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Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland
Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland a study © Adrienne Clare Scullion Thesis submitted for the degree of PhD to the Department of Theatre, Film and Television Studies, Faculty of Arts, University of Glasgow. March 1992 ProQuest Number: 13818929 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818929 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Frontispiece The Clachan, Scottish Exhibition of National History, Art and Industry, 1911. (T R Annan and Sons Ltd., Glasgow) GLASGOW UNIVERSITY library Abstract This study investigates the cultural scene in Scotland in the period from the 1880s to 1939. The project focuses on the effects in Scotland of the development of the new media of film and wireless. It addresses question as to what changes, over the first decades of the twentieth century, these two revolutionary forms of public technology effect on the established entertainment system in Scotland and on the Scottish experience of culture. The study presents a broad view of the cultural scene in Scotland over the period: discusses contemporary politics; considers established and new theatrical activity; examines the development of a film culture; and investigates the expansion of broadcast wireless and its influence on indigenous theatre. -
The Glasgow Academy WW1 Roll of Honour
The Glasgow Academy WW1 Roll of Honour From the onset of the First World War in 1914 until 1918, the Glasgow Academy suffered a great many losses during the conflict. In fact, it is believed there was a higher number of losses incurred when compared to other independent schools of the time. The following is a list of the former pupils who were casualties and as far as we have been able to, includes information and photographs to tell the stories of these men. In some case, we have little or no information about some of these individuals, so please get in touch if you have anything which could help us fill in the gaps and help us tell their stories. Email: [email protected] 1 Lt William M Alexander Biography Remembered on the Roll of Honour in Dundee , William lived in Broughty Ferry before the War. Highland Light 8th March 1892-12th Son of John and His brother, Ronald served as a Lieutenant Infantry Oct 1918 Mayflower with the Royal Field Artillery during the Alexander, of 2, Age 26 Great War. Smith St., Hillhead, Glasgow, West 2 Private George W Allan* Biography According to his father, Reverend Charles Allan, his son was 'mentioned in officers' letters for bravery. Going to the help of wounded comrades and was said Highland Light 31st August 1894- 17th Son of the Rev. by his own comrades to have earned the Infantry April 1915 Charles Allan, M.A., Victoria Cross "half a dozen times over"'. and Margaret Allan, He was awarded the 1914 Star Age :21 of Duneira, Greenock posthumously 3 Lieutenant Ramsay Allan Biography Ramsay was an only son. -
Scotland Street Public School
M233 Scotland Street Public School Introduction This three-storey school was built by the School Board of Glasgow to serve a densely populated part of Tradeston, just S. of the River Clyde. Some features show the influence of historic Scottish architecture, but the design is remarkable for its novel reinterpretation of tradition, especially in the glazed towers that light the stairs. The boundary wall with its gates and railings and the janitor's house at the N.W. corner of the site were part of the original scheme. Closed as a school due to demolition of the surrounding housing, the building reopened as a museum of education in November 1990. Authorship: Mackintosh is named as architect in official correspondence from the School Board, and in other contemporary sources. Scotland Street School was one of his most important commissions. Cost from job book: £18,597 2s 6½d Cost from other sources: The final measurements of £19,171 8s 1d plus other expenses of £1370 0s 6d gave a total of £20,541 12s 6d. 1 Status: Standing building Current name: Scotland Street School Museum Current use: Museum of Education (2014) Listing category: A Historic Scotland/HB Number: 33534 RCAHMS Site Number: NS56SE 328.01 Grid reference: NS 57752 64142 Chronology 1903 27 April: Purchase of ground for new school in Tradeston. 1 22 June: Mackintosh appointed architect (but official letter of appointment not written until 21 August). 2 2 November: First drawings submitted to The School Board of Glasgow. Modifications requested. 3 1904 January: First set of drawings for school and janitor's house made for submission to Glasgow Dean of Guild Court. -
William Crosbie Centenary Exhibition
WILLIAM CROSBIE Centenary Exhibition WILLIAM CROSBIE (1915-1999) Centenary Exhibition 7 - 31 JANUARY 2015 16 Dundas Street, Edinburgh EH3 6HZ TEL 0131 558 1200 EMAIL [email protected] www.scottish-gallery.co.uk Front cover: Music of Living - Monkey and Nude, 1988, oil on board, 71 x 91.4 cms, cat. 33 Left: Self Portrait, 1956, oil on board, 60.3 x 43.1 cms, cat. 11 2 INTRODUCTION There are many Scottish painters who have made a mark on our culture and consciousness in the last century and it is tempting to try to attach each to a school or movement. The artist has a habit of resisting any attempt at taxonomy however, wriggling free from the entomologist’s chloroform bottle and display pin, to be unruly, unpredictable and provide no favours for the art historian. Yes, we had The Glasgow Boys, a coherent group of realist painters before the beginning of the 20th Century. And then came The Scottish Colourists, our first modernists, who certainly exhibited as a group and can be understood as British post-impressionists. In the post-War years the choice seemed to be to stay in Scotland under the wing of your Art College or move to the South, like Colquhoun and MacBryde, Alan Davie, William Gear and W. Barns-Graham. Of course the complex reality denies a simple telling; for every adherent there is an opponent and many of the most powerful and individual painters of the period like James Cowie or Joan Eardley neither left nor taught in Glasgow or Edinburgh. -
The Internal Environment of the Glasgow School of Art by Charles Rennie Mackintosh
This is a repository copy of The internal environment of the Glasgow School of Art by Charles Rennie Mackintosh. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/91217/ Version: Accepted Version Article: Lawrence, R. The internal environment of the Glasgow School of Art by Charles Rennie Mackintosh. Construction History, International Journal of the Construction History Society, 29 (1). 99 - 127. ISSN 0267-7768 Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ The Internal Environment of the Glasgow School of Art by Charles Rennie Mackintosh Ranald Lawrence University of Cambridge Abstract This paper discusses the Glasgow School of Art in the context of the wider history of the Victorian art school as a distinctive building type. -
Setting the Scene
OCTOBER/NOVEMBER 2017 SCOTLAND & NORTHEAST ENGLAND art • craft • design CRAFT & DESIGN HAND-MADE FOR YOU & YOUR HOME ARTSPEAK TALK ABOUT GIVING ART A BAD NAME Art books Setting READ ALL ABOUT IT! the Scene SCENIC ARTISTS - ART’S UNSUNG HEROES ARTTRAVEL & SOUTH TYROL’S WANDERING SPIRITS AUCTION HOUSES ArtKEEPING YOU News IN THE PICTURE GOING, GOING... TICKETS TO: EDINBURGH ART FAIR PRIVATE PREVIEW!...HANDMADE EDINBURGH WIN! OPENING NIGHT PREVIEW!...CHRISTMAS AT THE BOTANICS EXCLUSIVE PREVIEW! Art Magazine 195x255mm.qxp_Layout 1 01/08/2017 14:15 Page 1 The Contemporary Craft and Design Fair Handmade 17 watch this space 27-29 Oct 2017 The Hub, Edinburgh Gallery opening 7 October 2017 For tickets and information: handmadeinbritain.co.uk/edinburgh Free entry @handmadebritain #HandmadeEdinburgh Mon - Sat, 10am - 5pm hattongallery.org.uk Save 30% on tickets by booking in advance, quote ‘ ’ by 26 October King’s Road, Newcastle University ARTMAG17 Haymarket Interchange Edinburgh 17 ArtMag Advert.indd 1 11/09/2017 16:42 The Contemporary Craft and Design Fair Handmade 17 27-29 Oct 2017 The Hub, Edinburgh For tickets and information: handmadeinbritain.co.uk/edinburgh @handmadebritain #HandmadeEdinburgh Save 30% on tickets by booking in advance, quote ‘ARTMAG17’ by 26 October Edinburgh 17 ArtMag Advert.indd 1 11/09/2017 16:42 THE WORLD’S LARGEST SELLER OF SCOTTISH PAINTINGS * PETER HOWSON OBE, WILLIAM STRANG RA RP RE, ‘David Bowie - The Ninth Drawing’ mixed media, THE LADY WITH THE PINK FEATHERED HAT signed and dated 1994, 31cm x 23cm oil on canvas, signed and dated 1912, 75cm x 62cm Sold £9,500 (world record for a drawing by the artist) Sold £16,000 (world record for the artist) McTear’s stage The Scottish Contemporary Art Auctions every five weeks and The Scottish Pictures Auctions (for non contemporary paintings) every ten weeks. -
Glasgow Museums (£52,145), City of Edinburgh Museums and Galleries (£24,250), the Hunterian (£18,329) and Aberdeen Art Gallery and Museums (£17,027)
National Fund for Acquisitions Grants Paid 2010–2011 National Fund for Acquisitions Grants Paid 2010–2011 Hazel Williamson National Fund for Acquisitions Manager National Museums Scotland Chambers Street Edinburgh EH1 1JF Tel 0131 247 4106 email [email protected] Cover: Colour woodblock print, Kyōbashi Takegashi from Meisho Edo Hyakkei, 1857, by Utagawa Hiroshige. Acquired by The Hunterian with a grant from the National Fund for Acquisitions. National Fund for Acquisitions The National Fund for Acquisitions (NFA), provided by Scottish Government to the Trustees of National Museums Scotland, contributes towards the acquisition of objects for the collections of Scottish museums, galleries, libraries, archives and other similar institutions open to the public. The Fund can help with acquisitions in most collecting areas including objects relating to the arts, literature, history, natural sciences, technology, industry and medicine. Decisions on grant applications are made in consultation with curatorial staff at National Museums Scotland and the Directors and staff of the National Galleries of Scotland and the National Library of Scotland who provide expert advice to the Fund. While recognising that the financial climate is extremely difficult, National Museums Scotland was particularly dismayed to learn of a 25% cut to the NFA’s already limited funding, reducing the grant to only £150,000 in financial year 2011/12. NFA funding had remained at £200,000 per annum since 1996, a figure which in real terms has declined very considerably in value during the subsequent fifteen years. Clearly the extent of the cut means that the NFA cannot support collecting in Scotland as effectively as we would wish. -
Annual Review 2017–18 National Galleries of Scotland Annual Review
Annual Review 2017–18 national galleries of scotland annual review annual of scotland galleries national 2017–18 www.nationalgalleries.org froNt cover reverse Back cover reverse Facts and Figures visitor nuMBers NatioNal Galleries of s cotlaNd Board of t rustees Total visitors to National Galleries of 2,533,611 Benny Higgins Chairman Scotland sites in Edinburgh Tricia Bey Alistair Dodds 1,601,433 Scottish National Gallery Edward Green Lesley Knox 562,420 Scottish National Gallery of Modern Art Tari Lang Catherine Muirden Professor Nicholas Pearce Scottish National Portrait Gallery 369,758 Willie Watt Nicky Wilson virtual v isitors seNior MaNaGeMeN t t eaM www.nationalgalleries.org website visits 1,989,101 Sir John Leighton Director-General educational v isits Chris Breward 33,210 Total number of participants from schools, Director of Collection and Research higher and further education Nicola Catterall Chief Operating Officer 19,479 Total number of adult participants at talks, Jo Coomber lectures and practical workshops Director of Public Engagement Jacqueline Ridge 4,333 Total number of community and Director of Conservation and Collections Management outreach participants Elaine Anderson 6,919 Total number of families with children at Head of Planning and Performance drop-in events fiNaNce friends Full Annual Accounts for 2017–18 are available on the National Galleries of Scotland website: 13,188 Friends at 31 March 2018 www.nationalgalleries.org volunteers froNt cover The Road Through the Rocks, Total number of volunteers Detail from Scottish National Gallery Scottish National Portrait Gallery Scottish National Gallery 166 Port-Vendres, 1926–27 by Charles of Modern Art One Rennie Mackintosh The Scottish National Gallery comprises The Scottish National Portrait Gallery is Back cover three linked buildings at the foot of the about the people of Scotland – past and Home to Scotland’s outstanding national The Road Through the Rocks, Port-Vendres, Mound in Edinburgh. -
Untitled (Still from Performance at Degree Show Preview) Century Campus St 21 20
Kelvingrove Park A public park, pictured close to the entrance at The Common Guild gallery www.thecommonguild.org.uk. Created as the West End Park in 1852 by noted English gardener Sir Joseph Paxton. vimeo.com/185945304 This book provides an overview of Terms and Conditions 2 List of Officers studying at the GSA and in Glasgow, This magazine is a general guide. and features links to more specific The information it contains is as far Patron information on our website, and other as possible up to date and accurate at HRH the Prince Charles, content such as video, accessible directly the time of publication, but is subject Duke of Rothesay through your smartphone via QR codes to alteration without notice. The GSA or via the website at www.gsa.ac.uk will use all reasonable endeavours to Honorary President deliver programmes in accordance with Stewart Grimshaw QR code readers and the augmented the descriptions set out in this magazine reality app Layar, required for some but reserves the right to make variations Honorary Vice President USA content, are available to download to the contents or methods of delivery of Prof. Tony Jones CBE for free from various App stores and programmes, to discontinue programmes alternatively video can be viewed and to merge or combine programmes. Chair of Board of Governors at vimeo.com/glasgowschoolofart Dr Muriel Gray In the event that circumstances beyond Accessibility the GSA’s control interfere with its ability Director Should you wish to rescale the text to provide these programmes or services, Prof. Tom Inns you can view this book online at the GSA will undertake to minimise, BEng(Hons) DIC MDes (RCA) PhD FRSA gsa.ac.uk/study More at as far as is practicable, any disruption. -
Honorary Graduates
Honorary Graduates (Chronological list) The names of deceased graduates are printed in italics. Master of Arts (MA) George Harris Thomson, Secretary-Treasurer of the Royal College of Science and Technology from 1947 to 1964, Registrar of the University from 1964 to 1966 July 1966 Charles Geoffrey Wood, University Librarian March 1967 William B Paton, County Librarian, Lanarkshire - First Head of the Scottish School of Librarianship, Scottish College of Commerce, 1946-50 April 1972 Gustav Heiberg, Chief of Division, Norwegian Ministry of Foreign Affairs July 1975 Charles Stewart, formerly Depute Bursar (Finance) in the University Administration Oct 1975 Louis McGougan, Bursur of the University of Strathclyde March 1976 Duncan Matheson, formerly Director of Physical Education in the University July 1983 Walter Underwood, formerly Planning Consultant to the University July 1983 Zbigniew Byszewski, former Consul-General for Poland in Scotland June 1986 John Turner, Organist to the University and Glasgow Cathedral July 1990 Susan Wighton, who worked as a nurse in Palestinian refugee camps July 1990 Andrew Miller, Director of Libraries, City of Glasgow District Council July 1990 Tommy Orr, former University Security Controller July 1990 James Arnold, Director and Village Manager, Lanark New Town Nov 1990 Graham Douglas, Draughtsman, Royal Commission on Ancient Building and Historical Monuments of Scotland July 1992 Yvonne Carol Grace Murray, Athlete May 1995 Master of Science (MSc) Ronald Ewart Nicoll, Professor of Urban Planning March 1967 -
Highlights December 2014.Indd
End of Term December 2014 Dear Parent, I am pleased to share with you news of School activities the Annual Commemoration Thanksgiving Service in and pupil successes over the past term. Glasgow Cathedral in September, and the Home and Annual Fund The term began with senior pupils again gaining excel- School Association Committee were very well-organised APPEAL 2014/15 lent results in their SQA exams. Early in September, as ever for another very popular Fireworks Display in we received notification of the Quality Improvement early November. We would like to thank everyone who has already and Professional Engagement Visit by Her Majesty’s Following a visit to a Ghanaian Orphanage in August by given to the recently launched Annual Fund Inspectors of Education towards the end of that month. three S6 pupils, Law House supported the Children’s 2014/15 Appeal. We have been heartened by the This proved a very positive experience overall, with Home for Hope Orphanage with their fundraising activi- support which we have received. acknowledgement of the School’s strengths and helpful ties in October, and Clyde House recently supported The Annual Fund will play an important part in the recommendations for ongoing improvement. the Desk and Chair Foundation, providing essential provision of additional income for bursaries and Junior 6 pupils impressed on stage in December in their resources for a school in Tanzania. In addition, S6 and will help to fund short term projects within the production of “The Tempest”. There was fundraising for Duke of Edinburgh’s Award pupils have undertaken School which are not possible within the annual Children In Need with a “Dress-as-you-please” day in Community Service, approximately 150 Christmas expenditure budget. -
Children in Art Children in Art Senior Phase | Teacher’S Notes
SENIOR PHASE CHILDREN IN ART CHILDREN IN ART SENIOR PHASE | TEACHER’S NOTES creative thinking at aberdeen art gallery How to use the teacher’s notes Welcome. This pack has been put together by our experienced learning team to help In order to make these notes work for you, we have chosen artworks and activities that are age appropriate. you explore the building and the collection with your pupils. Every artwork tells a Primary is divided in to Lower and Upper and Secondary is story, giving an insight into a particular culture, society or time in history. Exploring divided in to Junior and Senior phase. the collection will encourage curiosity, imagination and problem solving. This resource provides you with suggested activities and background information on selected artworks. There are six themes that will direct you to at least three gallery spaces, but you can of course look at more artworks About Aberdeen Art Gallery Before your visit along the way. The opening of Aberdeen Art Gallery on 7 July 1885 You may want to begin with a picture of Aberdeen Art As these teacher’s notes will be available to download was made possible by financial contributions from local Gallery and ask your learners to set some questions about from our website, some images of the artworks are businessmen including granite and flour merchants, the gallery and what they might see there. copyright protected and cannot be included in the pack. art collectors and civic-minded individuals. The people This will help to de-mystify what an art gallery is, who who paid for this building also donated many of the Visit our website at www.aagm.co.uk to see images of it’s there for and hopefully have them looking forward older paintings that you see on display today.