BIBLIOGRAPHY

Alexanderson, B. 1966. Die Stellung des Chors in der Antigone, Eranos 64, 85–105 Bacon, H. 1994–5. The Chorus in Greek Life and , Arion 3.1, 6–24 Bers, V. 1981. The Perjured Chorus in ’ Philoctetes, Hermes 109, 500–504 Blundell, M.W. 1989. Helping Friends and Harming Enemies: A Study in Sophocles and Greek Ethics (Cambridge) Bowra, C.M. 1944. Sophoclean (Oxford) Budelmann, F. 2000. The Language of Sophocles: Communality, Communication and Involve- ment (Cambridge) Burton, R. 1980. The Chorus in Sophocles’ (Oxford) Calame, C. 1999. Performative Aspects of the Choral Voice in Greek Tragedy: Civic Identity in Performance, in: Goldhill, S., Osborne, R. (eds.), Performance Culture and Athenian Democracy (Cambridge), 125–53 Calder, W. 1971. Sophoclean Apologia: Philoctetes, GRBS 12, 153–74 Campbell, L. 1886. Sophocles, II (Oxford) Coleman, R. 1972. The Role of the Chorus in Sophocles’ Antigone, PCPS 18, 4–27 Dale, A.M. 1968. The Lyric Meters of Greek Drama (Cambridge) —— 1969. The Chorus in the Action of Greek Tragedy, in: Collected Papers (Cambridge), 210–20 Davidson, J.F. 1986. Chorus, Theatre, Text and Sophocles, in: Betts, J.H., Hooker, J.T., Green, J.R. (eds.), Studies in Honor of T.B.L. Webster, I (Bristol), 69–78 Davies, M. 1988. The ‘Cologne Alcaeus’ and paradigmatic allusiveness, ZPE 72, 39–42 —— 2001. The Stasimon of Sophocles’ Philoctetes and the Limits of Mythological Allusion, Studi italiani di Filologia classica 19, 53–58 Ditmars, E. van Nes. 1992. Sophocles’ Antigone: Lyric Shape and Meaning (Pisa) Easterling, P. 1978. The Second Stasimon of Antigone, in: Dawe, R.D., Diggle, J., Easterling, P. (eds.), Dionysiaca: Nine Studies in Greek Poetry (Cambridge) —— 1978a. Philoctetes and Modern Criticism, Illinois Classical Studies III, 27–39 —— 1997. Form and Performance, in: Easterling, P. (ed.), The Cambridge Companion to Greek Tragedy (Cambridge), 151–177 Else, G. 1957. Aristotle’s Poetics: The Argument (Cambridge) —— 1965. The Origin and Early Form of Greek Tragedy, Martin Classical Lectures XX (Cambridge, MA) —— 1977. Ritual and Drama in Aischyleian Tragedy, Illinois Classical Studies II, xxx Esposito, S. 1996. The Changing Roles of the Sophoclean Chorus, Arion 4.1, 85–114 Fairbanks, A. 1900. A Study of the Greek Paean, Cornell Studies in Classical Philology XII, 60–65 Falkner, T. 1998. Containing Tragedy: Rhetoric and Self-Representation in Sophocles’ Philoctetes, ClAnt 17, 25–58 Foley, H. 2003. Choral Identity in Greek Tragedy, CP 98, 1–30 Gardiner, C. 1987. The Sophoclean Chorus: A Study of Character and Function (Iowa City) Gellie, G.H. 1972. Sophocles: A Reading (Melbourne) Givon, T. 1984. Syntax: A Functional-typological Introduction, I (Amsterdam and Phila- delphia) Goheen, R. 1951. The Imagery of Sophocles’ Antigone (Princeton) Golder, H. 1996. Making a Scene: Gesture, Tableau, and the Tragic Chorus, Arion 4.1, 1–10

KITZINGER_f6_139-142.indd 139 1/23/2008 12:09:06 PM 140 bibliography

Goldhill, S. 1996. Collectivity and Otherness—The Authority of the Tragic Chorus: Response to Gould, in: Silk, M. (ed.), Tragedy and the Tragic: Greek Theatre and Beyond (Oxford) Gould, J. 1973. Hiketeia, JHS 93, 74–103 —— 1996. Tragedy and Collective Experience, in: Silk, M. (ed.), Tragedy and the Tragic: Greek Theatre and Beyond (Oxford), 217–43 Griffi th, M. 1999. Sophocles Antigone (Cambridge) Haldane, J.A. 1963. A Paean in the Philoctetes, CQ, n.s. 13, 53–6 Hall, E. 1999. Actor’s Song in Tragedy, in: Goldhill, S., Osborne, R. (eds.), Performance Culture and Athenian Democracy (Cambridge), 96–122 Harrison, S.J. 1989. Sophocles and the Cult of Philoctetes, JHS 109, 173–5 Heidegger, M. 1966. The Ode on Man in Sophocles’ Antigone, in: Woodard, T. (ed.), Sophocles: A Collection of Critical Essays (Englewood Cliffs, New Jersey), 86–100 Henrichs, A. 1990. Between Country and City: Cultic Dimensions of Dionysus in Athens and Attica, in: Griffi th, M, Mastronarde, D. (eds.), Cabinet of the Muses: Studies in Honor of T.G. Rosenmeyer (Atlanta, Ga.), 257–77 —— 1994–5. “Why Should I Dance?” The Chorus in Greek Tragedy and Culture, Arion 3.1, 56–111 Hering, W. 1985. The Ode on Man, Sophokles Antigone 332–383, Acta Classica Universitatis Scientiarum Debreceniensis XXI, 25–41 Herington, J. 1985. Poetry into Drama: Early Tragedy and the Greek Poetic Tradition (Berkeley and Los Angeles) Hoppin, M. 1990. Metrical Effects, Dramatic Illusion, and the Two Endings of Sophocles’ Philoctetes, Arethusa 23, 141–82 —— 1990a. What Happens in Philoktetes?, in: Bloom, H. (ed.), Sophocles (New York and Philadelphia), 137–59 Jebb, R. 1890. Sophocles: The Plays and Fragments, Part IV: The Philoctetes (Cambridge) —— 1962. Sophocles: The Plays and Fragments, Part III: The Antigone, 3rd Edition (Amster- dam) Jouanna, J. 1999. Lyrisme et drame: le choeur dans l’Antigone de Sophocle, Cuadernos de fi lologia clasica 9, 79–108 Kamerbeek, J.C. 1978. The Plays of Sophocles: Commentaries III, The Antigone (Leiden) —— 1980. The Plays of Sophocles: Commentaries IV, Philoctetes (Leiden) Kernodle, G. 1957. Symbolic Action in the Greek Choral Odes?, CJ 53, 1–7 Kirkwood, G. 1958. A Study of Sophoclean Drama (Ithaca) Kittmer, J. 1995. Sophoclean Sophistics: A Reading of Philoctetes, Materiali e discussioni per l’analisi dei testi classici 34, 9–35 Kitto, H.D.F. 1956. Form and Meaning in Drama (London) Kitzinger, R. 1991. Why Mourning Becomes Elektra, ClAnt 10, 298–327 Knox, B. 1964. The Heroic Temper (Berkeley and Los Angeles) Linforth, I.M. 1956. Philoctetes: The Play and the Man (Berkeley and Los Angeles) Lloyd-Jones, H. and Wilson, N. 1990. Sophoclea: Studies on the Text of Sophocles (Oxford) Lonsdale, S.H. 1993. Dance and Ritual Play in Greek Religion (Baltimore and London) Martin, R.A. 1993. Metaphysical Realism in Philoctetes, Helios 13.2, 127–38 McDevitt, A.S. 1982. The First Kommos of Sophocles’ Antigone (806–82), Ramus 11, 134–144 Minadeo, R. 1993–5. Theme and Plot in the Philoctetes, Studi italiani di Filologia classica, 3rd Series 11–13, 87–105 Mullen, W. 1982. Choreia: Pindar and Dance (Princeton) Müller, G. 1961. Uberlegungen zum Chor der Antigone, Hermes 89, 398–422 —— 1967. Sophokles Antigone (Heidelberg) Nagy, G. 1994–1995. Transformations of Choral Lyric Traditions in the Context of Athenian State Theater, Arion 3.1, 41–55 Nussbaum, M. 1976. Consequences and Character in Sophocles’ Philoctetes, Philosophy and Literature 1, 25–53

KITZINGER_f6_139-142.indd 140 1/23/2008 12:09:07 PM