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Where Stars Are Born and Legends Are Made™
Where Stars are Born and Legends are Made™ The Apollo Theater Study Guide is published by the Education Program of the Apollo Theater in New York, NY | Volume 2, Issue 1, November 2010 If the Apollo Theater could talk, imagine the stories it could tell. It The has witnessed a lot of history, and seen a century’s worth of excitement. The theater itself has stood proudly on 125th Street since 1914, when it started life as a burlesque house for whites only, Hurtig & Seamon’s New Burlesque Theater. Dancers in skimpy costumes stripped down to flesh-colored leotards, and comics told bawdy jokes – that is, until then New York City Mayor Fiorello H. LaGuardia made the decision to close down burlesque houses all over the city. When the doors of the burlesque theaters were padlocked, the building was sold. By S ul the time it reopened in 1934, a new name proclaimed itself from the marquee: the 125th Street Apollo Theatre. From the start, the Apollo was beloved by Harlemites, and immediately of became an integral part of Harlem life. When the Apollo first opened, Harlem boasted a lot of theaters and clubs. But many didn’t admit black audiences. Though the musicians who played in the clubs were black, the audiences were often white; the country still had a lot to American learn about integration. But the Apollo didn’t play primarily to whites. As soon as it opened its doors, black residents of Harlem streamed in themselves to enjoy the show. In the early years, the Apollo presented acts in a revue format, with a variety of acts on each bill. -
Chief Hadley a Mission to Serve Ebiil Crqrob+
$4 • SEPTEMBER 2009 Chief Hadley A Mission to Serve Ebiilcrqrob+ Klqqllilkd^dl)tebkdil_^ij^ohbqp ^kapq^vcl`rpbalkilkd*qbojlmmloqrkf* tbob fk ^ pbbjfkdiv bkaibpp altkt^oa qfbp ^ka obpriqp+ FqÒp klq ^k fksbpqjbkq pmfo^i) ^sbo^db fksbpqlop tbob kboslrp+ pqo^qbdvqe^q`^k_bq^hbkifdeqivlob^pfiv Pljbm^kf`hbakb^oqeb_lqqlj)ifnrfa^qba bub`rqba+ ?rq fq fp qeb jlpq qfjb*qbpqba qebfo eliafkdp) ^ka Üba ql `^pe+ Elt t^vql`ob^qb^kaprpq^fktb^iqe)^kafqÒp rkcloqrk^qbcloqebj+>qDobbkib^cQorpq) te^q Dobbkib^c Qorpq albp m^oqf`ri^oiv tb hklt j^ohbqp efpqlof`^iiv obt^oa tbii+Qla^vfp^kbta^v+Dfsbrp^`^ii)^ka fksbpqlop tel illh _bvlka qeb jljbkq tbÒiiebimvlrj^hbqebjlpqlcfq+ Cfk^k`f^iPb`rofqvcoljDbkbo^qflkqlDbkbo^qflk /..plrqeolpbpqobbqh^i^j^wll)jf16--4ttt+dobbkib^cqorpq+`lj/36+055+65--5--+1.3+1222 Ebiilcrqrob+ Klqqllilkd^dl)tebkdil_^ij^ohbqp ^kapq^vcl`rpbalkilkd*qbojlmmloqrkf* tbob fk ^ pbbjfkdiv bkaibpp altkt^oa qfbp ^ka obpriqp+ FqÒp klq ^k fksbpqjbkq pmfo^i) ^sbo^db fksbpqlop tbob kboslrp+ pqo^qbdvqe^q`^k_bq^hbkifdeqivlob^pfiv Pljbm^kf`hbakb^oqeb_lqqlj)ifnrfa^qba bub`rqba+ ?rq fq fp qeb jlpq qfjb*qbpqba qebfo eliafkdp) ^ka Üba ql `^pe+ Elt t^vql`ob^qb^kaprpq^fktb^iqe)^kafqÒp rkcloqrk^qbcloqebj+>qDobbkib^cQorpq) te^q Dobbkib^c Qorpq albp m^oqf`ri^oiv tb hklt j^ohbqp efpqlof`^iiv obt^oa tbii+Qla^vfp^kbta^v+Dfsbrp^`^ii)^ka fksbpqlop tel illh _bvlka qeb jljbkq tbÒiiebimvlrj^hbqebjlpqlcfq+ Cfk^k`f^iPb`rofqvcoljDbkbo^qflkqlDbkbo^qflk /..plrqeolpbpqobbqh^i^j^wll)jf16--4ttt+dobbkib^cqorpq+`lj/36+055+65--5--+1.3+1222 2009-10 SEASON Tales from the Field with Jeff Corwin OCTOBER 9 | 8 P.M. -
Reggie Workman Working Man
APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne -
Konsert- Program 2012
Konsert- program 2012 Robert Wells – Charlie Norman- dagen 12/8 Jazzens Museum Royal Garden Café & Restaurant Museet öppet hela sommaren 1 Varmt välkomna till den 14:e säsongen! Det är roligt att konstatera att Jazzens Museum i Strömsholm idag är etablerat, omtyckt och välbesökt. Det är fortfarande Europas enda jazzmuseum värt namnet. Mer än 20 000 föremål finns i samlingarna utöver de 1 500 som ingår i Charlie Norman- samlingen. Ansvarig för arkiv och registrering är Björn Bärnheim som ni kan träffa nästan varje öppen dag under sommaren. Han är jazzkännaren vars kunnande vi inte skulle kunna vara utan. En del har hört rykten om att museet går över i andra händer och det stämmer om vi kan finna lämpliga övertagare med intresse att driva verksamheten i enlighet med stiftelsens stadgar. Känner du någon eller några som kan vara lämpliga är vi tacksamma att få veta detta. Manegen är krattad. Tills vidare fortsätter förstås undertecknad att med största entu- siasm driva verksamheten tillsammans med alla ideella krafter och säsongsanställda. Således hälsar vi alla välkomna till den fjortonde säsongen. Rolf Carvenius SKIVOR ATT KÖPA PÅ JAZZENS MUSEUM LIVE AT JAZZENS MUSEUM är en dubbel-cd med 26 låtar inspelade under10 år på Jazzens Museum. Köp den vid besöket för 200 kr eller sätt in 230 kr (inkl. porto) på plusgiro nr 78 11 40-9 så skickar vi albumet. Medverkar gör Louise Hoffsten, Joe Muranyi, Göta River Jazzmen, Barfota Jazzmen,Scott Hamilton, Frida Öhrn, Uffe Flink, Bernt Egerbladh, Carin Lundin, Tuxedo Jazzband, Sveriges Jazzband, Stockholm Swing All Stars, Eddie Davis och Jesses American All Stars med flera. -
2012 Festival Brochure
BOARD OF DIRECTORS Jessica Felix ARTISTIC DIRECTOR Gloria Hersch CHAIR Elizabeth Candelario VICE CHAIR Edward Flesch SECRETARY Dennis Abbe TREASURER Rollie Atkinson Randy Coleman Roy Gattinella Loretta Rosas HONORARY BOARD MEMBERS Frank Carrubba Doug Lipton Circe Sher GENERAL COUNSEL James DeMartini PROGRAM NOTES David Rubien NEA Jazz Masters is a program of the DESIGN National Endowment of the Arts in Ranch7 Creative partnership with Arts Midwest. PRINTING Healdsburg Area Fund Barlow Printing Healdsburg Rotary Club Healdsburg Sunrise Rotary Club Kiwanis Club of Healdsburg Tompkins/Imhoff Family Fund Steinway Pianos provided by Sherman Clay, San Francisco FRIDAY 6/1 TUESDAY 6/5 SATURDAY 6/9 Calvin Keys Organ Quartet Azesu: Latin Rhythms, South Master Vocal Class KRUG EVENT CENTER American Folklorico & Jazz with Sheila Jordan 198 Dry Creek Road HEALDSBURG PLAZA HEALDSBURG HIGH SCHOOL (entrance on Grove Street) 6-8PM | Free 1028 Prince Avenue/Band Room 7-9PM | $20 11AM-2PM Vintage Blues on Vinyl Robb Fisher & Matt Clark Duo $50 participants | $25 to audit with David Katznelson HOTEL HEALDSBURG LOBBY Panel Discussion 7:30-11PM BERGAMOT ALLEY with the Roy-al Family 328a Healdsburg Avenue Moderated by Billy Hart 8-11PM | $10 SATURDAY 6/2 RAVEN THEATER Jazz & Wine Tasting: 115 North Street Benny Barth Trio with Randy WEDNESDAY 6/6 2-4PM | Free Jazz Night at the Movies Vincent & Chris Amberger with Mark Cantor Music, Wine & Food SEASONS OF THE VINEYARD RAVEN THEATER Cocktail Hour: Susan Sutton Trio 113 Plaza Street ACROSS FROM RAVEN THEATER -
“New Negro Movement” Among Jazz Musicians
THE INFLUENCE OF THE “NEW NEGRO MOVEMENT” AMONG JAZZ MUSICIANS A Master’s submitted to the Caspersen School of Graduate Studies in partial fulfillment of the requirements for the degree Master of Letters Advisor: Dr. Robert Butts Vincent Unger Drew University Madison, New Jersey May 2021 © Copyright 2021 Vincent Unger ABSTRACT The Influence of the “New Negro Movement” among Jazz Musicians Vincent Unger The Harlem Renaissance is usually thought of as a literary movement. However, it was much more than that, the Harlem Renaissance was a movement among the arts, music, and literature. The intellectual elite of Harlem saw the Harlem renaissance as new era for the African-American: one where African Americans could rise up from poverty to the middle class, and, shake off the stereotype of the primitive savage. The “New Negro Movement” was started by Alain Locke an W.E.B. Du Bois. Locke would lay the foundation for the movement with his book The New Negro. Du Bois on the other hand, would focus on educating African Americans about their African heritage. While integral to the movement, jazz music would be overlooked by Locke and other leaders of the movement. The New Negro only devotes a single entry to jazz in historian J.A. Roger’s “Jazz At Home.” Musicians Edward Kennedy “Duke” Ellington and William Grant Still would become an integral part of the “New Negro Movement.” Duke Ellington would make great strides as one of the most popular jazz musicians. William Grant Still would excel as a musician and a composer. These two musicians would pave the way for many young musicians. -
Jazz in the Pacific Northwest Lynn Darroch
Advance Praise “Lynn Darroch has put together a great resource for musicians, listeners, and history buffs, compiling what seems to be the most comprehensive resource about the history of jazz in the Northwest. This book will do the important job of keeping the memories and stories alive of musicians and venues that, while they may be immortalized through recordings, have important history that may otherwise be lost to the murkiness of time. Darroch has done the community and the music a great service by dedicating himself to telling these stories.” —John Nastos “Lynn Darroch illuminates the rich history of jazz in the Pacific Northwest from the early twentieth century to the present. Interweaving factors of culture, economics, politics, landscape, and weather, he helps us to understand how the Northwest grew so many fine jazz artists and why the region continues to attract musicians from New Orleans, New York, California, Europe, and South America. He concentrates on the traditions of the big port cities, Seattle and Portland, and underlines the importance of musicians from places like Wenatchee, Spokane, Eugene, and Bend. Darroch has the curiosity of a journalist, the investigative skills of a historian and the language of a poet. His writing about music makes you want to hear it.” —Doug Ramsey “With the skills of a curator, Lynn Darroch brings us the inspiring history and personal stories of Northwest jazz musicians whose need for home, love of landscape, and desire to express, all culminate into the unique makeup of jazz in Portland and Seattle. Thank you Lynn for a great read and its contribution to jazz. -
View Was Provided by the National Endowment for the Arts
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. TOOTS THIELEMANS NEA Jazz Master (2009) Interviewee: Toots Thielemans (April 29, 1922 – August 22, 2016) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: August 31 and September 1, 2011 Repository: Archives Center, National Museum of American History Description: Transcript, 80 pp. Brown: Today is August 31, 2011. My name is Anthony Brown, and I am conducting the Smithsonian Institution Oral History with NEA Jazz Master, harmonica virtuoso, guitarist and whistler, Toots Thielemans. Hello… Thielemans: Yes, my real name is Jean. Brown: Jean. Thielemans: And in Belgium… I was born in Belgium. Jean-Baptiste Frédéric Isidor. Four first names. And then Thielemans. Brown: That’s funny. Thielemans: And in French-speaking Belgium, they will pronounce it Thielemans. But I was born April 29, 1922. Brown: That’s Duke Ellington’s birthday, as well. Thielemans: Yes. For additional information contact the Archives Center at 202.633.3270 or [email protected] 1 Brown: All right. Thielemans: Yes, same day. Brown: Yeah, same day. Just a few years later. [laughs] Thielemans: [laughs] Oh, Duke. Okay. Brown: Where in Belgium? What city? Thielemans: In Brussels. Brown: That’s the capitol. Thielemans: In a popular neighborhood of Brussels called Les Marolles. There was… I don’t know, I wouldn’t know which neighborhood to equivalent in New York. Would that be Lower East Side? Or whatever… popular. And my folks, my father and mother, were operating, so to speak, a little beer café—no alcohol but beer, and different beers—in this café on High Street, Rue Haute, on the Marolles. -
Music Great Guitar Gathering (DASOTA)
JACKSONVILLE golfing in north florida entertaining u newspaper free weekly guide to entertainment and more | march 1-7, 2007 | www.eujacksonville.com 2 march 1-7, 2007 | entertaining u newspaper table of contents Cover photo courtesy of World Golf Village feature Golfing In North Florida .............................................................................PAGES 19-23 movies Black Snake Moan (movie review) ...................................................................... PAGE 6 Movies In Theaters This Week .....................................................................PAGES 6-11 Craig Brewer interview (Black Snake Moan) ........................................................ PAGE 7 Seen, Heard, Noted & Quoted ............................................................................. PAGE 7 Reno 911!: Miami (movie review) ....................................................................... PAGE 8 Zodiac (movie review) ........................................................................................ PAGE 9 Amazing Grace (movie review) ....................................................................PAGE 10-11 at home The Departed (DVD review) ............................................................................. PAGE 14 2007 Academy Awards (TV Review) ................................................................ PAGE 15 Video Games ................................................................................................... PAGE 16 food Murray Bros. Caddy Shack .............................................................................PAGES -
Hot Shot Lindy
HOT SHOT LINDY Very fast q=260 Flute Oboe Clarinet in Bb 1 Clarinet in Bb 2 Clarinet in Bb 3 Bass Clarinet in Bb Bassoon Alto Saxophone Tenor Saxophone Horn in F 1 Horn in F 2 Horn in F 3 Trumpet in Bb 1 Trumpet in B b 2 Trumpet in B b 3 Trumpet in B b 4 Trombone 1 Trombone 2 Trombone 3 Euphonium Tuba Drum Set Chimes Piano Eb7 Bb7 Very fast q=260 Eb7 Bb7 Bass 2 8 AAA Fl. Ob. Cl. Cl. Cl. B. Cl. Bsn. Alto Sax. Ten. Sax. Hn. Hn. Hn. Tpt. Tpt. Tpt. Tpt. Tbn. Tbn. -
Hot Brass Magazine, Vol 25, 2016
In This Issue 3 Offhand Shots from the Editor 24 7 A Note from the President . A Piece of History Thriving in the Present LIEUTENANT 9 COLONEL 38 34 CHARLES KETTLES: 12 AMERICAN HERO Rhonda Ezell Still on Target! 44 16 Articles: Email your articles to GCA [email protected] FELLOWSHIP Submissions and Contributions: We welcome you to submit articles, stories, and Send in your articles, photos for publication in Hot Brass. GCA pays for submissions and contributions jokes, tips, hints, stories, with "AGI Bucks." These coupons are redeemable dollar-for-dollar towards the shooting activities, purchase of any AGI product or AGI video course. We pay for stories and articles we pictures, recipes, - print by the word: 100-300 words = 20 AGI Bucks, 300-500 words = 50 AGI Bucks, all those things you 500+ words = 100 AGI Bucks. Articles and stories must be submitted in MS Word or tell your friends . MS publisher format. Photos: Electronic photos must be submitted in a jpeg format with a resolution of at LEAST 640x480. Print photos are accepted but GCA cannot return Let’s share it with any printed photos and all submitted photos will become the property of GCA. the world. ©Copyright GCA 2016. All rights reserved. Hot Brass Magazine is published and produced by GCA and distributed to GCA Members. No part of this magazine may be copied, reproduced, rented, or transmitted for any reason without the written permission of the copyright holder. Contacting GCA: GCA, 351 Second Street, Napa, CA 94559, 1-800-435-GCOA (4262), Fax 707-253-2150, www.GunClubOfAmerica.com Subscriber Information: Missing or Damaged Issues: If an issue of Hot Brass is lost in the mail or arrives damaged, simply contact GCA at 1-800-435-GCOA (4262) for a replacement. -
Maryland Historical Magazine, 1940, Volume 35, Issue No. 3
Volume XXXV Number 3 The Maryland Historical Magazine A SEPTEMBER • 1940 Baltimore as Seen by Moreau de St. Mery in 1794 Translated and Hdited by Fillmore Nor fleet 221 George Beck, an Early Baltimore Landscape Painter . J, Hall Pleasants 241 Presbyterians of Old Baltimore John H. Gardner, Jr. 244 First Presbyterian Church Membership, 1766-1783 256 Buchanan Family Reminiscences . Amy Hutton 262 Richard Malcolm Johnston in Maryland, Continued Francis T. Long 270 The Log of the Rossie J. P. Cranwell and W. B. Crane 287 Egerton Family . Francis B. Culver 292 Book Reviews, Notes and Queries . 303 Published Quarterly by the MARYLAND HISTORICAL SOCIETY BALTIMORE $3.00 the Year Single copy 75 c. ZZS NORTH CHARLES STREET BALTIMORE Una ravers and utationers PERSONAL CHRISTMAS CARDS - That are distinctive and different. Their character, smart- ness and quality are a tribute to one's good taste. Ten percent discount for orders placed prior to October thirty- first. WEDDING STATIONERY- Fine papers including the new Petal White by Crane, careful hand engraving and correct current styles are the essentials of fine wedding stationery. They de- scribe faithfully every wedding invitation or an- nouncement that bears the name of " Downs." FOR THE WRITING DESK - Fine correspondence papers in a great variety of colors, " Engraved by Downs." Desk sets, writ- ing folios, library sets, scrap books and many other fine leather accessories that make Christ- mas gift buying a pleasure. VIEW OF BALTIMORE FROM HOWARDS PARK Painted by George Beck about 1796. From the painting owned by the Maryland Historical Society. Landmarks prominent in this view are described in J.