A POSTHUMAN READING of CORMAC Mccarthy's BLOOD
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John Barth Literary Manuscripts [Finding Aid]. Library of Congress. [PDF Rendered Tue Sep 23 15:00:19 EDT 2014] [XSLT Processor
John Barth Literary Manuscripts A Finding Aid to the Collection in the Library of Congress Manuscript Division, Library of Congress Washington, D.C. 2008 Revised 2010 April Contact information: http://hdl.loc.gov/loc.mss/mss.contact Additional search options available at: http://hdl.loc.gov/loc.mss/eadmss.ms008022 LC Online Catalog record: http://lccn.loc.gov/mm82050971 Prepared by Manuscript Division staff Revised by Margaret McAleer with the assistance of Lena H. Wiley Collection Summary Title: John Barth Literary Manuscripts Span Dates: 1955-1978 Bulk Dates: (bulk 1955-1968) ID No.: MSS50971 Creator: Barth, John, 1930- Extent: 90 items ; 11 containers plus 2 oversize ; 8.4 linear feet Language: Collection material in English Location: Manuscript Division, Library of Congress, Washington, D.C. Summary: Author. Holograph and annotated typed manuscripts and corrected galley and foundry proofs of several of Barth's early novels, short stories, nonfiction writings, and speeches. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Barth, John, 1930- Barth, John, 1930- End of the road. 1958. Barth, John, 1930- Floating opera. 1955. Barth, John, 1930- Giles goat-boy; or, The revised new syllabus. 1966. Barth, John, 1930- Sot-weed factor. 1960. Borges, Jorge Luis, 1899-1986. Subjects American essays. American fiction. American literature. Short stories. Speeches, addresses, etc. Occupations Authors. Administrative Information Provenance The literary manuscripts of John Barth, author, were given to the Library of Congress by Barth in 1968. -
The Influence of Herman Melville's Moby-Dick on Cormac Mccarthy's Blood Meridian
UNLV Theses, Dissertations, Professional Papers, and Capstones 8-1-2014 The Influence of Herman Melville's Moby-Dick on Cormac McCarthy's Blood Meridian Ryan Joseph Tesar University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the American Literature Commons, and the Literature in English, North America Commons Repository Citation Tesar, Ryan Joseph, "The Influence of Herman Melville's Moby-Dick on Cormac McCarthy's Blood Meridian" (2014). UNLV Theses, Dissertations, Professional Papers, and Capstones. 2218. http://dx.doi.org/10.34917/6456449 This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. THE INFLUENCE OF HERMAN MELVILLE’S MOBY-DICK ON CORMAC MCCARTHY’S BLOOD MERIDIAN by Ryan Joseph Tesar Bachelor of Arts in English University of Nevada, Las Vegas 2012 A thesis submitted in partial fulfillment of the requirements for the Master of Arts – English Department of English College of Liberal Arts The Graduate College University of Nevada, Las Vegas August 2014 Copyright by Ryan Joseph Tesar, 2014 All Rights Reserved - THE GRADUATE COLLEGE We recommend the thesis prepared under our supervision by Ryan Joseph Tesar entitled The Influence of Herman Melville’s Moby-Dick on Cormac McCarthy’s Blood Meridian is approved in partial fulfillment of the requirements for the degree of Master of Arts - English Department of English John C. -
AP 12 English Literature & Composition
AP 12 English Literature & Composition Summer Reading Assignment Congratulations on your choice to take AP Literature. Students choosing this course are interested in studying literature of various periods and genres and using this wide reading knowledge in discussions of literary topics. This is a college level course that requires careful reading and critical analysis of a work’s structure, style, and themes as well as smaller scale elements, such as the use of figurative language, imagery, symbolism, and tone. Thoughtful discussions and writing about complex, canonical texts in the company of one’s fellow students is our goal. It goes without saying that you should be reading a bit in preparation for this course. Specifically, we ask that you select and read one of the following texts and complete the assignments outlined to help us to build upon a common conversation at the beginning of the year. Reading Assignments: Before beginning your selection, read “How to Mark a Book” by Mortimer Adler. (The essay is easy to find on- line by searching for the title and author) Then choose one of the following texts to read and annotate according to Adler’s description: To the Lighthouse – Virginia Woolf The Scarlet Letter - Nathaniel Hawthorne Blood Meridian – Cormac McCarthy Slaughterhouse Five – Kurt Vonnegut On the Road – Jack Kerouac For Whom the Bell Tolls – Ernest Hemingway The Sound and the Fury – William Faulkner How the Garcia Girls Lost Their Accent – Julia The Joy Luck Club- Amy Tan Alvarez Ceremony - Leslie Marmon Silko All of these books are readily available at your local library and from major bookstores. -
100 Best Last Lines from Novels
100 Best Last Lines from Novels 1. …you must go on, I can’t go on, I’ll go on. –Samuel Beckett, The Unnamable 22. YOU HAVE FALLEN INTO ARt—RETURN TO LIFE –William H. Gass, (1953; trans. Samuel Beckett) Willie Masters’ Lonesome Wife (1968) 2. Who knows but that, on the lower frequencies, I speak for you? –Ralph Ellison, 23. In your rocking-chair, by your window dreaming, shall you long, alone. In your Invisible Man (1952) rocking-chair, by your window, shall you dream such happiness as you may never feel. –Theodore Dreiser, Sister Carrie (1900) 3. So we beat on, boats against the current, borne back ceaselessly into the past. –F. Scott Fitzgerald, The Great Gatsby (1925) 24. Go, my book, and help destroy the world as it is. –Russell Banks, Continental Drift (1985) 4. …I was a Flower of the mountain yes when I put the rose in my hair like the Andalusian girls used or shall I wear a red yes and how he kissed me under the 25. It was the devious-cruising Rachel, that in her retracing search after her missing Moorish wall and I thought well as well him as another and then I asked him with children, only found another orphan. –Herman Melville, Moby-Dick (1851) my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could 26. The knife came down, missing him by inches, and he took off. -
Representations of Politicized
i MEMORIALS FOR THE UNMOURNED: REPRESENTATIONS OF POLITICIZED VIOLENCE IN CONTEMPORARY U.S.-MEXICO BORDER FICTION by PRESTON WALTRIP Bachelor of Arts, 2012 University of Dallas Irving, Texas Submitted to the Graduate Faculty of AddRan College of Liberal Arts Texas Christian University in partial fulfillment of the requirements for the degree of Master of Arts May, 2016 i Copyright by Preston Wayne Waltrip 2016 ii ACKNOWLEDGEMENTS I owe many thanks, first, to my thesis committee members, whose guidance contributed not only to the completion of this thesis, but also to my development as a scholar. I am especially grateful to Dr. Easterbrook for making his time and expertise available to me from the moment I set foot on campus. I am also thankful to Dr. Colón and Dr. Darda for their direction, advice, and availability throughout this process. I would like to thank my parents for their continued support and encouragement during my time as a graduate student. They believe in me and in the work I’m doing despite not quite understanding why anyone in their right mind would want to do it. Finally, I want to thank my friends: Jacquelyn, who helped me work through many of my ideas for this project; Jamie, who got us free pizza that one time; Chase, who tolerates a perpetually cluttered coffee table and, like me, will gladly sacrifice a few hours of sleep for the sake of a long, philosophical conversation; and all the graduate students in the TCU English department, who have consistently gone out of their way to be kind and supportive to me and to one another. -
Apocalypse in the Novels of Cormac Mccarthy
“The Salitter drying from the earth”: Apocalypse in the novels of Cormac McCarthy A thesis submitted in partial fulfilment of the requirements for the Degree of Master of Arts in English in the University of Canterbury by Christopher Yee University of Canterbury 2010 Contents Acknowledgements ................................................................................................................... 3 Abstract ..................................................................................................................................... 4 Introduction ............................................................................................................................... 5 1. Apocalypse ........................................................................................................................ 6 2. Manifest Destiny ............................................................................................................... 8 3. Overview of Chapters...................................................................................................... 12 Chapter One: Apocalyptic Time in Blood Meridian ............................................................... 18 1. Resistance of linear time: Holden and the narrator ......................................................... 20 2. The Kid ............................................................................................................................ 32 3. The Epilogue .................................................................................................................. -
Blood Meridian and the “Creation” of Historical Narrative by Josh Boissevain
Blood Meridian and the “Creation” of Historical Narrative by Josh Boissevain Each age tries to form its own conception of the past. Each age writes the history of the past anew with reference to the conditions uppermost in its own time. -Frederick Jackson Turner, The Significance of History History is a strong myth, perhaps . the last great myth. It is a myth that once subtended the possibility of an ‘objective’ enchainment of events and causes and the possibility of a narrative enchainment of discourse. The age of history, if one can call it that, is also the age of the novel. -Jean Baudrillard, Simulacra and Simulation In one sense, Cormac McCarthy’s Blood Meridian or the Evening Redness in the West is a book about the West; it is a book that bridges the gap between the “old” mythological and the “new” revisionist Western and creates a new direction for the genre to follow—that of a more realistic myth. It uses and inverts several classic aspects of the cliché western and pairs them with themes and issues associated with modern historical interpretations of the West, generating a new type of Western. It is an example of what Richard Slotkin would term a productive revision of myth. In another sense, Blood Meridian is a book about much more than the West; it is a book about history and the representation of history. It is a critique on the process in which “history,” (the textual representation of past events where thematic sequence and significance are artificially imposed) is created—and continuously recreated—to fit the hegemonic cultural narrative. -
Issn 2454-8537
ISSN 2454-8537 Vol: 4 I Issue: 1 I May, 2020 International Journal of Humanities in Technical Education – ISSN 2454-8537 Vol: 4, Issue 1 – May - 2020 Department of Communication Skills, Marwadi Education Foundation’s Group of Institutions, Rajkot – Gujarat (INDIA) A Study of Existentialism in John Barth’s The End of the Road R. Murugesan Ph.D Research Scholar Department of English, Annamalai University, Tamilnadu Abstract John Barth is one of the postmodern writers in American literature. Barth's complicated, greatly self- conscious, and comic texts as well as applauded essays have clearly established the author's status as a dynamic defender of North American literary Postmodernism. John Barth is one of the major novelists of American postmodernism. Barth’s contribution to the practice and theory of postmodernism is in this sense undisputable. However, much of the criticism dealing with his work in relationship to postmodernism is prompted by Barth’s own theories of “exhaustion” and “replenishment,” leaving his writing relatively untouched by theories of postmodernism in general. This study aims to change that. What is of particular interest here is the relationship between Barth’s aesthetic and the ideology critical work of the historical avant-gardes, which were the first to mobilize art against itself and its institutional practices and demands. Barth's second novel, The End of the Road, gives similar characteristics with its precursor. Like Todd, Jake (Jacob Homer) is a nihilistic protagonist who cannot get meaning in the world and who exists in isolation and separation from the rest of society. He also takes on a similar superior position with regards to the rest of humanity as does Todd and virtually all of Barth's characters. -
Another Kind of Clay: a Reading of Blood Meridian Dan Gjelten University of St
University of St. Thomas, Minnesota UST Research Online English Master's Essays English 5-2000 Another Kind of Clay: A Reading of Blood Meridian Dan Gjelten University of St. Thomas, Minnesota, [email protected] Follow this and additional works at: https://ir.stthomas.edu/cas_engl_mat Part of the English Language and Literature Commons Recommended Citation Gjelten, Dan, "Another Kind of Clay: A Reading of Blood Meridian" (2000). English Master's Essays. 1. https://ir.stthomas.edu/cas_engl_mat/1 This Thesis is brought to you for free and open access by the English at UST Research Online. It has been accepted for inclusion in English Master's Essays by an authorized administrator of UST Research Online. For more information, please contact [email protected]. Another Kind of Clay: A Reading of Blood Meridian Daniel R. Gjelten Presented to: Professor Lon Otto Professor Robert Miller Professor Andrew Scheiber Master of Arts in English Master’s Essay University of St Thomas May, 2000 2 Another Kind of Clay: A Reading of Blood Meridian And God said, “Let there be lights in the firmament of the heavens to separate the day from the night; and let them be for signs and for seasons and for days and years, and let them be for lights in the firmament of the heavens to give light upon the earth. Genesis 1:14-15 And the Lord God formed man of the dust of the ground, and breathed into his nostrils the breath of life; and man became a living soul. Genesis 2:7 The desert country of the southwestern United States has little similarity to the landscape described in the creation story as we read it in Genesis – it is undoubtedly even harsher than the land to the east of Eden to which Adam and Eve are driven by God. -
Postmodern Narrative of Blood Meridian Shuquan Zhan1, Jiemin Feng1*
Advances in Social Science, Education and Humanities Research, Volume 496 Proceedings of the 2020 3rd International Conference on Humanities Education and Social Sciences (ICHESS 2020) Deconstruction and Subversion: Postmodern Narrative of Blood Meridian Shuquan Zhan1, Jiemin Feng1* 1School of Foreign Languages, Xinhua College of Sun Yat-sen University, Guangzhou, Guangdong 510520, China *Corresponding author. Email: [email protected]. ABSTRACT This thesis explores Cormac McCarthy’s classic postmodern novel Blood Meridian from three dimensions, that is, deconstruction of western expansion, subversion of religious myths, and anti-hero narrative. It unearths how the writer through interaction between history and text decomposes the grand narrative of western myths and Manifest Destiny established in American westward movement, and unmasks the imperialist truth of violence neglected or even intentionally concealed in the historical process. The paper provides a new observation perspective to comprehend the current acts that America is suppressing resistance from middle and lower classes domestically and carrying out hegemonism internationally. Keywords: Blood Meridian, postmodernism, deconstruction, war, religion, hero Glanton Gang scalp-hunters’ slaughtering of Indians at the America-Mexico borderland. The novel deconstructs the religious myth of American Manifest Destiny by depicting 1. INTRODUCTION Glanton Gang’s wanton slaughtering in the dilapidated religious space and the protagonist judge’s defiance of The main characteristics of postmodern literature lie in religions. In terms of character portraying, the protagonist deconstructing the grand narrative and flattening the depth “the kid” is depicted as a typical post-modernist flattened of meaning, so as to remove the binary opposition between image, free of traditional heroic peculiarities expected in a phenomenon and essence, dominance and recessiveness , western cowboy. -
Meaning and Morality in the Works of Cormac Mccarthy
MEANING AND MORALITY IN THE WORKS OF CORMAC MCCARTHY A thesis submitted in partial fulfillment of the Requirements for the degree of Master of Humanities By SHANE PHOENIX MOON B.A., Antioch University Midwest, 2011 2015 Wright State University WRIGHT STATE UNIVERSITY GRADUATE SCHOOL May 1, 2015 I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION BY Shane P. Moon ENTITLED The Search for Meaning and Morality in the Works of Cormac McCarthy BE ACCEPTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Humanities. ___________________________ Donovan Miyasaki, PhD Thesis Director ___________________________ Valerie Stoker, PhD Committee of Final Examination: Director, Master of Humanities Program _________________________________ Donovan Miyasaki, PhD _________________________________ Scott Wilson, PhD _________________________________ Andrew Strombeck, PhD _________________________________ Robert E.W. Fyffe, PhD Vice President for Research and Dean of the Graduate School ABSTRACT Moon, Shane Phoenix. M.Hum. Department of Humanities, Wright State University, 2015. The Search for Meaning and Morality in the Works of Cormac McCarthy. This thesis examines the work of Cormac McCarthy, in which I will argue against assertions that McCarthy’s work is nihilistic in that he presents a world in which life is meaningless. I will analyze three of McCarthy’s novels, one from each of the common categorizations of his work: Child of God (Appalachian period), Blood Meridian, or the Evening Redness in the West, and The Road (Western period), and The Road. Through this analysis, I will conclude that McCarthy’s novels are not nihilistic; instead, McCarthy’s novels contain strong allusions to the existential philosophy of Jean-Paul Sartre, Friedrich Nietzsche and Soren Kierkegaard. -
ANALYSIS Giles Goat-Boy (1966) John Barth
ANALYSIS Giles Goat-Boy (1966) John Barth (1930- ) “In the metaphoric world called the University, control is held by a computer, WESAC [WESCAC], which is able to run itself and to tyrannize people, for it has the ability to subject them to a radiating and disintegrating force, that is, to EAT them, an acronym for its power of ‘Electroencephalic Amplification and Transaction.’ WESAC is so out of hand that one of its developers, Max Spielman, believes it can only be controlled through reprogramming by a Grand Tutor, a prophet, who will bring a ‘New Syllabus,’ that is, a new philosophy. For this role and this purpose he selects George Giles, whom he had raised among goats as a goat, though he was actually a human found as an infant in the tapelift of WESAC. In his undertaking George has to contend with a troublemaker, Maurice Stoker, who alone fully understands the operation of WESAC, and with a minor poet, Harold Bray, who contends that he is a Grand Tutor. George enters the computer to destroy it, and learns to confound WESAC by answering its questions through paradoxes that paralyze the machine. When George emerges, authorities eager to put WESAC back into operation seize him and send him back to the animal site of his boyhood, for he is now the University’s scapegoat.” James D. Hart The Oxford Companion to American Literature, 5th edition (Oxford 1941-83) 282 “It is not, I hasten to say, a merely blasphemous work of empty nihilism, though some reviewers have reacted as if it were.