Needle Size Guide Sewing Reference Cards
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
HAND SEWING NEEDLES Quality Makes the Difference
No. 14 HAND SEWING NEEDLES Quality makes the difference. Hand sewing needles Hand sewing needles Embroidery needles Embroidery needles Sewing, embroidery and darning needles. • Sharps • Self-threading needles • Chenille • Tapestry Stitch by stitch – perfect and precise. • Betweens • Jersey needles • Crewel • Smyrna • Millinery needles Centuries of experience in metal processing, combined with Hand sewing needles: For fine embroidery we have a special needle known The higher the needle number, the finer and shorter the latest production technology available today, make Prym as a crewel needle. These slender needles with a the needle. Betweens have the same wire diameter somewhat larger eye can take one or more threads sewing, embroidery and darning needles perfect precision as the respective no. in sharps but they are approx. of stranded cotton, e.g. for white linen embroidery. Tapestry needles (with blunt point) are most tools. The needle range from Prym sets international quality 7 mm (1/4”) shorter. Both needle types are available • burr-free and finger friendly head As they correspond in length and gauge with the sharps suitable for counted thread embroidery on coarse- in packs in single sizes as well as in assorted sizes. standards – also in the variety of the assortment. Here, specialists needles, and are also easier to thread, they are often weave or even-weave fabrics. For closely woven will find their special needles. • silver or gold smooth eye facilitates used as a sewing needle. fabrics we recommend the use of sharp-pointed chenille needles. threading and avoids thread damage Sharps are our standard Both needles have large eyes which are suitable sewing needles, used to for thicker thread or wool. -
Draperies Make Your Own
RSlTV Of CULTURE DRAPERIES MAKE YOUR OWN . ARE DRAPERIES ON THE AGENDA for your next 15 stitches per inch; for medium-weight fabrics, 10 home furnishings project? By making your to 12 stitches per inch will give good results. For all own, you can save money and enjoy a sense of ac- stitching on draperies use a loose tension to avoid complishment. This booklet will help you sew drap- puckers on seams and hemlines. eries with a custom-made look in any color, texture, and design you choose. Measuring Length and Width The length of your draperies is a matter of per- SEWING PREPARATIONS sonal taste, as there are several generally accepted Select the appropriate thread and sewing machine lengths. In casual decorating, draperies may go needles for the fabric you choose. The thread should down to the sill or to the apron ; more formal drap- be about the same color and weight as the drapery eries go to the floor. Also, draperies may be hung fabric: for cotton or linen draperies, use mercerized from any of a number of places — from the top of thread; for synthetic fabrics, use synthetic thread. the window frame, at ceiling height, or from any If you use mercerized thread, use a number 14 point on the wall between the ceiling and the window needle; for synthetic thread, a number 11 needle is frame ( see Fig. 1 ) recommended. The width of the draperies depends on how much Cut a small swatch of the drapery fabric and test window you want exposed when the draperies are your sewing machine's stitch and tension. -
I Was Tempted by a Pretty Coloured Muslin
“I was tempted by a pretty y y coloured muslin”: Jane Austen and the Art of Being Fashionable MARY HAFNER-LANEY Mary Hafner-Laney is an historic costumer. Using her thirty-plus years of trial-and-error experience, she has given presentations and workshops on how women of the past dressed to historical societies, literary groups, and costuming and re-enactment organizations. She is retired from the State of Washington . E E plucked that first leaf o ff the fig tree in the Garden of Eden and decided green was her color, women of all times and all places have been interested in fashion and in being fashionable. Jane Austen herself wrote , “I beleive Finery must have it” (23 September 1813) , and in Northanger Abbey we read that Mrs. Allen cannot begin to enjoy the delights of Bath until she “was provided with a dress of the newest fashion” (20). Whether a woman was like Jane and “so tired & ashamed of half my present stock that I even blush at the sight of the wardrobe which contains them ” (25 December 1798) or like the two Miss Beauforts in Sanditon , who required “six new Dresses each for a three days visit” (Minor Works 421), dress was a problem to be solved. There were no big-name designers with models to show o ff their creations. There was no Project Runway . There were no department stores or clothing empori - ums where one could browse for and purchase garments of the latest fashion. How did a woman achieve a stylish appearance? Just as we have Vogue , Elle and In Style magazines to keep us up to date on the most current styles, women of the Regency era had The Ladies Magazine , La Belle Assemblée , Le Beau Monde , The Gallery of Fashion , and a host of other publications (Decker) . -
Compound Action and Tinner's Snips Scissors and Shears Utility Knives
I Compound Action and Tinner’s Snips I Scissors and Shears I Utility Knives Wiss® products have been earning their reputation for craftsmanship and long life since 1848. One result: Wiss has been the market leading “call-out brand” for compound action snips for over 50 years. The wide product line now includes scissors, industrial shears, utility knives, siding and HVAC tools… all with famous Wiss quality built in. www.cooperhandtools.com/wiss Wiss® Table of Contents Contents Page No. Snips introduction 251 Metalmaster® compound action snips 252 - 255 Metal-Wizz® compound action snips 254 All-purpose cutter 255 Repair parts for snips 255 Solid steel tinners’ snips 256 - 257 Heating, ventilating and air conditioning tools (HVAC) 258 - 259 Siding tools 260 - 261 Utility knives 262 - 264 Snap knives 263 Replacement utility knife blades 263 - 264 Shears and scissors introduction 264 Stainless steel scissors and shears 264 - 266 Industrial shears 266 - 268 Inlaid® shears and trimmers 266 - 269 Belt and leather cutting scissors 269 Solid steel trimmers 270 Double rounded scissors and shears 271 Kitchen shears 271 Pinking shears 271 - 272 Electrician’s scissors 272 - 273 Quick-Clip® lightweight speed cutters 273 Sewing and embroidery scissors 274 Special purpose Industrial snips and shears 274 - 277 Ratcheting Pipe Cutters 277 s s Wiss Numerical Index 278 i W Key to symbol Length of Cut 250 www.cooperhandtools.com/wiss COMPOUND ACTION SNIPS Metalmaster® Compound Action Snips The Wiss® line of Metalmaster® compound action snips is the most complete line on the market. Metalmaster® snips are advanced metal cutting tools originally developed for cutting extremely tough alloys used in the aircraft industry. -
Upholstery Fabric in a Nutshell By: Shelly Miller Leer
Upholstery Fabric in a Nutshell by: Shelly Miller Leer Teaching you everything you need to know about upholstery fabric is a class in itself. I won’t get into technical textile information and the double rub discussion, but hopefully this will cover enough material (haha! Get it?) so that you’ll feel comfortable shopping for your stunning fabrics. Remember, this is in a nutshell. Upholstery fabric is generally 54”-55” wide and comes on a big cardboard round bolt, unlike apparel fabric which is on flat cardboard. Also, apparel and quilting fabrics are usually 44”-45” wide. Many upholstery weight fabrics are a plain or flat weave cotton with sometimes vibrant and fun prints screen-printed on top. What this means is that the design is just on the surface, it’s not woven into the fabric as a design or texture. Screen-printed fabrics are fine for our first project, however they are a bit stiff and they do tend to fray on cut edges. They are reasonable in price and can add very interesting patterns into a room. If you love it—go for it!! When you’re trying to upholster more contoured furniture, these fabrics can be a nightmare to work with. Fabric clerks will sometimes misinform you and say that certain (obvious) drapery weight fabrics are upholstery fabrics. Well, they are 54” wide and come on the big cardboard roll. But they can be too lightweight and too delicate for upholstery. Remember, the fabric you staple onto your chair seat or back, remove staples and readjust, should not snag or pull or rip. -
Materials & Supplies
Rowley How-To Guide Decorative Master Bedroom Pillows Decorative pillows are a great addition to any portfolio and are great upsells for living room and bedroom design projects. Generally they are quick to fabricate and can become a one-of-a-kind complement to any décor. Materials & Supplies Rowley Products Item # Pattern Making Paper DYC18/ R-TEX Fusible Stabilizer FB10/ Polyester Iron-On Batting PA20/ Scissors CU8/N Pillow Template - Standard PF10 Pillow Template - Tapered Corners PF08 Invisible Zippers & Slides EVR52/ Gem Upholstery Nails UN25/ Upholstery Nail Lock with Cap UN11/B Side Cutter MH18 R-TEX Polyester Welt Cord - ¼" WCP2/S Glass Head Straight Pins TP49 John James Hand Sewing Needles TP100 A&E Upholstery Thread TU6K/ Fringe Adhesive FA20 R-TEX Polyester Cluster Pillow Inserts - Assorted Sizes PJ12 Other Materials Decorative Beads Decorative Master Cold-Press Tape Bedroom Pillows: Step-By-Step Instructions The pillows from our Winter Wonderland Master Bedroom use decorative nails, hand-beading techniques, pleating and more. Each pillow is unique but easy to make if you have some time and patience! We used invisible zippers in some while others were hand closed. | ©2017 Rowley Company LLC | All rights reserved. 1 Making the Center Point Pillow the Gem Nails: 1 Cut pattern out of pattern paper, cutting larger than needed. 2 Fold into quarters and crease well. 3 Cut on creases to have four pieces. Mark each piece. 4 A. Your pieces will be larger on the outside than needed but will not include seam allowances on the two cut sides. 5 Place pieces on face fabric, following grain as needed. -
Reupholstery: a Guide for Prop Masters Kathryn Leigh Brittingham Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2015 Reupholstery: A Guide for Prop Masters Kathryn Leigh Brittingham Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Theatre and Performance Studies Commons Recommended Citation Brittingham, Kathryn Leigh, "Reupholstery: A Guide for Prop Masters" (2015). LSU Master's Theses. 2999. https://digitalcommons.lsu.edu/gradschool_theses/2999 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. REUPHOLSTERY: A GUIDE FOR PROP MASTERS A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Fine Arts in The Department of Theatre Kathryn Leigh Brittingham B.A., California University of Pennsylvania, 2009 May 2015 To Malcolm Callery, my mentor on my very first upholstery project. Thank you for inspiring me to build bookshelves those actors can climb. ii TABLE OF CONTENTS LIST OF FIGURES ....................................................................................................................... iv ABSTRACT ................................................................................................................................... -
Product Range Intro
PRODUCT RANGE INTRO The Company Page 5 Gore® Tenara® Page 31 Responsibility Page 7 Serabond Page 32 Service Page 9 N-tech Page 33 AMANN Innovation Lab Page 11 N-tech CS Page 33 A-tech CS Page 34 Nc-tech Page 35 K-tech Page 36 APPLICATION FIELDS Kc-tech Page 36 Silver-tech/Silver-tech+ Page 37 Apparel Page 12 Automotive Page 12 Shoes & Accessoires Page 12 Embroidery Page 13 SPECIAL COLOURS Home Interior Page 13 Techtex Page 13 Multicolour Page 39 Neon Page 39 INDEX AMANN PRODUCTS SPECIAL FINISHINGS Saba Page 14 Sabatex Page 15 Water-repellent (WR/WRe) Page 39 Sabaflex Page 16 Waxed (T90) Page 39 Sabasoft Page 17 For Composites (Comphil) Page 39 Serafil fine Page 18 Bonded Page 39 Rasant Page 19 MercifilGD Page 20 Strongfix Page 21 Meta Page 22 Serafil Page 23 Serabraid Page 24 Onyx Page 25 Strongbond Page 26 Isacord Page 27 Isamet Page 27 Isa Texlight Page 28 Isa/Isabob Page 28 Rasant-Oxella Page 29 Topfil Page 30 Texturan Page 30 3 THE COMPANY Since 1854, AMANN has been one of the leading global producers in the field of high-quality sewing and embroidery threads. Its technical expertise, reliability and flexibility in production and service makes AMANN a strong partner worldwide. In close cooperation with its customers, AMANN develops sewing and embroidery threads, as well as smart yarns for tomorrow's market requirements. More than 2,260 motivated employees in more than 100 countries worldwide make AMANN's success possible. AMANN Group exclusively produces at its own production sites. -
Designer Sewing/Fashion Design
Multiple Category Scope and Sequence: Scope and Sequence Report For Course Standards and Objectives, Content, Skills, Vocabulary Monday, August 18, 2014, 10:00PM Course Standards and Unit Content Skills Vocabulary Objectives District Business of UT: CTE: Family and . Fashion changes with time and Identify current apparel/accessories lines in the Fashion Advanced Consumer Sciences, UT: technology. fashion industry. Fashion (Week Grades 9-12, Designer Designer . Current trends in line, design Apparel 1, 2 Weeks) Sewing/Fashion Design Sewing/Fashion and color. Recognize line, design and color in relationship to Standard 20.0301-01 Students . Career and entrepreneurial current apparel/accessories lines. Lifestyle design Design (20.0301) will access current fashions. opportunities in the fashion lines (District) industry Identify career and entrepreneurial opportunities in 2014-2015 Planning and record keeping for . Objective 20.0301- . fashion industry. Draper, MG 0101 Discuss fashion a small businesses. Accessories as related to apparel. National Standard Describe the planning and record keeping processes Fashion line 16.5.1 related to small busineses. Objective 20.0301- Entrepreneurial 0102 Discuss fashion as related to household Free enterprise accessories. National Standard 16.5.6 Business plan Standard 20.0301-02 Students will discuss how to become an entrepreneur. Objective 20.0301- 0201 Discuss how to begin a small business/home-based industry. Objective 20.0301- 0202 Discuss how to keep records for a small business. Basic Equipment UT: CTE: Family and . Basic information on operation . Identify the parts and accessories for Hemmer Consumer Sciences, UT: and care of consumer/commercial sewing machines, (Week 2, 2 Weeks) Grades 9-12, Designer consumer/commercial sewing cutting and pressing equipment. -
Technical Data Sheet PN# 260151011717Oz
Technical Data Sheet PN# 260151011717oz Conductive Sewing Thread Size 33 Purpose: Conductive sewing thread for making conductive paths in garments and textiles, for making ESD products, medical and EMI shielding . Lightweight thread typically used for sewing garments. It is stronger than comparable polyester and cotton threads. Description: Conductive Sewing Thread Size 33 Lineal Resistance: 100-150 Ώ/inch Resistivity: < 0.025 Ώ/sq.cm Nominal TEX: 28 Nominal Denier: 252 Nominal Diameter: 170 Yield: 19,800 yards/lb Standard Packages: (1) 1oz hobby cone (2) 1 lb industrial cone A Woman’s Owned Small Business VTT/Shieldex Trading USA Phone: 315-597-1674 4502 Rt-31 Palmyra, NY, 14522 Fax: 315-597-6687 Email: [email protected] Statex Productions & Vertriebs GmbH Www.shieldextrading.net Kleiner Ort 11 28357 Bremen Germany ©2010 VTT Tel: +49 421 275047/8, Fax: +49 421 273643 [email protected] Rev 1.20.09 Technical Data Sheet PN# 260151022110 Conductive Sewing Thread Size 40 Purpose: Conductive sewing thread for making conductive paths in garments and textiles, for making ESD products, medical and EMI shielding . Lightweight thread typically used for sewing garments. It is stronger than comparable polyester and cotton threads. Description: Conductive Sewing Thread Silver plated Nylon 66 yarn 22 dtex + 3ply of 110 dtex PET total Size 40 Lineal Resistance: <4000K Ώ/ 50cm Nominal TEX: 360 Nominal Denier: 350 Nominal Diameter: 180 microns Yield: 27,692.3 M/Kg Standard Packages: (1) 100g cone A Woman’s Owned Small Business VTT/Shieldex Trading USA Phone: 315-597-1674 4502 Rt-31 Palmyra, NY, 14522 Fax: 315-597-6687 Email: [email protected] Statex Productions & Vertriebs GmbH Www.shieldextrading.net Kleiner Ort 11 28357 Bremen Germany ©2010 VTT Tel: +49 421 275047/8, Fax: +49 421 273643 [email protected] Rev 1.20.09 Technical Data Sheet PN# 260151023534oz Conductive Sewing Thread Size 92 Purpose: Conductive sewing thread for making conductive paths in garments and textiles, for making ESD products, medical and EMI shielding . -
Hand Sewing Needle Guide
Hand Sewing Needle Guide 22.110 Page 1 Needles for hand sewing, quilting and needlework vary in thickness, point shape, length and the size of the needle eye. Each type is intended for general sewing, a special task or technique, a certain type of fabric or a specific type of thread, yarn or ribbon. For best results, use a needle size that is small enough to stitch through the fabric without stretching it, but strong enough not to break or bend. Select an eye size that is large enough to accommodate the thread, yarn or ribbon you’ll be using. Packages of needles are labeled by type and size. The length and thickness of the needle increases as the size gets smaller. For example, a size 1 needle will be thicker and longer, while a size 12 needle will be finer and shorter. Needle Type Description Usage Sizes Ball-point Rounded point Needles are used for knit fabrics. They have a 5 to 10 rounded point that goes between the yarns instead of through them. Beading Long, thin needles These needles are used for sewing beads 10 to 15 and sequins to fabric Betweens or Shorter needle with a The shorter length of these needles enables 1 to 12 Quilting small, rounded eye you to stitch quickly and accurately. They are for quilting, making fine stitches in heavy fabrics and other detailed handwork. Bodkins This is a long, thick Usually used for threading ribbon, elastic or 17 needle with a ball- other flat trims through casings, lace point end and can be openings or other embellishments. -
Hand Sewing Needle Guide
HAND SEWING NEEDLE GUIDE NEEDLE TYPE SIZES DESCRIPTION USED FOR Appli-Bond N/A Splayd point, 3 sided Used for appliqué as the 3-sided angle point penetrates fused fabric with ease. Ballpoint 5 – 10 Rounded Point Used for sewing knits as the rounded point tip separates the knit loops to avoid damage to the fabric. Beading 10 – 15 Long, fine, slim eye Used for sewing beads and sequins. Fits through the centre of beads easily. Bead-Weaving #10 Blunt, short or long Used for two needle bead weaving. Betweens 3 – 12 Short, thin, small round eye Also called Quilting Needles as used for quilting because the shorter length enables quick, short stitches. Popular for tailoring. Bodkins 17 Long, thick, may be flat or round, Used for threading elastic, ribbon, cord, tape through a casing or lace etc. with large elongated eye Chenille 12 – 28 Thick needle with a sharp point, Used for ribbon embroidery because the eye allows for several strands of floss has a large elongated eye and the sharp point is ideal for heavier weaves. Cording N/A Assorted lengths, large eye Used for cording of Trapunto which raises and emphasizes quilt design by inserting cords. Darners 1 – 9 Long needle with a sharp point and has a long eye Used for darning and mending. Darners 14 – 18 Same as above, slightly larger Used for darning with yarn. (Yarn) Doll 2 ½” – 7” Long & thin Used for sculpting dolls’ faces. Double Eye 15 - 24 Sharp or Blunt Tip, has one eye above another Used for two colour stitch for embroidery and cross stitch.