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Clara Lemlich Shavelson: an Activist Life Sarah B
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by City University of New York City University of New York (CUNY) CUNY Academic Works Dissertations, Theses, and Capstone Projects Graduate Center 6-2017 Clara Lemlich Shavelson: An Activist Life Sarah B. Cohn The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! Follow this and additional works at: https://academicworks.cuny.edu/gc_etds Part of the Digital Humanities Commons, Labor History Commons, and the Women's History Commons Recommended Citation Cohn, Sarah B., "Clara Lemlich Shavelson: An Activist Life" (2017). CUNY Academic Works. https://academicworks.cuny.edu/gc_etds/2105 This Capstone Project is brought to you by CUNY Academic Works. It has been accepted for inclusion in All Dissertations, Theses, and Capstone Projects by an authorized administrator of CUNY Academic Works. For more information, please contact [email protected]. CLARA LEMLICH SHAVELSON: AN ACTIVIST LIFE by SARAH COHN A master’s capstone project submitted to the Graduate Faculty in Liberal Studies in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York. 2017 ii 2017 This work is licensed under a Creative Commons Attribution NonCommercial-ShareAlike 4.0 International License. SARAH COHN iii CLARA LEMLICH SHAVELSON: AN ACTIVIST LIFE by SARAH COHN This manuscript has been read and accepted for the Graduate Faculty in Liberal Studies in satisfaction of the capstone project requirements for the degree of Master of Arts __________________________ __________________________________________ Date Cindy Lobel Capstone Adviser __________________________ __________________________________________ Date Elizabeth Macaulay-Lewis Acting Executive Officer THE CITY UNIVERSITY OF NEW YORK iv ABSTRACT CLARA LEMLICH SHAVELSON: AN ACTIVIST LIFE by SARAH COHN Adviser: Cindy Lobel Clara Lemlich Shavelson is primarily known for her impassioned speeches during the 1909 Uprising of 20,000. -
Clara Lemlich Awards
Seventh Annual Clara Lemlich Awards May 1, 2017 6:30 – 8:30pm Puffin Gallery for Social Activism Museum of the City of New York Fifth Avenue at 103rd Street Honoring those who, in the words of the poet Marge Piercy, jump into work head first without dallying in the shadows… who do what has to be done, again and again. “The World Has Need Of You” by Ellen Bass everything here seems to need us —Rainer Maria Rilke I can hardly imagine it as I walk to the lighthouse, feeling the ancient prayer of my arms swinging in counterpoint to my feet. Here I am, suspended between the sidewalk and twilight, the sky dimming so fast it seems alive. What if you felt the invisible tug between you and everything? A boy on a bicycle rides by, his white shirt open, flaring behind him like wings. It’s a hard time to be human. We know too much and too little. Does the breeze need us? The cliffs? The gulls? If you’ve managed to do one good thing, the ocean doesn’t care. But when Newton’s apple fell toward the earth, the earth, ever so slightly, fell toward the apple. “I’ve Got Something to Say” 2017 PROGRAM Welcome Whitney W. Donhauser, MCNY Director Welcome Esther Cohen and Rachel Bernstein Poem Breena Clarke Song Annie DiRusso Honoree Aisha al-Adawiya introduced by Sarah Sayeed Honoree Ingrid Frank introduced by Sasha Matthews Honoree Lidia Correa introduced by Edgar Romney Greetings Gale Brewer, Manhattan Borough President Honoree Vinie Burrows introduced by Kalie Kamara Honoree Mary Douglas introduced by Arlene Allende Honoree Lubow Wolynetz introduced by Amanda Dargan Puffin Gallery for Social Activism Perry and Gladys Rosenstein Triangle Fire Rose Imperato Bread and Roses and Solidarity Forever New York City Labor Chorus and audience The Clara Lemlich Awards The Awards honor women who have been working for the larger good their entire lives, in the tradition of those who sparked so many reforms in the aftermath of the Triangle Shirtwaist Factory Fire over one hundred years ago. -
Explorations in Adult Higher Education an Occasional Paper Series Learning in and out of the University
Explorations in Adult Higher Education An Occasional Paper Series Learning In and Out of the University summer 2016 • number 4 Editor: Alan Mandell Associate editor: Karen LaBarge Director of publications: Kirk Starczewski Print Shop supervisor: Ron Kosiba Office assistant 2 (keyboarding): Janet Jones SUNY Empire State College Print Shop Cover and inside art by Steven Phillip Harris Steven Phillip Harris ’12 is a New York-based artist living in Brooklyn. He holds a Master of Fine Arts degree in Studio Art from Queens College/CUNY, where he currently teaches photography. He also earned his B.A. in fine art photography/digital media from SUNY Empire State College. The surrealist relationship to camera-less photographs became a focus for Harris as he experimented with the chemical process and materiality of the analog photographic medium, creating images that play with modes of perception with an unexpected spontaneous style. Harris has exhibited his work at Mana Contemporary gallery in Jersey City, New Jersey; the New York State Museum in Albany, New York; The Hudson Gallery at SUNY Empire State College, New York, NY; and at Queens College/CUNY, Flushing, New York. Clients include work produced for the artist Marina Abramović, The New York Times Magazine, video projects for the Sculptors Guild, and images produced for the SKNY gallery, as well as exhibitions at the Whitney Museum of American Art. Harris continues to explore, exhibit, teach and pursue the limits of the photographic process. Cover: Sphere Studies III, 2014, Unique gelatin silver print, 20” x 24” Explorations in Adult Higher Education An Occasional Paper Series Learning In and Out of the University summer 2016 number 4 f SUNY Empire State College’s occasional paper series brings together the ideas, voices and multiple perspectives of those engaged in thinking about adult higher education today. -
Guide to the Brookwood Labor College Records LR000567 BLC
Guide to the Brookwood Labor College Records LR000567_BLC This finding aid was produced using ArchivesSpace on November 09, 2020. English Describing Archives: A Content Standard Walter P. Reuther Library 5401 Cass Avenue Detroit, MI 48202 URL: https://reuther.wayne.edu Guide to the Brookwood Labor College Records LR000567_BLC Table of Contents Summary Information .................................................................................................................................... 3 History ............................................................................................................................................................ 3 Scope and Content ......................................................................................................................................... 4 Arrangement ................................................................................................................................................... 5 Administrative Information ............................................................................................................................ 5 Related Materials ........................................................................................................................................... 6 Controlled Access Headings .......................................................................................................................... 6 General ........................................................................................................................................................... -
Rose Schneiderman and the Labor Movement American Jewish History Through Objects
Why Do People Unite? Discovering Rose Schneiderman and the Labor Movement American Jewish History Through Objects 01 MISHNAH PIRKEI AVOT STREET MEETINGS 09 If there is no flour, there is no Torah; What do the people do when the courts are reluctant to intervene and the other branches of government if there is no Torah, there is no flour. have failed them for so long? A political or social movement can oftentimes accomplish more than Mishnah, Pirkei Avot 3:21 any lawsuit, and it can certainly do so more quickly. Joshua Weishart, “The Ripple Effect of the West Virginia Teachers’ Victory,” 2018 02 BREAD AND ROSES ADMISSION FREE 08 What the woman who of “bread” and of “roses”? of “bread” is the significance What labors wants is the right The teachers’ unions also to live, not simply exist…. assume that a union con- tract is a benefit for every- The worker must have one, and that certainly is bread, but she must not the case. Unions collect have roses, too. dues from these folks even Rose Schneiderman, 1912 though the contract may be a detriment to their person- 03 INDUSTRIAL POINT al interests. OF VIEW Mike Antonucci, “Five Common Teachers Union Arguments That Rely The machines are so wildly noisy on Half-Truths,” 2017 in the shop / That I often forget who I am. / I get lost in the fright- ful tumult — / My self is de- AUDITORIUM 07 stroyed, I become a machine. / I work and work and work end- If you worry about lessly — / I create and create and create / Why? For whom? I crime, you can either don’t know and I don’t ask. -
Sweating for Democracy: Working-Class Media and the Struggle for Hegemonic Jewishness, 1919-1941 by Brian Craig Dolber Dissertat
SWEATING FOR DEMOCRACY: WORKING-CLASS MEDIA AND THE STRUGGLE FOR HEGEMONIC JEWISHNESS, 1919-1941 BY BRIAN CRAIG DOLBER DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Communication in the Graduate College of the University of Illinois at Urbana-Champaign, 2011 Urbana, Illinois Doctoral Committe: Professor Robert W. McChesney, Chair Professor James R. Barrett Professor John C. Nerone Associate Professor Inger Lisbeth Stole ii Abstract Using the framework of political economy of media, this dissertation examines the history of the Jewish working class counterpublic in the United States during the interwar period and its relationships to the broader public sphere. Between 1919 and 1941, organic intellectuals, such as B.C. Vladeck, J.B.S. Hardman, Fannia Cohn, and Morris Novik, employed strategies to maintain the Yiddish-language newspaper the Forward, worker education programs, and radio station WEVD. These forms of media and cultural production were shaped by internal conflicts and struggles within the counterpublic, as well as evolving practices and ideas around advertising, public relations, and democracy. Vladeck, Hardman, Cohn and Novik all helped to extend Yiddish socialist culture through the reactionary 1920s while laying the groundwork for an American working class culture represented by the CIO in the 1930s, and a broad consensus around a commercial media system by the postwar period. This history demonstrates the challenges, conflicts, and contradictions that emerge in media production within counterpublics, and posits that other similar case studies are necessary in order develop enlightened strategies to democratize our contemporary media system. iii Acknowledgments While this dissertation is the product of many years of labor on my part, I can not imagine having completed it without the support and inspiration of so many people. -
The Autobiographical You: Letters in the Gendered Politics of the Labour Movement
The autobiographical you: letters in the gendered politics of the labour movement Maria Tamboukou, Centre for Narrative Research, UEL In this article, I consider the importance of epistolary narratives in the interface of autobiography and politics. In doing this, I read the letters of Fannia Mary Cohn, a Jewish immigrant worker, trade union activist and ardent labour organizer in the garment industry in the USA in the first half of the twentieth century. Cohn was a prolific writer and political activist and left a rich body of labour literature, but never wrote an autobiography or a diary or journal. It is in her letters to her comrades and friends in the labour movement that short autobiographical stories erupt and it is on such stories across her correspondence that this article focuses. The analysis is informed by Hannah Arendt’s theorization of narratives in their interrelation with politics and history. Drawing on a rich body of feminist literature around the relational self, what I argue is that an Arendtian reading of epistolary narratives is a useful analytical tool in understanding gendered politics in the diverse histories of the labour movement. Keywords: Arendt; Cohn; epistolary narratives; history; labour movement; politics; women workers July 28, 1937 Dear Friend, I was deeply impressed by your letter. To say that I am grateful to you for it would not express my feelings. Two prominent persons, a man and a woman, who have distinguished themselves in the world of literature and art insisted that I give them material which they wanted to use in preparation of a sketch of my life and work. -
Work History News, Summer-Fall 2017
Work History News New York Labor History Association, Inc. A Bridge Between Past and Present Volume 34 No 2 Summer/Fall 2017 I’ve got something to say Lifelong activists honored at Clara Lemlich Awards Aisha al-Adawiya has been a force in interfaith-based activism in New York City and around the world for nearly four decades. She founded Women In Islam in 1992 in response to atrocities perpetrated against Muslim women in refugee camps in Bosnia. In her introduction, Sarah Sayeed, from the mayor’s office, noted al-Adawiya’s commitment to conflict resolution, cross- cultural understanding, and peace building, as well as her efforts on the Schomburg Library project documenting black religious heritage. Lidia Correa, originally from Puerto Rico, dedicated herself to helping fellow New York City garment workers when she was a sample maker, and that dedication has never waned. Long since officially Peter Odabashian Peter retired, Correa still works essentially full- The 2017 Clara Lemlich honorees (from left): Lidia Correa, Vinie Burrows, Ingrid Frank, Mary Albritton Douglas, Lubow Wolynetz, and Aisha al-Adawiya time helping retirees. You’ll also find her on picket lines and protests, while she By Rachel Bernstein the Triangle Shirtwaist Factory Fire over one remains active in community groups in her “everything here hundred years ago. Bronx neighborhood. When garment union seems to need us” The 2017 Lemlich Honorees leader Edgar Romney introduced Correa, –Rilke Vinie Burrows – actor, author and he remembered her tireless effort and hese words from poet Rainer fighter against violence and racism – uses enthusiasm. Maria Rilke capture the essence her artistry to advocate for social change. -
I AM a WORKING GIRL!: Upheaval in the Garment Trades 1900-1915
LESSON PLANS ECONOMIC RIGHTS I AM A WORKING GIRL!: Upheaval in the Garment Trades 1900-1915 OVERVIEW COMMON CORE STATE STANDARDS Through viewing photographs, excerpts from documents, paintings, and speeches, students will learn about the strike by shirtwaist workers in Grade 4: 1909 and a devastating fire in 1911 that transformed New York City’s labor CCSS.ELA-LITERACY.W.4.3 Write narratives to develop real or imagined movement. experiences or events using effective technique, descriptive details, and clear event STUDENT GOALS sequences. Through viewing historic photographs and paintings, students will Grade 6: draw inferences about the working conditions of garment workers in CCSS.ELA-LITERACY.W.6.3 New York City at the turn of the century. Write narratives to develop real or imagined Students will learn about key events that led to legislative change in experiences or events using effective workplace safety regulation. technique, relevant descriptive details, and well-structured event sequences. Through analyzing excerpts from newspapers and diary entries, students will consider the divergent reactions to these events. Grades 9-10: Students will analyze the rhetoric used by union leaders, like Rose CCSS.ELA-LITERACY.W.9-10.3.D Use precise words and phrases, telling Schneiderman, and discuss the power of oration. details, and sensory language to convey a vivid picture of the experiences, events, setting, and/or characters. The Museum of the City of New York 1220 5th Avenue at 104th Street www.mcny.org 1 LESSON PLANS ECONOMIC RIGHTS I -
Organized Labor and Radio Station WEVD During the 1930S
LaborHistory, Vol. 42, No. 4, 2001 Strugglingover Politics and Culture:Organized Labor and Radio Station WEVD duringthe 1930s NATHANGODFRIED* By theearly years ofthe Great Depression,corporate-controlled national radio net- works,Hollywood-centered motion picture producers,and large-circulation daily news- papers appeared todominate the means of ideological andcultural productionin the U.S.1 Labor,progressive, andradical leaderscorrectly perceivedthe mass media asan integral part ofthe larger social andeconomic relations ofproduction. Echoing the insights ofKarl Marx, they warnedof how the nation’ s dominantpropertied classes wouldseek to control society’ s “governing ideasand motives” by manipulating the massmedia tojustify, among other things,“ great inequalities in wealth in thecom- munity.”2 EdwardNockels of the Chicago Federation ofLabor (CFL),for example, protestedthat networkradio reinforcedthe luster of consumption, the holiness of the marketplace, andthe infallibility ofbusiness. The Socialist Party contendedthat commercial radio programs wereas standardized as anything rolling outof a Ford factory. Nockelsdescribed such shows as bland entertainment“ whennot outright propaganda or delusivespecial pleading.”3 Suchcriticisms foreshadowedthe arguments of e´migre´ Europeanintellectuals who,by thelate 1930s, woulddenounce mass culture for its bourgeois “consumerism,intellectual vapidness,and political complacency,”and contendthat ruling groups usedit “tomanipulate, pacify, andcontrol” the general public.4 In recentdecades, historians -
Organizing the Unorganizable: Three Jewish Women and Their Union
This article was downloaded by: [University of Minnesota Libraries, Twin Cities] On: 29 July 2011, At: 20:47 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Labor History Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/clah20 Organizing the Unorganizable: Three Jewish women and their union a Alice Kessler‐Harris a Director of the Women's Studies Program, Sarah Lawrence College Available online: 03 Jul 2008 To cite this article: Alice Kessler‐Harris (1976): Organizing the Unorganizable: Three Jewish women and their union, Labor History, 17:1, 5-23 To link to this article: http://dx.doi.org/10.1080/00236567608584366 PLEASE SCROLL DOWN FOR ARTICLE Full terms and conditions of use: http://www.tandfonline.com/page/ terms-and-conditions This article may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan, sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The accuracy of any instructions, formulae and drug doses should be independently verified with primary sources. The publisher shall not be liable for any loss, actions, claims, proceedings, demand or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. Downloaded by [University of Minnesota Libraries, Twin Cities] at 20:47 29 July 2011 ORGANIZING THE UNORGANIZABLE: THREE JEWISH WOMEN AND THEIR UNION * by ALICE KESSLER-HARRIS Women who were actively engaged in the labor struggles of the first part of this century faced a continual dilemma. -
Clara Lemlich Shavelson: 50 Years in Labor's Front Line
CLARA LEMLICH SHAVELSON: 50 YEARS IN LABOR'S FRONT LINE By Paula Scheier IT W AS not a wmal union crowd that met at Cooper suffers for the things pictured. I move that we go on a Union in New York the evening of November 22, 1909. general strike!" It wus htrge, but that the speakers on the stage had ex Instantly they were on their feet, men, women and girls. ~cted. It was tense, but they had seen tenseness before cheering, stamping, crying approval. With one motion, eyes strained from watching stitches peering up at them, Chairman Feigenbaum sprang to Clara Lemlich's side and bucks bent from years at cutting boards bending toward thrust her right arm into the air. "Do you mean faith 2" he them. What was strange about this crowd was the women. cried. "Will you take the old Hebrew oath?" Not even women, most of them ..• girls. How fresh their For answer, two and a half thousand right arms shot up faces were, fresh from the small towns of the old country. at him. Two and a half thousand voices repeated the Yid. How innocent they looked in those high starched shirt dish words: "If I turn traitor to the cause 1 now pledge, waists and big picture hats. Did they realize what they were may this hand wither from the arm I now raise." By the getting into? morning, one of the garment industry's first great strikes One by one, they rose to speak, in English and in Yid was under way-and a new labor heroine had been born.