DOCSLIB.ORG

Vampire and Werewolves

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Vampire and Werewolves Blood and Chocolate Manwolf By Annette Curtis Klaus By Gloria Skurzynski Having fallen for a human boy, a beautiful teenage Only when he finally reaches adolescence does a werewolf must battle both her packmates and the boy, living in medieval Poland, realize people think fear of the townspeople to decide where she belongs he is a werewolf. and with whom. The Blooding The Vampire Hunter’s Handbook: By Patricia Windsor A Field Guide to the Paranormal While spending the summer working as an au pair By Erin Slonaker girl for a couple in England, Maris discovers that the Call number: 398.2 Slo husband is a werewolf intent on blooding her and making her one too. Vampires The essential guide for vampire hunters! Curse of a Winter Moon By Mary Casanova Companions of the Night In sixteenth-century France, ruled by a Church that By Vivian Vande Velde overtaxes peasants and burns heretics, Marius must When sixteen-year-old Kerry Nowicki helps a postpone his apprenticeship to care for his six-year- young man escape from a group of men who claim old brother, whose birth took their mother's life, he is a vampire, she finds herself faced with some and who the villagers, backed by the Church, be- bizarre and dangerous choices. lieve will become a "loup garou" -- a werewolf. Dangerous Girls Werewolves and By R.L. Stine By Daniel Cohen After sixteen-year-old Destiny and her twin sister Call number 398.2/Coh Livvy are turned into partial vampires at a summer Surveys the world of werewolves, from ancient times camp, they try to find the “Restorer,” someone who to the Internet can return them to normal. Prowlers Werewolves Midnight Predator By Christopher Golden By Amelia Atwater-Rhodes When 19-year-old Jack Dwyer's best friend, Artie, is Turqoise Draka, a vampire hunter, is hired to kill murdered, Jack is devastated. But Artie's ghost ap- the evil vampire Jeshikah. To enter his realm she pears to warn Jack about the deadly Prowlers--a must disguise herself as the human slave of Jaguar, a gang of werewolves who prey on humans from city vampire and slave owner who is tormented by his to city. Under a bold new leader the Prowlers are own past. savage beasts masquerading as humans. As Jack swears to avenge his friend, he, too, becomes prey-- and so do all those he loves. WEREWOLVES The Curse of the Night Wolf Werewolf Rising By Paul Stewart By R.L. LaFevers Soon after Victorian messenger Barnaby Grimes is Just before his thirteenth birthday, an uncle he attacked by a huge beast while crossing London's Available at Sylvester never knew takes Luc deep into the woods of the rooftops, he becomes entangled in a mystery involv- Middle School Library Pacific Northwest, where he learns that he is a were- ing patent medicine, impoverished patients, and wolf whose pack is in danger from fanatics who are very expensive furs. Twilight Sweetblood Chronicles of Vladimir Tod: Eighth Grade Bites By Stephanie Meyer By Pete Hautman By Heather Brewer When seventeen-year-old Bella leaves Phoenix to After a lifetime of being a model student, sixteen- For thirteen years Vlad has kept secret that he is live with her father in Forks, Washington, she meets year-old Lucy Szabo is suddenly in trouble at school, half-vampire, but when his missing teacher is re- an exquisitely handsome boy at school for whom at home, with the "proto-vampires" she has met placed by a sinister substitute, he learns that there is she feels an overwhelming attraction and who she online and in person, and most of all with her un- more to being a vampire than he could have comes to realize is not wholly human. controlled diabetes. guessed. (Series continues with New Moon , Eclipse , and (Series continues with: Ninth Grade Slays and Tenth Breaking Dawn ) Grade Bleed) Vampire High By Douglas Rees Demon in My View The Chaos King By Amelia Atwater-Rhodes When his family moves from California to New By Ruby Laura Sodom, Massachusetts and Cody enters Vlad Dracul Seventeen-year-old Jessica Allodola discovers that Magnet School, many things seem strange, from the Thirteen-year-old Georgie and Bug, a year older, the vampire world of her fiction is real when she dark-haired, pale-skinned, supernaturally strong have been pulled apart by the demands of their develops relationships with an alluring vampire students to Charon, the wolf who guides him newfound fame and fortune, but join forces again named Aubrey and the teenage witch who is trying around campus on the first day. when a punk, vampires, a giant sloth, and other to save Jessica from his clutches. creatures come after them on the streets of a New York City of the future. In the Forests of the Night Living Dead in Dallas By Amelia Atwater-Rhodes By Charlaine Harris Sunshine Risika, a teenage vampire, wanders back in time to By Robin McKinley When a vampire asks cocktail waitress Sookie Stack- the year 1684 when, as a human, she died and was house to use her telepathic skills to find a missing transformed against her will. Thirsty While finding a place to be alone for a while, Sun- vampire, she agrees under one condition: the vam- By M.T. Anderson shine is taken by surprise by vampires, who dress pires must promise to behave and let the humans her in a long red gown and shackle her to a wall in that are involved to unharmed. Easier said than From the moment he knows that he is destined to an abandoned mansion. She is amazed to still be done. be a vampire, Chris thirsts for the blood of people alive and unharmed at dawn and finds that she is around him while also struggling to remain human. needed to help one vampire survive the day. Vampire Kisses By Ellen Schreiber Cirque du Freak: the Saga of Darren Shan Vampire and Werewolf Stories By Darren Shan Chosen by Alan Durant Sixteen-year-old Raven, an outcast who always Two best friends visit an illegal freak show, where Call number: 808/Vam wears black and hopes to become a vampire some they encounter a vampire. Darren becomes a “half- day, falls in love with the mysterious new boy in vampire” in order to save his friend’s life. A collection of stories about vampires and were- (Series continues with: The Vampire’s Assistant) town, eager to find out if he can make her dreams wolves, including Jane Yolen's "Mama Gone," Arthur come true. Conan Doyle's "Sherlock Holmes and the Sussex (Series continues with: Kissing Coffins , Vampireville , Vampire," and an excerpt from Bram Stoker's Dance With a Vampire , and The Coffin Club ) "Dracula." .
Load more

Recommended publications
  • Making Sense of Mina: Stoker's Vampirization of the Victorian Woman in Dracula Kathryn Boyd Trinity University
    Trinity University Digital Commons @ Trinity English Honors Theses English Department 5-2014 Making Sense of Mina: Stoker's Vampirization of the Victorian Woman in Dracula Kathryn Boyd Trinity University Follow this and additional works at: http://digitalcommons.trinity.edu/eng_honors Part of the English Language and Literature Commons Recommended Citation Boyd, Kathryn, "Making Sense of Mina: Stoker's Vampirization of the Victorian Woman in Dracula" (2014). English Honors Theses. 20. http://digitalcommons.trinity.edu/eng_honors/20 This Thesis open access is brought to you for free and open access by the English Department at Digital Commons @ Trinity. It has been accepted for inclusion in English Honors Theses by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. Despite its gothic trappings and origin in sensationalist fiction, Bram Stoker's Dracula, written in 1897, is a novel that looks forward. At the turn of the nineteenth century, Britons found themselves in a world of new possibilities and new perils –in a society rapidly advancing through imperialist explorations and scientific discoveries while attempting to cling to traditional institutions, men and woman struggled to make sense of the new cultural order. The genre of invasion literature, speaking to the fear of Victorian society becoming tainted by the influence of some creeping foreign Other, proliferated at the turn of the century, and Stoker's threatening depictions of the Transylvanian Count Dracula resonated with his readers. Stoker’s text has continued to resonate with readers, as further social and scientific developments in our modern world allow more and more opportunities to read allegories into the text.
    [Show full text]
  • Haunted Narratives: the Afterlife of Gothic Aesthetics in Contemporary Transatlantic Women’S Fiction
    HAUNTED NARRATIVES: THE AFTERLIFE OF GOTHIC AESTHETICS IN CONTEMPORARY TRANSATLANTIC WOMEN’S FICTION Jameela F. Dallis A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2015 Approved by: Minrose Gwin Shayne A. Legassie James Coleman María DeGuzmán Ruth Salvaggio © 2016 Jameela F. Dallis ALL RIGHTS RESERVED ii ABSTRACT Jameela F. Dallis: Haunted Narratives: The Afterlife of Gothic Aesthetics in Contemporary Transatlantic Women’s Fiction (Under the direction of Minrose Gwin and Shayne A. Legassie) My dissertation examines the afterlife of eighteenth- and nineteenth-century Gothic aesthetics in twentieth and twenty-first century texts by women. Through close readings and attention to aesthetics and conventions that govern the Gothic, I excavate connections across nation, race, and historical period to engage critically with Shirley Jackson’s The Haunting of Hill House, 1959; Angela Carter’s “The Lady of the House of Love,” 1979; Shani Mootoo’s Cereus Blooms at Night, 1996; and Toni Morrison’s Love, 2003. These authors consciously employ such aesthetics to highlight and critique the power of patriarchy and imperialism, the continued exclusion of others and othered ways of knowing, loving, and being, and the consequences of oppressing, ignoring, or rebuking these peoples, realities, and systems of meaning. Such injustices bear evidence to the effects of transatlantic commerce fueled by the slave trade and the appropriation and conquering of lands and peoples that still exert a powerful oppressive force over contemporary era peoples, especially women and social minorities.
    [Show full text]
  • 10 Vital Ways to Spot a Werewolf
    12 What is a Werewolf? 13 Once they have experienced raw All werewolves have excessive 10 Vital Ways to 4meat in their wolf form, even as 8 body hair. This does not mean a human the werewolf will enjoy the that all people with extra body taste of fresh, bloody meat. hair are werewolves, but check for Spot a Werewolf hair on the palms of the hands, a Some werewolves exhibit pronounced “widow’s peak” or heightened senses of hearing, 5 marked hair loss either side of the Spotting a werewolf is not easy, especially when they are smell, and sight. forehead, and – harder to check – in human form. However, there are a few telltale clues All werewolves will be nervous, hair growing inside the skin. even secretive, as the full moon 6 When in human form a that you can use to make it easier: approaches. Some will enjoy this werewolf may show signs of time of power; others may meet this 9 In human form, check for than their middle finger is likely to increased agression or periods of prospect with sadness, even fear. eyebrows that meet in the be a werewolf in human guise. unprovoked rage. 1 middle. This has long been A werewolf will avoid silver of Werewolves have a pronounced Keep an eye on anyone who considered a sign of a werewolf. any kind, whether in wolf or ability to heal themselves, unless hangs about in the woods or 3 7 10 It is well known that any person human form, and will react as if struck by silver or, especially, shot moors during a full moon and comes 2 who has a ring finger longer burnt when touched by silver.
    [Show full text]
  • Reorienting the Female Gothic: Curiosity and the Pursuit of Knowledge
    University of Rhode Island DigitalCommons@URI Open Access Dissertations 2020 REORIENTING THE FEMALE GOTHIC: CURIOSITY AND THE PURSUIT OF KNOWLEDGE Jenna Guitar University of Rhode Island, [email protected] Follow this and additional works at: https://digitalcommons.uri.edu/oa_diss Recommended Citation Guitar, Jenna, "REORIENTING THE FEMALE GOTHIC: CURIOSITY AND THE PURSUIT OF KNOWLEDGE" (2020). Open Access Dissertations. Paper 1145. https://digitalcommons.uri.edu/oa_diss/1145 This Dissertation is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. REORIENTING THE FEMALE GOTHIC: CURIOSITY AND THE PURSUIT OF KNOWLEDGE BY JENNA GUITAR A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ENGLISH UNIVERSITY OF RHODE ISLAND 2020 DOCTOR OF PHILOSOPHY DISSERTATION OF JENNA GUITAR APPROVED: Dissertation Committee: Major Professor Jean Walton Christine Mok Justin Wyatt Nasser H. Zawia DEAN OF THE GRADUATE SCHOOL UNIVERSITY OF RHODE ISLAND 2020 ABSTRACT This dissertation investigates the mode of the Female Gothic primarily by examining how texts utilize the role of curiosity and the pursuit of knowledge, paying close attention to how female characters employ these attributes. Existing criticism is vital to understanding the Female Gothic and in presenting the genealogy of feminist literary criticism, and yet I argue, this body of criticism often produces elements of essentialism. In an attempt to avoid and expose the biases that essentialism produces, I draw from Sara Ahmed’s theory of queer phenomenology to investigate the connections between the way that women pursue and circulate knowledge through education and reading and writing practices in the Female Gothic.
    [Show full text]
  • Mirrorshade Women: Feminism and Cyberpunk
    Mirrorshade Women: Feminism and Cyberpunk at the Turn of the Twenty-first Century Carlen Lavigne McGill University, Montréal Department of Art History and Communication Studies February 2008 A thesis submitted to McGill University in partial fulfilment of the requirements of the degree of Doctor of Philosophy in Communication Studies © Carlen Lavigne 2008 2 Abstract This study analyzes works of cyberpunk literature written between 1981 and 2005, and positions women’s cyberpunk as part of a larger cultural discussion of feminist issues. It traces the origins of the genre, reviews critical reactions, and subsequently outlines the ways in which women’s cyberpunk altered genre conventions in order to advance specifically feminist points of view. Novels are examined within their historical contexts; their content is compared to broader trends and controversies within contemporary feminism, and their themes are revealed to be visible reflections of feminist discourse at the end of the twentieth century. The study will ultimately make a case for the treatment of feminist cyberpunk as a unique vehicle for the examination of contemporary women’s issues, and for the analysis of feminist science fiction as a complex source of political ideas. Cette étude fait l’analyse d’ouvrages de littérature cyberpunk écrits entre 1981 et 2005, et situe la littérature féminine cyberpunk dans le contexte d’une discussion culturelle plus vaste des questions féministes. Elle établit les origines du genre, analyse les réactions culturelles et, par la suite, donne un aperçu des différentes manières dont la littérature féminine cyberpunk a transformé les usages du genre afin de promouvoir en particulier le point de vue féministe.
    [Show full text]
  • Vampirism, Vampire Cults and the Teenager of Today Megan White University of Kentucky
    University of Kentucky UKnowledge Pediatrics Faculty Publications Pediatrics 6-2010 Vampirism, Vampire Cults and the Teenager of Today Megan White University of Kentucky Hatim A. Omar University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits oy u. Follow this and additional works at: https://uknowledge.uky.edu/pediatrics_facpub Part of the Pediatrics Commons Repository Citation White, Megan and Omar, Hatim A., "Vampirism, Vampire Cults and the Teenager of Today" (2010). Pediatrics Faculty Publications. 75. https://uknowledge.uky.edu/pediatrics_facpub/75 This Article is brought to you for free and open access by the Pediatrics at UKnowledge. It has been accepted for inclusion in Pediatrics Faculty Publications by an authorized administrator of UKnowledge. For more information, please contact [email protected]. Vampirism, Vampire Cults and the Teenager of Today Notes/Citation Information Published in International Journal of Adolescent Medicine and Health, v. 22, no. 2, p. 189-195. © Freund Publishing House Ltd. The opc yright holder has granted permission for posting the article here. Digital Object Identifier (DOI) http://dx.doi.org/10.1515/IJAMH.2010.22.2.177 This article is available at UKnowledge: https://uknowledge.uky.edu/pediatrics_facpub/75 ©Freund Publishing House Ltd. Int J Adolesc Med Health 20 I 0;22(2): 189-195 Vampirism, vampire cults and the teenager of today Megan White, MD and Hatim Omar, MD Division of Adolescent Medicine, Department of Pediatrics, University of Kentucky, Lexington, Kentucky, United States ofAmerica Abstract: The aim of this paper is to summarize the limited literature on clinical vampirism, vampire cults and the involvement of adolescents in vampire-like behavior.
    [Show full text]
  • The Figure of the Vampire Has Been Inextricably Linked to the History Of
    ENTERTEXT From Pathology to Invisibility: The Discourse of Ageing in Vampire Fiction Author: Marta Miquel-Baldellou Source: EnterText, “Special Issue on Ageing and Fiction,” 12 (2014): 95-114. Abstract A diachronic analysis of the way the literary vampire has been characterised from the Victorian era to the contemporary period underlines a clear evolution which seems especially relevant from the perspective of ageing studies. One of the permanent features characterising the fictional vampire from its origins to its contemporary manifestations in literature is precisely the vampire’s disaffection with the effects of ageing despite its actual old age. Nonetheless, even though the vampire no longer ages in appearance, the way it has been presented has significantly evolved from a remarkable aged appearance during the Victorian period through Joseph Sheridan Le Fanu’s Carmilla (1872) or Bram Stoker’s Dracula (1897) to outstanding youth in Anne Rice’s An Interview with the Vampire (1976), adolescence in Stephenie Meyer’s Twilight (2005), and even childhood in John Ajvide Lindquist’s Let The Right One In (2007), thus underlining a significant process of rejuvenation despite the vampire’s acknowledged old age. This paper shows how the representations of the vampire in the arts, mainly literature and cinema, reflect a shift from the embodiment of pathology to the invisibility, or the denial, of old age. 95 | The Discourse of Ageing in Vampire Fiction From Pathology to Invisibility: The Discourse of Ageing in Vampire Fiction Marta Miquel-Baldellou Ageing and vampire fiction The figure of the vampire has been inextricably linked to the history of humanity since ancient and classical times as an embodiment of fear, otherness, evil and the abject.
    [Show full text]
  • [A57cd2d] [PDF] Burnt Offerings (Anita Blake, Vampire Hunter)
    [PDF] Burnt Offerings (Anita Blake, Vampire Hunter) Laurell K. Hamilton, Kimberly Alexis - book pdf free Download Burnt Offerings (Anita Blake, Vampire Hunter) PDF, Burnt Offerings (Anita Blake, Vampire Hunter) by Laurell K. Hamilton, Kimberly Alexis Download, Free Download Burnt Offerings (Anita Blake, Vampire Hunter) Ebooks Laurell K. Hamilton, Kimberly Alexis, Read Burnt Offerings (Anita Blake, Vampire Hunter) Full Collection Laurell K. Hamilton, Kimberly Alexis, I Was So Mad Burnt Offerings (Anita Blake, Vampire Hunter) Laurell K. Hamilton, Kimberly Alexis Ebook Download, Read Online Burnt Offerings (Anita Blake, Vampire Hunter) Ebook Popular, full book Burnt Offerings (Anita Blake, Vampire Hunter), pdf download Burnt Offerings (Anita Blake, Vampire Hunter), Download PDF Burnt Offerings (Anita Blake, Vampire Hunter) Free Online, Burnt Offerings (Anita Blake, Vampire Hunter) Laurell K. Hamilton, Kimberly Alexis pdf, book pdf Burnt Offerings (Anita Blake, Vampire Hunter), by Laurell K. Hamilton, Kimberly Alexis pdf Burnt Offerings (Anita Blake, Vampire Hunter), the book Burnt Offerings (Anita Blake, Vampire Hunter), Read Best Book Online Burnt Offerings (Anita Blake, Vampire Hunter), Read Online Burnt Offerings (Anita Blake, Vampire Hunter) Book, Burnt Offerings (Anita Blake, Vampire Hunter) PDF read online, Free Download Burnt Offerings (Anita Blake, Vampire Hunter) Best Book, Burnt Offerings (Anita Blake, Vampire Hunter) Free Download, Burnt Offerings (Anita Blake, Vampire Hunter) Free PDF Download, Burnt Offerings (Anita Blake, Vampire Hunter) Ebook Download, CLICK HERE - DOWNLOAD This book was not as much as the new york age of bear a patient but it was mad with less religious art so i 'm penalty a different one. Release 's is a very well written look at the work an change devices which led to women to get even better.
    [Show full text]
  • Transcending Antinomies in Maggie Stiefvater’S Shiver Series
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Humanities Commons 1 ‘But by blood no wolf am I’: Language and Agency, Instinct and Essence – Transcending Antinomies in Maggie Stiefvater’s Shiver series The sympathetic vampire is now a familiar creature. Stephenie Mayer’s Twilight (2005) has made us aware of the attraction of radical otherness, where the mysterious non-humanity of the love object becomes a powerful source of desire rather than terror alone.1 Other paranormal species have also become somewhat domesticated and are now lovers rather than monstrous Others, resulting in the new hybridised genre of paranormal romance, where Gothic horror couples with romantic fiction.2 Each species of monster (whether vampire, shapeshifter, faerie, angel, or zombie) lends itself to different domains of enquiry. The shapeshifter, especially the werewolf, is particularly useful as an instrument for exploring the boundaries of humanity and animality, culture and nature. Werewolves are far more tied to animality and the physiological than the present-day vampire, despite the latter’s often compulsive blood-lust.3 The werewolf, too, is bound to a hierarchical pack society; this group membership necessarily evokes a different perspective on the social than the usually solitary vampire. Of course, the blurring of the boundary between animal and human recurs throughout literature. Yet wolves in particular have long played a versatile role in exploring these demarcations. Wolves are ambiguously social animals yet savage outsiders, predators on the community, and disruptors of the pastoral (with all the additional allegorical weight that arrives with Christianity).
    [Show full text]
  • VAMPIRE BATS – the Good, the Bad, and the Amazing
    Exhibit Dates: May 2014 - January 2015 VAMPIRE BATS – The Good, the Bad, and the Amazing Vampire bats are sanguivores, organisms that feed upon the blood of other animals. They are the only mammals that feed exclusively on blood. Despite horror-movie depictions, vampire bats very rarely bite humans to feed on their blood. They feed primarily on domestic livestock, due to their abundance, and to a lesser degree on wild mammals and birds. They are very small animals, with wingspans of about 12-15 inches, and weigh less than 2 ounces. SPECIES AND DISTRIBUTIONS Three species of vampire bats are recognized. Vampire bats occur in warm climates in both arid and humid regions of Mexico, Central America, and South America. Distribution of the three species of vampire bats. Common Vampire Bat (Desmodus rotundus) This species is the most abundant and most well-known of the vampire bats. Desmodus feeds mainly on mammals, particularly livestock. They occur from northern Mexico southward through Central America and much of South America, to Uruguay, northern Argentina, and central Chile, and on the island of Trinidad in the West Indies. Common vampire bat, Desmodus rotundus. White-winged Vampire Bat (Diaemus youngi) This species feeds mainly on the blood of birds. They occur from Mexico to southern Argentina and are present on the islands of Trinidad and Isla Margarita. White-winged vampire bat, Diaemus youngi. Hairy-legged Vampire Bat (Diphylla ecaudata) This species also feeds mainly on the blood of birds. They occur from Mexico to Venezuela, Peru, Bolivia, and Brazil. One specimen was collected in 1967 from an abandoned railroad tunnel in Val Verde County, Texas.
    [Show full text]
  • Castlevania Judgment Vampire Killer
    Castlevania Judgment Vampire Killer Is Lance far-seeing or lustral after excisable Uri commemorated so inimitably? Sasha remains piggy after Godfry generate quirkily or referee any Fergus. Is Garwood divisionary or rhizogenic after power Bjorn furnacing so undistractedly? Need to the castlevania judgment vampire killer roblox id below to a secret gameplay, she had to bring back against his killer? No hope for castlevania judgment vampire killer in castlevania his village in quick view. What you will take your favourite artists on an ancient civilization for combat cross. More detailed trees and flora. Gabriel to palm The Mask to bring as his ambassador wife Marie. This whip rila fukushima and generally enjoyable, castlevania series hero chris redfield, sunt in a key script element, samba de amigo, get a slap in. While the arrangements are generally enjoyable, they tend to be quite formulaic in their approach. The payment has been chosen by and carl critchlow takes for castlevania judgment vampire killer from decent to me out! The end to create a saga older than time rift while also offers him back to dracula x: livestream recap ft. You want to help me out this, leaving a god, has been keeping busy as. Seitokai no custom animation possible for castlevania judgment vampire killer whip is back against rivals works. Simon is used during stage themes are castlevania judgment. Sorry, unfortunately Sony cannot respond to this request at the moment. Castlevania black characters look like this page for mountains and landscaping much. She appears in a remix introduces a vampire. Instead of castlevania judgment employs too many design ideas that you agree to load we are neither well as well planned nor well as pets.
    [Show full text]
  • The Werewolf of Paris
    The Werewolf of Paris Guy Endore The Werewolf of Paris Table of Contents The Werewolf of Paris........................................................................................................................................1 Guy Endore..............................................................................................................................................1 INTRODUCTION..................................................................................................................................2 CHAPTER ONE.....................................................................................................................................9 CHAPTER TWO..................................................................................................................................15 CHAPTER THREE..............................................................................................................................20 CHAPTER FOUR.................................................................................................................................25 CHAPTER FIVE..................................................................................................................................37 CHAPTER SIX.....................................................................................................................................42 CHAPTER SEVEN..............................................................................................................................51 CHAPTER EIGHT...............................................................................................................................64
    [Show full text]