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Strand Releasing presents CECILE DE FRANCE - PATRICK BRUEL - LUDIVINE SAGNIER JULIE DEPARDIEU - MATHIEU AMALRIC A SECRET A FILM BY CLAUDE MILLER Based on the Philippe Grimbert novel "Un Secret" (Grasset & Fasquelle), English translation : "Memory, A Novel" (Simon and Schuster) Winner : 2008 César Award for Julie Depardieu (Best Actress in a Supporting Role) Grand Prix des Amériques, 2007 Montreal World Film Festival In French with English subtitles 35mm/1.85/Color/Dolby DTS/110 min NY/National Press Contact: LA/National Press Contact: Sophie Gluck / Sylvia Savadjian Michael Berlin / Marcus Hu Sophie Gluck & Associates Strand Releasing phone: 212.595.2432 phone: 310.836.7500 [email protected] [email protected] [email protected] [email protected] Please download photos from our website: www.strandreleasing.com/pressroom/pressroom.asp 2 CAST Tania Cécile DE FRANCE Maxime Patrick BRUEL Hannah Ludivine SAGNIER Louise Julie DEPARDIEU 37-year-old François Mathieu AMALRIC Esther Nathalie BOUTEFEU Georges Yves VERHOEVEN Commander Beraud Yves JACQUES Joseph Sam GARBARSKI 7-year-old Simon Orlando NICOLETTI 7-year-old François Valentin VIGOURT 14-year-old François Quentin DUBUIS Robert Robert PLAGNOL Hannah's mother Myriam FUKS Hannah's father Michel ISRAEL Rebecca Justine JOUXTEL Paul Timothée LAISSARD Mathilde Annie SAVARIN Sly pupil Arthur MAZET Serge Klarsfeld Eric GODON Smuggler Philippe GRIMBERT 2 3 CREW Directed by Claude MILLER Screenplay, adaptation, dialogues by Claude MILLER and Natalie CARTER Based on the Philippe -
A Dangerous Method
A David Cronenberg Film A DANGEROUS METHOD Starring Keira Knightley Viggo Mortensen Michael Fassbender Sarah Gadon and Vincent Cassel Directed by David Cronenberg Screenplay by Christopher Hampton Based on the stage play “The Talking Cure” by Christopher Hampton Based on the book “A Most Dangerous Method” by John Kerr Official Selection 2011 Venice Film Festival 2011 Toronto International Film Festival, Gala Presentation 2011 New York Film Festival, Gala Presentation www.adangerousmethodfilm.com 99min | Rated R | Release Date (NY & LA): 11/23/11 East Coast Publicity West Coast Publicity Distributor Donna Daniels PR Block Korenbrot Sony Pictures Classics Donna Daniels Ziggy Kozlowski Carmelo Pirrone 77 Park Ave, #12A Jennifer Malone Lindsay Macik New York, NY 10016 Rebecca Fisher 550 Madison Ave 347-254-7054, ext 101 110 S. Fairfax Ave, #310 New York, NY 10022 Los Angeles, CA 90036 212-833-8833 tel 323-634-7001 tel 212-833-8844 fax 323-634-7030 fax A DANGEROUS METHOD Directed by David Cronenberg Produced by Jeremy Thomas Co-Produced by Marco Mehlitz Martin Katz Screenplay by Christopher Hampton Based on the stage play “The Talking Cure” by Christopher Hampton Based on the book “A Most Dangerous Method” by John Kerr Executive Producers Thomas Sterchi Matthias Zimmermann Karl Spoerri Stephan Mallmann Peter Watson Associate Producer Richard Mansell Tiana Alexandra-Silliphant Director of Photography Peter Suschitzky, ASC Edited by Ronald Sanders, CCE, ACE Production Designer James McAteer Costume Designer Denise Cronenberg Music Composed and Adapted by Howard Shore Supervising Sound Editors Wayne Griffin Michael O’Farrell Casting by Deirdre Bowen 2 CAST Sabina Spielrein Keira Knightley Sigmund Freud Viggo Mortensen Carl Jung Michael Fassbender Otto Gross Vincent Cassel Emma Jung Sarah Gadon Professor Eugen Bleuler André M. -
THE BLACK BOOK of FATHER DINIS Directed by Valeria Sarmiento Starring Lou De Laâge, Stanislas Merhar, Niels Schneider
Music Box Films Presents THE BLACK BOOK OF FATHER DINIS Directed by Valeria Sarmiento Starring Lou de Laâge, Stanislas Merhar, Niels Schneider 103 MIN | FRANCE, PORTUGAL | 2017 | 1.78 :1 | NOT RATED | IN FRENCH WITH ENGLISH SUBTITLES Website: https://www.musicboxfilms.com/film/the-black-book/ Press Materials: https://www.musicboxfilms.com/press-page/ Publicity Contact: MSophia PR Margarita Cortes [email protected] Marketing Requests: Becky Schultz [email protected] Booking Requests: Kyle Westphal [email protected] LOGLINE A picaresque chroNicle of Laura, a peasaNt maid, aNd SebastiaN, the youNg orphaN iN her charge, against a backdrop of overflowing passion and revolutionary intrigue in Europe at the twilight of the 18th century. SUMMARY THE BLACK BOOK OF FATHER DINIS explores the tumultuous lives of Laura (Lou de Laâge), a peasaNt maid, aNd SebastiaN (Vasco Varela da Silva), the youNg orphaN iN her charge, against a backdrop of overflowing passion and revolutionary intrigue in Europe at the twilight of the 18th ceNtury. An uNlikely adveNture yarN that strides the coNtiNeNt, from Rome aNd VeNice to LoNdoN aNd Paris, with whispers of coNspiracies from the clergy, the military, aNd the geNtry, this sumptuous period piece ponders the intertwined nature of fate, desire, and duty. Conceived by director Valeria SarmieNto as aN appeNdix to the expaNsive literary maze of her late partNer Raul Ruiz's laNdmark MYSTERIES OF LISBON, this picaresque chronicle both eNriches the earlier work aNd staNds oN its owN as a graNd meditatioN of the stories we construct about ourselves. THE BLACK BOOK OF FATHER DINIS | PRESS NOTES 2 A JOURNEY THROUGHOUT EUROPE AND HISTORY Interview with Director Valeria Sarmiento What was the origin of the project? OrigiNally, I was supposed to make aNother film with Paulo BraNco called The Ice Track (from Roberto Bolaño’s Novel), but we could Not fiNd fuNdiNg because the rights of the Novel became more aNd more expeNsive. -
The Phenomenological Aesthetics of the French Action Film
Les Sensations fortes: The phenomenological aesthetics of the French action film DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Matthew Alexander Roesch Graduate Program in French and Italian The Ohio State University 2017 Dissertation Committee: Margaret Flinn, Advisor Patrick Bray Dana Renga Copyrighted by Matthew Alexander Roesch 2017 Abstract This dissertation treats les sensations fortes, or “thrills”, that can be accessed through the experience of viewing a French action film. Throughout the last few decades, French cinema has produced an increasing number of “genre” films, a trend that is remarked by the appearance of more generic variety and the increased labeling of these films – as generic variety – in France. Regardless of the critical or even public support for these projects, these films engage in a spectatorial experience that is unique to the action genre. But how do these films accomplish their experiential phenomenology? Starting with the appearance of Luc Besson in the 1980s, and following with the increased hybrid mixing of the genre with other popular genres, as well as the recurrence of sequels in the 2000s and 2010s, action films portray a growing emphasis on the importance of the film experience and its relation to everyday life. Rather than being direct copies of Hollywood or Hong Kong action cinema, French films are uniquely sensational based on their spectacular visuals, their narrative tendencies, and their presentation of the corporeal form. Relying on a phenomenological examination of the action film filtered through the philosophical texts of Maurice Merleau-Ponty, Paul Ricoeur, Mikel Dufrenne, and Jean- Luc Marion, in this dissertation I show that French action cinema is pre-eminently concerned with the thrill that comes from the experience, and less concerned with a ii political or ideological commentary on the state of French culture or cinema. -
Quelques Réflexions Autour De La Littérature-Mesrine Benoît Denis
Document generated on 09/28/2021 3:05 a.m. Études françaises Faire de sa vie une oeuvre d’art paralittéraire Quelques réflexions autour de la littérature-Mesrine Benoît Denis Les exceptions françaises (1958-1981) Article abstract Volume 47, Number 1, 2011 Shot down on the Day of the Dead in 1979 by the anti-gang brigade of Commissioner Broussard, gangster Jacques Mesrine has long made headlines URI: https://id.erudit.org/iderudit/1002521ar and is currently a mythic figure. One of the reason for this posterity is DOI: https://doi.org/10.7202/1002521ar doubtless due to the gangster’s capacity to place himself in the center of an intense textual production, the core being his own autobiography, significantly See table of contents titled L’instinct de mort (1974). Mesrine’s trajectory, devised by the protagonist as a choice turning his life into a destiny whose end is immediately known, and the constant staging of himself that accompanies it, submits fully to a pre-existing collective narrative, a vast paraliterary intertext that Foucault Publisher(s) calls the “monotonous saga of major criminals.” The aim of this contribution is Les Presses de l’Université de Montréal to show that in the specific circumstances of the Giscardian and Pompidolian years, the “Mesrine-novel” mobilizes two opposing figures : that of the “outlaw,” presented as the ultimate incarnation of the romantic adventurer, ISSN and that of the “public enemy,” which transforms individual revolt into a 0014-2085 (print) political cause. 1492-1405 (digital) Explore this journal Cite this article Denis, B. (2011). Faire de sa vie une oeuvre d’art paralittéraire : quelques réflexions autour de la littérature-Mesrine. -
35 Shots of Rum (35 Rhums) 2008 12A Runtime: 100 Mins Director: Claire Denis
keswick film 35 shots of rum Autumn club Season 2009 a world of cinema (35 rhums) Review by Peter Bradshaw, the Guardian: This outstanding new film from Claire Denis, the director of Beau Travail and Vendredi Soir, demonstrates her fluency and mastery in the kind of movie-language that is rich, quietly complex and subtle - and very un-Hollywood in its refusal to cross the "t"s and dot the "i"s. Its theme is the bond between father and daughter, whose intensity speaks poignantly and paradoxically of loss and absence. (There is a similarity here with Abdel Kechiche's 2007 movie Couscous.) Alex Descas is Lionel, a calm and dignified widower who is a train driver in Paris. His daughter, Jo, played by Mati Diop, is a student who lives with him in affectionate, if rather emotionally fraught domestic intimacy. Both Lionel and Jo have a friendship, which is something more than friendship, with their neighbour Gabrielle, played by Nicole Dogué. She was once Lionel's lover when Jo was a child and appears to yearn, still, for a place in his heart, and to be a mother to Jo. Grégoire Colin plays their moody upstairs neighbour, called Noé, who appears also to have feelings for Lionel's daughter, but seems reluctant to change his chaotic home life and is temperamentally unable to commit himself. And in any case, Jo is being wooed by a charming fellow student. Lionel's own life is brought to a submerged crisis when one of his colleagues retires, and Lionel, a shrewd observer of his fellow males, instantly sees that not having a job is a catastrophe for this man, like the most appalling bereavement. -
Uk / 2018 / 1.66 / 5.1
HIGH LIFE 110 min / Germany – France – USA – Poland – UK / 2018 / 1.66 / 5.1 EVA DIEDERIX [email protected] SILVIA SIMONUTTI [email protected] FANNY BEAUVILLE [email protected] OLPHA BEN SALAH [email protected] PHOTOS AND PRESS KIT CAN BE DOWNLOADED FROM https://www.wildbunch.biz/movie/high-life/ Deep space. Monte and his daughter Willow live together aboard a spacecraft, in complete isolation. A man whose strict self-discipline is a shield against desire, Monte fathered her against his will. His sperm was used to inseminate the young woman who gave birth to her. They were members of a crew of prisoners – death row inmates. Guinea pigs sent on a mission. Now only Monte and Willow remain. Through his daughter, he experiences the birth of an all-powerful love. Together, father and daughter approach their destination – the black hole in which time and space cease to exist. How did High Life come about? A while back, an English producer asked me if I wanted to participate in a collection of films called Femmes Fatales. At first, I wasn’t that interested, but after thinking it over, I agreed. The project took ages to get off the ground. There was no money. It took 6 or 7 years to hammer out a coproduction: France, Germany, Poland and eventually America. During that time, I went to England and the States to meet with actors. The actor I dreamed of for the lead role of Monte was Philip Seymour Hoffman, because of his age, his weariness – but he died mid- route. -
BAM Presents Strange Desire: the Films of Claire Denis, Mar 29—Apr 9, the Largest-Ever US Retrospective Dedicated to the Celebrated French Filmmaker
BAM presents Strange Desire: The Films of Claire Denis, Mar 29—Apr 9, the largest-ever US retrospective dedicated to the celebrated French filmmaker February 20, 2019/Brooklyn, NY—From Friday, March 29 through Tuesday, April 9, BAM presents Strange Desire: The Films of Claire Denis, the most extensive retrospective ever presented in the US dedicated to Denis, a filmmaker consistently counted among the greatest living directors by filmmakers and critics alike. Denis’ work is a delicate balance of contradictions: her films are beloved, yet elusive; influential, yet singular; grounded in corporeality, but with a shifting relationship with time. Born in France, raised in colonial Africa where her father was a civil servant, and eventually returning to France as a teenager, Denis subtly explores race and colonial relationships, love and eroticism, the texture of bodies and environments, and the elasticity of time. Following the retrospective, BAM will screen Denis’ critically acclaimed new feature, the poetic science fiction film High Life (2019), starring Robert Pattinson, Juliette Binoche, Mia Goth, and André Benjamin. Denis will appear in person at BAM for a sneak preview show on April 3. The film opens in New York and Los Angeles on April 5. The series begins with Beau Travail (1999), Denis’ masterful update of Herman Melville’s Billy Budd, starring Denis Lavant and regular collaborator Grégoire Colin. A study of jealousy and obsession set among the existential ennui and empty rituals of the French Foreign Legion in Djibouti, Beau Travail captures Denis’ signature elliptical style and hypnotic rhythms. A balletic study of bodies in motion with an unforgettable final scene, Beau Travail is Denis’ most iconic and influential work. -
15 April – 6 May 2007
London Manchester Edinburgh Glasgow Dundee Aberdeen www.frenchfilmfestival.org.uk 15 April – 6 May 2007 SYLVAIN CHOMET PATRON 5 PARIS JE T’AIME GALA 5 RETRO CHRISTIAN VINCENT 6 intro FOUR STARS / QUATRE ETOILES (15) 8 THE CHILDREN / LES ENFANTS (PG) 9 Bienvenue and welcome to the French Film widens its horizons to Ocean Terminal in Leith, Festival UK 2007, a unique event that for the past Edinburgh’s lively waterfront hub, where Vue SAVE ME / SAUVE-MOI (15) 9 decade and a half has been showcasing the very Cinemas will show a selection of titles as part of THE SEPARATION / LA SEPARATION (18) 10 best of le cinema français in the UK, the majority four days of Gallic flavoured activities throughout of the selection consisting of films that might the shopping centre, in association with French THE DISCREET / LA DISCRETE (15) 10 otherwise never make it to our cinema screens. contemporary furniture store Ligne Roset. PANORAMA 14 As ever we have assembled an entertaining, We take particular pleasure in providing a THE AEROPLANE / L’AVION (PG) 15 arresting and, at times, challenging array of platform for the career of Christian Vincent AURORE (12) 17 titles over more than three weeks from 15 April whose films have figured in previous editions in six cities comprising Edinburgh, Glasgow, and who has agreed to be the subject of the 2007 THE AXE / LE COUPERET (18) 16 Aberdeen, Dundee as well as Manchester retrospective. He has notched his own varied CAMPING (12) 18 and London. niche in French cinema as a subtle and versatile script-writer, and director, as well as being COMEDY OF POWER / L’IVRESSE DU POUVOIR (15) 19 The French Film Festival UK began 15 years president of France’s equivalent of the Director’s HOW MUCH DO YOU LOVE ME?/COMBIEN TU M’AIMES? (18) 20 ago in a modest way in two Scottish cities, but Guild. -
Foreign Bodies, Community and Trauma in the Films of Claire Denis
Foreign Bodies, Community and Trauma in the Films of Claire Denis:... http://www.screeningthepast.com/2013/09/foreign-bodies-community-... Kath Dooley … if my films have a common link, maybe it’s being a foreigner – it’s common for people who are born abroad – they don’t know so well where they belong. It’s not the kind of thing you find in literature, music or photography – being from abroad makes you look different. – Claire Denis [1] Having grown up in Africa as the daughter of a French civil servant, French writer/director Claire Denis was positioned as an outsider. Whereas this status was clearly marked by her skin colour in early life, returning to France as a teenager also presented challenges in terms of foreignness and identification – despite it being the country where she was born, and of which she is a citizen. Douglas Morrey posits that ‘in the filmmaking of Claire Denis, the body is the limit between sense and world. The body is always other – the means by which the other appears to me but also by which I am revealed to myself, as other’. [2] This statement has resonance not just for the director’s choice of themes, but also for her stylistic choices: the use of cinematography, sound and editing to explore the intersections of foreign bodies. Martine Beugnet makes the point that Denis’ ‘perception of the Other is always complex and ambiguous’, and is ‘that which spurs curiosity and creates desire’. [3] As such, rather than reinforcing binary oppositions that seek to stigmatise, the director is subtle in her questioning of the effects of dominant cultures in multicultural contexts. -
Coco-Before-Chanel-Presskit-French
HAUT ET COURT, CINÉ @ et WARNER BROS. PICTURES présentent Avec AUDREY TAUTOU BENOÎT POELVOORDE, ALESSANDRO NIVOLA, MARIE GILLAIN et EMMANUELLE DEVOS Un fi lm de ANNE FONTAINE SORTIE : MERCREDI 22 AVRIL 2009 Durée : 1h50 www.cocoavantchanel.fr DISTRIBUTION PRESSE Warner Bros. Pictures France André-Paul Ricci/ Contact presse : Eugénie Pont Tony Arnoux 115/123, av. Charles de Gaulle 6, place de la Madeleine 92525 Neuilly sur Seine 75008 Paris Tél. : 01 72 25 00 00 Tél. : 01 49 53 04 20 email : [email protected] SYNOPSIS Une petite fi lle du centre de la France, placée dans un orphelinat avec sa sœur, et qui att end en vain tous les dimanches que son père vienne les chercher. Une chanteuse de beuglant à la voix trop faible, qui aff ronte un public de soldats éméchés. Une petite couturière destinée à refaire des ourlets dans l’arrière- boutique d’un tailleur de province. Une apprentie-courtisane au corps trop maigre, qui trouve refuge chez son protecteur Etienne Balsan, parmi les cocott es et les fêtards. Une amoureuse qui sait qu’elle ne sera « la femme de personne », pas même celle de Boy Capel, l’homme qui pourtant l’aimait aussi. Une rebelle que les conventions de l’époque empêchent de respirer, et qui s’habille avec les chemises de ses amants. C’est l’histoire de Coco Chanel, qui incarna la femme moderne avant de l’inventer. ENTRETIEN AVEC ANNE FONTAINE - Pourquoi vous êtes-vous intéressée au personnage de s’il était possible de s’en tenir à la première période de Gabrielle Chanel ? sa vie, aux années d’apprentissage, à ce qui s’était passé J’ai eu la chance très jeune de rencontrer Lilou Mar- avant que Chanel ne comprenne elle-même son fulgu- quand qui fut la plus proche collaboratrice de Chanel rant destin. -
Un Film De Valérie DONZELLI RECTANGLE PRODUCTIONS Présente Notre Dame Un Film Devalérie DONZELLI
RECTANGLE PRODUCTIONS PRÉSENTE Valérie Pierre Thomas Bouli DONZELLI DELADONCHAMPS SCIMECA LANNERS Notre dame un film de Valérie DONZELLI RECTANGLE PRODUCTIONS présente Notre dame un film deValérie DONZELLI avec Valérie DONZELLI, Pierre DELADONCHAMPS, DISTRIBUTION Thomas SCIMECA, Bouli LANNERS, AD VITAM 71, rue de la Fontaine au Roi Virginie LEDOYEN, Isabelle CANDELIER, 75011 Paris Philippe KATERINE, Claude PERRON Tél. : 01 55 28 97 00 [email protected] et Samir GUESMI 2019 / France / Couleur / Durée : 95 min RELATIONS PRESSE Magali MONTET Tél. : 06 71 63 36 16 [email protected] SORTIE LE 18 DÉCEMBRE André-Paul RICCI / Tony ARNOUX Assistés de Pablo GARCIA FONS Tél. : 01 48 74 84 54 Matériel presse téléchargeable sur : ww.advitamdistribution.com [email protected] [email protected] Synopsis Maud Crayon est née dans les Vosges, mais vit à Paris. Elle est architecte, mère de deux enfants, et remporte sur un énorme malentendu le grand concours lancé par la mairie de Paris pour réaménager le parvis de Notre-Dame… Entre cette nouvelle responsabilité, un amour de jeunesse qui resurgit subitement et le père de ses enfants qu’elle n’arrive pas à quitter complètement, Maud Crayon va vivre une tempête. Une tempête, qu’elle devra affronter pour s’affirmer et se libérer. NOTRE DAME n’est-il pas avant tout une formidable lettre d’amour à Paris ? Vous la filmez merveilleusement bien. Racontez-nous la genèse du film. Paris, c’est ma ville d’adoption, et j’avais envie de me réconcilier avec, de Après Marguerite et Julien, mes producteurs, Edouard Weil et Alice Girard, m’avaient lui faire du bien.