Brief Historical Chronology V Poster
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Proposed Fy2021 Moving to Work Annual Plan
PROPOSED FY2021 MOVING TO WORK ANNUAL PLAN Submitted to HUD on October 16, 2020 2 Table of Contents Section I: Introduction ............................................................................................................ 3 Section II: General Operating Information .............................................................................. 9 Section IIA: Housing Stock Information .................................................................................................. 9 i. Planned New Public Housing Units in FY2021 .......................................................................... 9 ii. Planned Public Housing Units to be Removed in FY2021 ........................................................ 9 iii. Planned New Project-Based Vouchers in FY2021 ................................................................... 10 iv. Planned Existing Project-Based Vouchers ............................................................................... 11 v. Planned Other Changes to the Housing Stock in FY2021 ...................................................... 21 vi. General Description of Planned Capital Expenditures in FY2021 ......................................... 27 Section II-B: Leasing Information .......................................................................................................... 27 i. Planned Number of MTW Households Served at the End of FY2021 .................................... 27 ii. Description of Anticipated Issues Related to Leasing in FY2021 ......................................... -
Housing Report
Strengthening the Puerto Rican and Latino Presence in Chicago May 14, 2019 !1 Suggested Citation: García, I. et al. 2019. “Strengthening the Puerto Rican and Latino Presence in Chicago.” The Puerto Rican Agenda. http://www.puertoricanchicago.org/. Puerto Rican Agenda Team: José E. López, Puerto Rican Cultural Center Ruben D. Feliciano, Puerto Rican Cultural Center Joy Aruguete, Chief Executive Officer, Bickerdike Redevelopment Corp. Guacolda Reyes, Vice President, Bickerdike Redevelopment Corp. Juan Carlos Linares, Executive Director, LUCHA Hipolito Roldan, President of Hispanic Housing Development Corp. Eliud Medina, Chair of Puerto Rican Agenda Housing Committee ChicagoLAB Team: Ivis García, Assistant Professor, University of Utah Alexander Jay Jacobs Anders Rauk Bryan Luu Jimmie Carroll Gray Logan Langston Hunt Lauren McKenzie Victor Michael John Baker Samah Sufia Safiullah Sponsors: Wintrust LISC Chicago Liberty Bank MB Financial Bank PNC Bank Polk Bros Foundation !2 Suggested Citation: García, I. et al. 2019. “Strengthening the Puerto Rican and Latino Presence in Chicago.” The Puerto Rican Agenda. http://www.puertoricanchicago.org/. Table of Contents Introduction 4 Team 6 Guiding Principles 7 Vision and Goals 8 Community Timeline 9 Demographic Analysis 10 Four Key Policies 27 General Recommendations 33 “Division Street,” the Paseo Boricua, “must be the most beautifully decorated street in America. And since you have the prettiest street in America, it’s possible that you may just be at the forefront of this [displacement] struggle for the whole United States, and then maybe for the whole world. As you lift up your voices, you teach all of us what we are supposed to do to make progress.” - Dr. -
Spanish Language Broadcasting Collection
Spanish Language Broadcasting Collection NMAH.AC.1404 IrMarie Fraticelli, Edwin A. Rodriguez, and Justine Thomas This collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center. Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 4 Series 1: Gilda Mirós, (bulk 1950 - 2016, undated) (bulk 1950 - 2016, undated).................................................................................................................... 4 Series 2: Hector Aguilar, 1940 - 2002, undated.................................................... -
Community Outlet Editorial Director Name Ed. Dir. Email Address Ed
Community Outlet Editorial Director Ed. Dir. Email Ed. Dir. Phone Name Address Number African African Network Inza Dosso africvisiontv@yahoo. 646-505-9952 Television com; mmustaf25@yahoo. com African African Sun Times Abba Onyeani africansuntimes@gma973-280-8415 African African-American Steve Mallory blacknewswatch@ao 718-598-4772 Observer l.com African Afrikanspot Isseu Diouf Campbell [email protected] 917-204-1582 om African Afro Heritage Olutosin Mustapha [email protected] 718-510-5575 Magazine om African Afro Times African Afrobeat Radio / Wuyi Jacobs submissions@afrobe 347-559-6570 WBAI 99.5 FM atradio.com African Amandla Kofi Ayim kayim@amandlanew 973-731-1339 s.com African Sunu Afrik Radio El Hadji Ndao [email protected] 646-505-7487 m; sunuafrikradio@gma il.com African American Black and Brown Sharon Toomer info@blackandbrow 917-721-3150 News nnews.com African American Diaspora Radio Pearl Phillip [email protected] 718-771-0988 African American Harlem World Eartha Watts Hicks; harlemworldinfo@ya 646-216-8698 Magazine Danny Tisdale hoo.com African American New York Elinor Tatum elinor.tatum@amste 212-932-7465 Amsterdam News rdamnews.com; info@amsterdamne ws.com African American New York Beacon Miatta Smith nybeaconads@yaho 212-213-8585 o.com African American Our Time Press David Greaves editors@ourtimepre 718-599-6828 ss.com African American The Black Star News Milton Allimadi [email protected] 646-261-7566 m African American The Network Journal Rosalind McLymont [email protected] 212-962-3791 ; [email protected] Albanian Illyria Ruben Avxhiu [email protected] 212-868-2224 om; [email protected] m Arab Allewaa Al-Arabi Angie Damlaki angie_damlakhi@ya 646-707-2012 hoo.com Arab Arab Astoria Abdul Azmal arabastoria@yahoo. -
View Centro's Film List
About the Centro Film Collection The Centro Library and Archives houses one of the most extensive collections of films documenting the Puerto Rican experience. The collection includes documentaries, public service news programs; Hollywood produced feature films, as well as cinema films produced by the film industry in Puerto Rico. Presently we house over 500 titles, both in DVD and VHS format. Films from the collection may be borrowed, and are available for teaching, study, as well as for entertainment purposes with due consideration for copyright and intellectual property laws. Film Lending Policy Our policy requires that films be picked-up at our facility, we do not mail out. Films maybe borrowed by college professors, as well as public school teachers for classroom presentations during the school year. We also lend to student clubs and community-based organizations. For individuals conducting personal research, or for students who need to view films for class assignments, we ask that they call and make an appointment for viewing the film(s) at our facilities. Overview of collections: 366 documentary/special programs 67 feature films 11 Banco Popular programs on Puerto Rican Music 2 films (rough-cut copies) Roz Payne Archives 95 copies of WNBC Visiones programs 20 titles of WNET Realidades programs Total # of titles=559 (As of 9/2019) 1 Procedures for Borrowing Films 1. Reserve films one week in advance. 2. A maximum of 2 FILMS may be borrowed at a time. 3. Pick-up film(s) at the Centro Library and Archives with proper ID, and sign contract which specifies obligations and responsibilities while the film(s) is in your possession. -
Humboldt Park Mural Tour
Humboldt Park Mural Tour Murals occupy a prominent place in Chicago’s landscape. They reveal the unique meaning and character of a community and can include a narrative or history. This brochure highlights selected murals in Humboldt Park with a suggested route for a self-guided walking or biking tour. Each letter on the map corresponds to a brief description of the mural. This tour promotes exercise and the 5-4-3-2-1 Go! message described on the back panel. Remember to bring water and stay hydrated. We hope you enjoy your tour! Mural Tour Map ˆN La Crucifixion de Don Pedro Albizu Campos, 1971 Mario Galan, Jose Bermudez, Hector Rosario 2425 West North Ave. • Don Pedro Albizu Campos, the leader of the Puerto Rican Nationalist Party, is depicted crucified in the cen- ter alongside two other Nationalists of the 1950s. Portraits of six independence and abolitionist leaders of the 19th century are lined across the top. • The flag in the background is called the La Bandera de Lares. It represents Puerto Rico’s first declaration of independence from Spain on September 23, 1868. This armed uprising is known as El Grito de Lares. • It took nine years to save this mural from destruction. A new condominium was planned and if built, would have blocked off the mural. Community members concerned about gentrification of the neighborhood as well as saving the oldest Puerto Rican mural in Chicago went into action and saved it. I Will… The People United Cannot Be Defeated, 2004 Northeastern Illinois University Students 1300 North Western Ave. -
Cecile Chong Born in Ecuador. Lives and Works in New York Education
Cecile Chong Born in Ecuador. Lives and works in New York Education 2008 MFA - Fine Arts, Parsons The New School for Design, NY 1994 MA - Education, Hunter College, NY 1988 BA - Studio Art, Queens College, NY Awards & Residencies 2018 Queens Council on the Arts - Arts Access Grant, NY 2017 Joan Mitchell Center - Artist-in-Residence Program, New Orleans, LA Wave Hill - Winter Workspace Residency Program, Riverdale, NY 2016-2017 Lower East Side Printshop - Keyholder Residency, New York, NY 2016 MASS MoCA Studios/Assets for Artists Residency, North Adams, MA Percent for Art - PS46X finalist 2015 Jerome Foundation Travel and Study Grant, New York, NY 2013 The Center for Book - Arts Artist-in-Residence Workspace Grant, New York, NY 2012 smART Power Grant finalist 2011 Socrates Sculpture Park - Emerging Artist Fellowship, Long Island City, New York The Bronx Museum - AIM Artist in the Marketplace Program – Bronx, NY 2010 Urban Artist Initiative - NYC Fellowship, New York, NY 2009- Elizabeth Foundation for the Arts Studio Program, New York, NY 2008 Joan Mitchell Foundation MFA Grant, New York, NY Vermont Studio Center - Artist Residency Program, Johnson, VT Aljira Center for Contemporary Art - Emerge 10 Fellowship, Newark, NJ 2007 ISE Cultural Foundation - Lynn Gumpert Award, New York, NY Solo and two-person exhibitions 2018 Lewis Latimer House Museum - EL DORADO, The New Forty Niners, Queens, NY Five Myles Plus/Space - In Between Daylight, Brooklyn, NY 2017 Art in the Parks: NYC Parks - EL DORADO, The New Forty Niners, Sunset Park, Brooklyn, -
About Ndi National Dance at a Glance • Currently in 35 Partner Schools in the NYC Area, NDI Serves More Than 5,000 Children Each Week
institute about ndi national dance at a glance • Currently in 35 partner schools in the NYC area, NDI serves more than 5,000 children each week. • NDI works with every child on a grade, including English Language Learners and children with special needs. • A Master Teacher/Choreographer, Musician/Composer and Assistant Teacher lead every NDI class. • NDI serves diverse low-income communities. Nearly 60% of NDI dancers are eligible for free or reduced-price lunch. Approximately 71% of the students we serve are children of color. • NDI’s Advanced Scholarship Programs offer extended training outside of school for exceptionally motivated children who demonstrate the passion and committment to immerse themselves in a greater challenge. • Throughout our 36-year history, NDI has successfully seeded programs throughout the United States. There are currently 11 NDI associate programs thriving across the country. • NDI has led cultural exchanges around the world, including China, Russia, India, Africa, Israel, Palestine, Bali and Switzerland. • NDI’s core programs are free for every child. awards Over the years, NDI and Founder Jacques d’Amboise have earned prestigious honors including the MacArthur Genius Award, National Medal of Arts, Kennedy Center Honors, President’s Committee on the Arts and Humanities’ Coming Up Taller Award, People Magazine’s People First Honoree, the Arison Award, NYC Mayor’s Award of Honor for Art and Culture, Governor’s Award for Outstanding Contributions to the Art and Culture of New York State, and induction into the -
Introduction and Will Be Subject to Additions and Corrections the Early History of El Museo Del Barrio Is Complex
This timeline and exhibition chronology is in process INTRODUCTION and will be subject to additions and corrections The early history of El Museo del Barrio is complex. as more information comes to light. All artists’ It is intertwined with popular struggles in New York names have been input directly from brochures, City over access to, and control of, educational and catalogues, or other existing archival documentation. cultural resources. Part and parcel of the national We apologize for any oversights, misspellings, or Civil Rights movement, public demonstrations, inconsistencies. A careful reader will note names strikes, boycotts, and sit-ins were held in New York that shift between the Spanish and the Anglicized City between 1966 and 1969. African American and versions. Names have been kept, for the most part, Puerto Rican parents, teachers and community as they are in the original documents. However, these activists in Central and East Harlem demanded variations, in themselves, reveal much about identity that their children— who, by 1967, composed the and cultural awareness during these decades. majority of the public school population—receive an education that acknowledged and addressed their We are grateful for any documentation that can diverse cultural heritages. In 1969, these community- be brought to our attention by the public at large. based groups attained their goal of decentralizing This timeline focuses on the defining institutional the Board of Education. They began to participate landmarks, as well as the major visual arts in structuring school curricula, and directed financial exhibitions. There are numerous events that still resources towards ethnic-specific didactic programs need to be documented and included, such as public that enriched their children’s education. -
Cecile Chong Born in Ecuador. Lives and Works in New York Education
Cecile Chong Born in Ecuador. Lives and works in New York Education 2008 MFA - Fine Arts, Parsons The New School for Design, NY 1994 MA - Education, Hunter College, NY 1988 BA - Studio Art, Queens College, NY Awards & Residencies 2019 BRIC Media Arts Fellowship, Brooklyn, NY The Block Gallery / The Bronx Museum AIM Residency at 80 White Street, New York, NY (Jan - June) 2018 Queens Council on the Arts - Arts Access Grant, NY 2017 Joan Mitchell Center - Artist-in-Residence Program, New Orleans, LA Wave Hill - Winter Workspace Residency Program, Riverdale, NY 2016-2017 Lower East Side Printshop - Keyholder Residency, New York, NY 2016 MASS MoCA Studios/Assets for Artists Residency, North Adams, MA Percent for Art - PS46X finalist 2015 Jerome Foundation Travel and Study Grant, New York, NY 2013 The Center for Book - Arts Artist-in-Residence Workspace Grant, New York, NY 2012 smART Power Grant finalist 2011 Socrates Sculpture Park - Emerging Artist Fellowship, Long Island City, New York The Bronx Museum - AIM Artist in the Marketplace Program – Bronx, NY 2010 Urban Artist Initiative - NYC Fellowship, New York, NY 2009-present Elizabeth Foundation for the Arts Studio Program, New York, NY 2008 Joan Mitchell Foundation MFA Grant, New York, NY Vermont Studio Center - Artist Residency Program, Johnson, VT Aljira Center for Contemporary Art - Emerge 10 Fellowship, Newark, NJ 2007 ISE Cultural Foundation - Lynn Gumpert Award, New York, NY Solo and two-person exhibitions 2020 Smack Mellon - (Jan - Feb) 2019 Main Window DUMBO - Straingers, curated -
Tax Woes for Puerto Rican Day Parade
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Los Colombianos Y Las Redes Del Narcotráfico En Nueva York Durante Los Años 70 INNOVAR
INNOVAR. Revista de Ciencias Administrativas y Sociales ISSN: 0121-5051 [email protected] Universidad Nacional de Colombia Colombia Sáenz Rovner, Eduardo Los colombianos y las redes del narcotráfico en Nueva York durante los años 70 INNOVAR. Revista de Ciencias Administrativas y Sociales, vol. 24, núm. 53, julio-septiembre, 2014, pp. 223-234 Universidad Nacional de Colombia Bogotá, Colombia Disponible en: http://www.redalyc.org/articulo.oa?id=81831420018 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto Narcotráfico y sociedad REVISTA INNOVARJOURNAL Los colombianos y las redes del narcotráfico en Nueva York durante los años 70 Eduardo Sáenz Rovner1 Ph.D., profesor Titular de la Facultad de Ciencias Económicas en la Universidad Nacional de Colombia. Correo electrónico: [email protected] RESUMEN: La idea que se tiene sobre el narcotráfico desde Colombia es que éste ha sido manejado por “carteles”. Lo que la evidencia empírica muestra es que además de las grandes organizaciones criminales, el narcotráfico durante las últimas décadas, y en particular durante los años 70, objeto de este escrito, ha sido un negocio abierto con innumerables participantes (incluyendo mulas “free lancers” que se constituían en microempresarios del narcotráfico), en buena parte colombianos pero también de otras nacionalidades. De ahí que la idea de carteles que ejercen poderes monopólicos, es equivocada. La información inédita con la que se escribió este ensayo es tomada principalmente de una serie de archivos norteamericanos.