was playing modern jazz under the cover of Cuban Fellowship genius grant in 2011? folkloric music. “When I saw that for the first time I was Prieto says the program for DACAMERA in Houston blown away,” he says. “That band had a great drummer. will feature all the music from the album. “This is the His nickname was El Peje. We are still friends from biggest template I have had to put my music on. It when I was a young kid.” has much more possibilities sonically, using as much From that point on, Prieto had a dream that one day imagination as possible.
[Show full text]
January 2006 AAJ-NY.Qxd
NEW YORK January 2006 | No. 45 Your FREE Monthly Guide to the New York Jazz Scene newyork.allaboutjazz.com YUSEF LATEEF Roots & Routes Annie Ross • Ken Vandermark • ArtistShare • Enzo’s Jazz • Event Calendar piano by WORLD’S FINEST JAZZ CLUB & RESTAURANT • 131 W 3RD ST NYC • 212 475-8592 • WWW.BLUENOTEJAZZ.COM MONDAY NIGHTS • 8 & 10:30PM LATE NIGHT GROOVE SERIES • 12:30AM SUNDAY JAZZ BRUNCH • 12:30&2:30PM DEBORAH DAVIS Jan 2 REGGIE WASHINGTON 4TET Fri Jan 6 DANA LEONG QUINTET Fri Jan 20 YUKIJURUSHI Jan 1 BENEFIT FOR LEUKEMIA SOCIETY EISHIN NOSE TRIO Jan 8 ALTER EGOS Sat Jan 7 DANIEL SADOWNICK Sat Jan 21 RONDI CHARLESTON Jan 9 'EnJ' - EIJIRO NAKAGAWA & JIM PUGH Jan 15 ROLAND GUERIN Jan 16 QUEEN AAMINAH Fri Jan 13 JONATHAN MARON Fri Jan 27 AYAKO SHIRASAKI TRIO Jan 22 NEW SOUND OF SOUL JAZZ SERIES ANGELA JOHNSON Jan 30 LICORICE Sat Jan 14 THE SQUARE EGG Sat Jan 28 TRIO RICOCHET Jan 29 NEW YORK MILAN TOKYO OSAKA NAGOYA 4]`@SaS`dObW]\a /ZZaV]ea BcSAc\%(!'(!^[ #&'#'# e(!^[aSb4`WAOb BcSAObOTbS`V]càaSb eeeXOZQ]Ù C>AB/@BA 4`SRS`WQY>@]aS6OZZ ;]\ROga%(!'(!^[ 6][S]T8OhhOb:W\Q]Z\1S\bS` 0`]OReOgOb$bVAb`SSb#bVÀ]]` 8O\cO`g% ;O`Y=¸1]\\]` BO^G]c`7\\S`8Ohh 6]bAeW\U e@]PS`bO5O[PO`W\W6]eO`R/ZRS\ 0`gO\Acbb]\8]\0c`` /4B3@6=C@A(5`SbQVS\>O`ZOb]1] 8O\cO`g!& 8O\cO`g " ' 8]Sg2S4Ò\QSaQ]B`W] ;cZU`Se;WZZS` /4B3@6=C@A(>OÔ8]V\2S4Ò\QSaQ]B`W] O\REW\UaÔ\ 8O\cO`g# eAbSdS<SZa]\2cO\S3cPO\YaAbSdSEWZa]\ 7dO\BOgZ]`@]R\Sg5`SS\ BVS;caWQ]T /4B3@6=C@A(5S]ÙS1]ZZWUO\B`W] B][[g4ZO\OUO\ 8O\cO`g!4SP`cO`g# O\R;WZb8OQYa]\ e:SeWa<OaV@S\SS@]a\SaAbSdS<SZa]\ AVORSa]T8ORS >SbSÈOaVW\Ub]\ e;O`Y8]V\a]\8]S:]dO\]3ZWO\S3ZWOa8]Sg0O`]\ /4B3@6=C@A(7/83/eO`REW\\Sà /4B3@6=C@A(<ObVOZWSR4O[WZgeWbV;O`Q1O`g NEW YORK So after turkey overload during Thanksgiving and the exhausting festivity of the holiday season (made extra special by our transit strike), most of us can hope to New York@Night take it easy during January.
[Show full text]
Jazz at the University of Southern California in in the Post-Wynton Marsalis Era, Terence Blanchard Has Become a Prominent Trumpet Player, Los Angeles
angelcityjazz.com Angel City Jazz Festival Legend has it that when approached at a party given by a support of Richard Sears’ composition which will receive former secretary of state and asked what he had done in its world premier on October 6th, and the Thelonious Monk his life that made him so important, Miles Davis replied in Institute’s fine young musicians who will be performing his trademark raspy voice, “Well, I changed the course of with Greg Osby and Anat Cohen. We would also like to music 5 or 6 times.” thank our board of directors for their valuable guidance Jazz is an art that never stands still. It’s constantly and support. evolving and changing. Improvisation, which is at the very On a personal note, the festival producers extend our core of jazz, means never playing something the same condolences to the family and friends of pianist Larry way twice. While some festivals look back at jazz with Karush who passed away this year after a long battle with nostalgia, Angel City unapologetically looks forward, to cancer. Larry performed several times at the festival and embrace and encourage change. was a treasured member of the LA Jazz community. Metamorphosis means transformation or change. In jazz, The Angel City Jazz Festival ,The Jazz Bakery and improvisation is often called playing over the changes. Icons Among Us: Jazz in the present tense, present Jazz evolved from the blues, boogie-woogie and tin-pan Metamorphosis: Artists on the cutting edge of change. alley, and has moved through Dixieland, swing, bebop, cool, Latin, free, post bop, downtown, fusion and beyond.
[Show full text]
News Release
NEWS RELEASE UMass Amherst Fine Arts Center www.fineartscenter.com CONTACT: Shawn Farley at 413-545-4159 or [email protected] FOR IMMEDIATE RELEASE: September 14, 2009 WHAT: Dafnis Prieto Sextet WHEN: Thursday, October 22 at 7:30 PM WHERE: Bowker Auditorium, Fine Arts Center University of Massachusetts Amherst Call 1-800-999-UMAS or 545-2511 for tickets or go online to www.fineartscenter.com IMAGES: To download images relating to this press release please go online to http://www.umass.edu/fac/centerseries/pressreleases/photo.html DRUMMER/COMPOSER DAFNIS PRIETO BRINGS HIS SEXTET TO FINE ARTS CENTER’S BOWKER AUDITORIUM Dafnis Prieto has been claimed as “… easily the most impressive young drummer to come on the jazz scene during the past decade” (All About Jazz). On Thursday, October 22 at 7:30 PM at the UMass Fine Arts Center’s Bowker Auditorium, the Cuban virtuoso and his sextet take the stage. Prieto’s drumming is often greeted with astonishment: his technique is at such a high level that his accomplishments baffle even professional drummers. Prieto is quick to remark: “it’s all about the music.” His sextet includes Dafnis on drums, Peter Apfelbaum, tenor and soprano saxophones, melodica, percussion; Felipe Lamoglia, alto and soprano saxophones; Ralph Alessi, trumpet; Osmany Paredes, piano and Charles Flores, bass. Born in Santa Clara, Cuba - Prieto studied classical percussion at the National School of Music in Havana and played extensively outside school, most notably in the experimental collective quartet Columna-B. He assimilated a broad timeline of Cuban street beats into his drumming and worked through the radical harmonic-rhythmic explorations of such post-Revolution Cubans as Emiliano Salvador and Gonzalo Rubalcaba, teaching himself not only to play drums, but also the art of composition.
[Show full text]
DAFNIS PRIETO SEXTET Thursday, October 22, 2009 at 10Am Bowker Auditorium
GLOBAL ARTS: Performances For Schools Presents DAFNIS PRIETO SEXTET Thursday, October 22, 2009 at 10am Bowker Auditorium Study Guides for Teachers are also available on our website at www.fineartscenter.com - select For School Audiences under Education, then select Resource Room. Please fill out our online surveys at http://www.umass.edu/fac/centerwide/school/index.html Thank you! Welcome Information for Teachers and Parents Our goal is to offer high quality performances for young people in a safe and comfortable setting. Please help us by following the below guidelines. Please arrive early. You should arrive at the theatre 30 minutes prior to the noted start time. Allow for travel time, parking, being seated and bathroom visits. It is important that we begin our performances on time so that all schools can meet their lunch and/or dismissal times. Be sure to check the location of the performance when making your bus reservations. Performances take place in the Fine Arts Center Concert Hall or Bowker Auditorium in Stockbridge Hall. Please see the map at the end of this guide for driving and drop-off instructions. Upon arrival your group will be greeted by an usher either at your bus or in the lobby. We do not issue individual tickets for performances. Your usher will direct your group to their reserved seats. Both theaters are accessible for Mobility Impaired members. An infrared listening system is available in both theaters. Access parking is available adjacent to the theaters. An Access permit should be clearly visible in the parked vehicle. To better meet your needs, please inform us of any special seating requirements one month prior to the performance by calling 413-545-2116.
[Show full text]
The Early Years the Early by Phil Woods
DOWNBEAT 212 Great Jazz Venues The Paul Motian Tribute PHIL WOODS // STANLEY JORDAN STANLEY // GARY SMULYAN GARY // DAFNIS PRIETO // PAUL MOTIAN PHIL // JAZZ VENUE GUIDE WOODS Stanley Jordan THE EARLY YEARS BY PHIL WOODS Gary Smulyan Dafnis Prieto Jeff “Tain” Watts FEBRUARY 2012 U.K. £3.50 BLINDFOLD TEST FEBRUARY 2012 FEBRUARY Dave Liebman TRANSCRIPTION DOWNBEAT.COM FEBRUARY 2012 VOLUME 79 – NUMBER 2 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editors Ed Enright Zach Phillips Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.
[Show full text]
Yosvany Terry Resume
YOSVANY TERRY Saxophonist, Composer & Educator & Chekeré www.yosvanyterry.com ___________________________________________________________________________ EDUCATION Escuela Vocacional Luis Casas Romero. Diploma de Media Básica, July 1986. Camagüey. Attended Conservatorio de Música “Amadeo Roldan” in 1989 and graduated from National School of the Art (ENA), Instrumentista-Profesor de Saxofón, July 1990. Havana. Courses on: Orchestration, Composition, Counterpoint, Conducting and Theory at The Julliard School and Mannes Schools under professors: Rudolph Palmer, Leo Edwards, Michael Adelson, Wendy Griffith, Wayne O’Quinn. TEACHING ● Harvard University, Lecturer & Director or Jazz Ensembles, EXPERIENCE Department of Music 2015-present. ● Boston University, lectures on Afro-Cuban Musical traditions 2018. ● Casa de las Americas, Ethnomusicology seminar in Havana, Cuba 2017. ● New York University, lectures 2017. ● Part-time Faculty at The New School University, New York, 2009-2015. ● Adjunct faculty at Harlem School of the Arts 2010-2015. ● Princeton University, master classes 2012-2015. ● University of Texas, Austin master classes and work-shop 2011. ● Brubeck Institute at University of Pacific, California 2010. ● Banff Music Center Canada, workshops in Afro-Cuban Jazz and clinician in Residence 2008-2015. ● La Peña Cultural Center, Oakland California Afro-Cuban traditions and master classes 2008. ● Harlem School of the Arts workshops in Afro-Caribbean music traditions 2008. ● Stanford Jazz Workshop, Stanford University, CA - Resident Instructor and Clinician, 1995-2017. ● Goddard College, Montpelier, Vermont - Workshops on Afro-Cuban Tradition and Latin Jazz, 2002. ● Gallery 37, Chicago - Faculty Musician 1999. ● Royal Conservatory of Music, Winnipeg, Canada - Workshops on Jazz and Afro-Cuban Music, 1998. ● Nu Upper Room, Oakland, CA - 30-day teaching residency program with Steve Coleman through a grant award from the Lila Wallace-Reader’s Digest Fund, September 1996.
[Show full text]
Dafnis Prieto Sio Siquartet *
Community Arts Program (CAP) 2019 Summer Concert Series 34th Season! DAFNIS PRIETO SI O SI QUARTET * "Invigorating, imaginative, and rhythmically exhilarating.” All About Jazz Dafnis Prieto, drums / Peter Apfelbaum, sax & percussion Martin Bejerano, piano / Armando Gola, bass Thursday, August 8, 2019 at 8:00 p.m. Coral Gables Congregational United Church of Christ Dafnis Prieto won the 2019 GRAMMY® for Best Latin Jazz Album for his latest recording, Back to the Sunset. He was awarded a MacArthur Fellowship (Genius Award) in 2011. He received a Latin Grammy nomination for Best New Artist in 2007. His album, Absolute Quintet, earned a Grammy nomination in 2006 for Best Latin Jazz Album. Prieto was named Up & Coming Musician of the Year in 2006 by the Jazz Journalists Association. Dafnis has worked in bands led by Henry Threadgill, Steve Coleman, Eddie Palmieri, Chico and Arturo O’Farrill, Dave Samuels & The Caribbean Jazz Project, Jane Bunnett, D.D. Jackson, Edward Simon, Michel Camilo, Chucho Valdez, Bebo Valdez, Roy Hargrove, Don Byron and Andrew Hill, among others. He has conducted master classes, clinics, and workshops throughout the world and previously served on NYU’s jazz faculty from 2005 to 2014. Originally from Cuba, Prieto’s revolutionary drumming techniques and compositions have had a powerful impact on the Latin and jazz music scenes, nationally and internationally. As a composer, Dafnis has created music for dance, film, chamber ensembles, most notably for his own bands including seven acclaimed recordings as a leader: About The Monks, Absolute Quintet, Taking The Soul For a Walk, Si o Si Quartet-Live at Jazz Standard, Dafnis Prieto Proverb Trio, Triangles and Circles, and Back to the Sunset, by the Dafnis Prieto Big Band.
[Show full text]
November 13 - 16 | Indianapolis, in |Indianapolis, -16 13 November Pasic Program
november 13 -16 |indianapolis, in pasic program Pasic table of contents 6 PAS President’s Welcome 8 Special Thanks 12 Area Map and Restaurant Guide 14 Convention Center Map 16 Exhibitors by Name 17 Exhibit Hall Map 18 Exhibitors by Category 22 Exhibitor Company Descriptions 36 11.13.19 Schedule of Events 37 11.14.19 New Music/Research Presents Events 38 11.14.19 Schedule at a Glance 40 11.14.19 Schedule of Events 42 11.15.19 Schedule at a Glance 44 11.15.19 Schedule of Events 48 11.16.19 Schedule at a Glance 54 11.16.19 Schedule of Events 60 About the Artists 90 PAS Corporate Sponsors 91 PASIC 2019 Advertisers 92 PAS History 94 PAS 2019 Awards 97 PAS Hall of Fame expa nd your pasic experience rudiment training 40 PAS Rudiments. drum set. keyboard. Come test your knowledge of the rudiments this year at PASIC. Become certified by PAS by participating in an interactive training session with top percussion educators. evening concerts full cash bar available Wednesday 8PM - Nate Smith + KINFOLK Thursday 8PM - Third Coast Percussion Friday 8PM - Tambuco Percussion Ensemble Saturday 5:30PM - Michel Camilo Trio with Dafnis Prieto & Eduardo Belo late night hangs westin lobby and bar - 10pm Thursday Night - Marimba/Vibe “Open Mic” Friday Night - Jazz Quartet with Surprise Guest Drummers world's fastest drummer booth 1309 closing drum cricle Serpentine lobby - 4pm find out more on Attendify the official pasic app PASIC® is a program of the Percussive Arts Society, whose mission is to inspire, educate, and support percussionists and drummers throughout the world.
[Show full text]