2019 Annual Report
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Essays on Monkey: a Classic Chinese Novel Isabelle Ping-I Mao University of Massachusetts Boston
University of Massachusetts Boston ScholarWorks at UMass Boston Critical and Creative Thinking Capstones Critical and Creative Thinking Program Collection 9-1997 Essays on Monkey: A Classic Chinese Novel Isabelle Ping-I Mao University of Massachusetts Boston Follow this and additional works at: http://scholarworks.umb.edu/cct_capstone Recommended Citation Ping-I Mao, Isabelle, "Essays on Monkey: A Classic Chinese Novel" (1997). Critical and Creative Thinking Capstones Collection. 238. http://scholarworks.umb.edu/cct_capstone/238 This is brought to you for free and open access by the Critical and Creative Thinking Program at ScholarWorks at UMass Boston. It has been accepted for inclusion in Critical and Creative Thinking Capstones Collection by an authorized administrator of ScholarWorks at UMass Boston. For more information, please contact [email protected]. ESSAYS ON MONKEY: A CLASSIC . CHINESE NOVEL A THESIS PRESENTED by ISABELLE PING-I MAO Submitted to the Office of Graduate Studies, University of Massachusetts Boston, in partial fulfillment of the requirements for the degree of MASTER OF ARTS September 1997 Critical and Creative Thinking Program © 1997 by Isabelle Ping-I Mao All rights reserved ESSAYS ON MONKEY: A CLASSIC CHINESE NOVEL A Thesis Presented by ISABELLE PING-I MAO Approved as to style and content by: Delores Gallo, As ciate Professor Chairperson of Committee Member Delores Gallo, Program Director Critical and Creative Thinking Program ABSTRACT ESSAYS ON MONKEY: A CLASSIC CHINESE NOVEL September 1997 Isabelle Ping-I Mao, B.A., National Taiwan University M.A., University of Massachusetts Boston Directed by Professor Delores Gallo Monkey is one of the masterpieces in the genre of the classic Chinese novel. -
Why We Play: an Anthropological Study (Enlarged Edition)
ROBERTE HAMAYON WHY WE PLAY An Anthropological Study translated by damien simon foreword by michael puett ON KINGS DAVID GRAEBER & MARSHALL SAHLINS WHY WE PLAY Hau BOOKS Executive Editor Giovanni da Col Managing Editor Sean M. Dowdy Editorial Board Anne-Christine Taylor Carlos Fausto Danilyn Rutherford Ilana Gershon Jason Troop Joel Robbins Jonathan Parry Michael Lempert Stephan Palmié www.haubooks.com WHY WE PLAY AN ANTHROPOLOGICAL STUDY Roberte Hamayon Enlarged Edition Translated by Damien Simon Foreword by Michael Puett Hau Books Chicago English Translation © 2016 Hau Books and Roberte Hamayon Original French Edition, Jouer: Une Étude Anthropologique, © 2012 Éditions La Découverte Cover Image: Detail of M. C. Escher’s (1898–1972), “Te Encounter,” © May 1944, 13 7/16 x 18 5/16 in. (34.1 x 46.5 cm) sheet: 16 x 21 7/8 in. (40.6 x 55.6 cm), Lithograph. Cover and layout design: Sheehan Moore Typesetting: Prepress Plus (www.prepressplus.in) ISBN: 978-0-9861325-6-8 LCCN: 2016902726 Hau Books Chicago Distribution Center 11030 S. Langley Chicago, IL 60628 www.haubooks.com Hau Books is marketed and distributed by Te University of Chicago Press. www.press.uchicago.edu Printed in the United States of America on acid-free paper. Table of Contents Acknowledgments xiii Foreword: “In praise of play” by Michael Puett xv Introduction: “Playing”: A bundle of paradoxes 1 Chronicle of evidence 2 Outline of my approach 6 PART I: FROM GAMES TO PLAY 1. Can play be an object of research? 13 Contemporary anthropology’s curious lack of interest 15 Upstream and downstream 18 Transversal notions 18 First axis: Sport as a regulated activity 18 Second axis: Ritual as an interactional structure 20 Toward cognitive studies 23 From child psychology as a cognitive structure 24 . -
12Th Annual Gala Saturday, February 23, 2019 HYATT REGENCY JACKSONVILLE RIVERFRONT
Please consider supporting Northeast Florida and Southeast Georgia’s only adult and pediatric Level I trauma center. 12th Annual Gala Saturday, February 23, 2019 HYATT REGENCY JACKSONVILLE RIVERFRONT If you prefer not to be contacted by UF Health for future fundraising activities, please notify us by calling 1.866.682.2372 or visiting giving.UFHealth.org/opt-out. A COPY OF THE OFFICIAL REGISTRATION AND FINANCIAL INFORMATION MAY BE OBTAINED FROM THE DIVISION OF CONSUMER SERVICES BY CALLING TOLL-FREE 1.800.435.7352 WITHIN THE STATE. REGISTRATION DOES NOT IMPLY ENDORSEMENT, APPROVAL OR RECOMMENDATION BY THE STATE. SHANDS TEACHING HOSPITAL AND CLINICS REGISTRATION NUMBER WITH THE STATE OF FLORIDA: SC01801. ALL GIFTS TO UF HEALTH JACKSONVILLE ARE VOLUNTARY AND IN NO WAY ARE A CONSIDERATION FOR THE INITIATION OR CONTINUATION OF A BUSINESS RELATIONSHIP. ANIGHTFORHEROES.COM ANIGHTFORHEROES.COM An Air Force veteran suffers a stroke behind the wheel and survives thanks to UF Health TraumaOne What was supposed to be a short drive to work on June 24, 2016, became a medical emergency for Robert Ayer. The 53-year-old Air Force veteran was driving on Interstate 295 when he 2018 PATIENT HONOREE PATIENT 2018 had a stroke. Robert crashed his car into the median, coming to rest on an “We felt it was safe enough. We stabilized A Night for Heroes began in 2008 by a small group of dedicated embankment. Fortunately, he didn’t hit his spine and replaced the bone flap in his volunteers with the goal of supporting the mission of UF Health anyone in the collision, but his injuries head,” Alcindor said. -
NIA Exhibit G-L Redacted 3.19.18
Exhibit G 0257 Help Our Wounded Non-Profit Org. U.S. Postage PAID HS1601- maildates: Milwaukee, WI 1/25, 2/01, 2/18, 2/15, 2/24/16 Permit No. 4550 fpo of post-it note #10 RW Crr (9.5"x4-1/8") Black Only 4.5" x i .5" window 5/8" off 8/ 7/8" R 0258 0 O'I 0 0 .... N '°M u Cl O'I'° X C: 0 0 .;., O'.l c:n d C a.: ..c VI ~ 0259 PLEASE PLACE FIRST CLASS STAMP HERE Help Our Wounded P.O. Box 96361 ,) Washington, D.C. 20090-6361 #9 (8-7/8"x3-7/8") RAE prints 2c: Blk, PMS185 0260 0261 If you do only one thing today for our brave Wounded Heroes, will you help one call home? Dear American, "I am wounded but I am alive - and I love you." They are real words spoken by a brave Wounded Hero as he called his wife from his hospital bed at Landstuhl Regional Medical Center in Germany, an overseas hospital operated by the U.S. Army, after being rushed there with life threatening injuries suffered in the War on Terror. As the mother of a Wounded Hero, let me tell you - hearing from your loved one is like a miracle. When my son Alan was being treated for the life-threatening injuries he sustained while defending our nation and our freedom, the nurses said his vital signs actually improved each time he heard our voices on the phone. My name is Rosie Babin. -
The American Media During the Rwandan Genocide of 1994
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2013 Too Few Voices, Too Many Distractions, Too Little Concern, Too Little Understanding: The American Media During The Rwandan Genocide Of 1994 Skip-Thomas Parrish University of Central Florida Part of the History Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Parrish, Skip-Thomas, "Too Few Voices, Too Many Distractions, Too Little Concern, Too Little Understanding: The American Media During The Rwandan Genocide Of 1994" (2013). Electronic Theses and Dissertations, 2004-2019. 2874. https://stars.library.ucf.edu/etd/2874 TOO FEW VOICES; TOO MANY DISTRACTIONS; TOO LITTLE UNDERSTANDING: THE AMERICAN MEDIA DURING THE RWANDAN GENOCIDE OF 1994 by SKIP-THOMAS PARRISH B.A. University of Central Florida, 2002 A thesis submitted in fulfillment of the requirements for the degree of Master of Arts in the Department of History in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Fall Term 2013 ABSTRACT Too Few Voices; Too Many Distractions; Too Little Understanding: the American Media During the Rwandan Genocide of 1994 Upwards of one million people died during the Genocide, Civil War, and Refugee Crisis in Rwanda and surrounding nations, during one of the fastest Genocides to occur in modern history. -
Earth Heroes at School Winners
2018 AT SCHOOL WINNERS 2018EARTH HEROES TTHH HHEERROOES AARR HOOL WINNERS EE SC Awards Presentation AT May 3, 2018 North Southwest Jody Coulston, King’s Elementary School Jonathan Stine and Renton School District – Shoreline – Renton Local artist and K-6 art teacher, Jody Coulston, reuses paper The Renton School District has realized significant energy and plastic materials, such as coffee filters, scrap paper, and savings through in-house lighting audits and utility grants for plastic bottles, for student art projects. She uses old plastic energy efficient lighting. Jonathan Stine, the district energy containers for paintbrush washing and used wood pallets to conservation manager, was the first among public school staff make assignment boxes. She also uses a type of clay that to bring tunable lighting into the classroom on a large scale. requires only one hour in the kiln rather than overnight, which Tunable lights can be adjusted to lessen distractions or increase conserves significant amounts of energy. alertness among students. The district is installing tunable LED lighting in all special education classrooms and will do so in all Veronica Knight, Environmental and Adventure new construction. School – Kirkland A full-time job and parenting three children does not stop Veronica Knight from working with EAS students to protect the planet. Once a week, she’s in the middle school lunchroom helping students sort recyclable and compostable materials from their waste. Through her weekly interactions with students, she has mentored them in resource conservation – a practice they will maintain and share throughout their lives. East Student Green Team, Tesla STEM High School – Redmond In addition to helping Tesla STEM become a Level One King County Green School, the student Green Team conducted waste audits and calculated the amount of greenhouse gas emissions that could be reduced by composting. -
Ready, Willing and Extraordinary Parents Honor
LookA community and wellness publication North from Lenox Hill Hospital Parents honor Lenox Hill Hospital’s NICU “guardian angels” PAGE 4 Volume 1, 2020 Ready, willing and extraordinary Covid-19: Northwell answers the call PAGE 5 Work in workouts Here are ways to fit activity into your busy day We all know that working out is important. Health experts, including the Surgeon General, recommend getting at least 150 minutes of moderate physical activity every week. But responsibilities can make it tough to give yourself a solid half hour or more on an average day. It may be more manageable to fit in micro exercise sessions of 5 to 15 minutes a couple of times (or more) during your day. Here are some effective ways to get moving: 1. Take 10 Grab 10 minutes three times a day to do something physical. The American Council on Exercise recommends this routine: Morning: Start your day with bodyweight exercises such as push-ups, lunges and squats. Afternoon: Enjoy a brisk walk during your break. Evening: Gently stretch for 10 minutes. Include 2. intervals Alternating between moderate- and high-intensity interval workouts can boost cardiovascular health. During a 15-minute walk, speed up for two to three minutes to raise your heart rate, then return to a moderate tempo. Make time for two 15-minute walks every day. Reconsider your 3. commute Can you safely walk or bike to destinations like work, school or the grocery store? If not, snag the spot in the farthest corner of the parking lot, skip the elevator and take the stairs, or walk the shopping cart back to the store after you load your car instead of using the cart corral. -
The Multiplatform Brand Flows of Heroes
Selling Across the Spectrum: The Multiplatform Brand Flows of Heroes ERIN GIANNINI, independent scholar ABSTRACT This article examines how the NBC show Heroes and its use of product placement across multiple platforms represented an early response by networks and advertisers to concerns over ad-skipping and alternate viewing platforms by attempting to reconfigure how brand flow operates across multiple platforms. Not only did the series employ ‘second shift aesthetics’ (Caldwell 2003, 135), which represents networks bringing viewer-users back to the programme by ‘further engag[ing] and activat[ing] the text’ (Caldwell 2004, 50), but the products integrated within the text are pulled into the available world of Heroes’ alternative platform’s textual world, particularly Nissan branded cars. As Henry Jenkins writes: ‘Old media are not being displaced. Rather, their framework and structure shifted by the introduction of new technology’ (2006, 3-4). How these products are used within Heroes storylines and its interaction with characters and platform goes beyond simple placement to make the product another character within the show. Further, I examine the way in which Heroes, as a transmedia text, provided many points of entry for viewer-users to interact with it. While an analysis of fan activity is not the focus of this article, it is important to note these possibilities because of the ways in which the promotional apparatus of the network utilized these types of convergences for the series. Yet, in the case of Heroes, this was achieved by suturing new technological abilities of brand extension with an older model of ad- supported television (namely, the single-sponsorship model of early American television), both within the terrestrial television series and across multiple platforms. -
In-Car Distractions and Their Impact on Driving Activities
ROAD SAFETY GRANT REPORT 2010–001 In-car distractions and their impact on driving activities December 2010 ROAD SAFETY GRANT REPORT 2010-001 In-car distractions and their impact on driving activities Maurice Nevile, Ph.D Centre for Educational Development and Academic Methods (CEDAM) The Australian National University, Canberra Pentti Haddington, Ph.D Helsinki Collegium for Advanced Studies The University of Helsinki, Finland December 2010 Published by: Department of Infrastructure and Transport Postal address: GPO Box 594, Canberra, ACT, 2601 Office location: 111 Alinga Street, Canberra City, ACT Telephone: 02 6274 7111; from overseas + 61 2 6274 7111 Facsimile: 02 6274 7608; from overseas + 61 2 6274 7608 E-mail: [email protected] Internet: www.infrastructure.gov.au/roads/safety © Australian National University 2010 To encourage the dissemination of this publication, it may be copied, downloaded, displayed, printed, reproduced, and distributed in unaltered form (retaining this notice). Subject to the provisions of the Copyright Act 1968, no other use of the material in this publication may be made without the authorisation of Australian National University. DOCUMENT RETRIEVAL INFORMATION Report No. Publication date No. of pages ISBN RSGR 2010-001 December 2010 155 978-1-921769-15-3 Publication title In-car distractions and their impact on driving activities Author(s) Nevile M; Haddington P Organisation that prepared this document Australian National University Canberra ACT 0200 Sponsor [Available from] Reference No. Department of Infrastructure and Transport December 2010/INFRA-1035 GPO Box 594 CANBERRA ACT 2601 www.infrastructure.gov.au Abstract In-car distractions can seriously impair driving and potentially contribute to accidents. -
A Study of the Protagonists in the First Six Novels of Kurt Vonnegut, Jr
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE SEARCH FOR A HERO: A STUDY OF THE PROTAGONISTS IN THE FIRST SIX NOVELS OF KURT VONNEGUT, JR. A thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in English by Kathy Hada May, 1984 The Thesis of Kathy Hada is approved: Dr. Richard Abcarian Dr. Richard Lid Dr. rt Noreen. ommittee Chair California State University, Northridge ii TABLE OF CONTENTS Page ABSTRACT v INTRODUCTION 1 ChaEters 1 Pla,ler Piano 6 2 The Sirens of Titan 15 3 Mother Night 28 4 Gat's Cradle 39 5 God Bless You, Mr. Rosewater 52 6 Slaughterhouse-Five 68 NOTES 83 BIBLIOGRAPHY 87 iii 11 Art: to maintain self against the disruptive whole ... - Theodore Roethke iv ABSTRACT SEARCH FOR A HERO: A STUDY OF THE PROTAGONISTS IN THE FIRST SIX NOVELS OF KURT VONNEGUT, JR. by Kathy Hada Master of Arts in English In the opening chapter of Slaughterhouse-Five, Kurt Vonnegut says, 11 When I got home from the Second World War ••• , I thought it would be easy for me to write about the destruction of Dresden, since all I would have to do would be to report what I had seen 11 (p. 2). In fact, however, he could not write about his experiences in the war--the firebombing of Dresden in particular--for twenty three years, after writing five novels. As numerous critics have noted and Vonnegut himself has alluded, the destruction of Dresden was the destruction of Kurt Vonnegut. He went to war with a world view founded on order, stability, and justice, but encountered a world filled with insanity, absurdity, and irrationality. -
Transcript of the Podcast Audio
British Art Talks podcast Season 1, Episode 1: Cora Gilroy-Ware and Mary Beard, William Etty and the Classical Body This document is an accessible transcript of the podcast audio. Subscribe and listen: https://audioboom.com/posts/7574701-william-etty-and-the-classical-body Anna Reid: Welcome to the first episode of British Art Talks, a new podcast from The Paul Mellon Centre for Studies in British Art. I'm Anna Reid, Head of Research at The PMC. To start our summer series, we're focusing on an 1837 painting by William Etty called The Sirens and Ulysses. Working in the early 19th century, Etty produced mythological and literary scenes displaying the female body. At the time, the artist insisted that "to the pure of heart, all things are pure," but his unconventional portrayals of the classical nude, both shocked and captivated audiences. I'm joined now by classicist Mary Beard and art historian Cora Gilroy-Ware, author of The Classical Body in Romantic Britain. Welcome to you both. Mary, could you remind us of the story told in this painting? Mary Beard: [chuckles] Yes, it's a very simple classical story. It originates in Homer's Odyssey. Odysseus is on his way home, trying to get back from the Trojan War to his wife, Penelope in Ithaca, and he has all kinds of distractions, let's say, on the way. One of those distractions is the mythical women, half-fish, half-women known as the Sirens. The Sirens have the most beautiful singing voices. They sit on the shore, and they lure hapless sailors to their death. -
1 March 6, 2021 Wholelife Seventh-Day Adventist Church
1 March 6, 2021 WholeLife Seventh-day Adventist Church, 2800 N Orange Ave Orlando, FL Things to Remember: Fix Your Eyes on Jesus, Hebrews 12:2; 3:1 / 2 Corinthians 4:18by Andy McDonald What gets your attention gets you. Do you believe this? The axiom that what gets your attention gets you. We like to imagine we can give our attention to two things at once. In my years of counseling while there are plenty of outliers, generally women tend to believe the myth of being able to focus their attention at two places or more at once. Men lag behind in their belief of the myth because by in large men, as a group, tend to live in one box at a time. All of life is compartmentalized, mostly subconsciously, into lots of boxes, each with only one thing in them. In contrast women, as a group, tend to have a big bowl. All the issues in a man’s boxes, plus a few extra in most cases, are all dumped into the woman’s bowl, where every item is connected like strands of spaghetti to every other item in the bowl. This connectedness is what creates a woman’s intuition. That web of connectivity allows rapid connections to be made that many men might never even consider. Mom baked cookies earlier in the afternoon. She’s in a back bedroom and she hears the screen door slam and she knows her son has just returned from school. In a split second her mind connects her earlier baking of cookies that are cooling on the kitchen counter, the house still smells of them, the loud screen door closing, assuming it is her son, she figures he’s hungry, and just as he’s reaching for a cookie she hollers, don’t touch the cookies they are for later.