DOCSLIB.ORG

Outlier Inn Studio Equipment

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Outlier Inn Studio Equipment THE OUTLIER INN - STUDIO A POWER STRIP POWER STRIP POWER STRIP POWER STRIP POWER STRIP POWER STRIP POWER STRIP SSL FXG384 BURL B2 BOMBER THERMIONIC CULTURE VULTURE MANLEY MASSIVE PASSIVE UNIVERSAL AUDIO 1176LN NEVE 1073 EVENTIDE H3000 - D/SE MERCURY AUDIO EQ-P1 UNIVERSAL AUDIO 1176LN UNDERTONE UNFAIRCHILD II EMPIRICAL LABS DISTRESSOR LEXICON PRIME TIME TELEFUNKEN V72 PATCHBAY MERCURY AUDIO EQ-P1 EMPIRICAL LABS DISTRESSOR LEXICON PCM42 CRANE SONG FLAMINGO ADR COMPEX DELTA LABS EFFECTRON II MOOG 3 BAND EQ RETRO STA-LEVEL TUBE TECH CL1B MXR PITCH SHIFTER DBX 160 UREI 565 FILTER SET EVENTIDE INSTANT FLANGER SPECTRASONICS 610 ADL C/L 1500 OLMSTEAD BRDCSTR CONSOLE: SOFTWARE: PLUG-INS: NEVE VR 72 WITH FLYING FADERS PRO TOOLS 12 HD WAVES DIAMOND BUNDLE, BASS RIDER, VOCAL RIDER, KRAMER NEVE 33609 ONBOARD LOGIC PRO X TAPE, SSL, BRAUER MOTION, INPHASE, REEL ADT ABLETON LIVE 9.0 MELODYNE, FAB FILTER, MONITORING: TASCAM CD-A700 GOODHERTZ, MASSEY, NATIVE INSTRUMENTS, SOUNDTOYS, CBS VOLUMAX ATC SCM110 VALHALLA, DRUMAGOG, IZOTOPE ALLISON LABS FILTER SET RX YAMAHA NS10M HEAR BACK 8 CHANNEL RECORDERS: FED LIMITER FLOATING FX: SOUNDWORKSHOP 242 A MAC PRO 12 CORE 64GB RAM EMT 140 PLATE STEREO TUBE API 500 SERIES: STUDER A820 1/2” 2 TRACK YAMAHA SPX90 LEXICON 480L API 512c (2) INOVONICS 201 OTARI MTR90 2”’ 24 TRACK ROLAND DIMENSION D AKG BX10 API 560 (2) MIDI INTERFACE CONVERSION: 30’ GEODESIC DOME CHAMBER SKIBBE 736-5 (2) APOGEE SYMPHONY I/O MKII 32 I/0 ROLAND SPACE ECHO 501 DIGIDESIGN 192 32 I/O FULLTONE TUBE TAPE ECHO BURL B2 BOMBER MORLEY ELECTROSTATIC DELAY FF AUTOMATION COMPUTER MICROPHONE LOCKER: STUDIO DETAILS: TUBE DYNAMIC Studio A features an open 760 sq. ft. live room with a 14 ft. ceiling, HEARBACK HEADPHONE HUB [1] LUCAS CS-4 U47 [1] AKG D12 skylights and windows looking out to green pasture where sheep, goats [2] LUCAS CS-1 C12 [1] AKG D112 and alpacas graze. There are 4 ISO booths all wired with ample XLR, Cat6, Instrument and Speaker pass-throughs as well as Leslie pass- [1] SONY C37A [2] BEYERDYNAMIC 201 CAT 6 PB throughs. Designed by The Wes Lachot Design Group (Chapel Hill, NC), [2] SCHOEPS - PHILIPS CM61 [2] ALTEC 633 SALT SHAKER the control room features an automated 72 input Neve VR console, [1] ALTEC COKE BOTTLE [1] SHURE SM-7 which came from Capitol Studio C (LA) by way of Electric Lady Studios (NYC). The frame and all modules have been modified by John LEXICON 480L [2] ADK TC [2] EV RE20 Musgrave and include one of 3 sets of “Gold Motherboards” designed by [3] SENNHEISER 421 Musgrave’s MadLabs to improve power and grounding, thus reducing the SMALL DIAPHRAGM CONDENSER [1] SENNHEISSER 441 noise floor. The channel mods to the input module, EQ and small fader [2] SCHOEPS CMC6 [1] HEIL PR40 all improve functionality (-10db pad vs. stock -30db pad) and sound SYMPHONY I/O MKii [2] AKG 451E [4] SHURE SUPER 55 quality. Neve incorporated the Musgrave mods into their current flagship [1] SHURE SM-81 88R console. The console also has a custom cooling system designed by Bobby Summerfield (LA) which helps dramatically reduce the heat DIGIDESIGN 192 emanating from the desk, making it easier to work and prolonging the life LARGE DIAPHRAGM CONDENSER RIBBON of the board. The acoustic treatments were designed and fabricated by DIGIDESIGN 192 [1] NEUMANN U87 [1] AEA R88 Brett Acoustics (Durham, NC) in collaboration with Peter D’Antonio. [2] AKG 414 [2] COLES 4038 Wiring by Canova Audio (Durham, NC). Console upgrades and [1] SONY C500 FET [1] ROYER R-121 maintenance by John Musgrave (LA), Kevin Nimmo (Nashville), Joel Schoenemann (NYC), and Tip Ring Steve (NYC). Construction BY [1] SHURE KSM32 [1] BEYERDYNAMIC M160 OTHERS. MAC PRO [1] BLUE BOTTLE HEAD [1] RCA 77-DX [1] RCA VARACOUSTIC Studios A and B are linked by 24 tie lines located on patch bays in both ASSORTED CRYSTAL MICS [2] RCA BK-5 rooms. [1] RCA 74 JR [1] WESTERN ELECTRIC BIRDCAGE HOTHOUSE S400 (NS10 PSU) ELECTRIC GUITARS: AMPS: KEYS/SYNTHS: DRUMS KITS: GIBSON 330 1966 AMPEG B15 N YAMAHA U3 1974 1950’S GRETSCH ROUND BADGE [22, 16, 13] SAMSON AMP (SLS) FENDER STRATOCASTER EMERY SOUND SUPERBABY HAMMOND C3 W/LESLIE 122 1960’S LUDWIG CLUB DATE [20, 14, 12] 1970’S LUDWIG VISTALITE [22, 14, 12] FENDER TELECASTER FENDER VIBRO CHAMP FENDER RHODES FENDER MUSTANG FENDER BASSMAN WURLITZER 200A SNARES: GUILD S-300D FENDER MUSICMSTER BASS MUSSER VIBRAPHONE ATOMIC PSU LUDWIG SUPRAPHONIC UNIVOX PANTHER SUPRO TROJAN FARFISA COMBO COMPACT LUDWIG ACROLITE SILVERTONE CLASSIC AMPEG GEMINI I MOOG VOYAGER SLINGERLAND RADIO KING AMPEG JET LEEDY PICOLLO GRETSCH SWAMP DOG ACOUSTIC GUITARS: AMPEG REVERBEROCKET NEVE METER BRIDGE PSU MARTIN D28 GIBSON INVADER ASSORTED CYMBALS TAYLOR 810 ROLAND JAZZ CHORUS ALVAREZ 12 STRING NATIONAL MOSFET FX PEDALS: MU-TRON PHASOR II, A/DA FLANGER, IBANEZ FLYING PAN, EH DELUXE MEMORY MAN, EH BASS MICROSYNTH, EH Q-TRON, EH BIG MUFF, EH SMALL STONE, ELECTRIC BASSES: NEVE FLYING FADERS PSU PROCO RAT, DIGITECH WHAMMY, DIGITECH FX-17, LEHLE LITTLE DUAL, CLUSTER FENDER P UTILITY PEDALS: RADIAL JD6 (2), AVALON U5, ECLAIR STARFOX 8, CLUSTER MASK-5, CLUSTER SPIRIT 92, CLUSTER PULSTAR, TECH 21 FENDER J ENGINEERING EVIL TWIN, SANSAMP GT2, EARTHQUAKER DISASTER TRANSPORT JR, SOURCE AUDIO VOX SPIDER IV RADIAL PRO D2, RADIAL DIMENSION REVERB, MOOGERFOOGER RING MOD, FULLTONE OCD, BOSS DIG REAMP, EVENTIDE MIXING DELAY, BOSS FLANGER, G.I. FUZZ, LAFAYETTE ECHO-VERB, ERNIE BALL VOLUME, LINK, CLOUDLIFTER CL-2 (2) TREK II UC-1A THE OUTLIER INN - STUDIO B POWER STRIP HARRISON FORD FILTERS POWER STRIP MOOG 3 BAND EQ PATCHBAYS AVALON VT737 ROLAND M-160 MIXER DELTA LABS EFFECTRON II TC ELECTRONICS D-TWO PURPLE AUDIO MC77 ROLAND RSP550 KORG M1 DRAWMER DL241 DANGEROUS MONITOR MASTER ROOM SPRING REVERB VOICE SPECTRA VOCODER VALLEY PEOPLE APOGEE ROSETTA 800 ENSONIQ DP/4+ KEEPEX II (4) + GAIN BRAIN (4) APOGEE ROSETTA 800 ORBAN LIMITER MOTU MIDI EXPRESS UTILITY DRAWER APOGEE ROSETTA 800 MTL PANEL C MOTU MIDI EXPRESS CONSOLE: SYNTHESIZERS: SEQUENCERS: STUDIO DETAILS: 24 CHANNEL SOUND WORKSHOP 1280b WITH SUPER EQ AND API MODS MOOG MODEL D ARTURIA BEATSTEP PRO Studio B features a 200 sq. ft. control room and 80 sq. ft. ISO booth. Designed by Nicholas Emmet, the ROLAND M-160 LINE MIXER SEQUETIAL PROPHET 6 DOEPFER DARK TIME control room features a modified Sound Workshop SEQUENTIAL 6 TRAK KORG SQ-1 1280b console. The 24 channel console has Super SEQUENTIAL DRUMPRAKS EQ's throughout, designed by Paul Galbert of API. ROLAND SYSTEM 100 The master section has been upgraded with API MONITORING: RECORDERS: SOFTWARE: FLOATING RACK (BET A + B) ROLAND JX3P 1301 transformers. An additional 4 effects returns have been added, as well as global +48v phantom ROLAND ALPHA JUNO JBL LSR6328p MAC PRO 12 CORE PRO TOOLS 12 HD API 512c (2) power. ROLAND SH101 KRK V4 OTARI MX5050 1/2” 8 TRACK ABLETON LIVE 9.0 API 560 (2) ROLAND SH1000 Studios A and B are linked by 24 tie lines located on LOGIC PRO X ROLAND GR-700 SKIBBE 736-5 patch bays in both rooms. They share mic lockers ARP STRING ENSEMBLE and gear, depending on availability. KORG MS20 CONVERSION: PLUG-INS: KORG MINIKORG KORG ELECTRIBE ER-1 APOGEE ROSETTA 800 (24X24) SOUNDTOYS ALTIVERB MPC 2000 MELODYNE KURZWEIL PC88 FENDER BASS RHODES IZOTOPE RX NORD LEAD 2.
Load more

Recommended publications
  • Who We Are Werner Conzelmann
    CATWORKX MIDSUMMER DAY 2016 ALM WITH ATLASSIAN-TOOLS IN SUPPLY CHAIN WERNER CONZELMANN, HARMAN JUNE 17 HARMAN International. Confidential. Copyright 2016. Agenda 1. Who we are 2. Facts 3. From requirement to developer 4. From developer to product 5. Challenges 6. Overview 7. Questions HARMAN International. Confidential. Copyright 2016. 2 Who we are Innovation breeds quantifiable success • $6.825 Billion revenues* • 29,000 Professionals worldwide • 6,100 Patents and patents pending • EBITDA $825 Million* • 12,600 Engineers • 56 Design awards in 2015 • EPS $6.20* • 25+ Countries: Americas, Europe • 3 GRAMMY® Awards-AKG, JBL, • $23 Billion automotive order backlog** and Asia Lexicon *FY2016 Guidance • 16+ Legendary brands • 2 Academy Awards **As of June 30, 2015 MARKET LEADER GLOBALLY DIVERSE INNOVATION LEADER HARMAN International. Confidential. Copyright 2016. 3 Who we are • Over 80 years of industry groundbreaking “firsts” 2004 1999 JBL one of first to HK Soundsticks debut 1953 1975 release audio docks for iPod. at MOMA Harman Kardon Becker launches introduces first FM tuner first car cassette radio 2008 STC joins OHA and enables Android for the CDMA market 1958 1983 1928 Harman Kardon Crown taps JBL to 2002 World’s first talking movie releases the world’s develop first THX licensed system features Lansing’s Three JBL first stereo receiver HD loudspeakers engineers receive 2012 1989 Academy Awards JBL introduces Flip 1953 Digitech Whammy 1970’s AKG invents world’s first 2004 first dynamic cardiod JBL co-develops foot-controlled pitch 2013 Harman microphone the Wall Of Sound shifting guitar pedal STC developed the first dual-sided for the Grateful Dead enables first Bluetooth smartphone for Yota 1949 wireless Crown introduces first 1997 1984 connectivity open reel tape recorder First car 1971 JBL in Lincoln Town Car in the car with built-in power amp radio/CD/nav.
    [Show full text]
  • Digital Piano
    Address KORG ITALY Spa Via Cagiata, 85 I-60027 Osimo (An) Italy Web servers www.korgpa.com www.korg.co.jp www.korg.com www.korg.co.uk www.korgcanada.com www.korgfr.net www.korg.de www.korg.it www.letusa.es DIGITAL PIANO ENGLISH MAN0010006 © KORG Italy 2006. All rights reserved PART NUMBER: MAN0010006 E 2 User’s Manual User’s C720_English.fm Page 1 Tuesday, October 10, 2006 4:14 PM IMPORTANT SAFETY INSTRUCTIONS The lightning flash with arrowhead symbol within an equilateral triangle, is intended to alert the user to the presence of uninsulated • Read these instructions. “dangerous voltage” within the product’s enclosure that may be of sufficient magni- • Keep these instructions. tude to constitute a risk of electric shock to • Heed all warnings. persons. • Follow all instructions. • Do not use this apparatus near water. The exclamation point within an equilateral • Mains powered apparatus shall not be exposed to dripping or triangle is intended to alert the user to the splashing and that no objects filled with liquids, such as vases, presence of important operating and mainte- shall be placed on the apparatus. nance (servicing) instructions in the literature accompanying the product. • Clean only with dry cloth. • Do not block any ventilation openings, install in accordance with the manufacturer’s instructions. • Do not install near any heat sources such as radiators, heat reg- THE FCC REGULATION WARNING (FOR U.S.A.) isters, stoves, or other apparatus (including amplifiers) that pro- duce heat. This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules.
    [Show full text]
  • Generic Artistic Strategies and Ambivalent Affect
    I GENERIC ARTISTIC STRATEGIES AND AMBIVALENT AFFECT THOMAS SMITH A thesis in fulfillment of the requirements for the degree of Doctor of Philosophy Faculty of Art & Design 2019 THOMAS SMITH II Surname/Family Name : Smith Given Name/s : Thomas William Abbreviation for degree as give in the University calendar : 1292 – PhD Art, Design and Media Faculty : Faculty of Art & Design School : School of Art & Design Generic Artistic Strategies and Ambivalent Thesis Title : Affect This practice-based thesis investigates how contemporary artists are using generic artistic strategies and ambivalent affect to inhabit post-digital conditions. It proposes that artists reproducing and re-performing generic post-digital aesthetics both engender and are enveloped by ambivalent affect, and that these strategies are immanently political rather than overtly critical. I argue that ambivalent artworks secede from requirements for newness and innovation, and the exploitation of creative labour that are a feature of post-digital environments. Drawing on Sianne Ngai’s affect theory and Paolo Virno’s post-Fordist thinking, I summarise contemporary conditions for creativity as a ‘general intellect of the post-digital’; proposing that artists’ and workers’ relations with this mode of production are necessarily ambivalent. Throughout this research I produced several performance and video works that exemplify this ambivalence. These works reproduce standardised electronic music, stock imagery and PowerPoint presentations, alongside re-performances of digital labour such as online shopping, image searches, and paying rent online. Through these examples I develop concepts for discussing generic aesthetics, framing them as vital to understanding post-digital conditions. I address works by other artists including Amalia Ulman’s Excellences and Perfections (2014), which I argue is neither critical nor complicit with generic post-digital routines, but rather signals affective ambivalence and a desire to secede from social media performance.
    [Show full text]
  • UVI Synthlegacy | Software User Manual
    Software User Manual Software Version 1.0 EN 160307 End User License Agreement (EULA) Do not use this product until the following license agreement is understood and accepted. By using this product, or allowing anyone else to do so, you are accepting this agreement. Synth Legacy (henceforth ‘the Product’) is licensed to you 3. Ownership as the end user. Please read this Agreement carefully. As between you and UVI, ownership of, and title to, the You cannot transfer ownership of these Sounds and Software enclosed digitally recorded sounds (including any copies) they contain. You cannot re-sell or copy the Product. are held by UVI. Copies are provided to you only to enable you to exercise your rights under the license. LICENSE AND PROTECTION 4. Term This agreement is effective from the date you open this package, and will remain in full force until termination. This agreement 1. License Grant will terminate if you break any of the terms or conditions of this UVI grants to you, subject to the following terms and agreement. Upon termination you agree to destroy and return to conditions, a non-exclusive, non-transferable right UVI all copies of this product and accompanying documentation. to use each authorized copy of the Product. 5. Restrictions The product is the property of UVI and is licensed to you only Except as expressly authorized in this agreement, you may not rent, for use as part of a musical performance, live or recorded. This sell, lease, sub-license, distribute, transfer, copy, reproduce, display, license expressly forbids resale or other distribution of the modify or time share the enclosed product or documentation.
    [Show full text]
  • Monster Days 2016
    FACEBOOK.COM/LONGMcQUADE @LONGMcQUADE #MONSTERDAYS Online Shopping available at long-mcquade.com! Thousands of Products ı In Store Support ı Hassle-Free Exchange/Return Policy ı Lowest Price Guarantee L&M L&M EXCLUSIVE! EXCLUSIVE! FENDER F-1000 EPIPHONE DREADNOUGHT GIBSON J45 Gibson Limited Edition Maple J45 PRO-1 CLASSIC – NATURAL in Maple Burst. Designed to be easy to play! Reminiscent of the F-Series of the 1970s, with $ ■ Classic dreadnought style acoustic guitar in reduced size its large Fender '70s headstock and "Viking"-style rosewood (480601) 3399 ■ JumboPRO frets, EZ-Profile "D" neck, dual action truss rod bridge. Also features a laminate spruce top, laminate ■ Online lessons from eMedia ■ Soundhole humidifier included mahogany back and sides and a rosewood fingerboard. ■ Also available in ebony, natural, trans blue and wine red $ 99 $ (410694) 279 (424866) L&M 169 EXCLUSIVE! PLUS A $10 L&M GIFT CARD FOR GIBSON J15 USE ON YOUR NEXT PURCHASE! MODERN CLASSIC – NATURAL FENDER F-1020S Versatile performance, iconic heritage. DREADNOUGHT ■ North American sitka spruce top ■ Solid cedar top ■ American walnut back and sides ■ Spruce bracing EPIPHONE ■ Rosewood fingerboard ■ LR Baggs Element pickup system ■ Mahogany back, sides and neck MM-30ASGH $ A STYLE MANDOLIN $ 99 (240406) 1999 (410686) 429 PLUS A $100 L&M GIFT CARD FOR – ANTIQUE SUNBURST L&M USE ON YOUR NEXT PURCHASE! ■ Solid spruce top ■ Mahogany body and neck EXCLUSIVE! $ VERY (210653) 279 LIMITED PLUS A $10 L&M GIFT CARD FOR QUANTITY! USE ON YOUR NEXT PURCHASE! FENDER F-1020SCE DREADNOUGHT IN A One of the most affordable solid top SIMON & PATRICK VARIETY O F electro-acoustics on the market! SPARKLY SP42074 COLOURS! ■ Solid cedar top ■ Laminated mahogany back and sides CONCERT HALL SHOWCASE ■ Fishman® Isys III pickup/preamp ■ Mahogany back and sides ■ Spruce top $ 99 ■ Rosewood fingerboard and bridge (410690) 479 ■ High-gloss Burnt Umber finish ■ Includes TRIC case DENVER DUKE-SPXX L&M SOPRANO UKULELE EXCLUSIVE! $ (480249) 999 Laminated basswood top, back and sides, with rosewood fingerboard.
    [Show full text]
  • Collin County Information Technology Equipment Standards Justification
    Collin County Information Technology Equipment Standards Justification The following manufacturers have been identified as the standard supplier of technology equipment within the county for specific technology areas. While this list of standards will be used to guide procurement, it does not necessarily preclude the IT department from soliciting bids based on generic specifications where the use of a specific manufacturer is not necessary or where a specific non- standard manufacturer is required for a specific line of business. This list is to serve as a guide and may be amended, by future court order, as technology or market conditions dictate.This manufacturer list was submitted to the Commissioner Court on October 26, 2015 but may be amended at any time, by court order, based on technology changes or market conditions. This was approved in Commissioner Court on agenda item 40662. Technology Area: Audio Visual Manufacturer Purpose Formatted Table Sharp LED HDTV systems for courtroom display. Selected as standard in court implementations for consistency and support needs. Harman International Video system controllers, source devices, receivers, displays and IndustriesAMX programming language selected as a standard for consistency, support and programming reasons. Subsidiary companies are comprised of: AKG Acoustics AMX o Existing county staff are AMX certified technicians and AMX provides free training to government clients Crown International dbx Professional Products DigiTech (DigiTech Whammy) Harman Kardon Infinity Systems JBL (JBL Paragon) Lexicon Mark Levinson Audio Systems Martin Professional Soundcraft Studer Symphony Teleca Formatted: List Paragraph, Bulleted + Level: 1 + SVSI Aligned at: 0.25" + Indent at: 0.5" Video system controllers, source devices, receivers, displays and programming language selected as a standard for consistency, support and programming reasons.
    [Show full text]
  • Order of the Shadow Wolf Cyberzine
    SoCiEtIeS ArCh NeMeSiS CyBeRpUnK E-ZiNe Issue #2 December 2014 welcome to the order of the... o o . o . o o o o o . o . ________ ___ ___ ________ ________ ________ ___ o __ |\ ____\|\ \|\ \|\ __ \|\ ___ \|\ __ \|\ \ |\ \ o \ \ \___|\ \ \\\ \ \ \|\ \ \ \_|\ \ \ \|\ \ \ \ \ \ \ \ \_____ \ \ __ \ \ __ \ \ \ \\ \ \ \\\ \ \ \ __\ \ \ . \|____|\ \ \ \ \ \ \ \ \ \ \ \_\\ \ \ \\\ \ \ \|\__\_\ \ ____\_\ \ \__\ \__\ \__\ \__\ \_______\ \_______\ \____________\ |\_________\|__|\|__|\|__|\|__|\|_______|\|_______|\|____________| . o \|_________| | | | . | . | | O . o | . o | O | /\ o /\ ___ O __ ________ ___ ________ . | \-------/ | . |\ \ |\ \|\ __ \|\ \ |\ _____\ / \ \ \ \ \ \ \ \ \|\ \ \ \ \ \ \__/ . | __ __ | . \ \ \ __\ \ \ \ \\\ \ \ \ \ \ __\ / \ \ \ \|\__\_\ \ \ \\\ \ \ \____\ \ \_| / \ . \ \____________\ \_______\ \_______\ \__\ / \ . \|____________|\|_______|\|_______|\|__| . / \ O | | . | / \ O . O . | . / \ /\ THE LAUNDRoMAT OF YOUR MIND /\ O O / \ /\ /\ EXTRA BIG DECEMBER ISSUE!!! / \ . / \/ \/ \ . /..\ < . / \ . / \ \ \ _\' /_ / . / \ . / \ \ \ . / . \ . / \ /________\___\___\ | . | /____ ___\ || || || \ . / || /\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\ ============================================================================== The Order OF THE SHADOW WOLF IS NOW IN COLOR!!!!! your online cyber-zine for: Occult home experiments - Synthesizers - Sorcery & Magick - DIY projects - Movies - Music - Counter Culture - UFOlogy - Poetry - Obsolete computers - Artificial Intelligence - Rastafarian Language
    [Show full text]
  • SR-16 Reference Manual
    Reference Manual TABLE OF CONTENTS CHAPTER 1: INTRODUCTION ........................................................1 1.1 WELCOME TO THE SR-16 DRUM MACHINE!................................................................1 1.1A If You Just Can't Wait…...................................................................................1 1.1B SR-16 Quick Description................................................................................1 1.1C About this Manual..........................................................................................1 1.1D Return Your Warranty Card Now!.....................................................................2 1.2 GROUND RULES.........................................................................................................2 1.2A The Pattern/Song Recording Method.............................................................2 1.2B The Four Different Types of Patterns...............................................................3 1.2C How "Looping" Simplifies Recording...............................................................4 1.2D What's a Voice?..............................................................................................4 1.2E About Defaults...............................................................................................4 1.2F Physical Layout..............................................................................................5 1.2G Display Layout...............................................................................................6
    [Show full text]
  • Graduation Work Spring 2020 Vehicle Design Matias Pekkonen
    Graduation work Spring 2020 1 Vehicle Design Matias Pekkonen KORG MEW/40 | Autonomous Mobile Synthesizer Workspace | Vehicle Design | LAB University Tutor: Lee Walton Opponent: Olivia Leino 67 pages Abstract Tiivistelmä In my graduation work I create a concept for a brand that Opinnäytetyössäni luon ajoneuvokonseptin brändille, has not yet produced a vehicle. I also assess the possibili- joka ei valmista ajoneuvoja. Tutkin myös äänen ja musii- ties of combining sound and music with a vehicle, while kin yhdistämistä ajoneuvoon, musiikin teon ja jakamisen considering the future of music-making and sharing it as tulevaisuutta sivuten. well. Työni kohteeksi valikoitui Korg, joka on japanilainen elekt- The brand chosen for this concept is Korg, a Japanese ronisten soittimien ja studioinstrumenttien valmistaja. manufacturer of synthesizers and electronic studio Tavoitteenani oli selvittää minkälaiselta näyttäisi kyseisen equipment. My goal was to find out the appearance and valmistajan luoma ajoneuvo ja miten se palvelisi brändin purpose of a vehicle that would serve the target audience imagoa ja kohderyhmää vuonna 2040. and brand image of Korg in 2040. Lopputuloksena on 3d-malli ajoneuvon ulkoasusta ja si- The result is a 3d model of a vehicle interior and exterior, sustasta sekä visuaalinen käyttöliittymä. and a visual interface. Opinnäytetyöni on englanninkielinen. 2 Contents 1. Introduction 5. Modeling 1.1 Subject 5.1 Exterior 1.2 Goals 5.2 Interior 5.3 Combining 2. Research 6. The Concept 2.1 Autonomy and sharing 2.2 Sound 6.1 Overview 2.3 Music 6.2 Packaging 2.4 Korg 6.3 Technology 2.5 Benchmarking 6.4 Exterior details 2.6 Interview 6.5 Materials 6.6 User interface 3.
    [Show full text]
  • CM3106 Chapter 5: Digital Audio Synthesis
    CM3106 Chapter 5: Digital Audio Synthesis Prof David Marshall [email protected] and Dr Kirill Sidorov [email protected] www.facebook.com/kirill.sidorov School of Computer Science & Informatics Cardiff University, UK Digital Audio Synthesis Some Practical Multimedia Digital Audio Applications: Having considered the background theory to digital audio processing, let's consider some practical multimedia related examples: Digital Audio Synthesis | making some sounds Digital Audio Effects | changing sounds via some standard effects. MIDI | synthesis and effect control and compression Roadmap for Next Few Weeks of Lectures CM3106 Chapter 5: Audio Synthesis Digital Audio Synthesis 2 Digital Audio Synthesis We have talked a lot about synthesising sounds. Several Approaches: Subtractive synthesis Additive synthesis FM (Frequency Modulation) Synthesis Sample-based synthesis Wavetable synthesis Granular Synthesis Physical Modelling CM3106 Chapter 5: Audio Synthesis Digital Audio Synthesis 3 Subtractive Synthesis Basic Idea: Subtractive synthesis is a method of subtracting overtones from a sound via sound synthesis, characterised by the application of an audio filter to an audio signal. First Example: Vocoder | talking robot (1939). Popularised with Moog Synthesisers 1960-1970s CM3106 Chapter 5: Audio Synthesis Subtractive Synthesis 4 Subtractive synthesis: Simple Example Simulating a bowed string Take the output of a sawtooth generator Use a low-pass filter to dampen its higher partials generates a more natural approximation of a bowed string instrument than using a sawtooth generator alone. 0.5 0.3 0.4 0.2 0.3 0.1 0.2 0.1 0 0 −0.1 −0.1 −0.2 −0.2 −0.3 −0.3 −0.4 −0.5 −0.4 0 2 4 6 8 10 12 14 16 18 20 0 2 4 6 8 10 12 14 16 18 20 subtract synth.m MATLAB Code Example Here.
    [Show full text]
  • Refining Sound: a Practical Guide to Synthesis and Synthesizers
    Refining Sound This page intentionally left blank Refining Sound A PRACTICAL GUIDE TO SYNTHESIS AND SYNTHESIZERS Brian K. Shepard 1 1 Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and certain other countries. Published in the United States of America by Oxford University Press 198 Madison Avenue, New York, NY 10016 © Oxford University Press 2013 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by license, or under terms agreed with the appropriate reproduction rights organization. Inquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above. You must not circulate this work in any other form and you must impose this same condition on any acquirer. Library of Congress Cataloging-in-Publication Data Shepard, Brian K. Refining sound : a practical guide to synthesis and synthesizers / Brian K. Shepard. p. cm. Includes bibliographical references and index.
    [Show full text]
  • Collin County Information Technology Equipment Standards Justification
    Collin County Information Technology Equipment Standards Justification The following manufacturers/vendors have been identified as the standard supplier of technology equipment within the county for specific technology areas. While this list of standards will be used to guide procurement, it does not necessarily preclude the IT department from soliciting bids based on generic specifications where the use of a specific manufacturer is not necessary or where a specific non- standard manufacturer is required for a specific line of business. This list is to serve as a guide and may be amended, by future court order, as technology or market conditions dictate. Technology Area: Audio Visual Manufacturer Purpose Sharp Corporation LED HDTV systems for courtroom display. Selected as standard in court implementations for consistency and support needs. Harman International Video system controllers, source devices, receivers, displays and programming language Industries, Inc. selected as a standard for consistency, support and programming reasons. Subsidiary companies are comprised of: AKG Acoustics AMX o Existing county staff are AMX certified technicians and AMX provides free training to government clients Crown International dbx Professional Products DigiTech (DigiTech Whammy) Harman Kardon Infinity Systems JBL (JBL Paragon) Lexicon Mark Levinson Audio Systems Martin Professional Soundcraft Studer Symphony Teleca Biamp Systems Audio server, amplifier, input card and output cards selected as a standard for Corporation consistency, support and programming reasons. Williams Sound, LLC Assisted listening system selected as a standard for consistency, support and programming reasons. L3 Mobile-Vision, Inc. In car video camera system FY2018 Standards List – Commissioner Court Agenda Item 43948 Technology Area: Backup Solution Manufacturer Purpose Dell Technologies Inc.
    [Show full text]