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Anurag Kashyap ç”µå½± ä¸²è¡Œ (å¤§å…¨) That Day After https://zh.listvote.com/lists/film/movies/that-day-after-everyday-16254758/actors Everyday Bombay Velvet https://zh.listvote.com/lists/film/movies/bombay-velvet-16247285/actors Gangs of Wasseypur â€“ Part https://zh.listvote.com/lists/film/movies/gangs-of-wasseypur-%E2%80%93-part-2-16248515/actors 2 Raman Raghav 2.0 https://zh.listvote.com/lists/film/movies/raman-raghav-2.0-21998253/actors Return of Hanuman https://zh.listvote.com/lists/film/movies/return-of-hanuman-2310511/actors Gangs of Wasseypur â€“ Part https://zh.listvote.com/lists/film/movies/gangs-of-wasseypur-%E2%80%93-part-1-2690472/actors 1 Dev.D https://zh.listvote.com/lists/film/movies/dev.d-3506295/actors No Smoking https://zh.listvote.com/lists/film/movies/no-smoking-3877535/actors Mukkabaaz https://zh.listvote.com/lists/film/movies/mukkabaaz-39047419/actors Sacred Games https://zh.listvote.com/lists/film/movies/sacred-games-48727094/actors Madly https://zh.listvote.com/lists/film/movies/madly-50280659/actors Lust Stories https://zh.listvote.com/lists/film/movies/lust-stories-54959074/actors Gulaal https://zh.listvote.com/lists/film/movies/gulaal-5617180/actors Last Train to https://zh.listvote.com/lists/film/movies/last-train-to-mahakali-6494730/actors Mahakali Matsya https://zh.listvote.com/lists/film/movies/matsya-66575916/actors Siduri https://zh.listvote.com/lists/film/movies/siduri-66576456/actors Apasmara https://zh.listvote.com/lists/film/movies/apasmara-66576503/actors Bardo https://zh.listvote.com/lists/film/movies/bardo-66576666/actors Vikarna https://zh.listvote.com/lists/film/movies/vikarna-66576742/actors Azrael https://zh.listvote.com/lists/film/movies/azrael-66576801/actors Torino https://zh.listvote.com/lists/film/movies/torino-66576908/actors Radcliffe https://zh.listvote.com/lists/film/movies/radcliffe-66576988/actors Mumbai Cutting https://zh.listvote.com/lists/film/movies/mumbai-cutting-6935275/actors Paanch https://zh.listvote.com/lists/film/movies/paanch-7121434/actors Choked: Paisa https://zh.listvote.com/lists/film/movies/choked%3A-paisa-bolta-hai-96374956/actors Bolta Hai é†œæƒ¡ https://zh.listvote.com/lists/film/movies/%E9%86%9C%E6%83%A1-12813120/actors ç“¦å¡žæµ¦é»‘å¹« https://zh.listvote.com/lists/film/movies/%E7%93%A6%E5%A1%9E%E6%B5%A6%E9%BB%91%E5%B9%AB-21001632/actors åŸ è²·ä¹‹éŸ³ https://zh.listvote.com/lists/film/movies/%E5%AD%9F%E8%B2%B7%E4%B9%8B%E9%9F%B3-4940593/actors åˆ æ ¼ä¸ˆå¤« https://zh.listvote.com/lists/film/movies/%E5%90%88%E6%A0%BC%E4%B8%88%E5%A4%AB-55080154/actors é»‘è‰²æ˜ŸæœŸäº” https://zh.listvote.com/lists/film/movies/%E9%BB%91%E8%89%B2%E6%98%9F%E6%9C%9F%E4%BA%94-621690/actors https://zh.listvote.com/lists/film/movies/%E7%A9%BF%E9%BB%84%E9%9D%B4%E5%AD%90%E7%9A%84%E5%A5%B3%E5%AD%A9- ç©¿é»„é´ åç š„å¥³å© 7711195/actors.

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$% ;# 4 "< "< < '*"'# +,-./ &! !& ) & '( *&+,-. 4 #58#%:3%9 )8#%7$=2:28>8#%5?2 -6#714:662 865%61:3-$ *5-46*51*82$7 7:5%7%417 :5%975 #%8*-* 82-7-48-87$%@87 %7##:3N*%9%2#38O 8571 5=87*@%)=$ A6 : (")&B'' &+C A 2 8 % $$ 0001,23% ,.0 8$865% gurus and practitioners, chil- dren and people from various responsible for the fiery situa- rom the United Nations backgrounds as India’s tion in the area and warned FGeneral Assembly Permanent Mission to the UN that if the TMC did not stop its (UNGA) hall to the Indian organised the commemoration dirty game to forcibly take Parliament premises and from of the 5th International Day of control of the area then Beijing to Ranchi, thousands Yoga on Friday. Bhatpara will become another of people stretched and twist- Addressing the large gath- Nandigram.” ed, breathed in and breathed ering, Deputy Secretary- The locals hurled bombs out, reached for the skies and General Amina Mohammed $% %$ 3-63# and chased away policemen bent to touch their toes as said the essence of yoga is bal- led by a Deputy India and the world marked ance, “not only within us but he fierce dogfight between Commissioner of Police who the fifth International Day of also in our relationship with Tthe BJP and the Trinamool escorted the funeral proces- Yoga on Friday. humanity.” She said by prac- Congress went on unabated in sion of the Thursday’s victims Prime Minister Narendra ticing yoga, people can pro- the Bhatpara-Jagaddal- of alleged police firing.
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Comical and illogical...Page 4 SUNDAY, NOVEMBER 27, 2016 INTERNET EDITION : www.dailyexcelsior.com/magazine Why disrespect....Page 3 TALWARA goes organic Dr. Banarsi Lal Jammu and Kashmir is a mountainous state in which Jammu region is predominantly sub-tropical while Kashmir and Ladakh regions are temperate. The total geographical area of Jammu & Kashmir state is 2, 22, 236 sq. km and its population is 1, 25, 48,926 as per 2011 Census. Agriculture is the mainstay of Jammu and Kashmir state. This sector provides employment to about 70 per cent of the state population. Agriculture contributes about 65 per cent of the state revenue which signi- fies the overdependence of the state on agriculture. The average size of land holding of the state is only 0.67 hectare against 1.33 hectares' land holding size on national basis. Organic farming is picking up pace in the state and there is need of awareness and trainings of farmers for organic farming. J&K has huge potential for organic farming as the large area in the state is already under semi- organic cultivation in hilly districts of the state due to the lack of availability of chemical fertilizers in these areas and the farmers of these areas avoid to apply the chemical fertilizers. Basmati rice of R. S. Pura, rajmash of Bhaderwah, pota- to of Gurez and Machil and red rice of Tangdar, Kupwara, ginger and turmer- ic of Pouni, Reasi are major exportable organic products in the state and have the potential to fetch more returns in the market. Organic farming means holis- tic production systems which refer earth friendly methods for cultivation and food processing.
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Think Film! on Current Practices and Challenges in Film Culture: a Documentation of a Student Symposium 2020
Repositorium für die Medienwissenschaft Adriane Meusch, Bianka-Isabell Scharmann u.a. (Hg.) Think Film! On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium 2020 https://doi.org/10.25969/mediarep/13589 Veröffentlichungsversion / published version Konferenzbeitrag / conference object Empfohlene Zitierung / Suggested Citation: Meusch, Adriane; Scharmann, Bianka-Isabell (Hg.): Think Film! On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium. Frankfurt am Main: Zenodo 2020. DOI: https://doi.org/10.25969/mediarep/13589. Erstmalig hier erschienen / Initial publication here: https://doi.org/10.5281/zenodo.3662799 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung 4.0/ Lizenz zur Verfügung gestellt. Nähere Attribution 4.0/ License. For more information see: Auskünfte zu dieser Lizenz finden Sie hier: http://creativecommons.org/licenses/by/4.0/ http://creativecommons.org/licenses/by/4.0/ THINK THINK FILM! Edited by Adriane MeuschandBianka- Adriane Edited by Isabell Scharmann On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium Think Film! On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium Edited by Adriane Meusch & Bianka- Isabell Scharmann Frankfurt am Main, 2020 Editors Adriane Meusch and Bianka-Isabell Scharmann, in collaboration with Michelle Rafaela Kamolz https://thinkfilmsymposium.wordpress.com Copy Editor Carly Crane Graphic Design Muriel Serf (mmm.do) Bibliographic information of the German Library The German Library catalogues this publication in the German National Bibliography; detailed bibliographic information can be found on the Internet website: http://dnb.d-nb.de.
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Big Synergy and Phantom Films Enter Into an Alliance to Create a Content Production Powerhouse Across Tv and Digital Media
BIG SYNERGY AND PHANTOM FILMS ENTER INTO AN ALLIANCE TO CREATE A CONTENT PRODUCTION POWERHOUSE ACROSS TV AND DIGITAL MEDIA Mumbai, 1st July , 2016: Big Synergy Media and Phantom Films have forged an alliance to create a content production powerhouse, to deliver relevant and impactful entertainment content across TV and Digital Media. With the new alliance, both Big Synergy and Phantoms Films will benefit from each other’s core expertise to expand their businesses. Big Synergy will now have access to the tremendous creative talent resource of Phantom Films to expand their offering into the fiction segment for both TV and Digital Media. Phantom Films will build on Big Synergy’s well-established leadership in factual entertainment to expand their business in the TV and Digital Media. Phantom Films will also now have access to Big Synergy’s expertise and reach in production of regional language content across seven languages in the fiction & non-fiction space. BIG Synergy, promoted by Siddhartha Basu and Anita Kaul Basu, has built its reputation as a leader in the field of factual entertainment, starting off as one of the country's first independent television production houses in 1988. Big Synergy has since then been at the helm of producing some of the country’s most critically acclaimed and popular television programmes. Keeping abreast of constantly changing viewership and growth of regional markets, Big Synergy has incorporated top of the line technology and state-of the art techniques, creating content and programme ideas in sync with market demands across India. Phantom Films, established in 2011 by four prolific filmmakers , Anurag Kashyap, Vikas Bahl ,Vikramaditya Motwane and Madhu Mantena has earned a reputation for producing some of India’s most path breaking and engaging films in recent times.
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Gangs of Wasseypur As an Active Archive of Popular Cinema
M A D H U J A M U K H E R J E E Of Recollection, Retelling, and Cinephilia: Reading Gangs of Wasseypur as an Active Archive of Popular Cinema This paper studies Gangs of Wasseypur (Parts 1 and 2, 2012) as a definitive text via which Anurag Kashyap’s style became particularly provocative and pointed. While a range of films (both directed and produced by Kashyap) seemingly bear a certain ‘Kashyap mark’ in the manner in which they tackle subjects of violence and belligerent speech with an unpredictable comic sense, I argue that, more importantly, these films work within a particular visual framework with regard to its mise-en- scène (including the play of light, camera movement, modes of performance), as well as produce recognisable plot structures (involving capricious and realistic events), settings and locations (like the city’s underbelly, police stations, etc.), and so on. Indeed, Kashyap has made a set of films—including Paanch (unreleased), No Smoking (2007) and Ugly (2014)—which deal with similar issues, and explore contemporary cityscapes, especially Mumbai, with fervidness, thereby commenting on urban dystopia.1 Furthermore, these films speak to what has been analysed as the ‘Bombay noir’ mode by Lalitha Gopalan, by means of thoughtful art and set design, engaging (and often hand-held) camera movements and swish-pans, uses of blue or yellow filters, character prototypes, and reflective performances, which generate a world that is engulfed by a deep sense of disquiet and distress. This paper draws attention to such stylistic explorations, especially JOURNAL OF THE MOVING IMAGE 91 to the ways in which it has developed through Kashyap’s recent films.
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“The Wire, Seriality, Media and Global Politics”
English Department Doctoral Program in English and American Literary Studies “The Wire, Seriality, Media and Global Politics” Workshop, 16-17 May 2015 PLH-1-102, Plattenstr. 47 This workshop on television and seriality looks at the portrayal of the African American urban underclass in The Wire and identifies analogies between the show and Bombay cinema, even while investigating the limits of such a cultural cross- mapping. In the final analysis it asks why TV-series like The Wire have become so important in the twenty-first century. All students, members of staff and other interested parties are cordially invited to the workshop. Please register by sending an e-mail to Elizabeth Kollmann ([email protected]). 1 Saturday, 16 May (PLH-1-102, Plattenstr. 47) 10:00-10:30 Opening: Lars Koch (Dresden) & Elisabeth Bronfen (Zurich) Lars Koch and Elisabeth Bronfen will be opening the workshop by talking about the network they are setting up on issues of series and seriality. 10:30-12:30 Anupama Rao (Barnard) “Bombay to Baltimore (and back): Space, Capital, and the Subaltern-Urban“ (Lecture and discussion) The Wire’s cult status is now global, and not merely local. Some of this is to do with its function as urban ethnography that references, yet updates concerns that began with the “Chicago school” of urban sociology of the interwar; concerns with the relationship of space and social difference, of the city and its racialized underclass. By exploring the convergent histories of sociological theory, visual culture (photography, and now film and television), public housing, and subaltern social life across India and the United States, Bombay and Baltimore, Prof.
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Anurag Kashyap's Female Characters
International Journal of Current Research in Education, Culture and Society Vol. 3, Issue 1 - 2019 ANURAG KASHYAP’S FEMALE CHARACTERS - PORTRAYING INDIVIDUALISM IN CONTEMPORARY TIMES MAHESH KUMAR *, PARMOD BHATNAGAR * ABSTRACT Anurag Kashyap, a name synonymous to path-breaking cinema in India, has always portrayed women as independent and strong-headed. Kashyap’s movies create a woman in freehold, a wild spirit truly living its own breath. She demands, craves, yearns and fights, does whatever is required to keep him individualism and belief intact. The movies like Dev D, Gulaal, Gangs of Wasseypur and Manmarziyaan bring about a wide variety of treatment of the female characters. Anurag Kashyap’s craftsmanship outshines as he liberates each of these women from the traditional and conservative bounds of women being the second sex.The present paper discusses the roles of women in Anurag Kashyap’s movies namely; ‘Gulaal’, ‘Dev D’, ‘Manmarziyaan’, ‘That Girl in Yellow Boots’ and ‘The Gangs of Wasseypur’. KEYWORDS: Women Characters, Anurag Kashyap’s Characters, Bollywood. “Cinema is much more than heroes and villains”. Anurag Kashyap INTRODUCTION From drama to cinema the journey of evolution huge industry that thrives on supply and demand. of art as a medium of connection between people (Chhetry 2015) has had many twists and turns. Cinema stands as a strong ideological tool to influence the minds of Cinema has always had a reflection of the time it has been created. The art of acting and the the masses. Cinema with a history of more than a hundred years has now turned into the biggest subject matter acted is directly proportional to form of entertainment that affects people all the social-cultural reflection of the society it images.
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IN PERSON & PREVIEWS Talent Q&As and Rare Appearances, Plus A
IN PERSON & PREVIEWS Talent Q&As and rare appearances, plus a chance for you to catch the latest film and TV before anyone else Preview: Dirty God + Q&A with director Sacha Polak and actor Vicky Knight UK-Netherlands-Belgium-Ireland 2019. Dir Sacha Polak. With Vicky Knight, Eliza Brady-Girard, Rebecca Stone. 104min. Digital. Cert tbc. Courtesy of Modern Films Set in a small East London council estate, the film follows young mother Jade (Knight) as she tries hard to recover from an acid attack that left her severely disfigured. Dutch director Sacha Polak draws an outstanding performance of raw emotion and sexual frankness from first-time actor Vicky Knight, defying character expectations. SAT 1 JUN 17:30 NFT1 The Night of the Iguana + intro by actors Clive Owen, Lia Williams and Anna Gunn USA 1964. Dir John Huston. With Richard Burton, Ava Gardner, Deborah Kerr, Sue Lyon. 118min. Format tbc. 12A ‘One man... Three women... One night...’ John Huston’s production of Tennessee Williams’ play depicts a disgraced priest who, in a moment of desperation, forces a bus load of passengers to detour to a small Mexican coastal village. He unravels further in the company of its newly widowed owner (Gardner) and one of her guests (Kerr). In association with the new production of The Night of the Iguana at the Noël Coward Theatre, which runs from 6 July, starring Clive Owen (Closer), Lia Williams (The Crown) and Anna Gunn (Breaking Bad) iguanawestend.com TUE 4 JUN 20:10 NFT1 TV Preview: Poldark + Q&A with actors Aidan Turner, Jack Farthing and Luke Norris, and writer Debbie Horsfield BBC One-Mammoth Screen 2019.
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Anurag Kashyap, Guneet Monga, Nawazuddin Siddiqui, Richa Chadda, Vikramaditya Motwane
[LISTED] THE UNDERDOG TURNED SUPERSTAR ANURAG KASHYAP, GUNEET MONGA, NAWAZUDDIN SIDDIQUI, RICHA CHADDA, VIKRAMADITYA MOTWANE Text Shahnaz Siganporia Photography Ishika Mohan Motwane N THE INDIAN FILM INDUSTRY, there are good and bad words. ‘Un- derdog’, ‘struggler’, ‘starlet’ are clubbed into the ‘bad’ category while I words such as ‘Superstar’, ‘100 Crore Club’, ‘legacy’ fall into the ‘good’ category. However, sometimes the two combine to form a heady cocktail. The starlet bags a 100 crore film and the underdog becomes the superstar. The latter is a tricky balance—there’s the formulaic superstar and then there’s the superstar who paves his or her own way and creates cinema that goes way beyond the norm. Over the last few years, the tides have been busy changing, contorting and transforming our home-grown film industry. And let’s face it, in an industry raking in the moolah, thanks to wish-fulfilment and feel- good stories, we’re suckers for the runt who becomes the alpha. In the 100th year of Indian cinema, Platform celebrates the erstwhile underdogs who have gone on to carve out a space for themselves and have begun their ascent to stardom. NOV/DEC 2013 · PLATFORM · CREATIVE LIFESTYLE · 031 [LISTED] Anurag Kashyap FROM BANNED TO LAUDED THE BEGINNING I don’t know why I wanted to make films. It’s like asking yourself why you love someone. How do you explain that? You just do, you know? I just knew that filmmaking is what I wanted to do. I was studying to be a scientist and something just snapped—I knew that I should have- been making films.
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London Indian Film Festival 2019 Brochure
Movies thatPack a 20-29Punch June 2019 www.londonindianfilmfestival.co.uk Artist Cary Burman. Photo by Chila Rajinder Sawhney Kumari Celebrating our 10th Birthday, the UK and Europe’s largest South Asian film festival is literally stuffed to the rafters with a rich assortment of entertaining and thought provoking independent films. This year’s highlights include a red Our Film, Power & Politics strand offers carpet opening night at Picturehouse a critical insight into the fast moving Central with the exciting World political changes of South Asia. The Premiere of cop whodunit Article 15, astonishing documentary Reason by starring Bollywood star Ayushmann Anand Patwardhan, Bangla suspense Khurrana directed by Anubhav Saturday Afternoon and Gandhian Sinha. Our closing night marks the black comedy #Gadhvi are a few return of Ritesh Batra, the director films to look out for. of The Lunchbox with the premiere We are expecting a host of special of Photograph starring the legendary guests, including India’s most famous Nawazuddin Siddiqui. indie director Anurag Kashyap of Our themed strands in this brochure Sacred Games fame, and UK Asian start with the Young Rebel strand, legend Gurinder Chadha. Make sure which literally knocks out all the you buy your tickets in advance for stereotypes with a fistful of movies these! exploring younger lives. See director We are delighted to welcome back our Rima Das’ award-winning teenage hit regular partners including Title Sponsor Bulbul Can Sing. Coming-of-age comedy the Bagri Foundation for the fifth year The Lift Boy, or Roobha and Kattumaram in a row. Thanks to the BFI Audience premieres, presenting young lives Fund and to our many friends and taking a stand.
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