DOCSLIB.ORG

Music – Entertainment Worksheet Finding the Right Music - Entertainments Providers

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Music – Entertainment Worksheet Finding the Right Music - Entertainments Providers Bride's Name:_________Groom's Name:_________Wedding Date:_______ Music – Entertainment Worksheet Finding the Right Music - Entertainments Providers Based on recommendations, meeting in bridal shows, and searching the Internet and the Yellow Pages we contacted various Music, - Entertainments Providers. We screened them and chose those that greeted us cordially, provided the information we requested in a timely manner, the people we spoke with were helpful but not too helpful and eager and they followed up. We feel that they will accommodate us well and within our budget. We also judged them by their web sites. We liked: ✓ The look and feel, ✓ That the information we were looking for was right there, ✓ That they were helpful ✓ They were neither too aggressive, nor over selling, ✓ That they included clearly posted name, address, phone and Email contact We plan to interview the following Music, - Entertainments Providers: Company Name: __________________________Person in charge: ____________________________________ Address: ___________________________________________________________________________________ City: ________________________________________ State: __________________ Zip: __________________ Phone: ______________________ Fax: _______________________ Email: ____________________________ Web Site: ______________________________ Appointment Date: ____________ Time: ____________ Company Name: __________________________Person in charge: ____________________________________ Address: ___________________________________________________________________________________ City: ________________________________________ State: __________________ Zip: __________________ Phone: ______________________ Fax: _______________________ Email: ____________________________ Web Site: ______________________________ Appointment Date: ____________ Time: ____________ Company Name: __________________________Person in charge: ____________________________________ Address: ___________________________________________________________________________________ City: ________________________________________ State: __________________ Zip: __________________ Phone: ______________________ Fax: _______________________ Email: ____________________________ Web Site: ______________________________ Appointment Date: ____________ Time: ____________ Bride's Name:_________Groom's Name:_________Wedding Date:_______ Music – Entertainment Worksheet Musicians and Entertainers Need to Know About Our Wedding Names of Family and Attendants Relation to Couple Notes Bride Groom Bride’s children - If applicable Groom’s children - If applicable Parents of the bride Parents of the groom Grandparents of the bride Grandparents of the groom Best Man Maid of Honor Bridesmaids Groomsmen Flower basket bearer Ring bearer Others for honorable mention Prelude Pre-processional Processional Bride’s entrance Recessional Cocktail Hour The Newlyweds arrive Announcing the wedding party The receiving line Background Music Toasts First dance Mother and son dance Father and daughter dance Money dance Traditional dances Cultural dances Ethnic dances Cake cutting Tossing the bouquet Garter toss Last dance Newlyweds leaving Special requests Birthdays and anniversaries mention Songs – Musical selections we do not want at our wedding Bride's Name:_________Groom's Name:_________Wedding Date:_______ Music – Entertainment Worksheet Questions for the Musicians / DJs – Entertainment* Worksheet Page 1 of 4 1st Choice 2nd Choice 3rd Choice 1st Choice 2nd Choice 3rd Choice Questions Ceremony Ceremony Ceremony Reception Reception Reception Are you available on our wedding date? May we have your business card and brochure? Do you have a web site? How long have you been accommodating weddings? Do you do this full time______ Or part time _________? What percentage of your work is with wedding? How many wedding clients have you served? Can you provide us with references we may contact? How many songs and musical pieces are in your library? Can you provide music for both ceremony and reception? Will you give us a demo tape? Will you provide us with a list of songs and music selections to choose from? Will you perform songs and musical pieces we provide if they are not in your library? What is your specialty? Will your repertoire be tailored to suit our wedding requirements? Will you accommodate special requests for songs or musical pieces we would like played at our wedding? If so, how long in advance do we need to provide them? Is there an additional charge for special requests? If we include children in the reception, can you have music, games or activities geared for them? Give examples. Can we stop by at a wedding to see your performance? * Entertainment includes games, jokes, contests etc... Bride's Name:_________Groom's Name:_________Wedding Date:_______ Music – Entertainment Worksheet Questions for the Musicians / DJs – Entertainment Worksheet Page 2 of 4 1st Choice 2nd Choice 3rd Choice 1st Choice 2nd Choice 3rd Choice Questions Ceremony Ceremony Ceremony Reception Reception Reception Do you provide a music and entertainment planner? How soon before the wedding will you go over the program with us? Will you come to our home to go over the music and – or entertainment plans? What happens to us if you back out? Do you offer a variety of wedding musicians – entertainers to choose from? Can you provide a soloist, duo or trio for our ceremony? Which? How many people will perform at our wedding? Can you provide us with professional profile of the musicians / DJ that will be assigned to our wedding? Will they require a meal? What is your standard number of hours of performance? Minimum____ Maximum____? What is the length of each set? How many sets will you play at our wedding? How often and for how long are your breaks? Will you play pre-recorded music during the break? Who will supply the tapes? Will you be able to, and prepare additional material should we want you to stay longer than planned? What do you charge for overtime? What is the latest time for making changes? Is your musicians’ attire set or can you accommodate themes and time periods? Bride's Name:_________Groom's Name:_________Wedding Date:_______ Music – Entertainment Worksheet Questions for the Musicians / DJs – Entertainment Worksheet Page 3 of 4 1st Choice 2nd Choice 3rd Choice 1st Choice 2nd Choice 3rd Choice Questions Ceremony Ceremony Ceremony Reception Reception Reception What instruments do you play? What kind of equipment do you use? Do you bring back-up equipment with you? Is basic effect lighting included in the price? If not, what is the charge? What equipment do you need the performance site to provide? Electric outlets_____________ Standing Microphones_______ Cordless microphones_______ Amplifiers_________________ Music stands______________ Chairs or stools____________ Other____________________ How long before the wedding reception will you set up? How much time do you need to set up? How much time do you need to close-up? Do you offer a choice of bridal packages? How many consultations do you provide in your package prices? Can you provide us with a flyer and a rate sheet and explain? Is travel included in the price? Are gratuities included in the price? Are taxes included in the price? What additional expenses other than overtime can we expect? Notes and Comments: Bride's Name:_________Groom's Name:_________Wedding Date:_______ Music – Entertainment Worksheet Questions for the Musicians / DJs – Entertainment Worksheet Page 4 of 4 1st Choice 2nd Choice 3rd Choice 1st Choice 2nd Choice 3rd Choice Questions Ceremony Ceremony Ceremony Reception Reception Reception How much and by when will we need to give a deposit? When is the rest due? Do you offer any discounts? Do you accept checks and credit cards? Do you offer any guarantees? Will you provide us with a written contract? Does your contract include all of OUR responsibilities, rules, and regulations, exemptions, exclusions, options etc… Does your contract include all of the responsibilities, warrantees, and guarantees offered by the band, DJ Music service provider? When do we receive the written contract, signed and dated by the person in charge? Does your contract include a 3 days cancellation clause? What are your terms of cancellation after the 3 days? Do you carry liability insurance? Are the musicians, DJ, and or entertainers insured and bonded? Are you members of any professional organizations? Can you accommodate us within our budget of $________ Notes and Comments: Bride's Name:_________Groom's Name:_________Wedding Date:_______ Music for the Ceremony RECESSIONAL Song or Musical Selection Play Song or Musical Selection Play "Air On The G String" from Orchestral Suite No.3 "Allegro Maestoso" from Water Music - G F - J S Bach - Classical Handel - Classical All You Need is Love - Beatles - Oldies At the Beginning - Anastasia - Soundtrack Beautiful Day - U2 - Popular Book of Days - Enya - Popular Brandenburg Concerto No.3 - Johann Sebastian Cowboy Take Me Away - Dixie Chicks - Country Bach - Classical Crown Imperial March - Walton "Entrance Of The Queen Of Sheba" from Solomon - George Frederic Handel - Classical Everlasting Love - Natalie Cole - Popular Forever Young - Bob Dylan - Oldies "Hallelujah Chorus" from The Messiah - George Hawaiian Wedding Song - Elvis Presley - Oldies Frideric Handel - Classical Hooked on a Feeling - Blue Swede Hornpipe - Water Music - George Frideric Handel - Classical How Sweet It Is To Be Loved By You - James I Got You, Babe - Sonny & Cher - Oldies
Load more

Recommended publications
  • Note Di Produzione
    NOTE DI PRODUZIONE Dalla DreamWorks Animation— gli studios che hanno realizzato il film d’animazione nominato agli Academy Awards® e al Golden Globe “Dragon Trainer”, il premio Oscar® “Shrek”, e i nominati agli Oscar® “Shrek 2” e “Kung Fu Panda”— arrivano le ultime avventure del più improbabile tra gli eroi, in perenne transizione tra il lavoro in un ristorante noodle e l’essere un maestro di Kung Fu. In “Kung Fu Panda 2”, Po (Il nominato ai Golden Globe, JACK BLACK) sta vivendo il suo sogno come Guerriero Dragone, proteggendo la Valle della Pace insieme ai suoi amici seguaci, maestri di Kung Fu, I Cinque Cicloni. Tigre (Il premio Oscar® ANGELINA JOLIE); Scimmia (la superstar internazionale JACKIE CHAN); Mantide (Il nominato agli Emmy SETH ROGEN); Vipera (la vincitrice di un SAG, LUCY LIU); e Gru (il vincitore di un Emmy, DAVID CROSS). Ritornano nel cast anche il due volte premio Oscar® DUSTIN HOFFMAN nel ruolo di Shifu, guru del Kung Fu e mentore di Po; e JAMES HONG nel ruolo del Signor Ping, il padre di Po e proprietario del più popolare ristorante noodle del villaggio. La nuova mitica vita di Po, è però offuscata dall’arrivo di un nuovo formidabile cattivo, Lord Shen (il nominato ai BAFTA e allo Spirit Award, GARY OLDMAN) che cercherà di usare un’arma segreta ed inarrestabile per conquistare la Cina e distruggere definitivamente il Kung Fu. Po dovrà scoprire i segreti delle sue misteriosi origini e solo a quel punto sarà capace di sbloccare la forza che gli serve per raggiungere la vittoria.
    [Show full text]
  • Herein Are Those of the Authors and Advertisers and Do Not Necessarily Reflect the Views of the Publisher
    Editor Tim Foster Contributing Writers Lindsay Mott Lori Elias Jamie Hecker Associate Editors Lisa Mahan • Michelle Foster Creative Direction and Design Tim Foster Associate Art Director Michelle Foster Contributing Photographers Tim Devine Garry Rollins Tim Foster ISBN-13: 978-1-5323-2121-4 ©2018 Celebrations Press, Inc. No portion of this publication may be reproduced in any form without the express written permission of the publisher. Statements and opinions herein are those of the authors and advertisers and do not necessarily reflect the views of the publisher. Celebrations is owned and operated by Celebrations Press, Inc. and is not affiliated with, authorized or endorsed by, or in any way officially connected with the Walt Disney Company, Disney Enterprises, Inc., or any of their affiliates. Walt Disney World Resort® is a registered trademark of The Walt Disney Company. This publication makes reference to various Disney copyrighted characters, trademarks, marks, and registered marks owned by The Walt Disney Company, Disney Enterprises, Inc., and other trademark owners. The use in this book of trademarked names and images is strictly for editorial purposes, no commercial claim to their use, or suggestion of sponsorship or endorsement, is made by the authors or publishers. Those words or terms that the authors have reason to believe are trademarks are designated as such by the use of initial capitalization, where appropriate. However, no attempt has been made to identify or designate all words or terms to which trademark or other proprietary rights may exist. Nothing contained herein is intended to express a judgement on, or affect the validity of legal status of, any word or term as a trademark, service mark, or other proprietary mark.
    [Show full text]
  • THE WORLD of HANS ZIMMER 2019 Veranstaltungsort Westfalenhalle
    29.03.2019 THE WORLD OF HANS ZIMMER 2019 Veranstaltungsort Westfalenhalle Beginn 20:00 Uhr Veranstalter Semmel Concerts Entertainment GmbH THE WORLD OF HANS ZIMMER 2019 - A Symphonic Celebration – Concert Tour Dirigent: Gavin Greenaway Gavin Greenaway arbeitet seit 25 Jahren mit Hans Zimmer zusammen und hat den Komponisten von den frühesten Anfängen seiner Karriere bis zu seinen größten Blockbustern begleitet. Der musikalische Leiter hat eine Vielzahl von Zimmers Filmmusiken dirigiert, unter anderem „Der Prinz von Ägypten“, „Gladiator“, „Pearl Harbor“, „The Ring“, „Inception“ und „Interstellar“. Greenaway war bei über 90 Filmen, unter anderem für James Newton Howard, John Powell und viele andere, an Komposition, Songwriting, Produktion und Orchestrierung beteiligt. Außerdem ist er der Komponist des nächtlichen Lichtspektakels „Reflections of Earth“, das seit 1999 in Disneys EPCOT-Themenpark gespielt wird. Symphonieorchester des Bolschoi Staatstheaters, Belarus Orchester Die Musiker*innen des Orchesters des Bolschoi Staatstheaters für Oper und Ballett Belarus sind musikalische Allrounder – sie gelten als eines der besten Opernorchester der Welt und waren musikalische Partner von Künstler*innen wie den Fantastischen Vier, Helene Fischer und Hans Zimmer. Das 1933 in Minsk gegründete Orchester ist durch die ganze Welt getourt und hat das Publikum mit seinem technischen Können verzaubert. Einer der Höhepunkte seines internationalen Programms war 1997 der Auftritt bei dem ersten Internationalen Opernfest im brasilianischen Manaus, als die Musiker*innen des Orchesters am Ufer des Rio Negro vor mehr als 40.000 begeisterten Zuschauern spielten. Rundfunk- und Fernsehchor Belarus Chor Der Rundfunk- und Fernsehchor Belarus hat seit seiner Gründung 1931 in Minsk seine stilistische Vielschichtigkeit und Variationsbreite bei unzähligen Aufnahmen und Konzerten unter Beweis gestellt und wurde im August 1990 für seine herausragenden Leistungen mit dem Academic Choir Award ausgezeichnet.
    [Show full text]
  • Interstellar: Original Motion Picture Soundtrack (Deluxe Digital Version)
    1 2 D A Y O N E Each successive film I’ve done with Hans, I’ve tried to involve him at an earlier and earlier stage. Adding music to a film doesn’t work for me - it’s the reason I can’t temp a movie (edit using some other movie’s music to be replaced later). To me the music has to be a fundamental ingredient, not a condiment to be sprinkled on the finished meal. To this end, I called Hans before I’d even started work on INTERSTELLAR and proposed a radical new approach to our collaboration. I asked him to give me one day of his time. I’d give him an envelope with one page - a page explaining the fable at the heart of my next project. The page would contain no information as to genre or specifics of plot, merely lay out the heart of the movie-to-be. Hans would open the envelope, read it, start writing and at the end of the day he’d play me whatever he’d accomplished. That would be the basis of our score. Hans agreed. I think he shared my frustration with trying to wrangle the mechanics of a massive film right at the tail end of a years-long process of construction - the sheer difficulty of trying to see past what you’ve all built and get back to the beating heart of the story, as a great score must. He understood that what I wanted to do was turn his usual process inside out, giving his musical and emotional instincts free reign, so that the seed from which the score would eventually grow would be fused with the narrative at its earliest stage.
    [Show full text]
  • PRESS Graphic Designer
    © 2021 MARVEL CAST Natasha Romanoff /Black Widow . SCARLETT JOHANSSON Yelena Belova . .FLORENCE PUGH Melina . RACHEL WEISZ Alexei . .DAVID HARBOUR Dreykov . .RAY WINSTONE Young Natasha . .EVER ANDERSON MARVEL STUDIOS Young Yelena . .VIOLET MCGRAW presents Mason . O-T FAGBENLE Secretary Ross . .WILLIAM HURT Antonia/Taskmaster . OLGA KURYLENKO Young Antonia . RYAN KIERA ARMSTRONG Lerato . .LIANI SAMUEL Oksana . .MICHELLE LEE Scientist Morocco 1 . .LEWIS YOUNG Scientist Morocco 2 . CC SMIFF Ingrid . NANNA BLONDELL Widows . SIMONA ZIVKOVSKA ERIN JAMESON SHAINA WEST YOLANDA LYNES Directed by . .CATE SHORTLAND CLAUDIA HEINZ Screenplay by . ERIC PEARSON FATOU BAH Story by . JAC SCHAEFFER JADE MA and NED BENSON JADE XU Produced by . KEVIN FEIGE, p.g.a. LUCY JAYNE MURRAY Executive Producer . LOUIS D’ESPOSITO LUCY CORK Executive Producer . VICTORIA ALONSO ENIKO FULOP Executive Producer . BRAD WINDERBAUM LAUREN OKADIGBO Executive Producer . .NIGEL GOSTELOW AURELIA AGEL Executive Producer . SCARLETT JOHANSSON ZHANE SAMUELS Co-Producer . BRIAN CHAPEK SHAWARAH BATTLES Co-Producer . MITCH BELL TABBY BOND Based on the MADELEINE NICHOLLS MARVEL COMICS YASMIN RILEY Director of Photography . .GABRIEL BERISTAIN, ASC FIONA GRIFFITHS Production Designer . CHARLES WOOD GEORGIA CURTIS Edited by . LEIGH FOLSOM BOYD, ACE SVETLANA CONSTANTINE MATTHEW SCHMIDT IONE BUTLER Costume Designer . JANY TEMIME AUBREY CLELAND Visual Eff ects Supervisor . GEOFFREY BAUMANN Ross Lieutenant . KURT YUE Music by . LORNE BALFE Ohio Agent . DOUG ROBSON Music Supervisor . DAVE JORDAN Budapest Clerk . .ZOLTAN NAGY Casting by . SARAH HALLEY FINN, CSA Man In BMW . .MARCEL DORIAN Second Unit Director . DARRIN PRESCOTT Mechanic . .LIRAN NATHAN Unit Production Manager . SIOBHAN LYONS Mechanic’s Wife . JUDIT VARGA-SZATHMARY First Assistant Director/ Mechanic’s Child . .NOEL KRISZTIAN KOZAK Associate Producer .
    [Show full text]
  • Hans Zimmer the Dark Knight (Original Motion Picture Soundtrack) Mp3, Flac, Wma
    Hans Zimmer The Dark Knight (Original Motion Picture Soundtrack) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Stage & Screen Album: The Dark Knight (Original Motion Picture Soundtrack) Country: US Released: 2008 Style: Modern Classical, Score, Minimal MP3 version RAR size: 1814 mb FLAC version RAR size: 1572 mb WMA version RAR size: 1733 mb Rating: 4.9 Votes: 560 Other Formats: WAV AAC AHX DMF AUD DXD MP3 Tracklist 1 Why So Serious? 9:14 2 I'm Not A Hero 6:34 3 Harvey Two-Face 6:16 4 Aggressive Expansion 4:36 5 Always A Catch 1:40 6 Blood On My Hands 2:16 7 A Little Push 2:43 8 Like A Dog Chasing Cars 5:03 9 I Am The Batman 2:00 10 And I Thought My Jokes Were Bad 2:29 11 Agent Of Chaos 6:55 12 Introduce A Little Anarchy 3:42 13 Watch The World Burn 3:48 14 A Dark Knight 16:15 Credits Arranged By – Henry Jackman Art Direction [Sleeve], Design – Steven R. Gilmore Cello [Principal] – Anthony Pleeth Co-producer – Alex Gibson, Lorne Balfe Conductor – Bruce Fowler , Gavin Greenaway, Matt Dunkley Double Bass [Principal] – Mary Scully Edited By [Assistant] – Ryan Rubin Edited By [Music Editor] – Alex Gibson, Daniel Pinder Electronics [Digital Instrument Design] – Mark Wherry Engineer [Assistant] – Chris Bacon, Chris Barrett, Greg Vines, Katia Lewin Engineer [Technical Score] – Peter "Oso" Snell*, Stuart Thomas Executive Producer – Christopher Nolan Horn – Richard Watkins Mastered By – Louie Teran Mixed By [Score] – Alan Meyerson Music By [Additional] – Lorne Balfe Orchestrated By – Brad Dechter, Bruce Fowler , Elizabeth Finch,
    [Show full text]
  • Batman V Superman Together with Him
    1 Music by HANS ZIMMER and JUNKIE XL Soundtrack Produced by HANS ZIMMER and JUNKIE XL Soundtrack Co-produced by STEVE MAZZARO and ALAN MEYERSON Additional Music by STEVE MAZZARO, ANDREW KAWCZYNSKI, BENJAMIN WALLFISCH Music Editor: MELISSA MUIK Score Wrangler: BOB BADAMI Music Production Services: STEVEN KOFSKY Music Conducted by NICK GLENNIE-SMITH and JUNKIE XL Assistant Music Editor: NEVIN SEUS Technical Score Engineers: CHUCK CHOI and STEPHANIE MCNALLY Digital Instrument Design: MARK WHERRY Sampling Team: TAUREES HABIB, RAUL VEGA, DREW JORDAN Supervising Orchestrator: BRUCE FOWLER Additional Orchestrators: WALT FOWLER, YVONNE S. MORIARTY, CARL RYDLUND, KEVIN KASKA Orchestra Contractor: PETER ROTTER Score Recorded and Mixed by ALAN MEYERSON Additional Engineering by SLAMM ANDREWS Score Mix Assistant: JOHN WITT CHAPMAN Studio Manager for Remote Control Productions: SHALINI SINGH Assistant to Hans Zimmer: CYNTHIA PARK Technical Assistants: JACQUELINE FRIEDBERG, JULIAN PASTORELLI, MAX SANDLER, LAUREN BOUSFIELD Technical Assistants to Junkie XL: STEPHEN PERONE, EMAD BORJIAN, ALJOSCHA CHRISTENHUSS Score Mixed at REMOTE CONTROL PRODUCTIONS, Santa Monica CA Album Mastered by NATHANIEL KUNKEL and ALAN MEYERSON Executive Album Producers: ZACK SNYDER, DEBORAH SNYDER, CHARLES ROVEN Executives In Charge Of Music For Warner Bros. Pictures: PAUL BROUCEK and DARREN HIGMAN Executive In Charge Of Music For WaterTower: JASON LINN Art Direction and Soundtrack Coordination: SANDEEP SRIRAM Music Business Affairs Executives: LISA MARGOLIS and RAY GONZALEZ
    [Show full text]
  • John Powell Face Off Music Album Download Face/Off
    john powell face off music album download Face/Off. Face/Off adheres far too closely to the bombastic Media Ventures filmscoring aesthetic pioneered by John Powell's mentor Hans Zimmer -- with its reliance on signature Zimmer elements like classical chord progressions, synthetic strings and explosive percussion, the score is so derivative that one begins to wonder if the two composers swapped identities in keeping with director John Woo 's far-fetched action narrative. Powell too often mistakes frenzy for frisson, employing splatters of sound virtually bereft of cohesion -- it's pure sonic overkill, and it makes for awkward, grating listening. The Italian Job. Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at $8.99. The Italian Job. Copy the following link to share it. You are currently listening to samples. Listen to over 70 million songs with an unlimited streaming plan. Listen to this album and more than 70 million songs with your unlimited streaming plans. 1 month free, then $14.99/ month. Jason Smith, Drums, AssociatedPerformer - Dave Carpenter, Bass Guitar, AssociatedPerformer - Michael Fisher, Percussion, AssociatedPerformer - Luis Conte, Percussion, AssociatedPerformer - John Powell, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist - Alex Acuna, Percussion, AssociatedPerformer - George Doering, Guitar, AssociatedPerformer - Michael Brook, Guitar, AssociatedPerformer - Dave Channing, Guitar, AssociatedPerformer - Germaine Franco, Percussion, AssociatedPerformer
    [Show full text]
  • Twentieth Century Fox Film Company Limited
    TWENTIETH CENTURY FOX FILM COMPANY LIMITED PRODUCTION NOTES Release Date – 1 st July 2009 Certificate – TBC Running time – TBC [email protected] www.foxpressofficeuk.com www.fox.co.uk www.picselect.com The sub-zero heroes from the worldwide blockbusters “Ice Age” and “Ice Age: The Meltdown” are back, on an incredible adventure...for the ages. Scrat is still trying to nab the ever-elusive nut (while, maybe, finding true love); Manny and Ellie await the birth of their mini-mammoth; Sid the sloth gets into trouble when he creates his own makeshift family after finding some dinosaur eggs; and Diego the saber-toothed tiger wonders if he’s growing too “soft” hanging with his pals. On a mission to rescue the hapless Sid, the gang ventures into a mysterious underground world, where they have some close encounters with dinosaurs, battle flora and fauna run amok – and meet a relentless, one-eyed, dino-hunting weasel named Buck. ICE AGE: DAWN OF THE DINOSAURS has everything audiences loved about the first two films, adding even more comedy, action, spectacular visuals – plus the movie magic of 3-D. Our beloved heroes live on, with some memorable new characters thrown into the “Ice Age” mix. Also new to the “Ice Age” franchise is an incredible and immense underground world populated by dinosaurs. The lush world provides a sharp contrast to the wintry environs of the first two “Ice Age” films, and dwarfs even the vastness of the above- ground Ice Age. It’s a land of danger, massive creatures, mammal-eating plants, a daredevil weasel, a wily romantic foil for Scrat, named Scratte – and areas with names like the Chasm of Death, and the Plates of Woe.
    [Show full text]
  • Summer Starters Yabba Dabba Crew Reviews Redux
    v6n4cov 5/24/01 5:12 PM Page c1 ORIGINAL MUSIC SOUNDTRACKS FOR MOTION PICTURES AND TV VOLUME 6, NUMBER 4 NO MENTION OF PEARL HARBOR IN THIS ISSUE! OF KING THE WORLDThe James Horner Buyer’s Guide, Part 1 SUMMER STARTERS The Mummy Returns, Swordfish and Atlantis YABBA DABBA CREW A Salute to Hoyt Curtin REVIEWS REDUX The latest CDs and DVDs 04> 7225274 93704 $4.95 U.S. • $5.95 Canada v6n4cov 5/24/01 5:15 PM Page c2 FILM & TV MUSIC SERIES 2001 If you contribute in any way to the film music process, CONTACT: our four Film & TV Music Special Issues provide a unique marketing opportunity for your talent, product or service Los Angeles throughout the year. Judi Pulver [email protected] (323) 525-2026 Film & TV Music Special Issue August 21, 2001 New York Features Calling Emmy,® a complete round-up of music nominations, John Troyan Who Scores PrimeTime and upcoming fall films by distributor, [email protected] director and music credits. (646) 654-5624 Space Deadline: August 1 Materials Deadline: August 8 United Kingdom John Kania Film & TV Music Update: [email protected] November 6, 2001 (44-207) 822-8353 Our year-end wrap on the state of the industry featuring upcoming holiday blockbusters by distributor, director and music credits. director and music credits. Space Deadline: October 19 Materials Deadline: October 25 Dates subject to change. www.hollywoodreporter.com CONTENTS APRIL/MAY 2001 cover story departments 24 King of the World 2 Editorial They said it would never happen—but here it is! Backstage With Six FSM begins another massive Buyers Guide series, Groovy Guys.
    [Show full text]
  • La Fabbrica Dei Sogni.Pdf
    AperTO - Archivio Istituzionale Open Access dell'Università di Torino La fabbrica dei sogni. Un’introduzione etnomusicologica al mainstream musicale hollywoodiano This is the author's manuscript Original Citation: Availability: This version is available http://hdl.handle.net/2318/99274 since 2015-12-01T11:40:37Z Publisher: Kaplan Terms of use: Open Access Anyone can freely access the full text of works made available as "Open Access". Works made available under a Creative Commons license can be used according to the terms and conditions of said license. Use of all other works requires consent of the right holder (author or publisher) if not exempted from copyright protection by the applicable law. (Article begins on next page) 09 October 2021 L’editore, nell’ambito delle leggi internazionali sul copyright, è a disposizione degli aventi diritto che non è stato possibile rintracciare. ILARIO MEANDRI LA FABBRICA DEI SOGNI Un’introduzione etnomusicologica al mainstream musicale hollywoodiano © edizioni kaplan 2012 Via Saluzzo, 42 bis - 10125 Torino Tel. e fax 011-7495609 [email protected] www.edizionikaplan.com ISBN 978-88-89908-65-5 k a p l a n In copertina: Jerry Goldsmith nel 1977, con l’Oscar per la colonna sonora de Il presagio (The Omen, 1976) a Vixia Indice L’autore ringrazia Febo Guizzi e Luisa Zanoncelli per la preziosa collaborazione. Desidera inoltre esprimere la propria riconoscenza a Federico Savina, Mariapaz Sanchez Sanchez e Dario Meandri. Introduzione di Febo Guizzi 9 Il megafono delle passioni: musica, cinema, etnomusicologia
    [Show full text]
  • Peter Thomas
    Music Soundtracks for Motion Pictures and Television V OLUME 4, NUMBER 9 Williams’s Award Page 48 GoldenGolden AgeAge GreatsGreats HollywoodHollywood composerscomposers onon postagepostage stampsstamps! PPAPILLONAPILLON REVISITEDREVISITED GoldsmithGoldsmith doesdoes Devil’sDevil’s IslandIsland PETERTHOMASPETERTHOMAS MeetMeet thethe kingking ofof GermanGerman schwingschwing CDREVIEWSCDREVIEWS TheThe latestlatest releasesreleases Ht: 0.816", Wd: 1.4872", Mag: 80% BWR: 1 $4.95 U.S. • $5.95 Canada FSM Presents Silver Age Classics • Limited Edition CDs Now available: FSMCD Volume 2, Number 8 The Complete Unreleased Original Soundtrack Jerry Goldsmith came into his own as a creator of thrilling western scores with 1964’s Rio Conchos,a hard-bitten action story that starred Richard Boone, Stuart Whitman and Tony Franciosa. Rio Conchos was in many ways a reworking of 1961’s The Comancheros (FSMCD Vol. 2, No. 6, music by Elmer Bernstein), but it lacked the buoyant presence of John Wayne and told a far darker and more nihilistic tale of social outcasts thrown together on a mission to find a hidden community of Apache gun-runners. It was the dawn of a new breed of grittier, more psychologically hon- est westerns, and Jerry Goldsmith was the perfect composer to provide these arid and violent tales with a new musical voice. Goldsmith had already scored several westerns before Rio Conchos, including the acclaimed contemporary west- ern Lonely Are the Brave. But Rio Conchos saw Goldsmith marshal- ing his skills at writing complex yet melodically vibrant action music, with several early highlights of his musical output contained by Jerry Goldsmith within. The composer’s title music is characteristically spare and One-Time Pressing of 3,000 Copies folksy, belying the savage intensity of what is to follow, yet his main theme effortlessly forms the backbone for the score’s violent set- pieces and provides often soothing commentary on the decency and nobility buried beneath the flinty surfaces of the film’s reluc- tant heroes.
    [Show full text]