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RENNETT-DISSERTATION-2017.Pdf
Copyright by Michael David Rennett 2017 The Dissertation Committee for Michael David Rennett certifies that this is the approved version of the following dissertation: HOW GROWN-UPS ARE BORN: THE EMERGING-ADULT GENRE AND AMERICAN FILM AND TELEVISION Committee: Thomas Schatz, Co-Supervisor Janet Staiger, Co-Supervisor Mary Celeste Kearney Mary Beltran Julia Mickenberg HOW GROWN-UPS ARE BORN: THE EMERGING-ADULT GENRE AND AMERICAN FILM AND TELEVISION by Michael David Rennett Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2017 Acknowledgements The idea for my dissertation started to coalesce in 2006 and developed bit-by-bit over the last eleven years. I am truly thankful for all the personal and professional support I received throughout this time to pursue my project. First, I would like to thank the members of my dissertation committee – Janet Staiger, Tom Schatz, Mary Kearney, Mary Beltrán, and Julia Mickenberg – for their hard work and insightful feedback. Janet Staiger has been instrumental in developing this project since I arrived at the University of Texas in 2011. Like any great mentor, Janet would know when I needed to meet and talk through my idea, and would know when I needed my space to write and work through each part on my own. In our meetings, Janet would facilitate deep conversations about the core issues surrounding my project and keep me focused on the media’s representations of emerging-adults. -
Nurlaily Dicha Aningtyas-150110401004.Pdf
DigitalDigital RepositoryRepository UniversitasUniversitas JemberJember MISE EN SCENE DALAM MEMBANGUN ADEGAN DRAMATIK PADA FILM GRAVE TORTURE KARYA JOKO ANWAR SKRIPSI PENGKAJIAN Oleh: Nurlaily Dicha Aningtyas NIM 150110401004 PROGRAM STUDI TELEVISI DAN FILM FAKULTAS ILMU BUDAYA UNIVERSITAS JEMBER 2019 DigitalDigital RepositoryRepository UniversitasUniversitas JemberJember MISE EN SCENE DALAM MEMBANGUN ADEGAN DRAMATIK PADA FILM GRAVE TORTURE KARYA JOKO ANWAR SKRIPSI Diajukan guna melengkapi tugas akhir dan memenuhi syarat untuk menyelesaikan studi pada Program Studi Televisi dan Film (S1) dan mencapai gelar Sarjana Oleh: Nurlaily Dicha Aningtyas NIM 150110401004 PROGRAM STUDI TELEVISI DAN FILM FAKULTAS ILMU BUDAYA UNIVERSITAS JEMBER 2019 i DigitalDigital RepositoryRepository UniversitasUniversitas JemberJember PERSEMBAHAN Skripsi ini saya persembahkan untuk Almarhum dan Almarhumah orang tua saya: Margo S.Pd, M.M dan Wigati, serta untuk Mama saya dr. Wiwik Setyorini, CIBTAC, Akp, MD. Skripsi ini juga saya persembahkan untuk mereka yang berjuang menyelesaikan skripsi tanpa kehadiran orang tua. Yakinlah kamu bisa! Mereka tidak hadir namun impian mereka ada bersama kita. Lakukan dan wujudkan impian-impian itu! ii DigitalDigital RepositoryRepository UniversitasUniversitas JemberJember MOTTO “Jangan menjadi egois dengan tidak pernah meminta maaf, berterima kasih dan memberi apresiasi pada diri sendiri. Tidak ada yang lebih tahu bagaimana 24 jam dilalui jika bukan si empunya diri.” “Maka sesungguhnya bersama kesulitan ada kemudahan. Sesungguhnya -
Ironic Blackness As Masculine Cool: Asian American Language and Authenticity on Youtube
Applied Linguistics 2013: 34/5: 592–612 ß Oxford University Press 2013 doi:10.1093/applin/amt023 Advance Access published on 7 October 2013 Ironic Blackness as Masculine Cool: Asian American Language and Authenticity on YouTube ELAINE W. CHUN Downloaded from Department of English Language and Literature, University of South Carolina. E-mail: [email protected] This article examines the cultural significance of cross-racial embodiments of linguistic signs that may be legible as ‘black’ within mainstream US discourses http://applij.oxfordjournals.org/ but, in YouTube’s transnational space, may be subject to alternative interpret- ations. It specifically explores ideologies of race, gender, and authenticity that underlie signs stereotypically linked to symbolic blackness and embodied by a young Chinese American YouTube star named Kevin Wu, whose performance is further complicated by his ironic footing. I argue that although Wu’s stance recognizes certain contradictory values of his racialized performance, his humor never challenges stereotypes of black hypermasculinity. At the same time, my examination of how viewers collaboratively interpret Wu suggests that although they may largely reproduce widely circulating ideologies of race, gender, and at Ondokuz Mayis University on November 1, 2014 linguistic authenticity in the USA, their collaborative praise participates in the reshaping of widely circulating imagery of Asian masculinity in transnational space. INTRODUCTION In the USA, the embodiment of styles ideologically linked to symbolic black- ness by Asian American men carries complex cultural significance. An opti- mistic reading may suggest the possibilities of cross-racial cultural alignment, namely, a shared orientation to African American culture among youth of different races as well as a collaborative challenge to the hegemonic status of whiteness (Cutler 2008). -
8. Liz Lavaveshkul
JICLT Journal of International Commercial Law and Technology Vol. 7, Issue 4(2012) How to Achieve 15 Minutes (or More) of Fame through YouTube Liz Lavaveshkul [email protected] Abstract. YouTube is a video sharing website where people can upload, share, view, and comment on originally created videos. It is an arena where ordinary people with little or no funding can compete with mega corporations on an even playing field to achieve higher viewership and a loyal following. This article takes a look at how a group of amateurs rose from obscurity to become YouTube sensations with literally millions of fans and substantial earnings. Using these YouTubers’ roadmap to success, this article lists practical suggestions for launching a successful YouTube career. © 2012 Liz Lavaveshkul. Published by JICLT. All rights reserved. 1. Introduction If someone told you they could give you a roadmap to a sure-fire way to become world-renown and earn thousands of dollars a year doing what you loved to do through YouTube, would you be interested? If they added that this venture required very little capital and could be launched within a few hours, would you be ready to sign up? Are you ready to become the next YouTube sensation? Unfortunately, there isn’t a magic wand or crystal ball to guarantee success, but a tool exists that provides a window to success. By looking into YouTube’s past and studying YouTube success stories, you can learn from how and why things came to be and make reasonable choices that could favorably affect your future. Founded in February 2005, YouTube is a video sharing website where people can upload, share, view, and comment on originally created videos. -
Subverting Stereotypes and Surpassing Disregard
MKVK04:3 Dissertation Autumn Semester 2012-2013 Department of Communication and Media Subverting stereotypes and surpassing disregard: a case study of Asian Americans' self and group representation on YouTube Author: Cecilia Thulin Supervisor: Tobias Linné Outline Title: Subverting stereotypes and surpassing disregard: a case study of Asian Americans' self and group representation on YouTube Course: Medie- och kommunikationsvetenskap: Kandidatkurs (MKVK04) Author: Cecilia Thulin Supervisor: Tobias Linné Language: English Key Words: YouTube, Asian Americans, Yellow Identity, Community, Racism, Online Racism, Hater Comments, Stereotypes. Abstract: This dissertation explores the development of Asian American YouTube channels. Since the mainstream media are not offering any characters which are a fair representation of Asians, YouTube has become an outlet for Asian Americans to represent themselves. In order to break the general stereotype of a person of Asian descent, these YouTube channels post videos to empower Asians globally. Their success includes billions of views, job opportunities, collaborations, sponsorships and creating a community online which takes their relationship offline. However, this “phenomena” has not evolved without any difficulties. There are ignorant and racist responses since registered users can post comments. The methodological approach is case studies of Wong Fu Productions, NigaHiga, KevJumba and Michelle Phan amongst other North American YouTube channels. Their videos and the movement were perused in order to map out the “phenomena”. These “YouTubers” have gained success yet there is mainstream success to achieve. The dissertation also examines the defect of YouTube; the hater comments and racism online. In conclusion, YouTube has created a space where Asian Americans can themselves represent and break stereotypes. -
Youtube Comedians: Performance in the Digital Era Bachelor’S Diploma Thesis
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Vojtěch Vokurka YouTube Comedians: Performance in the Digital Era Bachelor’s Diploma Thesis Supervisor: Mgr. Tomáš Kačer, Ph. D. 2015 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Vojtěch Vokurka Acknowledgement I would like to thank my supervisor, Mgr. Tomáš Kačer, Ph.D., for agreeing to work on this thesis, for finding new and fresh approaches to the topic, and for his time. Table of Contents Introduction ..................................................................................................................... 6 1. YouTube ...................................................................................................................... 8 1.1 The Foundation of YouTube ................................................................................... 8 1.2 Technical Issues .................................................................................................... 10 1.3 The Rise of Vlogging ............................................................................................ 12 1.4 YouTubers Gone Mainstream ............................................................................... 15 2. Performance on a Computer Screen ....................................................................... 20 2.1 Process of Performance ........................................................................................ -
Nominations Announced for the 3Rd Annual Streamy Awards
For Immediate Release NOMINATIONS ANNOUNCED FOR THE 3RD ANNUAL STREAMY AWARDS The 3rd Annual Streamy Awards Presented by Coca‐Cola Will Be Streamed Live For Viewers Worldwide on February 17, 2013 from The Hollywood Palladium SANTA MONICA, CA (December 17, 2012) — dick clark productions, inc. and Tubefilter announced today the official nominations for the 3rd Annual Streamy Awards at http://www.streamys.org/nominees. The Streamy Awards honors excellence in original online video programming and those who create it, bringing together the leading creative talent from the online entertainment industry. The 3rd Annual Streamy Awards Presented by Coca‐Cola will be streamed live on February 17, 2013 from the Hollywood Palladium. The nominees for The 3rd Annual Streamy Awards demonstrate how talent from both traditional media and new media are coming together in the online video space, with programs from established studios, new emerging multi‐channel networks and independent producers. Social comedy MyMusic leads the way with nine Streamy Award nominations including Best Comedy Series, Best Direction (Rafi Fine, Benny Fine), and Best Guest Appearance (Felicia Day). Halo 4: Forward Unto Dawn, an action‐drama series based on the popular video game Halo, earned eight Streamy nominations including Best Action or Sci‐Fi Series, Best Writing: Drama (Todd and Aaron Helbing), Best Male Performance: Drama (Tom Green) and Best Female Performance: Drama (Anna Popplewell). Yahoo!’s hit web series, Burning Love, a comedy that follows a man in his quest for the perfect woman, received five Streamy nominations including Best Comedy Series, Best Ensemble Cast, Best Male Performance: Comedy (Ken Marino), Best Guest Appearance (Ken Jeong) and Best Female Performance: Comedy (Kristen Bell). -
Dick Clark Productions and Tubefilter Announce Nominees and Show Date for the 4Th Annual Streamy Awards Presented by Coca-Cola
DICK CLARK PRODUCTIONS AND TUBEFILTER ANNOUNCE NOMINEES AND SHOW DATE FOR THE 4TH ANNUAL STREAMY AWARDS PRESENTED BY COCA-COLA Nominees Include YouTube, Vine, and Television’s Biggest Stars To Stream LIVE on Sunday, September 7, 2014 from The Beverly Hilton at 7:30 PM PT at www.streamys.org SANTA MONICA, CA (August 18, 2014) – dick clark productions and Tubefilter announced today the nominees for the 4th Annual Streamy Awards Presented by Coca- Cola, which will stream LIVE from The Beverly Hilton in Beverly Hills, California on Sunday, September 7, 2014 at 7:30 PM PT at www.streamys.org. The 4th Annual Streamy Awards Presented by Coca-Cola recognizes excellence in original online video across forty-seven categories, including two Audience Choice Awards chosen entirely by members of the public. “If the caliber of this year’s nominees is any indication, we’re on track for the biggest Streamys ever,” said Executive Producer Drew Baldwin, co-founder of Tubefilter.“ As the leading producer of live events, dick clark productions is the best possible partner for a show that honors the ever-evolving digital landscape and pioneers who are shaping the future of mainstream entertainment.” “Without a doubt, digital video creators have become a tremendous force to inspire, educate, and entertain the public,” said Executive Producer Assaf Blecher, Vice President, Programming and Development, dick clark productions. “This year, we are introducing the Streamy ICONs, presented by Samsung, which will honor the amazing work of four industry disruptors with a spectacular and memorable moment.” Fourteen categories will be awarded live at the 4th Annual Streamy Awards Presented by Coca-Cola. -
Subverting Stereotypes and Surpassing Disregard
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Lund University Publications - Student Papers MKVK04:3 Dissertation Autumn Semester 2012-2013 Department of Communication and Media Subverting stereotypes and surpassing disregard: a case study of Asian Americans' self and group representation on YouTube Author: Cecilia Thulin Supervisor: Tobias Linné Outline Title: Subverting stereotypes and surpassing disregard: a case study of Asian Americans' self and group representation on YouTube Course: Medie- och kommunikationsvetenskap: Kandidatkurs (MKVK04) Author: Cecilia Thulin Supervisor: Tobias Linné Language: English Key Words: YouTube, Asian Americans, Yellow Identity, Community, Racism, Online Racism, Hater Comments, Stereotypes. Abstract: This dissertation explores the development of Asian American YouTube channels. Since the mainstream media are not offering any characters which are a fair representation of Asians, YouTube has become an outlet for Asian Americans to represent themselves. In order to break the general stereotype of a person of Asian descent, these YouTube channels post videos to empower Asians globally. Their success includes billions of views, job opportunities, collaborations, sponsorships and creating a community online which takes their relationship offline. However, this “phenomena” has not evolved without any difficulties. There are ignorant and racist responses since registered users can post comments. The methodological approach is case studies of Wong Fu Productions, NigaHiga, KevJumba and Michelle Phan amongst other North American YouTube channels. Their videos and the movement were perused in order to map out the “phenomena”. These “YouTubers” have gained success yet there is mainstream success to achieve. The dissertation also examines the defect of YouTube; the hater comments and racism online. -
Simbol Kematian Pada Film Cerita Pendek “Grave Torture” Karya Joko Anwar
eJournal llmu Komunikasi, 2018, 6 (3): 595-606 ISSN 2502-5961 (Cetak), 2502-597x (Onilne), ejournal.ilkom.fisip-unmul.org © Copyright 2018 SIMBOL KEMATIAN PADA FILM CERITA PENDEK “GRAVE TORTURE” KARYA JOKO ANWAR Tri Ristiyan Yunus1,Abdullah Karim2,Kezia Arum Sary3 Abstrak Tujuan dari penelitian ini adalah Untuk mengetahui bagaimana Simbol kematian pada film cerita pendek “Grave Torture” Karya Joko Anwar. Jenis penelitian yang dilakukan dengan deskriptif kualitatif. Hasil penelitian menunjukkan bahwa, film cerita pendek “Grave Torture” merupakan film dengan genre horror. Simbol kematian pada film cerita pendek “Grave Torture” karya Joko Anwar digambarkan dengan menggunakan konsep semiotika Charles Sanders Pierce yaitu Tanda, Objek dan interprestasi. tanda, objek dan interprestasi kematian yang digambarkan didalam film menggunakan unsur sinematik yaitu mis e scene, Editing dan Sound. Peneliti menemukan 8 scene yang menampilkan simbol kematian selama menonton film “Grave Torture” dengan durasi film selama 8 menit. Kesimpulan yang didapat dari penelitian ini bahwa dalam film cerita pendek terdapat simbol kematian yang dilihat dari aspek yang dijelaskan melalui pembedahan tanda, objek dan interprestasi. Terdapat 8 tanda yang berkaitan dengan simbol kematian yang terlihat dari penggunaan pakaian serba putih dan penyumbat hidung yang dikenakan oleh jenazah si ayah. Ditemukan 10 Objek yang langsung berkaitan dengan tanda kematian pada film cerita pendek “Grave Torture” karya Joko Anwar. Intresprestasi dari simbol kematian pada film cerita pendek “Grave Torture” karya Joko Anwar adalah penggunaan dari kostum dan aksesoris yang dikenakan oleh objek yaitu jenazah si ayah, Penggunaan pakaian atau kostum yang bewarna serba putih yang dibalutkan di sekujur tubuh merupakan salah satu budaya dari masyarakat muslim di Indonesia dalam proses sebelum dikuburkan.