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German Operetta on Broadway and in the West End, 1900–1940
Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 German Operetta on Broadway and in the West End, 1900–1940 Academic attention has focused on America’sinfluence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground-breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900–1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period – from modernity and gender relations to new technology and new media – and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core at doi.org/10.1017/9781108614306. derek b. scott is Professor of Critical Musicology at the University of Leeds. -
Operetta After the Habsburg Empire by Ulrike Petersen a Dissertation
Operetta after the Habsburg Empire by Ulrike Petersen A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Richard Taruskin, Chair Professor Mary Ann Smart Professor Elaine Tennant Spring 2013 © 2013 Ulrike Petersen All Rights Reserved Abstract Operetta after the Habsburg Empire by Ulrike Petersen Doctor of Philosophy in Music University of California, Berkeley Professor Richard Taruskin, Chair This thesis discusses the political, social, and cultural impact of operetta in Vienna after the collapse of the Habsburg Empire. As an alternative to the prevailing literature, which has approached this form of musical theater mostly through broad surveys and detailed studies of a handful of well‐known masterpieces, my dissertation presents a montage of loosely connected, previously unconsidered case studies. Each chapter examines one or two highly significant, but radically unfamiliar, moments in the history of operetta during Austria’s five successive political eras in the first half of the twentieth century. Exploring operetta’s importance for the image of Vienna, these vignettes aim to supply new glimpses not only of a seemingly obsolete art form but also of the urban and cultural life of which it was a part. My stories evolve around the following works: Der Millionenonkel (1913), Austria’s first feature‐length motion picture, a collage of the most successful stage roles of a celebrated -
Lake Resorts & Spas
THE BEST OF AUSTRIA 1 rom soaring alpine peaks in the west to the seem- ingly endless valleys and lowlands in the east, Aus- Ftria’s natural beauty is breathtaking. For over a millennium the region has been at the center of European history and culture. Its lively historic cities, like the capital Vienna, Graz, Innsbruck, and Salzburg are as aesthetically pleasing as their dramatic settings. In summer, Austria’s lakes, rivers, and hiking paths come to life, while the winter months are interwoven with hot-spiced wine and ski excursions. The Austrians are elegant and cultured people with a dark, yet resilient sense of humor and a knack for fashioning lifestyle to fit their needs. From 5th generation country farmers to middle class city dwellers to members of the faded aristocracy, sophistication, beauty, and good food are of the utmost importance. For such a small country, Austria has made more than its fair share of global impact. Besides exports like Linzer Torte, Manner wafers, and Red Bull, Vienna is the third UN headquarters’ city, along with New York and Geneva. With some 17,000 diplomats in residence and conveniently located at the crossroads of eastern and western Europe, Austria has the highest density of foreign intelligence agents in the world. Once the seat of the Austro-Hungarian Empire, today’s Austrian capital Vienna is a bustling metropolis with a strong commitment to the good life, and the city is consistently ranked number 1 in quality of life worldwide. Throughout this book, you’ll find Austria’s choice sights, restaurants, and hotels, and this chapter gives you a glimpse of the very best. -
Austrian Summer Festivals TOUR DESCRIPTION PRICES
Austrian Summer Festivals August 13 to 26, 2019 Surely, “Salzburg” comes immediately to mind when any mention is made of “Austrian Music Festivals” - that elegant, iconic event provides the keystone in the arch of our Summer Festivals Tour for August 2019. The question is, which of the many other Austrian festivals to include as well! What we decided on, in addition to four days of top-drawer concerts and operas at the Salzburg Festival, are visits to the Innsbruck Festival of Ancient Music, the Lehár Operetta Festival in the imperial resort town of Bad Ischl, and the Grafenegg Festival, also featuring top flight orchestras, soloists, and conductors, which takes place in a palace setting near Vienna. That busy performance schedule will be balanced by walking tours, an optional excursion to Berchtesgaden, as well as ample free time at each destination for you to visit the sites and museums that most interest you . or simply to relax, whether at a café in the picturesque cities or cruising on lovely Lake Wolfgang in the Salzkammergut mountains. Participation is limited to 22 travelers Reservations will be honored in the order deposits are received. TOUR DESCRIPTION August 13, Tuesday: Depart for Europe. We will offer group rates on the only viable route from Houston to Innsbruck, via Frankfurt, returning from Vienna (details in the sidebar on page 3). If you decide to travel separately, plan to arrive in Innsbruck not later than late afternoon on the 14th. August 14 - 17: Innsbruck Once the seat of the imperial court of Maximilian I (1459-1519), Innsbruck is one of the most charming cities in Europe.