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Carlie Hanson – Primary Wave Music
CARLIE HANSON open.spotify.com/artist/3mPc8WGusz2XF3Tvs3AKCR instagram.com/carliehanson/ facebook.com/carliehanson2000 twitter.com/carliehanson soundcloud.com/carlie_hanson Carlie Hanson, who was one of the faces of the Tommy Hilfiger Jeans Fall 2020 campaign, released her debut EP, JUNK, in June 2019. Before even turning 20, she had toured with Lauv, Troye Sivan, Yungblud and others in the US, Europe and Australia, signed a deal with Warner Records and released JUNK. Named a VEVO DSCVR artist, Carlie also has fans in superstars like Taylor Swift and Demi Lovato and has passed 250 million total global streams with her music. Last year, Carlie performed on The Late Show With Stephen Colbert and saw her final track of 2019, “Side Effects,” the lead track from Carlie’s second EP, DestroyDestroyDestroyDestroy, garner over 17 million Spotify streams since its release (October 2019). Billboard said of the track; “the lyrics cut deep, the melodies implant themselves in your mind, and her delivery will leave you wondering why you’ve been sleeping on Carlie Hanson until now.” The EP also contained two collaborations with rappers Lil West and iann dior, the latter of which topped the Billboard Hot 100 last year. At the end of 2020, Carlie was named one of Billboard’s “21 To Watch Under 21.” In May, Carlie released her first track of 2021 called “Gucci Knife” featuring MASN. ARTIST: TITLE: ALBUM: LABEL: CREDIT: YEAR: Carlie Hanson, Geore Young Love Love, Victor Season 2 (Original Soundtrack) Hollywood Records A 2021 Sear Carlie Hanson Gucci Knife -
NMS15 Marketing Opportunities
SPONSOR AND PARTNER OPPORTUNITIES Transforming the Music Business JUNE 21-23, 2015 | NEW YORK CITY THE NEW ERA OF MUSIC BUSINESS "The New Music Seminar is the single best gathering of cung edge music industry visionaries on the scene today. It's a must-do for anyone aspiring to be part of this business of music." - Steve Greenberg – Founder/CEO, S-Curve > NMS is the legendary NYC industry event focused on new opportunities and growth of the overall music business > Unparalleled speakers and discussions - The next generation of music business executives and stars > Elevated networking platform to take your business and career to the next level NMS connects the creave professional with the people wHo determine the future of the music business 2 THE 1,500 • Limited to 1,500 attendees to ensure the highest quality personal experience > More decision-makers devoted to the cause of building the next generation of the music business - Less time bandits. • Influential audience filled with creatives, decision-makers, and engaged trendsetters > Artists, producers, and songwriters > Tastemakers that break new music > Explorers searching for the “next big thing” > Experienced industry leaders discussing the real issues behind the music business, the backroom deals, the untold stories > Investors of the music business > Industry Insiders revealing the secrets behind success in the industry Cross-pollinaon : Every part of the music business...together! Adversing/ Brands; 2% ArJst Services; 2% Students; 6% A&R; 5% Radio; 5% ArJsts/ PublisHers; 8% Performers; -
The Future of Copyright and the Artist/Record Label Relationship in the Music Industry
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Saskatchewan's Research Archive A Change is Gonna Come: The Future of Copyright and the Artist/Record Label Relationship in the Music Industry A Thesis Submitted to the College of Graduate Studies And Research in Partial Fulfillment of the Requirements for the Degree Of Masters of Laws in the College of Law University of Saskatchewan Saskatoon By Kurt Dahl © Copyright Kurt Dahl, September 2009. All rights reserved Permission to Use In presenting this thesis in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis. Requests for permission to copy or to make other use of material in this thesis in whole or part should be addressed to: Dean of the College of Law University of Saskatchewan 15 Campus Drive Saskatoon, Saskatchewan S7N 5A6 i ABSTRACT The purpose of my research is to examine the music industry from both the perspective of a musician and a lawyer, and draw real conclusions regarding where the music industry is heading in the 21st century. -
Presentazione Standard Di Powerpoint
Filiera Largo Consumo Warner Music Italia srl Warner Music Group Warner Italy Led by an independent spirit With a legacy extending back over 200 and a devotion to great music, years, Warner Music Group today is home our renowned collection of to an unparalleled family of creative artists, songwriters, and companies that distinctive record labels is home are moving culture across the globe. At the to the world’s most popular and core of Warner Music Group's Recorded influential artists. Music division are four of the most iconic companies in history: Atlantic, Elektra, Parlophone and Warner Records. They are Main Warner Music Artists: Laura joined by renowned labels such as Asylum, Pausini, Ligabue, Ghali, Benji & Fede, Big Beat, Canvasback, East West, Erato, FFRR, Fueled by Ramen, Nonesuch, Nek, Annalisa, Irama, Fred De Palma, Reprise, Rhino, Roadrunner, Sire, Spinnin’, Levante, Max Pezzali, Capo Plaza, e Warner Classics and Warner Music Coldplay, Ed Sheeran, Bruno Mars, Nashville. Warner Chappell Music - which Cardi B, David Guetta, Dua Lipa, traces its origins back to the founding of Twenty One Pilots, Muse, Green Day, Chappell & Company in 1811 - is one of the world's leading music publishers, with a Liam Gallagher, RHCP, Michale Buble’. catalog of more than 1.4 million copyrights In addition catalogue of Pink Floyd, spanning every musical genre from the Iron Maiden, Led Zeppelin, Prince, standards of the Great American Songbook Aretha Franklin, Joy Division, Blur, to the biggest hits of the 21st century. Gorillaz, Ramones, David Bowie, (Contacts) Maria Callas. Tel.: 335 7685185 [email protected] www.warnermusic.it. -
EXTENSIONS of REMARKS 991 EXTENSIONS of REMARKS a COURAGEOUS CALL for That at All
January 29, 1986 EXTENSIONS OF REMARKS 991 EXTENSIONS OF REMARKS A COURAGEOUS CALL FOR that at all. I don't feel the need for divine portfolio. We issued $24 billion of Mortgage ACTION TO STOP THE ANTI intervention to get out of here alive. If I did, Backed Securities. That $45 billion trans HOUSING ELITISTS I'd have a long and very uncomfortable lates into more than 900,000 home mort wait. gages for Americans in 1985 alone. We will No, my friends, I feel more like Joshua be just as aggressive in the marketplace in HON. FERNAND J. ST GERMAIN than Daniel this morning. In the words of 1986. OF RHODE ISLAND the spiritual, I want to command the chil We will be equally conscious of quality. IN THE HOUSE OF REPRESENTATIVES dren to shout and bring tumbling down the We intend to stick to the basic changes we walls of those in Washington, who would, if made last year in ·our underwriting stand Wednesday, January 29, 1986 we let them, destroy every vestige of sup ards and mortgage credit criteria, because Mr. ST GERMAIN. Mr. Speaker, housing port for the American dream of homeowner we believe they are right. We did not make programs are under the most concerted ship. those changes because of the foreclosure attack since the Federal Government accept I want to make sure you leave here know losses from loans made in the recession of ing what these elitists have in mind. Make 1981-82. That cat is out of the bag. We have ed a role in helping to provide decent shelter no mistake about it, they are cold-bloodedly learned to live with all the unwanted kittens for all Americans. -
Ben Cook Appoints Magnus Ribbeklint As General Manager, Atlantic Records Uk
2017-10-24 16:06 CEST BEN COOK APPOINTS MAGNUS RIBBEKLINT AS GENERAL MANAGER, ATLANTIC RECORDS UK Ribbeklint joins Atlantic UK having worked as General Manager of Warner Music Sweden, as well as Vice President, Marketing, Warner Music Nordics. A widely-respected leader in his field, Ribbeklint has been instrumental in guiding the company through the evolving digital landscape, with an innate understanding of the streaming era. Ben Cook - “Magnus is a brilliant creative and digital strategist. He shares our love of great music, our passion for artist development and our resolute focus on the future. Throughout the Nordic transition to streaming his foresight and expertise helped transform Warner Music Sweden into a global leader in social media, content and digital marketing. He joins us at a pivotal time for the UK industry. I’m confident he’ll help keep Atlantic at the leading edge of music’s on- going evolution - as we continue to find innovative new ways to release and campaign our amazing artists. I look forward to him being a key player in the already impressive force that makes up Atlantic UK.” Magnus Ribbeklint - “Jag vill tackaJonas Siljemark och hela det nordiska Warner- teamet för deras support. Det har varit ett stort privilegium att arbeta med dem de senaste fem åren. Jag har haft nöjet att få arbeta med några av de största artisterna I en tid när Norden har varit pionjärer i en grundläggande förvandling av musikindustrin. Jag har haft äran att jobba med svenska artister som Håkan Hellström, Laleh, Little Jinder, Lykke Li, Miriam Bryant, Måns Zelmerlöw, Nause, Otto Knows, Rhys och Sabina Ddumba, liksom nordiska stjärnor som Alma, Christopher och Julie Bergan. -
Stardigio Program
スターデジオ チャンネル:447 洋楽最新おすすめ曲 放送日:2019/11/04~2019/11/10 「番組案内 (4時間サイクル)」 開始時間:4:00~/8:00~/12:00~/16:00~/20:00~/24:00~ 楽曲タイトル 演奏者名 ■CHRニューリリース WALKING [Clean] 88rising, Joji, Jackson Wang feat. Major Lazer & Swae Lee THE LEAST THAT I COULD DO PLESTED M.I.A Cher Lloyd EASY CAMILA CABELLO LOSE CONTROL Meduza, Becky Hill & Goodboys JEKYLL & HIDE BISHOP BRIGGS BAILA CONMIGO JENNIFER LOPEZ I TOLD YOU JAMES BLUNT EXHALE R3HAB & ELLA VOS LET ME KNOW Winona Oak LIGHTS UP HARRY STYLES YOU James Arthur feat. Travis Barker LOVERS + STRANGERS STARLEY PROBLEMS A R I Z O N A LA & THE PARTIES Lost Kings feat. Sevyn Streeter & Luh Kel DANCE MONKEY TONES and I CHEATING ON YOU Charlie Puth SIMS LAUV FIGURED OUT FLEUR EAST WANT YOU IN MY ROOM Carly Rae Jepsen ■ROCK/ALTニューリリース I WAS A FOOL THE COLD STARES CRYING GAME BAD WOLVES ONE LITTLE LIE Simple Creatures FIRE, READY, AIM GREEN DAY MOLLY MALONE LOUIS BERRY TWENTY LETTERS DREAM STATE HEAVEN Bayside BACKSEAT BOOGIE Airbourne REVOLUTION 4-21 R.E.M EASY TO HATE WATERPARKS YOU DIG YOURS Starcrawler SWITCHBLADE HEART GOODBYE JUNE FLOW ELM TREE CIRCLE LIVE 'TIL I DIE THE DARKNESS SAVE IT FOR THE WEEKEND SKEGSS PUT IT ON THE LINE (Theme From Borderlands) THE HEAVY GO OUT WITH YOU BLOXX WHERE DID ALL OUR TIME GO CROOKED TEETH NICE TO MEET YA NIALL HORAN ■URBANニューリリース GUCCI PAJAMAS Guapdad 4000 feat. Chance The Rapper LOVE AFFAIR UMI TOOTSIES GUCCI MANE feat. LIL BABY ALL DAT Moneybagg Yo & Megan Thee Stallion ORIGINAL ME YUNGBLUD feat. -
No More Black and Blue
ARIADNE: A Social Art Network Violence Against Women AgainstViolence.ART Volume 14 Number 4 April 2008 418-436 © 2008 Sage Publications 10.1177/1077801208314832 No More Black and Blue http://vaw.sagepub.com hosted at Women Against Violence Against http://online.sagepub.com Women and the Warner Communications Boycott, 1976–1979 Carolyn Bronstein DePaul University In the mid-1970s, Women Against Violence Against Women (WAVAW), the first national feminist organization to protest mediated sexual violence against women, pressured the music industry to cease using images of violence against women in its advertising. This article presents a case study of WAVAW’s national boycott of Warner Communications, Inc. and documents the activists’ successful consumer campaign. The study reveals that media violence was central to feminist organizing efforts, and that WAVAW and related organizations helped establish a climate of concern about vio- lence that motivated scientific research on the relationship between exposure to media violence and subsequent aggression. Keywords: advertising; grassroots organizing; media violence; music industry rom high above the storied Sunset Strip on a glorious June day, a bound and Fbruised woman on a billboard gazed down at the citizens of Los Angeles. She was the centerpiece of a new advertising campaign for the Rolling Stones’s 1976 album Black and Blue, part of a national promotion by Atlantic Records that featured print ads, radio spots, and in-store displays. At 14 by 48 feet, she dominated the busy sky- line, and traffic snarled up and down the boulevard as drivers slowed to get a better look. The woman wore a lacy white bodice, strategically ripped to display her breasts. -
NEW ORLEANS NOSTALGIA Remembering New Orleans History, Culture and Traditions
NEW ORLEANS NOSTALGIA Remembering New Orleans History, Culture and Traditions By Ned Hémard Quotable New Orleans, Part 4 Below are a number of additional noteworthy quotes on America‘s truly unique city, my fourth installment. Musicians, writers, politicians and philosophers – they all had something to offer. Hope you enjoy. New Orleans is the only foreign city in the United States. - WALKER PERCY Noisy, bustling, gossiping, and a thousand leagues from the United States. - ALEXIS DE TOQUEVILLE, who toured the United States in 1831 A restaurant is a place where dollars are exchanged for food. Neither should be counterfeit. - JULES ALCIATORE I sing God's music because it makes me feel free. It gives me hope. With the blues, when you finish, you still have the blues. - MAHALIA JACKSON New Orleans is not in the grip of a neurosis of a denied past; it passes out memories generously like a great lord; it doesn't have to pursue ―the real thing.‖ - UMBERTO ECO, Travels in Hyperreality New Orleans is like the bad-kid island in ―Pinocchio.‖ - JONAH HILL People don't live in New Orleans because it is easy. They live here because they are incapable of living anywhere else in the just same way. - IAN McNULTY, A Season of Night: New Orleans Life After Katrina Everybody started calling my music rock and roll, but it wasn't anything but the same rhythm and blues I'd been playing down in New Orleans. - FATS DOMINO There is no other place on earth even remotely like New Orleans. Don't even try to compare it to anywhere else. -
Dear Friends of the Kelly Writers House, Summertime at KWH Is Typically Dreamy
Dear Friends of the Kelly Writers House, Summertime at KWH is typically dreamy. We renovation of Writers House in 1997, has On pages 12–13 you’ll read about the mull over the coming year and lovingly plan guided the KWH House Committee in an sixteenth year of the Kelly Writers House programs to fill our calendar. Interns settle into organic planning process to develop the Fellows Program, with a focus on the work research and writing projects that sprawl across Kelly Family Annex. Through Harris, we of the Fellows Seminar, a unique course that the summer months. We clean up mailing lists, connected with architects Michael Schade and enables young writers and writer-critics to tidy the Kane-Wallace Kitchen, and restock all Olivia Tarricone, who designed the Annex have sustained contact with authors of great supplies with an eye toward fall. The pace is to integrate seamlessly into the old Tudor- accomplishment. On pages 14–15, you’ll learn leisurely, the projects long and slow. style cottage (no small feat!). A crackerjack about our unparalleled RealArts@Penn project, Summer 2014 is radically different. On May tech team including Zach Carduner (C’13), which connects undergraduates to the business 20, 2014, just after Penn’s graduation (when we Chris Martin, and Steve McLaughlin (C’08) of art and culture beyond the university. Pages celebrated a record number of students at our helped envision the Wexler Studio as a 16–17 detail our outreach efforts, the work we Senior Capstone event), we broke ground on student-friendly digital recording playground, do to find talented young writers and bring the Kelly Family Annex, a two-story addition chock-full of equipment ready for innovative them to Penn. -
8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat. -
ARTIST INDEX(Continued)
ChartARTIST Codes: CJ (Contemporary Jazz) INDEXINT (Internet) RBC (R&B/Hip-Hop Catalog) –SINGLES– DC (Dance Club Songs) LR (Latin Rhythm) RP (Rap Airplay) –ALBUMS– CL (Traditional Classical) JZ (Traditional Jazz) RBL (R&B Albums) A40 (Adult Top 40) DES (Dance/Electronic Songs) MO (Alternative) RS (Rap Songs) B200 (The Billboard 200) CX (Classical Crossover) LA (Latin Albums) RE (Reggae) AC (Adult Contemporary) H100 (Hot 100) ODS (On-Demand Songs) STS (Streaming Songs) BG (Bluegrass) EA (Dance/Electronic) LPA (Latin Pop Albums) RLP (Rap Albums) ARB (Adult R&B) HA (Hot 100 Airplay) RB (R&B Songs) TSS (Tropical Songs) BL (Blues) GA (Gospel) LRS (Latin Rhythm Albums) RMA (Regional Mexican Albums) CA (Christian AC) HD (Hot Digital Songs) RBH (R&B Hip-Hop) XAS (Holiday Airplay) APR CA (Country) HOL (Holiday) NA (New Age) TSA (Tropical Albums) CS (Country) HSS (Hot 100 Singles Sales) RKA (Rock Airplay) XMS (Holiday Songs) CC (Christian) HS (Heatseekers) PCA (Catalog) WM (World) CST (Christian Songs) LPS (Latin Pop Songs) RMS (Regional Mexican Songs) 17 CCA (Country Catalog) IND (Independent) RBA (R&B/Hip-Hop) DA (Dance/Mix Show Airplay) LT (Hot Latin Songs) RO (Hot Rock Songs) 2021 $NOT HS 17, 24 BETHEL MUSIC CC 20, 37; CA 29; CST 26 OLIVIA COLMAN CL 5 LUIS FIGUEROA TSS 21 SAM HUNT B200 115; CA 12; CS 10, 12; H100 KENDRICK LAMAR B200 57, 85; PCA 8, 22; 21 SAVAGE B200 94; RBH 50 BEYONCE STX 17; WM 8 JOHN COLTRANE JZ 15 FINNEAS A40 36; AK 21; RO 29 68; HA 39 RBA 29, 46 24KGOLDN B200 49; RLP 21; A40 3; AC 20; AK JUSTIN BIEBER B200 1, 172; CC 3;