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Cavalieri

Artist’s Proposal

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City of Sarasota, Landmark Sculpture - and US 41 Roundabout

SCULPTURAL PROPOSAL

SIGMOIDEA-PIPELINE

Alberto Cavalieri.

Description

• Author: Alberto Cavalieri

• Title: SIGMOIDEA-PIPELINE, (a sigmoid is a mathematical function having a characteristic "S"-shaped curve).

• Dimensions: 7.7 x 15.8 x 6.6 ft.

• Media: Corten Steel (Corten steel, is a group of steel alloys which were developed to eliminate the need for painting, and form a stable rust-like appearance after several years exposure to weather, The name COR-TEN refers to the two distinguishing properties of this type of steel: corrosion resistance and tensile strength. Weathering steel is popularly used in outdoor sculptures for its rustic antique appearance. One example is the large Chicago Picasso sculpture, which stands in the plaza of the Daley Center Courthouse in Chicago, which is also constructed of weathering steel. Other examples include numerous works by Richard Serra; the "" sculpture in , NY; the Barclays Center, Brooklyn, New York; The Angel of the North, Gates head; and Broadcasting Tower at Leeds Beckett University. It is also used in bridge and other large structural applications such as the New River Gorge Bridge, the second span of the Newburgh– Beacon Bridge (1980), and the creation of the Australian Centre for Contemporary Art (ACCA) and MONA. It is very widely used in marine transportation, in the construction of intermodal containers.

• Fabrication process: The sculpture will be constructed by the assembling of 19 modular bodies made of welded sheets of 1/8” thickness of Cor-Ten Steel. (see fabrication process images)

• Weight: 1,950 lb.

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Criteria:

• The sculpture will be made in Corten-Steel and will not require maintenance.

• The sculpture was designed self-balance and free standing.

• The sculpture will be anchored to a calculated concrete slab with high strength anchor rods.

• The sculpture is an original design.

• The sculpture is not interactive, kinetical or with any optical effects.

• The matte finish color of the sculpture will not distract the drivers.

• This sculpture as others outdoor sculptures that I have installed before, perfectly resist winds of 150 MPH.

• The sculpture have a cicle knoty form, Knots are one of the abstract forms I use, their multiple symbolisms enrich my work and increase its scope and resonance. Knots imply human activity; they have different symbolic connotations in terms of how they are used to the point that the connotations could be contradictory and/or ambivalent. Man makes knots to resolve countless functional situations; indeed, knots are a metaphor for life.

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Sigmoidea-Pipeline / view 1

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Sigmoidea-Pipeline/ view 2

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Sigmoidea-Pipeline/ General Dimensions

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Sigmoidea-Pipeline / Perspective top view

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Sculpture and roundabout render

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Sculpture and roundabout Photomontage

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Stainless steel maquette of the proposed sculpture, the final sculpture will be fabricated in Corten-SteeL

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Images of fabrication process

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Artist’s Previous Works

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Photos of previous artist sculptures

Ignea Magna, 2018 Stainless steel 16.6 x 8.8 x 5.9 ft. Private collection, Miami

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Hefesto Magno, 2016 Stainless steel 12.99 x 13.81 x 6.6 ft

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Catalina, 2016 Stainless steel 144 x 39 x 39 in

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Apeliotes, 2014 Welded and painted steel 38.2 x 34.4 x 13.8 ft. National Institute of Land Transit Collection,

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Levitant, 2006 Welded and painted steel 25 x 18.3 x 13 ft. Private collection

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Hebe Magno, 2015 Stainless steel 11.67 x 16.46 x 7.5 ft. Private collection

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Structural Knot IPN-30, 2002 Forged steel 10.82 x 6.56 x 6.56 ft.

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Shout, 1995 Welded steel 7.9 x 7.7 x 5.2 ft. Museum of Contemporary Art of Caracas Collection

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Call ID: 1603587 Artist ID: 289522 Status: Received Alberto Cavalieri Contact

Partner Contact via Cell Phone Email [email protected] Phone 786 2576074 Cell 786 2576074 Web Site www.albertocavalieri.com Mailing Address 425 NE 22 St, UNIT 1103 Miami FL USA 33137 Custom Answers Please complete and submit the Disclosure Statement located in Appendix B of the Appendices A through C document. APPENDIX-B,-SIGMOIDEA.jpg Please upload a written description and up to 8 illustrations of your proposed artwork for the 14th Street/US 41 Roundabout - include title, type of media, weight, and fabrication information. PROJECT SIGMOIDEA-PIPELINE.pdf Please upload a PDF or JPEG file displaying examples of previous works of art.  For each example, please provide an image, title, type of media, dimensions, and year of completion. PREVIOUS SCULPTURES.pdf Professional References: Please provide 3 or more professional references. 1-Susan Ackley, Miami Shores Fine Arts Commission. Ph. 305 4394509 2-Rafael Mendible, HOSPITALITY DORAL LLC. Developer of Hotel Double Tree by Hilton Doral. Ph. 305 7987067 3-Jorge Ortiz, Developer. Ph.305 6072944 Please include a proposed budget estimate for this project consisting of estimates for fabrication and materials, design and engineering (including foundation), lighting, transportation, installation, artist fee, and other associated costs. The estimate budget of this project with all associated costs is 145.000$ Please provide a brief current resume emphasizing art experience, public collections, and public art commissions.  Please be sure to include contact information including telephone number and email address.You can type in your experience or copy and paste from an existing resume document.  Text is limited to 5,000 characters. Alberto Cavalieri Curriculum Vitae Alberto Cavalieri (Miami-based from 2016) I was born in Caracas in 1969. I am visual artist who, throughout my career, have achieved Latin-American renown for my monumental sculptures and public works integrated into architectural forms. I have been working in visual arts, and particularly in sculpture, since 1994 when I completed my studies in industrial design, mechanical engineering and art, which I carried out in Caracas from 1986 to 1994. My career as an artist has been prolific and my work has been exhibited both in and abroad.

Ever since I began making art I have been interested in the physical and mechanical aspects of objects as well as the three-dimensional forms they take on. In designing my sculptures, I am mainly interested in challenging our physical laws and altering our sense of logic, bending and transforming materials to create the impression that the works are not man-made. I create sinuous, contorting steel forms that outline spaces in an organic way, which knot together easily, can integrate with the architecture, and that appear to be levitating. I like my works to engage with the spaces they inhabit and create out-of-place rhythms that contrast to the horizontal and vertical ways we order our Cartesian conception of space. To create the sculptures I have had to develop my own techniques and tools and try out different processes that range from hi-tech, numerical control to old-fashioned and elementary steelwork. Utilizing metal allows me to create an overriding paradox between form and matter. Its use enables me to create sinuous forms that are full of life and movement and yet contrast diametrically to the rigidity and structure of the steel itself. Knots are one of the abstract forms I use and their multiple symbolisms enrich my work and increase its scope and resonance. Knots imply human activity; they have different symbolic connotations in terms of how they are used to the point that the connotations could be contradictory and/or ambivalent. Man makes knots to resolve countless functional situations; indeed, knots are a metaphor for life. 14th Street Roundabout Page 240 of 1673 Cavalieri

Call ID: 1603587 Artist ID: 289522 Status: Received Alberto Cavalieri (Continued)

Selected Solo Exhibitions

2018 Solid Knots Miami Shores Village Sculpture Garden, Miami

Pipe-Lines Art Nouveau Gallery, Miami

2017 Con-Ductos (Pipe-Lines) Galería Viloria Blanco, Maracaibo, Venezuela

Alberto Cavalieri Brockay Memorial Library, Miami

Large Scales Spacetime Projects, Miami

2014 Inoxidables (Stainless) Espacio Monitor, Caracas

Transfiguraciones (Transfigurations) Galería Viloria Blanco, Maracaibo, Venezuela

2012 Fragmented Knot Art Nouveau Gallery, Miami

2009 Hierros y Epifanías (Iron and Epiphanies) Galería Freites, Caracas

2004 Descontenciones (Discontentions) Galería D'Museo, Caracas

2003 Estructurales IPN (IPN Structurals) Outdoor Exhibition, Isabel La Católica Square, Caracas

2000 Nada en Concreto (Nothing in Concrete) Galería D'Museo, Caracas

1996 Psique + Acero (Psyche + Steel) Galería UNO, Caracas

Selected Group Exhibitions

2018 El lenguaje del Color (The Language of Color) Espacio Monitor, Centro de Arte Los Galpones, Caracas

2017 Anti-Readymade Espacio Monitor, Centro de Arte Los Galpones, Caracas

Zona Maco RGR Art Gallery, DF, México

Abstracción: Atracción (Abstraction: Atraction) GBG Art, Caracas 14th Street Roundabout Page 241 of 1673 Cavalieri

Call ID: 1603587 Artist ID: 289522 Status: Received Alberto Cavalieri (Continued)

2016 Visión Constructiva (Constructive Vision) Espacio Monitor, Centro de Arte Los Galpones, Caracas

2015 Big Espacio Monitor, Centro de Arte Los Galpones, Caracas

Proposiciones Abstractas (Abstract Propositions) Galería D'Museo, Caracas

Selección=Relación (Selection=Relation) Espacio Monitor, Centro de Arte Los Galpones, Caracas

2014 Bienal Salón Arturo Michelena (Arturo Michelena Biennial Salon) Valencia, Carabobo, Venezuela; received the Andrés Pérez Mujica Award

2013 Sotheby's Latin American Art New York, USA

Signos Contemporáneos en el Arte Venezolano (Contemporary Signs in Venezuelan Art) Galería La Cometa, Bogotá,

Houston Fine Art Fair

Narrativas Tridimensionales (Tridimensional Narratives) Sala CAF, Caracas

2012 Pinta Art Fair Art Nouveau Gallery, London

2010 Not Made in China Galería La Cuadra, Caracas

2009 Circuito en 3 Dimensiones (3 Dimensional Circuit) Universidad Simón Bolívar, Caracas

2008 Confluencias (Confluences) Ciudad Banesco, Caracas

I Bienal de Escultura de Guadalajara (I Sculpture Biennial of Guadalajara) Guadalajara, México

2007 1er Simposio Internacional de Escultura Isla de Margarita (1st International Sculpture Simposium ) , , Venezuela

2006 Dearte Contemporáneo (On Contemporary Art) V Fair of Spanish Galleries, Palace of Congresses and Exhibitions,Madrid 2005 Premios Italia para las Artes (Italy Awards for the Arts) Centro de Arte La Estancia, Caracas; received the First Award with Autópica IV

2004 Parque de Esculturas FIA Trasnocho (FIA Trasnocho Sculpture Park) Sala TAC, Trasnocho Cultural, Caracas

2002 Primer Salón Andino de Escultura (First Andean Sculpture Salon) Museo Municipal de Arte Moderno, Cuenca, Ecuador

60º Salón Arturo Michelena (60th Arturo Michelena Salon) Valencia, Carabobo, Venezuela 14th Street Roundabout Page 242 of 1673 Cavalieri

Call ID: 1603587 Artist ID: 289522 Status: Received Alberto Cavalieri (Continued)

2001 En Paralelo (On Parallel) Sala Cultural PDVSA, Anzoátegui, Venezuela

Obras de la Colección (Works in the Collection) Sala de la Electricidad de Caracas, Caracas

2000 Sendero de Esculturas (Sculpture Walk) Universidad Metropolitana, Caracas

1999 Semana de Venezuela en Cuba (Week of Venezuela in Cuba) Havana

IV Salón Pirelli de Jóvenes Artistas (IV Pirelli Young Artist Salon) Museo de Arte Contemporáneo de Caracas Sofía Imber, Caracas

La Escultura del Espacio Urbano (Sculpture in Urban Space) Museo de Arte Contemporáneo de Caracas Sofía Imber, Caracas

Pier Walk´99 International Sculpture Exhibition Chicago

1998 All That Is Solid Socrates Sculpture Park, Long Island , New York

XIII Salón Nacional de Arte Aragua (XIII Arte Aragua National Salon) Museo de Arte Contemporáneo de Maracay Mario Abreu, Aragua, Venezuela

1997 XII Salón Nacional de Arte Aragua (XII Arte Aragua National Salon) Museo de Arte Contemporáneo de Maracay Mario Abreu, Aragua, Venezuela

1996 Arte por la Vida (Art for Life) Museo de Arte Contemporáneo de Caracas Sofía Imber, Caracas

1993 Primer Festival AVAA de Esculturas (First AVVA Sculpture Festival) Centro Cultural Consolidado, Caracas

Awards

2014 Premio Andrés Pérez Mujica, Bienal Salón Arturo Michelena, Valencia, Carabobo, Venezuela 2005 Italy Awards for the Arts, first award, Centro de Arte La Estancia, Caracas 2002 First Andean Sculpture Salon, third mention, Museo Municipal de Arte Moderno, Cuenca, Ecuador 1998 Awarded a Grant to build the sculpture Watch your Step, Socrates Sculpture Park, Long Island City, New York

Collections

Museum of Latin American Art, Long Beach, California Museo de Arte Contemporáneo de Caracas, Venezuela Museo Vial, Porlamar, Nueva Esparta, Venezuela Museo Municipal de Arte Moderno, Cuenca, Ecuador Colección Ministerio de Transporte Terrestre y Obras Públicas, Caracas Colección PDVSA La Estancia, Caracas Colección Electricidad de Caracas, Caracas Colección Ciudad Banesco, Caracas Colección Seguros Caracas, Caracas 14th Street Roundabout Page 243 of 1673 Cavalieri

Call ID: 1603587 Artist ID: 289522 Status: Received Alberto Cavalieri (Continued)

Colección Seguros Caroní, Caracas Colección Bancaribe, Caracas Colección Fondo de Valores Inmobiliarios, Caracas Colección Procter & Gamble de Venezuela, Caracas

Contacts:

Alberto Cavalieri [email protected] (786) 257 60 74 1037 NW 23 St. Miami, Florida, 33127

Art Detail

Category Statement

Apeliotes Welded and painted steel 40' x 35' x 14' $250000.00 2014

Hefesto Magno Stainless Steel 1.99' x 13.81' x 6.6' $250000.00 2016

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Call ID: 1603587 Artist ID: 289522 Status: Received Alberto Cavalieri (Continued)

Ignea Magna STAINLESS STEEL 16.6' x 8.8' x 5.9 m $250000.00 2014

Hebe Magno Stainless Steel 11.67' x 16.46' x 7.5' $250000.00 2015

Catalina Stainless steel 12' x 3,2' x 3,2' $120000.00 2016

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Call ID: 1603587 Artist ID: 289522 Status: Received Alberto Cavalieri (Continued)

Levitant Welded and painted steel 25' x 18.3' x 13' $180000.00 2006

Structural Knot IPN-30 fORGED sTEEL 10.82' x 6.56' x 6.56' $150000.00 2002

Shout Welded Steel 7.9' x 7.7' x 5.2' $80.00 1995

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Artist’s Proposal

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Artist’s Previous Works

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Artist: Mark Chew Project: Sarasota Roundabout

Photo: 01 Title: Ice Rocks Medium: Aluminum and Stainless Steel Dimensions: 9’ H x 10’ W x 6’ D Weight: 500 lbs. Date: 2016 Price: $30,000 Location: Arlen Beach, Miami, Florida The elements communicated by the sculpture: Falling, melting, tumbling ice within the spiral staircase. Focal point of the indoor lobby installation.

Photo: 02 Title: The Fire Inside Medium: Stainless Steel Dimensions: 12’ H x 4’ W x 4’ D Weight: 500 lbs. Installation Method: Stainless Steel anchors in concrete foundation Date: 2015 Price: $30,000 Location: Texas Tech University, Lubbock Texas The excitement of the Dance and Theatre Programs. The fluid movement, the raw strength, and beauty. The sky is the limit, upward movement – the performance!

Photo: 03 Title: Tonight Medium: Structural Steel, powder coated Dimensions: 18’ H x 6’ W x 5’ D Weight: 850 lbs. Installation Method: Stainless Steel anchors in concrete foundation Date: 2013 Price: $40,000 Hardy Ivy Park, Solo Public Art Exhibition, 2013-2015 Location: Atlanta, Georgia To express the power associated with the main event. The culminating horizon, position, or stage. An illustration of the excitement and electricity in the motion.

Photo: 04 Title: Street Chic Medium: Structural Steel, powder coated Dimensions: 10’ H x 4’ W x 3’ D Weight: 500 lbs. Installation Method: Stainless Steel anchors in stainless steel base Date: 2013 Price: $20,000 Location: , New York To express the power of the Fashion District & . A spotlight of the excitement and electricity of the Runway / .

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Artist: Mark Chew Project: Sarasota Roundabout

Photo: 05 Title: Spin Medium: Mirror Polished Stainless Steel Dimensions: 5’ H x 4’ W x 3’ D Weight: 250 lbs. Installation Method: Stainless Steel welded to steel base Date: 2012 Price: $15,000 Commissioned by: Means-Knaus Location: Denver, Colorado The elements communicated by the sculpture: The power of fun! Horizontal loops of a spinning top

Photo: 06 Title: Fusion Medium: Stainless Steel Dimensions: 9’ H x 4’ W x 3’ D Weight: 650 lbs. Installation Method: Stainless Steel anchors in concrete foundation Date: 2011 Price: $20,000 Location: Ormond Beach, Florida The elements communicated by the sculpture: Growth (family, upward, together), power, and balance.

Photo: 07 Tittle: Korean War Memorial Medium: Stainless Steel Dimensions: 9’ H x 3’ W x 3’ D Weight: 650 lbs. Installation Method: Stainless Steel anchors in concrete foundation Date: 2010 Price: $20,000 Commissioned by: Ormond Memorial Art Museum Location: Ormond Beach, Florida The elements communicated by the memorial: Balance, Strength, and Reflection. As if in motion, it’s caught striving to find balance.

Photo: 08 Title: Vertigo Medium: Stainless Steel Dimensions: 9’ H x 3’ W x 3’ D Weight: 250 lbs. Date: 2009 Price: $15,000 Installation Method: Stainless Steel anchors in concrete foundation The elements communicated by the sculpture: Dramatic symmetry, stainless steel twist and tie together after cold and hot forming.

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Call ID: 1611401 Artist ID: 20112 Status: Received Mark Chew Contact

Partner Contact via Home Phone Email [email protected] Phone 941 7162453 Cell Web Site MarkChew.com Mailing Address 9458 Silver Pine Loop Fort Myers FL USA 33967 Custom Answers Please complete and submit the Disclosure Statement located in Appendix B of the Appendices A through C document. APPD B.pdf Please upload a written description and up to 8 illustrations of your proposed artwork for the 14th Street/US 41 Roundabout - include title, type of media, weight, and fabrication information. Mark Chew Proposal Images.pdf Please upload a PDF or JPEG file displaying examples of previous works of art.  For each example, please provide an image, title, type of media, dimensions, and year of completion. Chew_Mark_Image Summary Sheet Existing Works.pdf Professional References: Please provide 3 or more professional references. Mrs. Susan Richmond Public Art Project: Museum Director Korean War Memorial Ormond Memorial Art Museum Permanent Public Art 78 East Granada Blvd. Ormond Beach, FL 32176 Phone: 386‐676‐3347 [email protected]

Mr. Robert Witherspoon Public Art Project: Public Art Manager City of Atlanta 233 Peachtree Street Mayor's Office of Cultural Affairs Atlanta, GA 30303 Hardy Ivy Park Exhibition Phone: 404.546.6758 2013-2015 [email protected]

Ms. Emily Wilkinson, M.A., M.Ed. Public Art Project: Public Art Manager Texas Tech University Texas Tech University Permanent Public Art 1901 University, 2nd Floor Lubbock, TX 79409 Phone: 806.742.2116 [email protected]

Mr. Eddie Granderson Public Art Project: Public Art Manager (retired) City of Atlanta 233 Peachtree Street Mayor's Office of Cultural Affairs Atlanta, GA 30303 Hardy Ivy Park Exhibition Phone: 404.546.6788 2013-2015 [email protected]

Mrs. Molly Casey Commercial / Public Art Projects: Nine Dots Arts, Principal Means Knaus, Permanent Public Art, 3457 Ringsby Ct. #107 Denver, Colorado Denver, CO 80216 Phone: 303.999.0383 [email protected]

Mr. Jim Clark Public Art Project: SculptureWalk, Founding Director SculptureWalk 30914th E. Falls Street Park Roundabout Dr. Public Art Exhibition: Sioux Falls, SD Page 260 of 1673 Chew

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Sioux Falls, SD 57104 Phone: 605.366.1265 [email protected]

Dr. Clifford Smith Public Art Project: Senior City Planner Director of Public Art Exhibition City of Sarasota Downtown Sarasota, Florida 1565 First Street Sarasota, FL 34236 Phone: 941.954.4195 [email protected]

Please include a proposed budget estimate for this project consisting of estimates for fabrication and materials, design and engineering (including foundation), lighting, transportation, installation, artist fee, and other associated costs. Materials & special processes $40,000 Fabrication $35,000 Artist fee (to include travel) $15,000 Foundation and LED lighting $30,000 Contingency $15,000 Shipping / packaging / delivery $5,000 Installation $5,000 Engineering $3,000 Insurance $1,500 Documentation $500

Total Cost $150,000

Please provide a brief current resume emphasizing art experience, public collections, and public art commissions.  Please be sure to include contact information including telephone number and email address.You can type in your experience or copy and paste from an existing resume document.  Text is limited to 5,000 characters. Mark Chew Sculpture 9458 Silver Pine Loop Fort Myers FL 33967 USA Phone: 941 7162453 Email: [email protected] Website: MarkChew.com DBA: Mark Chew Sculpture Occupational Business License: 46-8017304468-9 Dun & Bradstreet DUNS: 849678292 Liability Insurance: Liberty Mutual Insurance

Commissions and Exhibitions:

- 2016 Semi-finalist Lexington, Kentucky Permanent Public Art project, $50,000 LexArts project - 2016 Selected by the City of Chattanooga, Tennessee Outdoor Public Art Exhibition 2016-2018 - 2016 Selected for Atlanta's Public Art Program Artist Registry 2016 - 2018 - 2015 Owensboro Museum of Fine Art, Owensboro, Kentucky: Public Art Exhibition and Purchase - 2015 Commissioned by Arlen Beach, Miami, Florida - 2015 Selected by the City of Ocala, Florida Outdoor Public Art Exhibition - 2014 Commissioned by Texas Tech University, Permanent Public Art, Lubbock, Texas - 2014 Ormond Memorial Art Museum Exhibition, Ormond Beach, Florida - 2014 Finalist for Redondo Beach, CA Public Art, $50,000 project - 2014 Selected for Iowa Art in State Buildings Roster, 2014-2017 - 2013 City of Atlanta, Georgia, Solo Exhibition in Hardy Ivy Park, Public Art Exhibition 2013-2015 - 2013 Commissioned by Marriott, Permanent Public Art, NYC, New York - 2013 Finalist, project for Bay Care Hospitals, Clearwater, Florida, $180,000 project - 2012 Commissioned by Means Knaus, Permanent Public Art, Denver, Colorado - 2011 Finalist, Texas Tech University ASU, International level project, $60,000 project - 2011 Selected by The Museum of Florida Artists: Public Art Exhibition 2011-2012 - 2011 Commissioned by Burt of Florida: private residence - 2011 Marriott Grand Chateau, Las Vegas, Nevada - 2010 Finalist, City of Dallas, National level project, $38,000 project - 2010 Permanent Public Art: Korean War Memorial for Ormond Memorial Art Museum - 2010 City of Sarasota, Florida, Public Art Exhibition: Intersections 2010-2011 - 2009 Gallery in the Park 2009 - 2010 Public Art Exhibition: Altona, Manitoba, Canada 14th Street Roundabout Page 261 of 1673 Chew

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- 2008 Commissioned to design the awards for the 1st Annual Georgia Power Team Awards. - 2008 Commissioned to design the awards for the 10th Annual Awards: Sarasota Arts Council. - 2008 SculptureWalk 2008 - 2009 Public Art Exhibition: Sioux Falls, South Dakota - 2008 Four Points Sheraton Hotel Commission, Monrovia, California - 2008 Modern Times Gallery: Sarasota, Florida - 2007 Art League of Marco Island: Marco Island, Florida - 2007 Jacksonville International Airport, Public Art Exhibition: Jacksonville, Florida - 2006 Spazio Gallery: Austin, Texas - 2005 White Canvas Gallery: Richmond, Virginia - 2004 Paradise Gallery: Sarasota, Florida - 2004 Selected for Key West Public Art Exhibition: 2004-2005 - 2003 Artemisia Gallery: Venice, Florida - 2000-2016 multiple private / corporate commissions for individual clients

Education:

Purdue University: Bachelor's Degree in Engineering Purdue University: Quality Control Certificate (36 credit hour) MQS Inspection, Incorporated: MPI & LPI, Level II weld inspector Total Quality Leadership Training: Allied Signal TQM Master (40 hour course) University of South Florida: OSHA #2250, Principles of Ergonomics New Castle Area Vocational School: 2 years, Vocational Welding Training

Military Service: US Army, Fort Knox, KY and Fort Polk, LA

Certifications / Training:

Certified ASME Tig Welder, stainless steel pipe (certified: 11/2008) Certified ASME Mig Welder, stainless steel plate (certified: 11/2008) Lifting and Rigging for overhead cranes license / training, Fork Lift operator's license / training

Experience:

I have been commissioned to produce public art for corporate, municipal, educational institutions, and non-profit clients. My experience as a professional artist has included indoor and outdoor, small to monumental scaled works of art.

I have summarized my abilities and experience below:

- Public art experience with proven engineering fundamentals and practicality - to include ADA compliance and public safety. - The experience with safely transporting and installing monumental sized sculpture cross country. - My established ability to complete and install a project of this size - always in person as well. - The option / addition of color(s) - I work closely with industrial powder coating experts - Minimal maintenance requirements: sealed surfaces, anti-graffiti, UV inhibitors, industrial adhesives, galvanizing, powder coating - multiple materials as well. - I work closely with Florida licensed professional engineers and construction industry leaders. - Fabrication experience with laser cutting, bend forming, welding, and machining.

Art Detail

Category Statement

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Call ID: 1611401 Artist ID: 20112 Status: Received Mark Chew (Continued)

Ice Rocks Aluminum and Stainless Steel 9' x 10' x 6' $30000.00 2016

The Fire Inside Stainless Steel 12' x 4' x 4' $30000.00 2014

Tonight Structural Steel 18' x 6' x 5' $40000.00 2013

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Call ID: 1611401 Artist ID: 20112 Status: Received Mark Chew (Continued)

Street Chic Structural Steel 10' x 3' x 3' $20000.00 2013

Spin Stainless Steel 5' x 4' x 3' $15000.00 2012

Fusion Stainless Steel 9' x 4' x 3' $20000.00 2011

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Call ID: 1611401 Artist ID: 20112 Status: Received Mark Chew (Continued)

Korean War Memorial Stainless Steel 9' x 3' x 3' $20000.00 2010

Vertigo Stainless Steel 9' x 3' x 3' $15000.00 2009

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Artist’s Proposal

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Michael Clapper Studios 6505 E. Colorado Dr. Denver, CO 80224 303-521-2044

Dear Committee Members,

I am offering my qualifications for, and interest in, creating a site specific sculpture for your site in the roundabout at 14th. & US 41. I take pride in creating sculpture and sculptural installations that serve as interpretive beacons and would welcome the opportunity to work with you on this project. I am confident that I can offer you a visually exciting work of art that will serve as a sense of pride for the citizens of Sarasota. My artistic philosophy is that public art is a visual way of communicating the core emotion or essence of any given place or situation. I strive to produce visual gestures that evoke reactions at a glance; imagery that makes a visceral connection upon first sight. I also like to design a secondary level of interest into my work. This can include iconography of natural, historical or site specific significance that the viewer discovers in the work after approaching the piece, or after a period of contemplation. With that in mind, my vision for your site in Sarasota is to pay homage to the City’s built environment; a built environment that just happens to be situated within a beautiful natural setting. One of the things I love about Sarasota (I’ve visited the area almost yearly since I’ve been a child) is its legacy in Modernism. The other thing that has always been a draw for me has been the nature that you find surrounding the City. In short, my goal is to honor both within the same sculpture. To illustrate this concept I plan to create a sculpture made from three elements that will look as if it is one, modernist work of art. The work will be made from stainless steel, stone and graphics that are waterjet cut through the steel. The graphics will be lit from within at night. The 3 lower supports will be carved from either limestone or granite, and will exhibit a rough, natural surface on their outward faces. Sitting atop the stone elements will be a composition of stainless steel elements that pinwheel outward at the top of the stones. They will exhibit a finished stainless steel surface (not shiny enough to glare) that will be perforated with a series of circular patterns. The graphics will be derived from the patterns the Pufferfish make on the floor of the Gulf. The patterns will appear as a dark graphic against the stainless steel during the day and will glow from interior lighting at night. A circular steel ring will tie the upper composition together visually and structurally. The finished artwork will be approximately 19’ to 21' tall x 20’ to 22’ wide at the top. The stone elements at the bottom will fit within the circular wall that will surround the base. The piece will be lit from within at the top and will be designed to exhibit no glare onto traffic. (similar to what you see with the graphics in the piece titled “Mining Minds” in my portfolio) I hope you share my enthusiasm for the creation of this iconic sculptural composition that speaks to the modern, built environment that is nestled within the natural setting of Sarasota. It is my goal to offer you a work of art that is timeless, beautiful and meaningful for its intended audience. Sincerely, Michael Clapper

Please see concept renderings on the following pages.

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Inspiration: The built environment of Modernism, nestled within Sarasota’s natural setting

“Nature’s Legacy” Made from stone and water-jet cut stainless steel

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Modernist sculpture with graphics from patterns created by Pufferfish naturally found in the sand on the floor of the Gulf

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Top elements made from stainless steel with cut-through patterns will be lit from within at night

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The modernist composition, along with the patterns found in nature are designed to speak to the circular nature of the artwork’s setting

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The stainless steel elements at the top of the sculpture are lit from within at night, highlighting the natual sea patterns

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The composition will be designed to fit within the specified circle that will have a wall built around it (wall not shown)

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Thanks You

Michael Clapper Studios

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Artist’s Previous Works

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Images of past work from Michael Clapper Studios

1. "Mining Minds" 2010 Steel-Light 27' x 5' x 4' University Texas, El Paso $85,000 budget A public art commission for U. of Texas El Paso. An inspirational message on education written in binary code perforates the twin tips of the head of the pick axe.

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2. "Mining Minds" 2010 Steel-Light 27' x 5' x 4' University Texas, El Paso $85,000 budget A public art commission for U. of Texas El Paso. An inspirational message on education, written in binary code perforates the twin tips of the head of the pick axe.

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3. “Fighting for Community” 2016 Limestone-Pre-Rusted Steel-Waterjet and Sandblasted Graphics 13’ x 7’ x 4’ $70,000 budget A public art commission for the City of W. Sacramento that honors local boxer Joey Lopes. Lopes, whose career spanned the 50’s and 60’s was also very active in the community.

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4. “Evolution of Place” 2018 Stainless Steel-Granite-Dichroic Glass 23’ x 16’ x 16’ $70,000 budget A public commission for the City of Lakewood, CO that serves as a pergola, or gateway that depicts both the cultural and natural history of the area. Imagery of streets, water and clerical crosses are depicted through graphics cut through the circular steel canopy with added Dichroic glass.

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5. “Birth of the NFL” 2014 Stainless Steel – Rusted Steel – Dichroic Glass 23’ x 8’ x 11’ Canton, Ohio $150,000 budget A public art project that symbolizes a germinated seed that is meant to commemorate the founding of the National Football League in 1920 in Canton, Ohio

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6. “Birth of the NFL” 2014 Stainless Steel – Rusted Steel – Dichroic Glass 23’ x 8’ x 11’ Canton, Ohio $150,000 budget A public art project that symbolizes a germinated seed that is meant to commemorate the founding of the National Football League in 1920 in Canton, Ohio

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7. “Natural Balance” 2009 Limestone-Stainless Steel-Copper 14’x 5’x 16’ $40,000 budget A public commission for the Lowry Foundation that speaks to the balance between man and nature. Great Lawn Park, Denver, CO

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8. “In the Wind” 2016 Stainless Steel-Carbon Fiber Rods-Painted Aluminum Kites 28’ x 200’ x 15’ $74,500 budget A public art commission for Pioneer Park in Commerce City, CO An installation that alludes to an activity driven by nature that can take place within the park.

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Call ID: 1607750 Artist ID: 86 Status: Received mike clapper Contact

Partner chris oar Contact via Cell Phone Email [email protected] Phone 303 521-2044 Cell 303 521-2044 Web Site Mailing Address 6505 E. Colorado Dr. Denver CO 80224 Custom Answers Please complete and submit the Disclosure Statement located in Appendix B of the Appendices A through C document. disclosure statement from michael clapper studios.pdf Please upload a written description and up to 8 illustrations of your proposed artwork for the 14th Street/US 41 Roundabout - include title, type of media, weight, and fabrication information. description of artwork from michael clapper studios for 14th. st. roundabout in sarasota.pdf Please upload a PDF or JPEG file displaying examples of previous works of art.  For each example, please provide an image, title, type of media, dimensions, and year of completion. images of past work for michael clapper studios.pdf Professional References: Please provide 3 or more professional references. References for Michael Clapper

Outdoor Public Sculpture "Birth of the NFL" for the City of Canton, Ohio and the National Pro Football Hall of Fame -2014 - Budget $150,000 Contact: Robb Hankins CEO of ARTSINSTARK 900 Cleveland Ave NW, Canton, OH 44702 330-453-1101 or 330-265-8730 [email protected]

Outdoor Public Sculpture "Allies in Life" for the Cherry Creek Trail Project, Denver, CO -2015- Budget: $30,000 Contact: Mary Valdez, Public Art Program Coordinator 1345 Champa St. Denver, CO 80204 [email protected] 720-865-4313

Outdoor Public Sculpture "In the Wind" for a light rail park in Commerce City, CO -2016- $74,500 Deana Miller, project manager 3357 Navajo St. Denver, CO 80211 720-333-2617 [email protected]

Please include a proposed budget estimate for this project consisting of estimates for fabrication and materials, design and engineering (including foundation), lighting, transportation, installation, artist fee, and other associated costs. Budget for Proposed Sculpture from Michael Clapper Studios

Design and Project Management: $31,100

Consultation: (Florida Licensed Structural Engineer) $3,500

Consultation: (Graphics) $1,200 14th Street Roundabout Page 285 of 1673 Clapper

Call ID: 1607750 Artist ID: 86 Status: Received mike clapper (Continued)

Sub Contractors: (concrete piers in addition to base) $3,500

Sub Contractors: (Limestone elements) $20,500

Sub Contractors: (steel and fabrication) $52,000

Sub Contractors: (water jet steel) $9,500

Sub Contractors: (interior lighting and wiring) $3,500

Insurance: $800

Installation: (Crane-Travel-Labor) $15,000

Overhead: $4,000

Photography: $100

Plaque: $300

Contingency Fee: $5,000

TOTAL: $150,000

Please provide a brief current resume emphasizing art experience, public collections, and public art commissions.  Please be sure to include contact information including telephone number and email address.You can type in your experience or copy and paste from an existing resume document.  Text is limited to 5,000 characters. Michael Don Clapper 6505 E. Colorado Dr. Denver, CO 80224 303-521-2044 E-mail: [email protected] Website: www.michaelclapperstudios.com

Selected Public Collections

2019 Public Sculpture for Duke Realty in Indianapolis, IN $50,000 budget Sculpture Commission for 9-Dot Art Consultants, Lake House Project, Denver, CO $50,000 Commission 2018 Outdoor Public Sculpture for the City of Stockton, CA $184,500 budget Public Sculpture for Sloan's Block 3 LLC - City of Denver $70,000 budget 2016 Public Sculpture for Pioneer Park, Commerce City, CO $74,500 budget Public Sculpture for the City of W. Sacramento, CA $70,000 budget 2015 Public Sculpture of the Regional Transportation District, Wheat Ridge, CO $125,000 budget Public Sculpture for the City of Englewood, CO $30,000 budget Public Sculpture for the City of Denver, along Cherry Creek. $30,000 budget 2014 Outdoor Public Sculpture that commemorates the Birth of the NFL, Canton, OH $150,000 budget 2012 Outdoor Sculpture for Kent Place, Denver, CO $20,000 budget 2010 Outdoor Public Sculpture for University Texas, El Paso $85,000 budget 2009 Outdoor Public Sculpture for the City of Denver, CO $28,000 budget 2008 Outdoor Public Sculpture for the Village of Snowmass, CO $75,000 budget Outdoor Public Sculpture for the Anschutz Medical Center, Aurora, CO $22,000 budget. In cooperation with Colorado Council on the Arts. Outdoor Public Sculpture for the new Mental Health Facility in Pueblo, Pueblo, CO $42,000 budget. In cooperation with Colorado Council on the Arts. 2007 Outdoor Sculpture for the Pinnacle Group, Denver, CO $20,000 budget Outdoor Sculpture for Ridge Gate Development, Lone Tree, CO $20,000 budget 2006 Outdoor Sculptures for the City of Broomfield, CO (two sites) $28,000 budget Outdoor Public Sculpture for Fire Station #6, Fremont, CA $47,200 budget Outdoor Public Sculpture for the Lowry Foundation, Denver, CO $40,000 budget 2005 Outdoor Public Sculpture for the town of Durango, CO (Awarded, project then cancelled) $50,000 budget 14th Street Roundabout Page 286 of 1673 Clapper

Call ID: 1607750 Artist ID: 86 Status: Received mike clapper (Continued)

Outdoor Public Sculpture "Nucleus" New Town Center Plaza for Greenwood Village, CO In cooperation with T-Rex Light Rail (Arapahoe Station Project) $75,000 budget

Represented by the William Havu Gallery, Denver, Colorado

One Person Shows

"Portals" at the William Havu Gallery, Denver, CO 2014 \"Michael Clapper, New Work\" at the William Havu Gallery, Denver, CO 2011 \"Michael Clapper, New Work\" at the William Havu Gallery, Denver, CO 2009 "White on White-Black & Tan" at the William Havu Gallery, Denver, CO 2007 "Mark Dixon Paintings-Michael Clapper Sculpture" at the William Havu Gallery, Denver, CO 2005

Museum Shows

"Art and Craft" Johnson Art Museum, Cornell University, Ithaca, NY 1996 "Inside the House that Jack Built" Anchorage Museum of History and Art Anchorage, AK 1992 "Across the Board" Canton Museum of Art, Canton, OH 1991

Awards and Grants

2006 Artistic Merit Award presented by George Neubert, "North American Sculpture Exhibition, Foothills Art Center, Golden, CO 2001 Sam Maloof Grant by the Anderson Ranch Art Center, Snowmass, CO 1999 Best of Show Award Denver Botanic Gardens "Birdhaus Competition" 1996 Artistic Award presented by Manual Neri, "North American Sculpture Exhibition" Foothills Art Center, Golden, CO

Teaching experience

2001-05 Adjunct Professor, Dept. of Art, Metro State College of Denver 1989-1990 1991 Acting head of wood program at the Genoa School for Furniture Design

Education

1985-1988 Studies in Design Wendell Castle School Rochester, NY

Art Detail

Category Statement

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Mining Minds Rusted Steel - Interior Lights 26' x 5' x 5' $85000.00 2010

Mining Minds Steel-Natural Desert Flora-Interior Lighting- Graphics 28' x 50' x 50' $85000.00 2010

Fighting for Community Stone-Custom Perforated Steel 13' x 9' x 6' $70000.00 2016

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Evolution of Place Painted Steel-Stainless Steel-Dichroic Glass- Stone 26' x 16' x 16' $70000.00 2018

Birth of the NFL Steel-Stainless Steel- Dichroic Glass 23' x 8' x 11' $150000.00 2014

"Birth of the NFL" Stainless Steel-Pre Rusted Steel-Dichroic Glass 23' x 9' x 11' $150000.00 2014

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Call ID: 1607750 Artist ID: 86 Status: Received mike clapper (Continued)

Natural Balance dolamite-stainless steel- copper 14' x 16' x 6' $40000.00 2006

In the Wind Stainless Steel-Carbon Fiber Rods-Painted Aluminum 28' x 200' x 12' $74500.00 2016

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Artist’s Proposal

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Artist’s Previous Works

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Call ID: 1592287 Artist ID: 340193 Status: Received Sean Colson Contact

Partner Contact via Cell Phone Email [email protected] Phone 941 2280001 Cell 941 2280001 Web Site www.ColsonCreations.com Mailing Address P.O. Box 1741 Venice FL USA 34284 1741 Custom Answers Please complete and submit the Disclosure Statement located in Appendix B of the Appendices A through C document. 2019 - Sean Colson - Roundabout Sculpture - Appendix B - Disclosure Statement.jpg Please upload a written description and up to 8 illustrations of your proposed artwork for the 14th Street/US 41 Roundabout - include title, type of media, weight, and fabrication information. 2019 - Mables Rose Garden 3 - By Sean Colson.jpg Please upload a PDF or JPEG file displaying examples of previous works of art.  For each example, please provide an image, title, type of media, dimensions, and year of completion. Sean Colson - 3 SWIMMING FISH - Cast Stone - 3 Murals - 4 feet, 3 inches X 16 inches EACH - Completed 2018.jpg Professional References: Please provide 3 or more professional references. Description:

Title: Mable's Rose Garden

This sculpture consists of three painted steel roses arranged in a circle of varying heights: one measuring 21 feet in height, another 16 feet in height, and the smallest 12 feet in height. In its location just down the road from the Ca' d'Zan, Mable's Rose Garden is designed to echo Sarasota\'s historic past.

It was in 1913 that Mable Ringling created her famous "Rose Garden". Now more than a century old, this garden was recognized in 2006 as the most outstanding Public Rose Garden in the nation and is a Sarasota treasure. (Mable loved her garden so much that she designed her bedroom at the mansion to face the rose garden and not the bay!)

Green was Mable's favorite color, so the top of the base is painted a bright grass-green. Steel stems and leaves are of a deeper green, while the towering steel roses are in classic red. The subject reflects Mable's lasting gift to Sarasota.

Roses suggest the beauty of nature. They are formed into a three-dimensional design which is easy-to-read and handsome from every angle. Located at 14th and 41, this piece would blend with the natural setting of Whitaker Gateway Park as well as compliment Sarasota Bay Club and other nearby buildings. Park visitors and residents would see beautiful roses gracing the landscape, while oncoming traffic would find a strong, simple design that was clear and not distracting.

------History of Mable's Rose Garden (Source: Ringling Museum)

It is one of the loveliest, most fragrant spots on the Ringling estate and one of its very first works of art. Completed in 1913, the 27,225 square foot Rose Garden is Italian inspired, its circular design patterned after a wagon wheel, its pathways lined with garden sculptures of courting couples in pastoral scenes. But when the estate fell into disrepair in the late thirties and early forties, the garden was one of the victims.

When restoration began, horticulturist Ron Mallory made it his personal mission to return the Rose Garden to its former glory. He recruited volunteers whose work revived the beds, earning the garden accreditation from the All-American Rose Selections in 2004 and recognition in 2006 as the most outstanding All-American Rose Selections Public Rose Garden in the nation.

While none of the original roses planted by Mable survive, many of the 1200 rose plants are of the same varieties she planted. Today, the garden consists of roses introduced between 1793 and 2002, among them Tree Roses, Hybrid Teas, Floribundas, Grandifloras, miniature roses, shrubs and Old Garden Roses. Fittingly, a rose dedicated to Mable is also featured in the garden. ------Professional References:

Laura Schlaepfer, Vendor for my Foundry Supply - Remet, 210 Commons Road, Utica, NY 13502 800-445-242414th Street Roundabout Page 296 of 1673 Colson

Call ID: 1592287 Artist ID: 340193 Status: Received Sean Colson (Continued)

Shawn Peterson, Ringling College Professor, Customer for my foundry supplies. - Ringling College of Art and Design 2700 N. Tamiami Trail, Sarasota, FL 34234 941-351-5100 / Cell 239-560-7244

Andrew Chasen, Local Gallery featuring my sculptures, Chasen Galleries Sarasota - 1830 S. Osprey Ave, Suite 102, Sarasota, Florida 34239 941-260-5787

Brian Milford, Vendor for my Statuary - White Cement Specialties, 202 S Seaboard Avenue, Venice, FL 34285 941-488-2172 Please include a proposed budget estimate for this project consisting of estimates for fabrication and materials, design and engineering (including foundation), lighting, transportation, installation, artist fee, and other associated costs. $ 125,000 to $ 150,000

Includes fabrication, materials, design, engineering, foundation, lighting, transportation, installation, artist fee and all associated costs. Please provide a brief current resume emphasizing art experience, public collections, and public art commissions.  Please be sure to include contact information including telephone number and email address.You can type in your experience or copy and paste from an existing resume document.  Text is limited to 5,000 characters. SEAN COLSON - Resume

COMPLETED WORK IN CONCRETE (1990-2019):

· Life-size Concrete Portrait of artist Frank Colson front of COLSON STUDIO on Hillview, FINE ARTS SOCIETY, Dec. 2018 · Developed a line of Cast Stone Illustrations, 2018 · Restoration of enormous Japanese Lantern at Sarasota Garden Club (Historic 9-foot granite piece restored using concrete) · Restoration of 12 large concrete Eagles surrounding base of Veteran's Memorial bronze at JD Hamel Park in Sarasota · Restored, using concrete, several 5-foot ancient olive oil urns in the Ringling Museum courtyard. · Three white concrete flower boxes cast from original marble ones found at Charles Ringling mansion · Concrete benches featuring \"Griffins\" from Charles Ringling mansion · Twelve 24" X 24" \"Bertha Palmer Urns\" reproduced in concrete · 200 \"Avondale\" Urns (19" x 16") reproduced in concrete · Concrete cross (5-foot) atop Church of the Redeemer, Palm Ave. & Ringling Blvd. · 20 life-sized concrete lions in St. Armand\'s & Sarasota. · Custom 5-foot concrete plinth created to match interior walls, Asolo Theater · 4' X 3' concrete Turtle Shell at entrance to Turtle Beach · Restoration of Cornerstone at Bethlehem Baptist Church (Sarasota County Historic Resources)

PATINA RESTORATIONS ON BRONZE SCULPTURES (2000 - 2019):

· Patina for bronze Statue of David, Ringling Museum courtyard · Patina for life sized bronze WWI Doughboy Statue, JD Hamel Park on Bayfront (Veterans Memorial cast by Frank Colson) · Also worked with my father on casting original Doughboy (1998) · Patina for various bronze statuary on St. Armand's Circle · Patina for bronze Adventure Island, Main St. (City of Sarasota). · Patina for life size bronze sculpture (Children Playing on Log) at entrance to YMCA Potter Water Park in Sarasota.

Sean Colson - Call/Text: 941.228.0001 - Fax: 1.877.455.5654 [email protected] www.ColsonCreations.com

Art Detail

Category Statement

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Mables Rose Garden Steel powder-coated and painted 21' x 20' x 20' $150000.00 2019

Mables Rose Garden Steel powder-coated and painted 21' x 20' x 20' $150000.00 2019

Mables Rose Garden Steel powder-coated and painted 21' x 20' x 20' $150000.00 2019

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Call ID: 1592287 Artist ID: 340193 Status: Received Sean Colson (Continued)

Mables Rose Garden Steel powder-coated and painted 21' x 20' x 20' $150000.00 2019

Mables Rose Garden - DESCRIPTION Steel powder-coated and painted 21' x 20' x 20' $150000.00 2019

VENICE PLANTER VENICE STATUARY PLANTER 43" x 32" x 32" $400.00 2018

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WHALE JET Cast bronze sculpture 8" x 10" x 3" $1800.00 2007

LIFE-SIZE FRANK COLSON MURAL in front of Colson Studio Cast Stone weather- proof 2-D textured Mural 77" x 30" x 1.5" $3500.00 2018

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Artist’s Proposal

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Quincy Owens + Luke Crawley

Harrison Center for the Arts Ÿ Suite 077 Ÿ 1505 N Delaware St Ÿ Indianapolis, IN 46202 [email protected] Ÿ 317.652.6730 Ÿ [email protected] Ÿ 317.385.7717 owensandcrawley.com

Concept Proposal Sarasota 14th & US-41 Roundabout Sculpture

Materials 8”x 8” square aluminum tube 1” – 1.5” diameter round aluminum tube

Dimensions The sculpture will be approximately 17’ tall (in addition to the 3’ pad, 20’ total above grade) and will have a footprint of approximately 10’ x 10’.

Fabrication The sculpture will be welded out of aluminum, a wonderful material for outdoor public sculpture as its eventual oxidation is non-destructive. The aluminum will also be clear coated for even longer durability. The main frame of the sculpture is 8” x 8” square tube that has a 1/2” thick wall. The “strings” will be 1” to 1.5” diameter round tube with at least 1/8” thick wall, most likely thicker. The frame of the sculpture is conceptually “strung” in such a way as to delineate a curved or warped plane, and thus creating interest at any viewpoint 360˚ around the sculpture.

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Quincy Owens + Luke Crawley

Harrison Center for the Arts Ÿ Suite 077 Ÿ 1505 N Delaware St Ÿ Indianapolis, IN 46202 [email protected] Ÿ 317.652.6730 Ÿ [email protected] Ÿ 317.385.7717 owensandcrawley.com

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Quincy Owens + Luke Crawley

Harrison Center for the Arts Ÿ Suite 077 Ÿ 1505 N Delaware St Ÿ Indianapolis, IN 46202 [email protected] Ÿ 317.652.6730 Ÿ [email protected] Ÿ 317.385.7717 owensandcrawley.com

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Quincy Owens + Luke Crawley

Harrison Center for the Arts Ÿ Suite 077 Ÿ 1505 N Delaware St Ÿ Indianapolis, IN 46202 [email protected] Ÿ 317.652.6730 Ÿ [email protected] Ÿ 317.385.7717 owensandcrawley.com

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Artist’s Previous Works

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Quincy Owens + Luke Crawley

Harrison Center for the Arts Ÿ Suite 077 Ÿ 1505 N Delaware St Ÿ Indianapolis, IN 46202 [email protected] Ÿ 317.652.6730 Ÿ [email protected] Ÿ 317.385.7717 Ÿ owensandcrawley.com

Sample Image List

Image 1 Prime Commonality: White River State Park Quincy Owens and Luke Crawley, October 2018 Aluminum, steel, acrylic, LEDs; 8’h x 1’w x 1’d (8 sculptures) $33,000 White River State Park, Indianapolis, IN

Image 2 Palm Quincy Owens and Luke Crawley, December 2017 Corten steel, aluminum, acrylic; 16’h x 4’w x 4’d $20,000 Community Caring and Sharing, Indianapolis, IN

Image 3 Prime Commonality: Marion, Iowa Quincy Owens and Luke Crawley, October 2016 Aluminum, acrylic, LEDs; 11’h x 1’w x 1’d (3 sculptures) $20,000 Artplace America Grant 755 10th Street, Marion, IA 52302

Image 4 The Ka-Bike-O-Scope Quincy Owens and Luke Crawley, June 2015 Steel, acrylic, bicycle wheels, DC motors, LEDs; 17’h x 8’w x 9’d $64,000 Barth Street & Pleasant Run Parkway, Indianapolis, IN

Image 5 Commune Quincy Owens and Luke Crawley, August 2014 Steel, fiberglass, epoxy resin; 12’h x 2’w x 2’d (5 sculptures) $13,600 2410 N Salisbury St, West Lafayette, IN

Image 6 Visionaries Quincy Owens and Luke Crawley, August 2017 Steel, acrylic, LEDs; 4’h x 2’w x 2’d (4 sculptures) $10,000 Monon 16 Corridor, Indianapolis, IN

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Call ID: 1584586 Artist ID: 149088 Status: Received Luke Crawley Contact

Partner Quincy Owens Contact via Home Phone Email [email protected] Phone 317 385-7717 Cell Web Site owensandcrawley.com Mailing Address 9513 Falkirk Drive Indianapolis IN USA 46256 Custom Answers Please complete and submit the Disclosure Statement located in Appendix B of the Appendices A through C document. B Disclosure.pdf Please upload a written description and up to 8 illustrations of your proposed artwork for the 14th Street/US 41 Roundabout - include title, type of media, weight, and fabrication information. Owens+Crawley Concept.pdf Please upload a PDF or JPEG file displaying examples of previous works of art.  For each example, please provide an image, title, type of media, dimensions, and year of completion. Owens+Crawley Images.pdf Professional References: Please provide 3 or more professional references. Mark Ruschman Chief Fine Arts Curator Indiana State Museum and Historic Sites 650 West Washington Street Indianapolis, IN 46204 (317) 232-1637 email: [email protected] Relationship: Selection Committee for Prime Commonality: White River State Park and curator for Strata exhibition at the Christel DeHaan Fine Arts Center at the University of Indianapolis. Joseph Jarzen Vice President of Program Strategy Keep Indianapolis Beautiful, Inc. 1029 Fletcher Avenue, Suite 100 Indianapolis, IN 46203 (317) 264-7555 x106 email: [email protected] Relationship: Project manager for Palm sculpture project. Beverly Shaw Marketing, Grants and Greenspace Administrator City of West Lafayette 222 N Chauncey West Lafayette, IN 47906 (765) 775-5161 email: [email protected] Relationship: Project manager for Commune installation. Joanna Taft Executive Director The Harrison Center 1505 N Delaware Street Indianapolis, IN 46202 (317) 396-3886 email: [email protected] Relationship: Project manager for Colonization of Community and Visionaries installations. Please include a proposed budget estimate for this project consisting of estimates for fabrication and materials, design and engineering (including foundation), lighting, transportation, installation, artist fee, and other associated costs. Proposed Budget Sarasota 14th & US-41 Roundabout Sculpture Fabrication: Materials (Aluminum) 20,000.00 Fabrication: Labor 61,000.00 Foundation 8,000.00 Installation14th Street (Delivery, Roundabout crane rental, street closure permits, fasteners, & labor) 15,000.00 Page 309 of 1673 Crawley

Call ID: 1584586 Artist ID: 149088 Status: Received Luke Crawley (Continued)

Engineering Fee (FL Sealed foundation & structural drawings) 6,000.00 Design Fee 3,000.00 Site Visit 2,000.00 Insurance 500.00 Artist Fee 30,000.00 Contingency Fee (3% of total budget) 4,500.00

Total: 150,000.00

Please provide a brief current resume emphasizing art experience, public collections, and public art commissions.  Please be sure to include contact information including telephone number and email address.You can type in your experience or copy and paste from an existing resume document.  Text is limited to 5,000 characters. Quincy Owens and Luke Crawley Harrison Center for the Arts, Suite 077, 1505 N Delaware St, Indianapolis, IN 46202 [email protected]; Quincy: 317-652-6730 (lead artist) [email protected]; Luke: 317-385-7717 website: owensandcrawley.com

Quincy Owens Education: 2009, MA in Teaching, University of Indianapolis, Indianapolis, IN 2006, BFA, University of Indianapolis, Indianapolis, IN 1995, Fine Arts Program: Drawing, Sculpture, Installation Art; Instituto de Arte de San Miguel de Allende, San Miguel de Allende, Guanajuato, Mexico 1994-95, Non-Credit Arts Program: Alternative Materials; Art Academy of Cincinnati, Cincinnati, OH

Luke Crawley Education: 2008, MA in Physics, Ball State University, Muncie, IN 2002, BS in Religious Studies, Ball State University, Muncie, IN

Artist Team Public Art Commissions: Sail. (2019) Aluminum, acrylic, LEDs. Under contract and in fabrication. Carmel, IN. Fissure. (2019) Aluminum, acrylic, LEDs. Under contract and in fabrication. Indianapolis, IN. Paddle Wheel. (2019) Aluminum, acrylic, LEDs. Under contract and in fabrication. Jeffersonville, IN. Prime Commonality: WRSP. (2018) Eight sculpture selection from Prime Commonality. White River State Park, Indianapolis, IN Palm. (2017) Corten sculpture with aluminum frame and colored acrylic panels. Community Caring and Sharing, Mars Hill Neighborhood, Indianapolis, IN. Numen. (2017) Relief with internal programmed lights. Merrilat Centre for the Arts, Huntington University, Huntington, IN. Visionaries. (2017) Four sculptures mounted on telephone poles with LED floodlights. Indianapolis, IN. 2058: the first September without ice. (2016) Temporary water installation in the downtown canal in Indianapolis for the INLightIN Festival. Indianapolis, IN. Prime Commonality: Marion, Iowa. (2016) Three sculpture permanent installation with sound art. Marion, Iowa. Prime Commonality: Reading, PA. (2016) Three sculpture permanent installation. Reading, PA. Chrysalis 1 and 2. (2016) Temporary sculpture and solar powered light installation. Atlanta Beltline, Atlanta, GA. The Mothership. (2016) Light sculpture with sculptural seating. Indianapolis, IN. Prime Commonality: Atlanta. (2015) Site-specific, solar powered light sculptures. Atlanta Beltline, Atlanta, GA. The Ka-Bike-O-Scope. (2015) Kinetic sculpture. Pleasant Run Parkway, Indianapolis, IN WorkPlay. (2015) Interactive sculpture, light art and 8-channel fixed media sound art. Installation Nation, Indianapolis, IN Chrysalis 1 and 2. (2015) Sculpture, light art and 6-channel fixed media sound art. ArtFill, Bryan TX COC XVII. (2015) One sculpture selection from Colonization of Commonality. North Charleston, SC COC Queen VII. (2015) One sculpture selection from Colonization of Commonality. St. Joseph, MO COC XVIII - XX. (2015) Three sculpture selection from Colonization of Commonality. Stevens Point, WI. Prime Commonality: California. (2015) Three sculpture selection from Prime Commonality. Newport Beach, CA

Prime Commonality. (2014) Sculpture, light art and 16-channel fixed media sound art. ArtPrize, Grand Rapids, MI Colonization of Community. (2014) Sculpture and sound art. 16 Park Apartments, Indianapolis, IN Commune. (2014) Five sculpture selection from Colonization of Commonality. West Lafayette, IN Up in Air. (2014) Sculpture and interactive sound art. Art in Odd Places, Indianapolis, IN COC XVI. (2014) One sculpture selection from Colonization of Commonality. Nashville, IN Colonization of Commonality: Greenwood. (2014) Seven sculpture selection from Colonization of Commonality. Polk Hill Trailway, Greenwood, IN Colonization of Commonality. (2013) Sculpture and 14-channel fixed media sound art. ArtPrize, Grand Rapids, MI The Dunning Kruger Effect Composition No.1. (2013) Sculpture and 4-channel fixed media sound art. Indianapolis, IN

Artist Team Gallery and Museum Exhibitions: Quantum Leap. (2018) 2D, 3D, and 4-channel fixed-media sound art. The Harrison Center for the Arts, Indianapolis, IN. Strata. (2017) Mixed media 3D gallery exhibition. Christel DeHaan Fine Arts Center, University of Indianapolis, Indianapolis, IN. Station. (2017) Kinetic sculpture and 33-channel fixed-media sound art. Swope Art Museum, Terre Haute, IN. Everything is Sacred, Nothing is Sacred and other modern allegories. (2017) Spiva Gallery. Missouri Southern State University, Joplin, MO Reading: Reorganization of Space. (2016) Reading Public Museum, Reading, PA Willie the Whale and Back Home Again. (2016) Two mini golf holes. Indianapolis Museum of Art, Indianapolis, IN 14th Street Roundabout Page 310 of 1673 Crawley

Call ID: 1584586 Artist ID: 149088 Status: Received Luke Crawley (Continued)

Everything is Sacred, Nothing is Sacred. (2016) Artist team gallery show: light, sound, metal, wood, fiberglass. Gallery 924, Indianapolis, IN Salt of the Earth. (2015) Light sculpture. Red Bull House of Art: Synesthesia, Indianapolis, IN They're Light Sabres. (2015) Light sculpture and 1-channel fixed media sound art. TOYS! Star Wars Edition group show, Primary Gallery, Indianapolis, IN All Dressed Up. (2015) Light sculpture. Color group show, Harrison Center for the Arts, Indianapolis, IN Lap. (2015) Kinetic sculpture and sound art. Water group show, Gallery 924, Indianapolis, IN Caelum. (2015) Sculpture, light art and 2-channel fixed media sound art. Supernatural group show, New Harmony Gallery of Contemporary Art, New Harmony, IN Shift. Sculpture, light art and 6-channel fixed media sound art. Broadripple Village Association, Indianapolis, IN One Hour and Eleven Minutes: Closer to Life/Closer to Death. (2015) Sculpture and kinetic light art. Cole Noble Gallery, Indianapolis, IN

Art Detail

Category Statement

Commune Steel, fiberglass, epoxy resin, polyester resin 12' x 2' x 2' $13500.00 2014

Chrysalis 1 and 2 Steel, Fiberglass, Solar LEDs, Sound art 10' x 10' x 10' $9600.00 2015

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Call ID: 1584586 Artist ID: 149088 Status: Received Luke Crawley (Continued)

Chrysalis 1 and 2 Steel, Fiberglass, Solar LEDs, Sound art 10' x 10' x 10' $9600.00 2015

Prime Commonality: Marion Aluminum, acrylic, LEDs 11' x 1' x 1' $20000.00 2016

The Ka-Bike-O-Scope Steel, acrylic, LEDs, DC Motors, Bike wheels 17' x 9' x 8' $70000.00 2015

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Call ID: 1584586 Artist ID: 149088 Status: Received Luke Crawley (Continued)

2058: the first September without ice Steel, acrylic, LEDs 36" x 36" x 36" $10000.00 2016

Visionaries Steel, acrylic, LEDs 48" x 24" x 24" $10000.00 2017

Palm Corten steel, aluminum, acrylic, steel 16' x 4' x 4' $20000.00 2017

14th Street Roundabout Page 313 of 1673 Crawley Appendix B

Disclosure Statement

Do you have any professional or personal relationship with any City of Sarasota official, employee, or advisory board member?

Yes

No

If yes, please identify the official, employee, or advisory board member and identify the nature of your relationship (i.e., professional, friend, relative, etc.)

Name

Department or Board

Relationship

Signature

Print Name Luke E. Crawley

2/24/2019 Date

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Artist’s Proposal

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Artist’s Previous Works

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Waiting in the Wings Cast Bronze 72” x 78” x 16” 2015 w/o skirts

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Waiting in the Wings Cast Bronze 72” x 78” x 16”

14th Street Roundabout 2015 Page 327 of 1673 with painted skirts DeDecker

On the Count of Three Southlake, TX 2011 14th Street Roundabout Cast Bronze Page 328 of 1673 73” x 81” x 40” w 10’ circle DeDecker Full Circle Dallas, TX 2009 Cast Bronze 10’ x 13’ x 5’

14th Street Roundabout Page 329 of 1673 DeDecker Dawn Mansfield, TX 2018 Cast Bronze 12’ x 5’ x 5’

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Call ID: 1553676 Artist ID: 60929 Status: Received Jane DeDecker Contact

Partner Contact via Home Phone Email [email protected] Phone 970 6635727 Cell 970 2159601 Web Site janededecker.com Mailing Address 1503 W. Eighth Street Loveland CO USA 80537 Custom Answers Please complete and submit the Disclosure Statement located in Appendix B of the Appendices A through C document. Sarasota disclosure statement pdf.pdf Please upload a written description and up to 8 illustrations of your proposed artwork for the 14th Street/US 41 Roundabout - include title, type of media, weight, and fabrication information. Sarasota 14 us41 low res.pdf Please upload a PDF or JPEG file displaying examples of previous works of art.  For each example, please provide an image, title, type of media, dimensions, and year of completion. Sarasota 14th and 41 prev work.pdf Professional References: Please provide 3 or more professional references. Jane DeDecker Personal and Professional References

Patricia Boyer Thompson Trail of History 2048 Queens Road West, Charlotte NC 28207. 860.918.2963 [email protected] Involved with On the Banks of Sugar Creek placement in Charlotte NC2018

William H. McNair | Shumaker Attorney at Law 101 South Tryon Street, Suite 2200 Charlotte, North Carolina 28280 Direct 704.945.2157 [email protected] Involved with On the Banks of Sugar Creek placement in Charlotte NC 2018

Hanover Properties Dick LeBlanc President 3001 Knox Street, Suite 207 Dallas TX 75205 214.445.2207 dleblanc@hanoverp Five monumental sculptures commissioned for housing development. Installed June 2017.

Ken Cooper/Larimer County Project Manager 200 W. Oak Street in Fort Collins. CO 80521 Cell 970 775-3782 [email protected] Monumental portrait commissioned for Larimer County Loveland Campus Loveland, CO. Two sculptures placed September 2018 Catherine Grasso/Project Manager Mercy Hospital St. Louis [email protected] Monumental portrait commissioned for Mercy Hospital St. Louis, Mo. installed June 2014 Larry Stillman 149 East Pheasant Way Holladay, Utah. 801 870-3321 [email protected] 2 sculptures commissioned and placed in the Stillman Sculpture Garde Southern Utah University 2015 2016 Dr. Dean Kumpuris Little Rock Board of Directors City Representative to the William J. Clinton Presidential Library Little Rock City Hall 500 West Markham Rm 203 Little Rock, AR 72201 501 371-4510 [email protected] Fifteen Life Size sculptures commissioned and installed Fritz Seyferth Fritz Seyferth & Associates Team Building Specialist www.FritzSeyferth.com Post Office Box 3104 Ann Arbor, MI 48106-3104 Office: 734-332-8020 Cell: 734-417-2500 Fax: 734-332-8021 Larger than life size sculpture commissioned and installed at the Cardiovascular Center in 2007 Cassie Tucker Assistant to the Director City of Southlake 817-784-8036 [email protected] 4 lifesize sculptures in city of Southlake soon to be 5

Please include a proposed budget estimate for this project consisting of estimates for fabrication and materials, design and engineering (including foundation), lighting, transportation, installation, artist fee, and other associated costs. Rehearsal 14th Street Roundabout Page 331 of 1673 DeDecker

Call ID: 1553676 Artist ID: 60929 Status: Received Jane DeDecker (Continued) cost $138,000 (piece is sculpted just needs to be cast and fabricated)

Included in cost: casting, fabrication, engineering, patina, shipping.

Not included are the costs of the foundation and installation. the Foundation will be poured concrete The installation will be simple and quick but will require a crane. Please provide a brief current resume emphasizing art experience, public collections, and public art commissions.  Please be sure to include contact information including telephone number and email address.You can type in your experience or copy and paste from an existing resume document.  Text is limited to 5,000 characters. JANE DEDECKER Resume

JANE DEDECKER - SHOWS & EXHIBITIONS 2016 Momentum Women Drive the Arts in Loveland, CO 2012 Three Women exhibition, Claggett Rey Gallery, Vail, CO (Laura Robb & Nancy Switzer) 2011 Naperville Arts Festival, Naperville, IL 1994 - 2011 State Street Art Show. Ann Arbor, MI 2009 - 2011 American Masters, Salmagundi Annual Painting and Sculpture Exhibition, NY, NY 2008 - 2011 National Sculpture Society (NSS), Annual Awards Exhibition, NY, NY 2007 NSS 74th NSS Annual Awards Exhibition, NY, NY and Tampa Museum of Art, Tampa, FL 2006 Ford Park, Temporary Installation Five Monuments, Vail, Colorado 2005 The Pen & Brush Annual Exhibit, NY, NY One Woman Show, Cavalier Gallery on Madison Ave. NY, NY 2004 Stallions, Ponies and Unicorns National Sculpture Society, NY, NY 71st Annual Awards Exhibition, National Sculpture Society, NY, NY 2003 Changing the American Landscape Though Sculpture, Indiana University, Indiana 2002 Angels, Cupids, and Creatures of Winged Fantasy. National Sculpture Society Annual Exhibit, Brookgreen Gardens Murrells Inlet, SC Remembering 911, National Sculpture Society, NY, NY 2000 - 01 Annual Exhibit. National Sculpture Society, Brookgreen Gardens, Murrells Inlet, SC 1999 - 00 Annual Exhibit. National Sculpture Society, NY, NY 1999 Miniatures Show. Albuquerque, NM 1998 Bruce Museum. Greenwich, CT 1997 Kimball Arts Museum. Park City, UT 1996 Arts Festival in the Village. La Jolla, CA 1995 Women Artists and the West. Tucson Museum of Art, Tucson, AZ 1989 - 95 Affair in the Garden. Beverly Hills, CA 1990 - 95 Kimball Museum Arts Festival. Park City, UT 1990 - 94 Peach Tree Art Show. Atlanta, GA 1990 - 91 Art Expo. NY, NY 1990 The Allied Artists of America, Inc. NY, NY Dreamers and Shapers. Intercombine Arts Performance. Loveland, CO 1989 North American Sculpture Review. Golden, CO 1986 -present Colorado Governor's Art Show. Loveland, CO 1986 -present Sculpture in the Park. Loveland, CO

JANE DEDECKER -AWARDS 2008 C. Percival Dietsch Award: 75th Annual National Sculpture Society Exhibition, NY, NY 2007 The Pen & Brush Annual Exhibition, NY NY Margaret Hexen Priye Award: 74th Annual National Sculpture Society Exhibition, NY, NY 2002 Bronze Medal and Pietro & Alfrieda Montana Memorial Prize, National Sculpture Society, 2001 Mrs. Louise Bennett Award. National Sculpture Society, NY, NY 1999 Aggop Agopof Award. National Sculpture Society, NY, NY 1997 Award of Excellence. Kimball Art Museum, Park City, UT 1997 Critics Choice Award. Kimball Art Museum, Park City, UT 1993 Mayors Purchase Award. Affair in the Gardens, Beverly Hills, CA 1992 Best of Show. Affair in the Gardens, Beverly, Hills, CA 1992 Merit Award. Arts Festival. Atlanta, GA

JANE DEDECKER - PUBLIC INSTALLATIONS 1989 - 2018 14th Street Roundabout Page 332 of 1673 DeDecker

Call ID: 1553676 Artist ID: 60929 Status: Received Jane DeDecker (Continued)

ALABAMA Snapshot, University of South Alabama, Mobile, AL 2001 Secrets, Montgomery East Lifestyle Center, Montgomery, AL 2002 Little Hands of Peace, Botanical Gardens, Birmingham, AL 1996 ALASKA Shadows Passing, Anchorage School District, Anchorage AK 2009 ARIZONA Shortcut, City of Chandler, Chandler, AZ 1995 Harriet Tubman, Las Sendas Park, Mesa, AZ 1995 Unsteady Steadiness, City of Glendale, Glendale, AZ 1995 ARKANSAS Touch the Sky, Harriet Tubman, Anglers Bill Clinton Presidential Center and Library, Little Rock, AR 2004 Through The Shelter of Love, Conductor, In the Wings, Performing Arts Center, Little Rock, AR 2009-2016 Can You Fix This, Dawn and Dusk, Arkansas Children's Hospital, Little Rock, AR 2004 CALIFORNIA Touch the Sky, Braille Institute, Los Angeles, CA 1998 Over There, City of Beverly Hills, Beverly Hills, CA 1998 The 4 Elements and multiple other sculptures, City of Cerrittos, Cerrittos, CA 2003-07 Snapshot and Jungle Gym, City of Oxnard, Oxnard, CA 1996 The Ties that Bind, Old Town Clovis, Clovis, CA 2006 Sunshowers, Ferrari Carrano Vineyard, Sonoma, CA 1998 Who's Watching Who, Friends of Cypress Cultural Arts, Cypress, CA 1999 Dr. Elliott and Through the Shelter of Love, Little Company of Mary, Torrance, CA 2003 Multiple sculptures, Michael Jackson, Los Olivos, CA 1992-39 Man of all Seasons, Silver Oak Cellars, Napa Valley, CA 2002 Safe Haven, South , San Francisco, CA 2002 Rapunzel, Rodeo Drive, Beverly Hills, CA 1994 Lords of the Forest, Fremont Recycling Center, Fremont, CA 2007 Amelia Earhart, Alameda Elementary School, Alameda, CA 2014 COLORADO Marian Median and His Little and Princess My Heart is in Yur Hands Larimer County, Loveland, CO 2018 Amanda, All Saints Episcopal, Loveland, CO 1992 Ace, Steve Buckner, Loveland, CO 1992 Heartland Study, City of Fort Lupton, Fort Lupton, CO 1994 Snapshot, City of Lakewood, Denver, CO 1994 Jungle Gym, City of Westminster, Westminster, CO 1995 Multiple Sculptures, City of Thornton Municipal Building, Thornton, CO 2001 Anglers, Cordillera, Vail, CO 1999 Who's Watching Who, Denver Botanical Garden, Denver, CO 1999 Little Hands of Peace, First Plymouth Congregational, Englewood, CO 1998 Setting the Pace, Evergreen Firestation, Evergreen, CO 2006 Shortcut, Lynn & Norma Hammond, Loveland, CO 1994 Who's Watching Who, Home State Bank, Loveland, CO 2000 Keeping the Ball Rolling, Unsteady Steadiness, Tree Loveland High Plains Arts, Loveland, CO 1989 -2015 Overdue, Then Listen Close To Me, Loveland Public Library, Loveland, CO 1990 Touch the Sky, Summit Habitats, Edwards, CO 1997 Console, Hospice of Larimer County, Fort Collins, CO 2006 YMCA, Estes Park, CO 2007 Tree, Benson Park, Loveland, CO 2015 Mariano Medina, My Heart is in Your Hands Larimer County, Loveland CO 2018

CONNECTICUT A World to Teach, Eagle Hill School, Greenwich, CT 2001 FLORIDA Setting the Pace, Ties that Bind and Lords of the Forest, City of Bonita Springs, FL 2007 Who's Watching Who, Sea Ranch Property, Fort Lauderdale, FL 1996 Who's Watching Who, Robert Quarter Horses, Reddick, FL 1999 Dusk & Dawn, Tamarac, FL 2009 GEORGIA Earth (monument), Blank Family Foundation Headquarters, Atlanta, GA 2004 Harriet Tubman, Brenau University, Gainsville, GA 1998 Multiple Sculptures Atlanta, GA 2001-07 HAWAII Shortcut, Na "Aina Kai Botanical Gardens, Kilauea, Kauai,HI 1997 Safehaven, Honolulu, HI 2001 ILLINOIS Never Too Big and Overdue, City of Elk Grove, Elk Grove, IL 1998 Never Too Big, Saint Elizabeth Hospital, Chicago, IL 1998 Book and Bear, Saint Mary's Hospital, Chicago, IL 1998 Never Too Big, Sarah Bush Lincoln Memorial Hospital, Mattoon, IL Snapshot, Settlers Ridge Subdivision, Aurora, IL 2005 INDIANA Who's Watching Who, Eli Lilly, West Lafayette, IN 2000 IOWA Who's Watching Who, Allan Foundation Hospital, Waterloo, IA 14th Street Roundabout Page 333 of 1673 DeDecker

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The Ties that Bind, City Collection, Iowa City, IA 2002 Who's Watching Who, Mary Greeley Hospital, Ames, IA Touch the Sky, City of Spencer, Spencer, IA 1999 Ears of Joy, City of Ames, Ames, IA 2001 Jungle Gym, Casey's General Store Headquarter, Ankeny, IA 2001 Who's Watching Who, City of Mt. Vernon, Mt. Vernon, IA 1993 YMCA, Newton Iowa 2008 Behold, St. Patrick, St. Patricks Catholic Church, Ames IA 2015-2016 KANSAS Sunshowers and Earth, Eldorado Main Street, Eldorado, KS 2001 Sunshowers, Mission Springs Association, Shawnee Mission, KS 1999 Mother's , Resthaven Gardens, Wichita, KS 1991 Who's Watching Who, Sedgwich County Zoo, Wichita, KS LOUISIANA Anglers, Audubon Society, New Orleans, LA 1999 Young Soldier, Beverly, MA 2018 MICHIGAN Siena, Auburn Hills Public Library, Auburn, MI 2005 A World to Teach, Cranbrook School, Bloomfield Hills, MI 1998 Sunshowers, Rosemont Nursery, Grand Rapids, MI 2001 Little Hands of Peace, First United Methodist Church, Birmingham, MI 1998 Book and Bear, Highland Hills Public Library, Highland, MI 1998 Who's Watching Who, Meijer Garden, Grand Rapids, MI Once Upon a Time, Milford Township Library, Milford, MI 1999 Multiple Sculptures, Rochester Public Library, Rochester, MI 1998 Little Reader, Lilacs, & A World to Teach, Saline Public Library, Saline, MI 1997-07 The Ties that Bind, Kelvin Shaw, Traverse City, MI Touch the Sky, Wynn Berry/Hidden Paradise, Walled Lake, MI 2000 Harriet Tubman, Ypsilanti District Library, Ypsilanti, MI 2006 My Heart is in Your Hands, University of MI Cardio Center, Ann Arbor, MI 2007 YMCA, Bolls Family, Detroit MI 2007 Sharing Discoveries, Mayo Clinic, St, Mary's Hospital, Rochester, MN 1996 Who's Watching Who, Northfield Hospital, Rochester, MN 1996 MISSISSIPPI Mentor, University of Mississippi, University, MS 2003 MISSOURI New Heights, Trammel Crow, St Louis, MO 2001 Tender Courage/Sister Catherine McAuley, Mercy Hospital, St Louis, MO 2014 NEBRASKA Who's Watching Who, The Gallop Organization, Lincoln, NE 1996 NEW MEXICO Touch the Sky and Overdue, City of Los Alamos, Los Alamos, NM 1996 NEW YORK Snapshot, Westchester Mall, White Plains, NY 1999 Touch the Sky, Gary Stern, Rochester, NY 1998 Shortcut, De Matteis Organizations, Uniondale, NY 1994 NORTH CAROLINA Tree, City of Cashiers, NC 2000 OHIO A World to Teach, Westchester Public Library, Westchester, OH 2000 A World to Teach, Worch Memorial Library, Versailles, OH 1998 OKLAHOMA Sherlock Holmes, Public Safety Center, Edmond, OK 2015 PENNSYLVANIA Albert Gallatin, National Parks Service, Friendship Hill, Point Marion, PA 1992 SOUTH CAROLINA Can Can, Brookgreen Gardens, Murrels Inlet, SC 2002 Emily Dickenson, Converse College, Spartanburg, SC 2004 TENNESSEE A World to Teach, Lee University, Cleveland, TN 1999 Safehaven, Vanderbilt Childrens Hospital, Nashville, TN 2001 Overdue, Woodland School, Johnson City, TN 1993 TEXAS Safehaven, Jeff Anderson Regional Medical Center, Meridian, TX Multiple sculptures, City of Texas City, Texas City, TX Into the Wind, Rockport Center for the Arts, Rockport, TX Old Man and the Sea, Into the Wind, My Heart is in Your Hands, Wizard's Academy, Austin TX Setting The Pace, On the Count of Three and Patty Cake, City of Southlake, Southlake, TX 2011 Full Circle, The Sower, Dawn, Dallas, TX 2017-2018 UTAH Through the Shelter of Love, American Food Corporation, Salt Lake City, UT 1997 Little Reader, Cardin Academy, Park City, UT 1992 Threshold, The Sower, Southern Utah University, Cedar City, UT 2015-2016 14th Street Roundabout Page 334 of 1673 DeDecker

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WISCONSIN Book and Bear, Hedberg Public Library, Janesville, WI 2003 Mother's Pearl, The Blettner Group, Middleton, WI 1994 Keeping the Ball Rolling, WPS Insurance, Madison, WI 2002 WASHINGTON DC Over There, President George Bush, White House, Washington DC 1991 WYOMING Who's Watching Who, City of Cheyenne, Cheyenne, WY 1997 Partners, Andy and Joe, Niobrara County Library, Lusk WY 2012 Y for All, Sheridan County YMCA, Sheridan, WY 2016

Art Detail

Category Statement

Can Can Bronze 79" x 83" x 49" $82000.00 2004

Dawn Bronze 17' x 7' x 3' $60000.00 2009

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The Three Graces Cast Bronze 52" x 43" x 18" $30000.00 2001

New Heights Bronze 180" x 90" x 55" $160000.00 2000

The Old Man And The Sea Cast Bronze 8' x 4' x 13.5' $70000.00 2011

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Setting the Pace Bronze 18' x 10' x 3' $95000.00 2009

Twin Daphnes Bronze 36" x 28" x 28" $3500.00 2016

Every Word We Utter Bronze 22" x 22" x 22" $5000.00 2018

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Artist’s Proposal

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14th and US 41

“Three Rings” is a trio of large polychromed rings, all akimbo, that appear to be in motion. These archetypical forms, stacked in a vertical zig-zag, reference the 3-ring circus, the roundabout, and the wheels of the cars. The color scheme is traditional Floridian pastel sorbet hues. Their dimensions would allow them to all nest within each other, the inner diameter of the lower ring being the outer diameter of the next ring. Fabricated in Sarasota of 3mm. aluminum, the lowest ring, 12’ in diameter and appears to be coming out of the ground at a 40-degree angle. It is, 6” deep, 18” tall and is welded to a heavier ½” base plate, 12’ in diameter. The base plate is fixed to the top of a 3.5’ tall cement pedestal, also 12’ in diameter. The rings are set at counter angles to each other. The lower and middle rings will have mounting brackets welded to them which will cradle the next ring, providing ample support, secure attachment and ease of assembly. (see diagram). There is a single up-light flood in the base at the center. With all the curved surfaces, low profile and open design, it is wind friendly. Light reflection problems are substantially mitigated by all surfaces being painted and curved. I have been working for years with a powder coater and metal fabricator in Sarasota. I am very familiar with the commissioning process, having made over 35 public artworks since 1986. I enjoy the process and aim to please the commissioning body and public. I employ the services of contractors or engineers whenever necessary.

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Artist’s Previous Works

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DeRoux Image reference list:

1- “Wisdom” Eagle, one of a pair with Raven, Bronze, 2’x2’x6’, 2015

2- “Wisdom” Eagle and Raven, Bronze, 2’x2’x6’, 2015

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3- “Reading Bear”, Bronze and landscaping, 6’x3.5’x5.5’, 2015

4- “Enchanted Forest”, Stainless steel columns, acrylic panel, LED array. 16’x4’x1’ each

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5- “Enchanted Forest”, steel column, detail, acrylic panel, LED array. 16’x4’x1’ each

6- “Precipitation”, Digital powder coated aluminum, Mineral paint, fiber optic lights, 16’x25’x2’, 2010.

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7- “Precipitation”, detail, Digital powder coated aluminum, Mineral paint, fiber optic lights, 16’x25’x2’, 2010.

8- “Focus on Statehood”, 540 acrylic paintings and UV varnish on aluminum, 20’x40’, 2008.

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Call ID: 1601854 Artist ID: 54415 Status: Received Daniel DeRoux Contact

Partner Contact via Cell Phone Email [email protected] Phone 907 723-3381 Cell 907 7233381 Web Site www.danderouxstudios.com Mailing Address 909 Plum Ridge Drive Ashland OR USA 97520 Custom Answers Please complete and submit the Disclosure Statement located in Appendix B of the Appendices A through C document. Disclosure.pdf Please upload a written description and up to 8 illustrations of your proposed artwork for the 14th Street/US 41 Roundabout - include title, type of media, weight, and fabrication information. RINGS_14th_US_41.pdf Please upload a PDF or JPEG file displaying examples of previous works of art.  For each example, please provide an image, title, type of media, dimensions, and year of completion. DeRoux Image reference list.pdf Professional References: Please provide 3 or more professional references. DeRoux REFERENCES- 1- Skye Stekoll, ASLA CBJ Engineering Department 155 S. Seward St., Juneau, AK 99801 (907) 586-0887 [email protected] Project: Juneau Parking Facility

2- Donna Pierce City and Borough of Juneau - Libraries [email protected] (907)586-5249 "Flight of Imagination" swans, Mend. Library "Wisdom" bronze raven/eagle Mend. Library

3- Robert Scott, Project Manager Mat-Su Borough School District 350 East Dahlia, Palmer, Alaska 9964 Robert Scott (907)861-8601 "Intent" Wasilla Career and Tech. High School

Please include a proposed budget estimate for this project consisting of estimates for fabrication and materials, design and engineering (including foundation), lighting, transportation, installation, artist fee, and other associated costs. Budget and weight: "3 Rings"

Steel 10,000 Concrete: form, pour 6,000 Fabrication, cut, roll, weld 15,000 Studio rental 4,000 Powder coating 8,000 Installation 10,000 Equipment rental 5,000 Insurance 1,200 Travel: 3,000 Per14th diem Street 4,000 Roundabout Page 350 of 1673 DeRoux

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Documentation 200 Engineering 5,000 Lighting? 5,000 Artist's fee 60,000 Sub total 136,400 Contingency 10% 13,600 TOTAL $150,000

WEIGHT: steel: 3,213 #

Please provide a brief current resume emphasizing art experience, public collections, and public art commissions.  Please be sure to include contact information including telephone number and email address.You can type in your experience or copy and paste from an existing resume document.  Text is limited to 5,000 characters. Daniel DeRoux 909 Plum Ridge Drive. Ashland, Oregon 97520 [email protected] www.danderoux.com

I started making art in 1971 at age 20. In 1978 I exhibited at the National Collection in Wash. D.C., then again in 1979. That show, with Georgia O'Keefe, Morris Graves, Fritz Scholder and other noted Western artists, traveled to the , the Newport Harbor Art Museum and the San Francisco . My piece was acquired by the Butler Institute of American Art in Youngstown, the oldest art museum in America. I left my job as curator at the Alaska State Museum that year. In 1984, I won 2 medals at the Los Angeles International Art Competition, including gold for "Most Accomplished Artist". In 1986, began making Public Art, (35 pieces now). In 1991, worked in and in 1992, solo show at the Tsar's Belozelsky Belozersky Palace in Petrodzvorets. .

PUBLIC AND 1% FOR ART COMMISSIONS

2015 Redington Middle and High School, Knik, Wall sculpture and mural ($107,000) 2015 Wasilla Career/ Technical High School, suspended wood sculpture 2015 Gastineau Elementary, Juneau, glass, acrylic, suspended sculpture 2014 Girdwood Elementary interior sculpture, stainless steel 2014 Auke Bay Elementary, exterior sculpture, bronze ($65,000) 2013 Mendenhall Library, Juneau, 2 exterior sculptures, bronze ($65,000) 2013 Mendenhall Library, Juneau, interior hanging sculpture 2012 Aquatic Center Mural, Juneau 2011 Mt. View Public Library, Anchorage, interior hanging sculpture 2011 Chester Valley Elementary, Anchorage, Interior mural, 2010 Harborview Elementary exterior sculpture/mural, Juneau, Alaska 2009 Veterans Affairs Clinic, Anchorage, Alaska mural 2009 Juneau Transit Facility, Juneau, Alaska, exterior mural/sculpture ($100,000) 2009 Wasilla Middle School, Wasilla, Alaska, Anchorage, Interior mural 2008 Linny Pacillo Parking Garage, Anchorage, exterior mural ($200,000) 2006 Thunder Mountain High School, Juneau, Alaska, interior wall sculpture ($75,000) 2000 Swanson Elementary, Palmer, Alaska, 1% for art interior mural Began creating Public Artworks in 1986

SELECTED EXHIBITIONS: 2012 Solo Show, Alaska State Museum Summer "Dan DeRoux's History of Alaska" 2010 Solo Show, Juneau Douglas City Museum 2006 Solo Show, Anchorage Museum 2003 4th Fiorenze Biennale dell'Arte Contemporanea, Florence, Italy, Juried 1995 Solo Exhibit, Alaska State Museum, Juneau 1992 Solo Exhibit, Czar's Palace, St. Petersberg, Russia Solo Exhibit, Belozelsky/Belozersky Palace, St. Petersberg, Russia 1984 Los Angeles International Art Competition, Juried All California Competition, Laguna Beach Art Museum, L.A. area museums and galleries, 1981 National Small Sculpture and Drawing Competition, Corpus Christi, Tex., Juried 1979 First Western States Arts Foundation Biennial, National tour, National Collection, Wash., D.C., S.F. Museum of Modern Art, Newport Harbor Art Museum, Denver Art Museum, Elaine Horwitch Gallery, Sante Fe. 1978-79 Contemporary Art From Alaska, National Collection, Wash., D.C., Juried

AWARDS 2009 Governor's Award, Alaska Individual Artist of the Year 1988 Best of Show, Calgene West Coast Art Competition, Davis, Calif. Third Place, New York International Art Competition, Ariel Gallery, NYC 1984 International Art Competition of Los Angeles: Gold Medal: "Most Accomplished Artist - Bronze Medal: "Mixed Media" Certificates of Excellence: "Drawing" and "Painting" 14th Street Roundabout Page 351 of 1673 DeRoux

Call ID: 1601854 Artist ID: 54415 Status: Received Daniel DeRoux (Continued)

COLLECTIONS Smithsonian Institute Butler Institute of American Art, Youngstown, Ohio Morris Museum, Augusta, Georgia Anchorage, Fairbanks and State Museums, Alaska

Art Detail

Category Statement

"Wisdom" Bronze 6.5' x 2' x 2' $65000.00 2015

Wisdom bronze and granite 6.5' x 2' x 2' $65000.00 2015

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Call ID: 1601854 Artist ID: 54415 Status: Received Daniel DeRoux (Continued)

Reading Bear Bronze 6' x 4' x 5' $65000.00 2015

'PRECIPITATION' A-1 Powdercoated shaped aluminum, keim paint, fiber optic lights 25' x 16' x 18" $100000.00 2010

Precipitation, detail enamel baked onto aluminum 25' x 16' x 18" $100.00 2010

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Call ID: 1601854 Artist ID: 54415 Status: Received Daniel DeRoux (Continued)

Enchanted Forest, detail Stainless Steel, Acrylic panel, Programmable LED 16' x 4' x 1' $40000.00 2015

Enchanted Forest, front view Stainless Steel, Acrylic panel, Programmable LED 16' x 4' x 2' $40000.00 2015

"Focus on Statehood" acrylic on aluminum 20' x 40' x 6" $200000.00 2010

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Artist’s Proposal

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Landmark Sculpture - 14th Street and US 41 Roundabout Concepts by DiBari & Associates

14th Street Roundabout Page 357 of 1673 8740 NE 2nd Miami, FL 33138 | via Merano 16, Milano 20127 | [email protected], www.dibariassociates.com DiBari and Associates

Our Studio - Video Reference

Emotional Cityscapes - https://vimeo.com/149766048

14th Street Roundabout Page 358 of 1673 DiBari and Associates Circus, Spectacle, Nature

Our concept is inspired by the world of the famous Ringling family and the rich circus heritage of the city.

A Jumping lion through fire, is placed in the center of the roundabout, becoming an iconic homage to a traditional aspect of the city of Sarasota.

The Jumping Lion could be just the first element of a series of sculptures, for the future roundabouts, that will create continuity around the city, with many other reinterpretation animals related to the circus.

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14th Street Roundabout Page 361 of 1673NOTE: the roundabout design is intended to be a reference, it does not have any artistic value in our proposal DiBari and Associates

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TECH SPECS

Media: Stainless Steel Sculpture

Dimensions (excluding the pedestal): Height: 6,5 feet (2 m) width: 6,5 feet (1,9 m) length: 10,5 feet (3,2 m)

pedestal height: 3,5 feet (1 m) pedestal length: 10 feet (3 m)

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THANK YOU

14th Street Roundabout Page 365 of 1673 8740 NE 2nd Miami, FL 33138 | via Merano 16, Milano 20127 | [email protected], www.dibariassociates.com DiBari and Associates

Artist’s Previous Works

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TITLE: MyEquilibria by Vito Di Bari YEAR INSTALLED: 2016 DESCRIPTION: MyEquilibria is an elegant out door art installation that encourages open-air exercise with the in- spiration of aesthetic beauty. MyEquilibria breaks down the barriers between art, nature, exercise and fun. We have different versions, each one with a different cost. MEDIA: Concrete, stainless steel and exotic wood DIMENSIONS: 23’ x 30’ x 23’ LOCATION: Miami Beach, FL, Jacksonville, FL, Fort Belvoir, VA, Milan

More info here - http://www.dibari-id.com/artist/myequilibria-2/

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TITLE: Zero Mile Marker by Vito Di Bari YEAR INSTALLED: 2019 DESCRIPTION: Nestled between the Design District and Midtown Miami and renamed Zero Mile Marker, this project represents the uniqueness of the intersection of parking and art, as seen through the eyes of world-renowned Italian artist Vito Di Bari and his international team of diverse artists. MEDIA: Paint, aluminum wraps, vinyl prints DIMENSIONS: 20’ x 100’ x 900’ LOCATION: Miami, FL

More info here - http://www.dibari-id.com/artist/zero-mile-marker-unveiled/

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TITLE: Rainbow Unicorn by Gabor Szoke YEAR INSTALLED: 2013 DESCRIPTION: Within the framework of an urban development project, Szőke was commissioned to design a pub- lic sculpture, which would hype up the image of an industrial town full of blocks of flats. The artist took the symbol of Kazincbarcika, the unicorn and painted it with the colors of the rainbow alluding to the ethnic diversity, coopera- tion, and brotherly love of its citizens. MEDIA: Hardwood Sculpture DIMENSIONS: 8.2’ x 19’ x 4.5’ LOCATION: Kazincbarcika, Hungary

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TITLE: Atlanta Falcon Sculpture by Gabor Szoke YEAR INSTALLED: 2017 DESCRIPTION: Gábor Miklós Szőke's most famous work is the Falcon sculpture he created for the Atlanta Falcons situated in front of the Mercedes-Benz Stadium. Underneath the wings of the Falcon, millions of people enter the two million-square-foot stadium set to be the home of Super Bowl 2019. The Falcon is the largest free-standing avian sculpture in the world and is the largest work by the artist. The bird has a wingspan of 20 meters and it is 13 meters tall. MEDIA: Stainless Steel Sculpture DIMENSIONS: Wingspan: 64’, Height: 42’ LOCATION Atlanta, Georgia

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TITLE: Chinese Dragon by Gabor Szoke YEAR INSTALLED: 2014 DESCRIPTION: The Chinese Dragon was designed by Gábor Miklós Szőke in the framework of a cooperation be- tween the city of Kazincbarcika and Chinese-owned Borsodchem, the biggest chemical factory in Hungary. The dragon is very popular among the locals, they also organized a festival for the inauguration. Similarly to the artist’s other wooden creations, the outdoor sculpture has a metal skeleton in order to be resistant to changing weather con- ditions and to provide stability for the artwork. MEDIA: Hardwood Sculpture DIMENSIONS: 42’ x 64’ x 30’ LOCATION: Kazincbarcika, Hungary

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TITLE: Water Legends by Gabor Szoke YEAR INSTALLED: 2017 DESCRIPTION: The public animal sculptures of Gábor Miklós Szőke were the key elements of the 17th FINA World Championships' international promotional campaign. The different pieces of the Water Legends sculptures could have been seen at the venues of the championships in , Hungary. The central idea of the video was to embody the six disciplines of the Aquatic World Championships by using water creatures. These legendary animals show similarities both in their abilities and their features to the characteristics of certain sports: open water swim- ming is represented by the wanderer of the oceans, the whale; with its characteristic movements, the dolphin became the symbol of acrobatic diving; the octopus became the emblem of water polo. MEDIA: Hardwood Sculptures DIMENSIONS: Whale: 9’ x 19’ x 8’ - Dolphin: 9’ x 13.1’ x 6.6’ - Octopus: 9’ x 13.1’ x 13’ LOCATION: Budapest, Hungary

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Call ID: 1608693 Artist ID: 160485 Status: Received DiBari & Associates Contact

Partner Contact via Home Phone Email [email protected] Phone 305 5709385 Cell Web Site www.dibari-id.com Mailing Address 8740 NE 2nd Ave Miami FL USA 33139 Custom Answers Please complete and submit the Disclosure Statement located in Appendix B of the Appendices A through C document. Disclosure Statement.pdf Please upload a written description and up to 8 illustrations of your proposed artwork for the 14th Street/US 41 Roundabout - include title, type of media, weight, and fabrication information. Landmark Sculpture - 14th Street and US 41 Roundabout - concept.pdf Please upload a PDF or JPEG file displaying examples of previous works of art.  For each example, please provide an image, title, type of media, dimensions, and year of completion. DB&A Annotated Image List .pdf Professional References: Please provide 3 or more professional references. Roberto HernandezCEO - RH Engineering for Miami Parking Authority E-Mail: [email protected] Mail Address: 531 NE 76th Street - Miami, FL - 33138 Telephone Number: 305-335-90512

Leslie FordhamActing Director at Broward County Cultural Division E-Mail: [email protected] Mail Address: - Broward County Cultural Division 100 S. Andrews Avenue - Fort Lauderdale, FL 33301 Telephone Number: 954 357-74563

Diane FlaggChair, Collier County - Economic Recovery Task Force (ERTF) E-Mail: [email protected] Address: Naples, FL Telephone Number: 239.784.5580 Please include a proposed budget estimate for this project consisting of estimates for fabrication and materials, design and engineering (including foundation), lighting, transportation, installation, artist fee, and other associated costs. 1 - ARTIST FEE - $16.000,00 a. artistic design, 3D modeling photorealistic plans, production b. creative concept c. design & technology development

2 - PROJECT MANAGEMENT - $23.000,00

3 - ENGINEER TEAM WORK - $12.000,00 Statical, production and basement plans, documentaries for approvals, reviews & controls,High-quality, photorealistic design work & rendering: 3D modellling, illumination plan

4 - LABEL FEE OF GABOR TEAM AND ITS SUBCONTRACTORS BY THE IMPLEMENTATION (CONSTRUCTION AND FIELD-WORK) - $28.000,00 Implementation of the sculpture with sculptors, professional welders, coordinators, logistics managers, metal-workers, subcontractors) Cover treatment team: using professional protection against corrosion and dirt, vanishing the welding stains: sendblasting, high-pressure cleaning, using special steel protection chemicals, paint-work team: using the latest industrial painting technology (hot pressing, varnishing) for paint and coating 14th Street Roundabout Page 373 of 1673 DiBari and Associates

Call ID: 1608693 Artist ID: 160485 Status: Received DiBari & Associates (Continued)

5 - COST OF MATERIALS - $25.000,00 Material costs of steel materials (stainless steel inner structures, thick square tubings, hollow sections, stainless steel, stainless bolts and nuts, individually designed fixing points etc.) Welding materials and equipments Labour protection equipments, other design solutions: laser-cut labelling, embedded interactive technologies, inner illumination is included

6 - EQUIPMENT RENTAL FOR THE INSTALLATION - $13.000,00 crane, forklift, scaffolders, ladders, welding machine etc...

7 - SHIPPING FEE OF THE SCULPTURE - $12.000,00 20' container, ocean shipping, continental shipping, storage

8 - TRAVEL AND ACCOMMODATION - $10.000,00 car rental, catering, insurance expenses for the team (4 person for one week)

9 - FOUNDATION AND INSTALLATION COSTS - $11.000,00 labour of 4 people, material cost and equipments Please provide a brief current resume emphasizing art experience, public collections, and public art commissions.  Please be sure to include contact information including telephone number and email address.You can type in your experience or copy and paste from an existing resume document.  Text is limited to 5,000 characters. CONTACTS: DiBari & Associates - 8740 NE 2nd Ave - 33138 - Miami, FL [email protected] dibariassociates.com Phone: +1 305 570 9385

For this specific project, our Founder Vito Di Bari, would team up with Gábor Miklós Sz'ke, a member of our all stars team.

1. VITO DI BARI - INNOVATION DESIGNER - CEO AND FOUNDER

EARLY EXECUTIVE CAREER Early in his professional career, Vito Di Bari focused on the field of innovation design in communications he then moved into products design as well as urban projects. At the age of twenty-three he held an executive position in the newly established Film and TV division of Rizzoli Corriere della Sera Group, Italy's largest publishing company. A year later he moved to CTA - Compagnia Televisioni Associate (Associated Television Corporation), the first Italian television syndication. At the age of twenty-five Vito went to New York, to collaborate with visionary Ed Taylor in the start up of a new generation of TV networks where he held the position of Executive Vice President of Programming - Europe, at SPN (Satellite Program Network). SPN was the first TV satellite network in the world to be transmitted by hundreds of cable TV networks throughout the USA and Canada. The network eventually changed its name to CNBC, after being bought by NBC Universal. Today CNBC has over 400 million viewers worldwide. This experience greatly influenced Vito's professional life, and he built upon what he had learned in the ensuing years by researching and eventually engineering for the future, by utilizing new emerging technologies.

ACADEMIC CAREER Following his remarkable executive experience, Vito moved toward a research and academic career. He has since taught Design and Management of Innovation for over 20 years at the Faculty of Engineering of the Polytechnic University of Milan and the Bocconi University. Vito chaired courses also at Faculty of Design of the Polytechnic University of Milan, Polytechnic University of Como, IULM University, and University of Sassari. He has been Dean of the Master in Marketing and Communication at the Business School of Sole24 and Dean of the Master of Marketing and Management of Communication held by UNIST at the University of Turin. Vito has used his unique capabilities of combining academic knowledge with practical and executive business experience to educate the next generation.

RESEARCH AND AWARDS EIn 2001, Vito secured his vision and legacy by founding LabNext - a cutting edge international research laboratory, named "Milan's European think tank" by Wired Magazine. In the first 13 years of his laboratory LabNext, Vito has managed more than $35 million in projects for over 140 clients, 10 of which have won International Awards. Through his creative and inspiring work, he has led several multi-functional projects with teams of up to 120 people. Vito's Lab has worked for a variety of TV Channels such as Discovery Channel, Mediaset, MTV, Rai, Current TV, Studio Universal, Nickeloden, Fox La7, SKY, MTV, FOX Channel. Among Vito's Honors and Awards are 2005: Online Educa of Berlin - Best Corporate Television; 2006: Promax BDA, Silver Winner; 2006: Telly Awards - Bronze Winner; 2007: Telly Awards - Bronze Winner; 2010: Starr Prize; 2011: Promax BDA World.

PUBLICATIONS AND INSTITUTIONAL CAREER Vito has published a multitude of works including 11 books. He is also a columnist for various magazines including WIRED, Harvard Business Review, Panorama and Il Sole 24 Ore (Italy). Vito has appeared as a host for television's Discovery Channel, Italia 1 (Italy) and other media engagements, and as a guest speaker on many talk shows. 14th Street Roundabout Page 374 of 1673 DiBari and Associates

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Vito also works as a keynote speaker in worldwide events, where he inspires corporations and individuals, by providing them with innovative solutions for changing their behaviors in order to succeed in the ever-changing business world of the future. In 1999, Vito was appointed Executive Director at International Multimedia Institute of UNESCO, in and he networked with all of the major state owned labs and premier innovative researchers of the world. Vito chaired the Scientific Committee of ASCAI (the Italian Association of Corporate Communications Executives) and was a member of the Advisory Board of the Accenture Foundation, the Scientific Committee of Harvard Business Review (Italy) and the Executive Board of the Industrial Italian Districts Association. He has been a Member of the Scientific Committee of the International Institute for Opera and Poetry of UNESCO, a Member of the Fiction Financing Committee Euro-Aim MEDIA with the Council of Europe (Bruxelles), and a Chairman of the Arts & Communication International Fellowship of the Rotary International (Evanston, Il). In 2007, the city of Milan appointed Vito Di Bari to be the Innovation Designer for The 2015 Universal EXPO.

INNOVATION DESIGN Vito's creative, strategic, and innovative solutions have been adopted by a diverse array of industries and corporations, including Danone, Vodafone, Barilla, Coca Cola, BMW, Mini, Telecom, Tetrapack, Mellin, Barclays, Magneti Marelli, Fiat, Poste Italiane, Unicredit Banca, Zurich, Bric's, Kodak, Volkswagen, Ford, LG, Vodafone, Samsung, Costa Crociere, TIM, Luxottica, Sector, Bang&Olufsen, Sole 24Ore, Allianz Ras, Generali, Sanofi Aventis, Movenpick, Autostrade per l'Italia, Ferrovie dello Stato, Intimissimi, Gruppo Miroglio, Viaggi del Ventaglio, Johnson&Johnson, Nivea, Sony, Intesa San Paolo, INA Assitalia, ENI, Microsoft Advertising, Confindustria, Compass, Deloitte, TIMWE, SAS, Hitachi, Golden Tulip, Janssen, IBM, Accenture, and EMG. All of Vito's projects are value driven and based on next generation technologies and materials. As a result of becoming the official Innovation Designer to The 2015 Universal EXPO, Vito began developing creative and inspiring urban projects. His Digital Expo Project won the competition with a visionary proposal featuring Vito's concepts to design a city of the future using recent discoveries in various fields, such as augmented reality, movement sensors, nanotechnologies, and robotics. Vito created his vision of the Inspirational City, a city of the future releasing positive emotions and improving the overall quality of life driven by hidden next generation technologies. After establishing his executive, academic and institutional career, Vito started a journey that never ends, because the destination is always being redefined. This journey has taken him from designing innovation in communication and events, to product design and urban projects. Vito's creative projects reflect the convergence of art, values and cutting edge technologies.

NEO-FUTURISM Vito is considered the leader of the avant-garde movement called Neo-Futurism, which is a rethinking of the aesthetics and efficient functionality of future cities, concerning architectural design and art in public places. The pioneer of the movement was French architect Denis Laming. Neofuturist urbanists, architects, designers and artists believe in cities releasing positive emotions and improving the quality of life through Eco sustainability, values and innovative technologies. His neo-futuristic vision of the "crosspollination of art and technology for a better world" was defined by Steve Jobs as the "post-PC DNA" and it is shared by world-renowned architects, designers and artists.

DIBARI & ASSOCIATES - dibariassociates.com In 2012, Vito expanded the work of his research and design firm in Milan to include the , specializing in implementing the newest technologies and materials to provide creative urban solutions for corporations, developers and the public sector. Vito currently resides in Miami Beach, FL where he has recently established his company's U.S. base of operations: DiBari & Associates The DB&A studio brings to the United States it's world-renowned star artists, architects and designers. The members of this "Dream Team" are the very best worldwide in their respective fields. The Associates and Partners work in concert to ensure that project results are unparalleled in beauty, wonder, and functionality by embracing innovation, sustainability and livability. DiBari & Associates goal is to "Design the Cities of the Future, Today". From Hong Kong to Paris, from Berlin to Rio de Janeiro, from London to Milan, from Amsterdam to Prague, the Partners and Associates of DiBari Innovation Design deliver the best that the world has to offer. All of them share Vito's vision of an Emotional City: creating beautiful, magical, eco-compatible cities implementing new materials and new technologies utilizing out-of-the-box creative new ideas.

2. GÁBOR MIKL"S SZŐKE - MONUMENTAL ANIMAL SCULPTURES Gábor Miklós Sz'ke was born in 1984 in Budapest. He studied sculpting at the Hungarian University of Fine Arts in the class of Pál K'. As a scholarship student in Milan, the time spent at the Accademia di Belle Arti di Brera had a great influence on him. In Hungary and internationally as well, Sz'ke is known for his public animal sculptures. Despite his young age, he has nearly 100 works on three continents, which have all become a defining and emblematic element of their surroundings. His pieces can be found in busy public squares in Washington DC, Gstaad, Milan, Rome, , Vienna, Moscow, Nizhny Novgorod, Zagreb, Samorin, Oradea, Budapest and many other cities worldwide. His creations are made of wood and stainless steel. The dramatic nature of French romanticism had a strong impact on his work, specifically the expressive brutality of Géricault's paintings. He considers sculptures to be the palpable result of his work, by which he can re-trace significant events in his life. For him, existence equals creation and sculptures are the physical manifestations of this. He breaks down anatomical forms into elementary units and then reinterprets these with the industrial re-construction of these elements. He brings complex and inextricable structures to life. The most important source of inspiration for his earlier works is his late doberman, Dante, who is the central character in his own private mythology, the Dante Empire. Lord Dante has exquisite imperial taste. In his world, baroque grandeur and the strict functionality of industrialism can be found side by side. Dante is the key figure in many of his performances and exhibitions, and during his university years, the dog appears several times in his paintings, sculptures and installations. He is also the essence of Sz'ke's own design furniture line, Dante Home.

PROJECTS & AWARDS 2017 - The Atlanta Falcon, the largest avian sculpture in the world 2016 - Maslenitsa, Moscow performance 14th Street Roundabout Page 375 of 1673 DiBari and Associates

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2015 - Forbes TOP 10 under 30 2015 - Colossus, the largest equine sculpture in the world 2014 - The FTC Eagle, the largest avian sculpture in Europe 2014 - The Sad Pig, campaign for farm animals in Munich 2013 - Honorary citizenship of Nizhny Novgorod, Russia 2012 - The Guardian Tiger project, campaign for the poorest village in Hungary 2012 - Dante Ritual, exhibition, performance 2011 - Dante Conference, diploma work 2010 - Graduation from the Hungarian University of Fine Arts 2009-2010 - Scholarship at the Accademia di Belle Arti di Brera

Art Detail

Category Statement

MyEquilibria by Vito Di Bari Sculptures 7 m x 9 m x 7 m $50000.00 2016

Zero Mile Marker by Vito Di Bari Paint, aluminum wraps, vinyl prints 20' x 100' x 900' $1200000.00 2019

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The Chinese Dragon by Gábor M. Sz'ke Hardwood Sculpture 12' x 32' x 5' $250000.00 2014

Atlanta Falcon by Gábor M. Sz'ke Stainless steel 42' x 64' x 30' $1500000.00 2017

Rainbow Unicorn by Gábor M. Sz'ke Hardwood Sculpture 8.2' x 19' x 4.5' $150000.00 2013

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Water Legends by Gabor Szoke Hardwood Sculptures 9' x 19' x 8' $200000.00 2017

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Disclosure Statement

Do you have any professional or personal relationship with any City of Sarasota official, employee, or advisory board member?

Yes

x No

If yes, please identify the official, employee, or advisory board member and identify the nature of your relationship (i.e., professional, friend, relative, etc.)

Name

Department or Board

Relationship

Signature

Print Name Vito Di Bari

Date February 27th 2019

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Artist’s Proposal

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Red Flower by lugufelo

Picture 1

About the Meaning:

“The Red Flower, inspired in Daisies, represents innocence and purity in contrast with passion and risk of present experiences, a gigantic flower standing in a roundabout as a celebration of nature, love and beauty, welcoming locals and visitors and announcing new beginnings and prosperity” lugufelo

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About the Sculpture:

Title: Red Flower

Type of Media: Aluminum (Industrial Wet Painted)

Dimensions: 15FT x 21FT x 4FT

Estimated Weight: 7,000 lb (subject to change based on engineering final calculations)

Picture 2

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About the Fabrication: The sculpture will be created using the last technology available in Metal fabrication process at my shop located in Miami, after completion of the engineering process and shop drawings are generated, we will start buying the specific materials from our Florida suppliers who warrantee next day delivery. The process: After the material is received, the machinery is setup to laser/ waterjet cutting the sheet metal, some metals will be rolled or bended according with the specific design and then will be transported to the welding and assemblage area, after everything is together the parts will be sanded and finished to perform a test of assembly of the whole sculpture prior to applying primer and final painting.

Picture 3

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Picture 4

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Picture 5

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Picture 6

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Picture 7

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Picture 8

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Artist’s Previous Works

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IMAGE: 1

Title: Patchwork Butterfly Artist: lugufelo Media: Aluminum – Wrap Printed Design Date: 2017 Size: (H) 8FT x (W) 6 FT x (D) 6 FT Budget: $50,000 Location: Sabal Pines Park, Public art - 5005 NW 39th Ave, Coconut Creek, FL 33073 I designed the sculpture with the purpose to offer other artists and community members the opportunity to submit proposals to apply new designs in the future to the butterfly wings, for me as an artist this have been a great opportunity to create this interactive piece.

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IMAGE: 2

Title: Load Stone Artist: lugufelo Media: Aluminum Date: 2010-2018 Size: (H) 10 FT x (W) 8 FT x (D) 8 FT Budget: $45,000 Commissioned for: Northglenn Arts & Humanities Foundation Location: 11801 Community Center Dr. Northglenn, CO 80233 Actual Location: Downtown Orlando Exhibit. Sculptures on the Lawn Orange County Board of County Commision Chanbers & Outdoor Aculpture Garden Orange County Administration Center, 201 S Rosalind Ave, Orlando Fl 32801

This unique suspension art is representative of lugufelo’s kinetic expression. Kinetic art is ideal for multi-use areas because the visual change as the viewer moves around the art. Components of Load Stone conceptually fit use for railings and gates.

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IMAGE: 3 Title: Eye Artist: lugufelo Media: Aluminum Date: 2012 Size: (H) 10 FT x (W) 8 FT x (D) 4 FT Budget: $45,000 Commissioned for: Northglenn Arts & Humanities Foundation Location: 11801 Community Center Dr. Northglenn, CO 80233

Winner of the People’s Choice Award in Castle Rock, CO, the Eye represents the artist’s ability to create suspension art in large scale. The upper metal piece is completely suspended from the base, while the pupil hangs delicately in a balance with the rest of the art. This is important because while the art is strategically balanced, it is structurally prepared to withstand hurricane force winds.

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IMAGE: 4 Title: Torso

Artist: lugufelo Media: Aluminum Date: 2012 Size: (H) 10 FT x (W) 3 FT x (D) 10 FT Budget: $90,000 Commissioned for: Frank Siberio (Private Founding) & City of Doral. Public Art (2013-2015) - Location: 7905 NW 36 Street, Doral, FL 33166 Public Art (2015-2016) – Pinecrest Gardens 11000 SW 57 Ave, Pinecrest, FL 33156

The Torso symbolizes the courage, wisdom and strength. In its new location in Pinecrest Gardens, the Torso provides an interactive art experience to park visitors.

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IMAGE: 5 Title: Butterfly Artist: lugufelo

Media: Aluminum Date: 2014 Size: (H) 14 FT x (W) 6 FT x (D) 6 FT Budget: $36,000

Public Art (2014) Location: Hampton Inn & Suites Coconut Creek 5740 State Road 7, Coconut Creek, Florida, 33073 Commissioned by: Seth Fellman / President / Morlin Hospitality Group, Inc. The Butterfly is an engineering feat in that 40% of the total weight of the art is in the butterfly, which is attached by an approximately 1 foot weld joint. The butterfly is in perfect equilibrium with the base in order for the art to stand erect without anchors. This piece is compliant with Florida Hurricane Building Codes.

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IMAGE: 6 Title: The Champion Artist: lugufelo

Media: Stailess Steel Date: 2015 Size: (H) 14 FT x (W) 6 FT x (D) 3 FT Budget: $36,000 Public Art (2014) Location: American Top Team Headquarters Commissioned by: ATT Corp. This piece is compliant with Florida Hurricane Building Codes.

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Call ID: 1607700 Artist ID: 87664 Status: Received Luis Fernandez Contact

Partner Contact via Cell Phone Email [email protected] Phone 786 2333225 Cell 786 3566143 Web Site www.lugufelo.com Mailing Address 317 Redwood Rd Venice FL USA 34293 Custom Answers Please complete and submit the Disclosure Statement located in Appendix B of the Appendices A through C document. AppendicesAthroughC- Signed by lugufelo P8of17-14thStr.pdf Please upload a written description and up to 8 illustrations of your proposed artwork for the 14th Street/US 41 Roundabout - include title, type of media, weight, and fabrication information. Red Flower by lugufelo 02252019-219pm.pdf Please upload a PDF or JPEG file displaying examples of previous works of art.  For each example, please provide an image, title, type of media, dimensions, and year of completion. IMAGES-Description-02262019-439pm.pdf Professional References: Please provide 3 or more professional references. Daniel J. Nelson Housing and Grants Specialist City of Coconut Creek Butterfly Capital of the World ® 4800 W. Copans Road Coconut Creek, FL 33063 954-956-1470 - office 954-956-1424 - fax ------Frank Siberio Realbloc LLC 3900 NW 79th Avenue Suite 567 Doral, Fl 33166 Phone: (305) 592-6586 Email: [email protected] Sculpture: TORSO Installation: 7905 NW 36 Street, Doral, FL 33166 ------Michael Stricker Director / Northglenn Arts & Humanities Foundation Phone: 303.450.8727 / Email: [email protected] Sculpture: THE EYE Installation at: 11801 Community Center Dr. Northglenn, CO 80233 ------Seth Fellman President Morlin Hospitality Group, Inc. Developer / Contractor 5414 NW 72 Avenue Miami, FL 33166 Phone: 305-254-8000/884-5366 Sculpture: The Butterfly Installation at: 5740 State Road 7 Coconut Creek, FL 33073. ------Manuel Vigil President MWL Engineering Corp Sheet Metal Fabrication Company 6825 SW 81ST ST MIAMI, FL 33143-7707 Phone: (305) 661-3357 ------Herman Hillmann Computer Animator 5700 SW 127 AVE SUITE 1414 Miami, FL 33183 Phone: 305-387-1771 Email: [email protected]

Please include a proposed budget estimate for this project consisting of estimates for fabrication and materials, design and 14th Street Roundabout engineering (including foundation), lighting, transportation, installation, artist fee, and other associated costs. Page 396 of 1673 Estimated Costs by lugufelo 2/26/2019 Fernandez

Call ID: 1607700 Artist ID: 87664 Status: Received Luis Fernandez (Continued)

Landmark Sculpture - 14th Street and US 41 Roundabout

Description / Cost Fabrication and materials $67,500.00 Design and engineering $13,500.00 Lighting $22,500.00 Transportation $4,500.00 Installation $27,000.00 Artist fee $15,000.00 TOTAL $150,000.00

Please provide a brief current resume emphasizing art experience, public collections, and public art commissions.  Please be sure to include contact information including telephone number and email address.You can type in your experience or copy and paste from an existing resume document.  Text is limited to 5,000 characters. Summary Public sculptural artist, lugufelo, is dedicated to creating environmentally friendly, multi‐faceted public art, which questions the fragility and instability of our seemingly certain reality. Unique in style, curators discuss his monumental sculptures as being created under "a scientific paradigm of optical geometrics." Recent Installations and exhibits: Coconut Creek, FL. (2018) Permanent Public Art: "Patchwork Butterfly" Aluminum sculpture with digital art printed on wings. Venice, FL (2018) Permanent Public Art: "Sunny" Venice Art Center Outdoor wall sculpture with led lights. 60"x80"x12" Yountville, CA (2018) Temporary Public Art: "Twister Yellow" Yountville Arts / 2 years exhibition call for artist. Coral Gables, FL. (2016) Permanent Public Art: "Spinnaker" Gables by the Sea at Lugo Ave. & Red Rd. Coconut Creek, FL. (2015) Permanent Public Art: "The Champion". American Top Team Headquarters. 12' x 5' x 3'. Pinecrest, FL. (2015 - 2016) Temporary Public Exhibition: "The Torso". Pinecrest Gardens 10' x 10' x 3' aluminum sculpture. Miami, FL. (2014) Temporary Public Art: "Sunny Ring". Miami Convention Center/James L. Knight Center. 10' x 10' x 15' Northglenn, CO. (2014) Permanent Public Art: "The Eye". Northglenn Art on Parade, Douglass County Art Encounters. 10' x 8' x 4' aluminum sculpture. Miami, FL. (2014) Temporary Public Exhibition: "Red Petals". Curator's Voice Art Projects, NW 25th St Exhibit. 6' x 40" x 6" aluminum sculpture. Coconut Creek, FL. (2014) Permanent Public Art: "Butterfly". Hampton Inn & Suites. 14' x 6' x 6' aluminum sculpture. City of Doral, FL (2013‐2015) Temporary Public Exhibition: "The Torso". Public art celebrating the initiation of the new arts district. 10' x 10' x 3' aluminum sculpture. Castle Rock, CO. (2013‐2014) Temporary Public Exhibition: "The Eye". Art Encounters Program. 10' x 8' x 4' aluminum sculpture. Northglenn, CO. (2013, 2014) Temporary Public Exhibition. "Loaded Stone" Douglass County Art Encounters Program. 10' x 8' x 8' aluminum sculpture. Coral Gables, FL. (2010) Permanent Public Installation: "The Wave". International Studies Preparatory Academy. Lobby wall aluminum sculpture. 3.5' x 5' x 4". Endorsements "lugufelo\'s art is unique and energizing, but what lead us to naming February 28 as \"lugufelo Day\" in Doral, Florida, is this artist\'s passion and dedication to sharing his vision with the public. Working with lugufelo is a true pleasure, and seeing his amazing art placed has brought a new life to our community." ‐ Luigi Boria / Mayor / City of Doral "lugufelo\'s collaboration, patience and creative leadership have been key to getting his piece placed in the entrance to our Coral Gables, Florida neighborhood. While the approval and permitting process has not been a simple endeavor, lugufelo has patiently provide, redesigned, altered and resubmitted drawings and information as required by the city. He has worked easily with members of the city\'s art committee, our neighbors, engineers and contractors. I fully support lugufelo\'s public art efforts and believe that he will be a welcome addition to any team." ‐ Nancy Sanabria / Vice President Gables by the Sea HOA "I have worked closely with lugufelo for over 15 years. In addition to producing all of lugufelo\'s metal artwork in my shop; he also serves as my primary artistic consultant on all large‐scale integrated art projects that come through my business. lugufelo\'s vision, work ethic and creativity in developing unique pieces is unlike any other that I have known. It is a true pleasure to interact with lugufelo on all levels." ‐ Manuel Vigil / President / MWL Engineering Corp. Awards and Associations Americans for the Arts 14th Street Roundabout Page 397 of 1673 Fernandez

Call ID: 1607700 Artist ID: 87664 Status: Received Luis Fernandez (Continued)

Florida Association of Public Art Professionals (FAPAP) ‐ Since 2011 Appreciation and Achievement Award at Hispanic Heritage Art Exhibit. City of Doral, FL. (2014) 1st Place, Sculpture. Artists and Arts Juried Show. Wynwood Arts District. Miami, FL (2014) Official dedication of February 25 "lugufelo Day" by City of Doral, FL. (2013) People's Choice Award, Douglas County Art Encounters. "The Eye", Castle Rock, CO (2013)

Art Detail

Category Statement

Share a Dream 4 Aluminum 13' x 10' x 18' $300000.00 2015

Share a Dream 9 Aluminum 13' x 10' x 18' $300000.00 2015

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Call ID: 1607700 Artist ID: 87664 Status: Received Luis Fernandez (Continued)

Wave Aluminum 10' x 10' x 36" $50000.00 2015

Stand Butterfly Aluminum 14' x 7' x 6' $38000.00 2013

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Artist’s Proposal

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The Aerialist”

By Keith M Christopher

Art description and relevance to our community

A slightly larger than life Aerialist sculpture, A single Female figure atop a flowing silks pillar totaling 24.5 feet tall cast in bronze. (21 foot figure and bronze silks pillar atop a 3.5 foot hollow Granite base cube.) Total height can be reduced if desired. Approximate weight between 1,200 and 1,800 LBS. The hollow granite base to have a steel substructure affixed to an anchored concrete pad. With a center pillar running 10 feet in the earth through the steel structure and through the height of the bronze. This internal steel member (rod) will help make the counterbalancing illusion possible and the installation nearly indestructible, coupled with the incredible strength of bronze.

I feel this circus related theme is incredibly important given the history and founding of our community. The silks movement is an exciting newer contemporary expression of the circus arts. The mesmerizing poses seem to defy gravity, balance and require a near super human strength. By joining the beauty of the human form executed in a contemporary stylistic texture with geometric contemporary shapes of the silks, I feel this work would bridge the two art worlds of classical and contemporary together, and be a perfect addition to our city. I think it is important to our community to have equal representations of both art forms throughout, ensuring that the classical figurative form is not forgotten in the minority with its strongest representation only at The Ringling museum. I think this proposed work is an homage to many of the Sarasota arts but especially to Ringling for both the circus and to the classical expressions of art that they avidly collected and held so dear.

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Artist’s Previous Works

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Call ID: 1610699 Artist ID: 358478 Status: Received Christopher Finch Contact

Partner Contact via Cell Phone Email [email protected] Phone 480 2135842 Cell 4802135842 Web Site www.keithchristopherbronze.com Mailing Address 7110 83rd drive east Bradenton FL USA 34201 Custom Answers Please complete and submit the Disclosure Statement located in Appendix B of the Appendices A through C document. AppendicesAthroughC10thStr signed-9.jpg Please upload a written description and up to 8 illustrations of your proposed artwork for the 14th Street/US 41 Roundabout - include title, type of media, weight, and fabrication information. project description.docx Please upload a PDF or JPEG file displaying examples of previous works of art.  For each example, please provide an image, title, type of media, dimensions, and year of completion. previous works c.jpg Professional References: Please provide 3 or more professional references. I have detailed references letters from all three of my references but am unable to upload with the 2000 character limit. I'm happy to provide if desired Merrill Bonder 901-484-1222 Brian J. O'Connell Cell 941-544-2497 John M Soderberg, Ph.D. Sculptor 928-300-5572

Please include a proposed budget estimate for this project consisting of estimates for fabrication and materials, design and engineering (including foundation), lighting, transportation, installation, artist fee, and other associated costs. 150,000.00 Please provide a brief current resume emphasizing art experience, public collections, and public art commissions.  Please be sure to include contact information including telephone number and email address.You can type in your experience or copy and paste from an existing resume document.  Text is limited to 5,000 characters. Experience/resume I have been a professional sculptor showing in the finest galleries throughout the country since age 20 (for 22 years) I have studied under numerous master sculptors through master classes as well as a 3 year live in apprenticeship. During that tenure I worked on numerous monumental-larger than life sculptures for major instillations around the world. All these monumental works were completely created by hand. For the last few decades often in most cases larger than life sculpture is "pointed" or scaled up by a third party. This can lead to incorrect proportions and lacking detail. I have continued to specialize in life size sculpture throughout my career and am versed in all of the steps of production. I have casted completed works within my own studio and have used numerous top foundries across the country. Effectively I have 22 years of experience in executing what I have proposed above. I've also made a name for myself in the Fine art retail market showing in top art markets from Arizona to Florida with single gallery locations like Las Vegas bosting traffic of 26 million visitors passing their doors annually. With the invention and introduction of a new casting material for the fine art market I am in negotiations to to be represented in over 50 galleries internationally and hopefully will become one of the top 5 recognized sculptors in the country. I have a fantastic track record of servicing our community with well over a million dollars in sales between my 3 companies. All three of my company's only offer high ticket products 10k and above, with the highest expectations and strictest of deadlines. I'm proud to say I have met them all and can offer endless references. I am very excited to say the circus Arts of Sarasota has been assisting in any way they can to help make this a reality from allowing special access, private viewing and video capture to offering their finest aerialist Olga Coronas to model (featured in the photos). I love so many compositions within this art form, so I decided to offer numerous poses should the committee like to be involved in picking. I would be happy to execute any of them.

Art14th Detail Street Roundabout Page 405 of 1673 Category Statement Finch

Call ID: 1610699 Artist ID: 358478 Status: Received Christopher Finch (Continued)

roundabout proposal bronze 252" x 48" x 24" $150000.00 2019

\"Cirque\" Mixed media 173" x 72" x 30" $58000.00 2018

Rise mixed media 39" x 27" x 9" $8000.00 2019

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Call ID: 1610699 Artist ID: 358478 Status: Received Christopher Finch (Continued)

\"First day home Maquette\" Mixed media 52" x 14" x 7" $4000.00 2013

\"Unraveled\" Mixed media 72" x 26" x 14" $9000.00 2017

\"Angel Dance\" Bronze 68" x 28" x 16" $22000.00 2001

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Call ID: 1610699 Artist ID: 358478 Status: Received Christopher Finch (Continued)

\"work in progress\" will be bronze and mixed media 108" x 42" x 42" $88000.00 2019

\"Theresa\" Sculptus wall hanging series mixed media 32" x 96" x 13" $9800.00 2017

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Artist’s Proposal

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Marc A. J. Fortier, Sculptor Knowlton, February 14th 2019 [email protected] / www.majfortier.com 500 Knowlton Road, Knowlton, Quebec Canada JOE 1V0 C : (450) 242-2326

THE 14th STREET & US 41 ROUNDABOUT ART PROJECT

Dear Committee,

The City of Sarasota is a balanced environment committed to develop hand in hand with people, nature, culture and beauty.

My work is strong and witty. It brings around joy to your heart, happiness to your soul and a constructive twist to life.

Here are my observations to envision the best idea for this important Roundabout Project:

- This roundabout is exclusively for motor vehicles. His purpose is to offer a counter clock movement of circular motion from different directions without the use of lights or stop signs. Therefore, to maximize driver’s concentration, I believe the sculpture should be placed inside the 15 feet in diameter center area. - The Artwork should be seen from multiple vantage points and be tall enough to be noticed from a distance. - The Art piece should be created with the intention of becoming a landmark symbol. A crossroad circle that you can identify by its centerpiece. - Looking at the sector and the essence of Sarasota, I believe that a figurative sculpture should be well received and greatly appreciated. - Having this piece set in one of the new roundabouts, I believe the sculpture should represent a classic theme that everyone can relate too, made in a fresh, new, unique and aesthetic way. - The two future roundabouts on US 41 being close by, I thought it should be interesting to have a visual connection between the two Artworks. - The sector will experience hot temperatures, strong precipitations and winds. The artwork should therefore use the weather and the climate changes to create a different mood and impression.

To create a landmark symbol I decided to use a classic theme frequently seen by the citizens of Sarasota:

“ THE PELICAN AND THE FISH ”

With a bird’s-eye view at drivers going round and around, a Brown Pelican is standing alone on a wood post while holding a fish in his beak.

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Out of nowhere, anchored in the middle of a roundabout, a solitary Pelican perched on a wooden pole is getting set for his next meal. The contrast to have a bird circled by people in motor vehicles night and day, rain or shine creates a positive, charming and spirited energy that connect everyone.

The bronze sculpture will be anchored from his ¾’’ bronze plate measuring 5ft Wide x 5ft Large to the reinforced concrete base measuring 3-½ft High x 5ft Wide x 5ft Deep. The total elevation of the structure will be at around 20 feet. This height will make it esthetic, majestic and emblematic from a distant. The wood post (made in bronze) would measure around 6-½ feet high and have a diameter of around 24 inches. The size of the Pelican would be around 10 feet high x 10 feet deep (counting his 4 feet beak) x 3-¾ feet wide. The fish would be around 30 inches long x 12 inches wide x 2-¼ inches thick. A Stainless Steel inner structure will be inserted where needed. The total weight of the bronze sculpture (excluding the concrete base) will be around 2,200 pounds.

See sketches, budget and measurements below.

The Bronze material is durable and strong, and meets the demands of Sarasota’s subtropical climate. This material needs practically no maintenance. It will express with elegance the character of the City and inspire everyone “around”. The strength and security of the structure being of the utmost importance, I will join my knowledge with the best skilled professionals in the State of Florida to give you an impeccable quality service.

- The mold making, the casting and the finish will be made at “American Bronze Foundry” based in Sanford, Florida. - The piece will be engineered, stamped and signed, by a registered Florida Engineer pre- qualified for FDOT work. Ronald D. Devlen, PE, Devlen Engineering Inc., Structural Engineering located in Sanford, to oversea the workmanship. - The transportation and the installation will be done with the help of “American Bronze Foundry”. - The lighting system will be provided and installed by Care Electric located in Sarasota.

The sculpture shall meet the Florida Building Code and have Hurricane resistant Requirements. It will also have the standards for Insurance Policies and be resistant to theft and vandalism.

Kind Regards,

______Marc A. J. Fortier

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Marc A. J. Fortier, Sculptor Florida, February 14th 2019 [email protected] / www.majfortier.com 500 Knowlton Road, Knowlton, Quebec Canada JOE 1V0 C: (450) 242-2326

THE 14th STREET & US 41 ROUNDABOUT ART PROJECT

*BUDGET

Total Budget: $ 150,000.00 + Applicable taxes 10% unexpected cost: - $ 15,000.00 + Applicable taxes $ 135,000.00 + Applicable taxes Liability Insurance: - $ 1,500.00 + Applicable taxes $ 133,500.00 + Applicable taxes Artist Fee (15%): - $ 20,000.00 + Applicable taxes $ 113,500.00 + Applicable taxes Scanning +Digital Enlarging: - $ 10,000.00 + Applicable taxes $ 103,500.00 + Applicable taxes Mold fabrication: - $ 16,500.00 + Applicable taxes $ 87,000.00 + Applicable taxes Casting: - $ 70,000.00 + Applicable taxes $ 17,000.00 + Applicable taxes Engineer: - $ 2,500.00 + Applicable taxes $ 14,500.00 + Applicable taxes Travel expenses: - $ 5,000.00 + Applicable taxes $ 9,500.00 + Applicable taxes Transport & Installation: - $ 3,500.00 + Applicable taxes $ 6,000.00 + Applicable taxes Lighting: - $ 6,000.00 + Applicable taxes

• This budget took into account the savings made on the cost of the base platform (+/- $ 15,000.00) and on the electrical conduit. These savings were directly transferred into the size of the bronze sculpture, to maximize its effect. • “American Bronze Foundry” is a reputable Art foundry casting enterprise that as been running for 26 years. It’s licensed and insured for liability and product liability. • Terms are 50% down upon approval of estimate and balance on completion of the project. • Estimate is valid for 90 days effective from the above date.

______

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Artist’s Previous Works

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Artist: MAJ Fortier, Title: « FAMILY BALANCE I », Bronze, 20in x 11in x 16in, 1999

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Artist: MAJ Fortier, Title: « FAMILY BALANCE V », Bronze, 20in x 11in x 16in, 2000

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Artist: MAJ Fortier, Title: « FAMILY BALANCE IV », Bronze, 20in x 11in x 16in, 2000

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Artist: MAJ Fortier, Title: « SCULPTURA AMARO », Bronze, 10in x 11in x 10in, 2000

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Artist: MAJ Fortier, Title: « SCULPTURA DOLCE », Bronze, 10in x 11in x 10in, 2000

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Artist: MAJ Fortier, Title: « GLOBALIZATION », Bronze, 25in x 17in x 17in, 2000

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Artist: MAJ Fortier, Title: « WOMAN BEHIND MAN », Bronze, 32in x 22in x 17in, 2003

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Artist: MAJ Fortier, Title: « SANCHO Y SU MULA », Bronze, 29in x 28in x 11in, 2007

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Call ID: 1588356 Artist ID: 216105 Status: Received Marc Andre Fortier Contact

Partner Contact via Cell Phone Email [email protected] Phone 450 242-2326 Cell 450 242-2326 Web Site www.majfortier.com Mailing Address 500 Knowlton Road Knowlton Quebec Canada J0E 1V0 Custom Answers Please complete and submit the Disclosure Statement located in Appendix B of the Appendices A through C document. Disclosure statement.jpg Please upload a written description and up to 8 illustrations of your proposed artwork for the 14th Street/US 41 Roundabout - include title, type of media, weight, and fabrication information. 14th St & US 41 Art Project A.pdf Please upload a PDF or JPEG file displaying examples of previous works of art.  For each example, please provide an image, title, type of media, dimensions, and year of completion. Past Sculpture examples.pdf Professional References: Please provide 3 or more professional references. PROFESSIONNAL REFERENCES

DIGITAL ATELIER Owner: JOHN LASH Address: 60 Sculptors Way, Suite A, Mercerville NJ 08619 Phone: (609) 890-6666 [email protected] www.digitalatelier.net Made in 2008 the 3D Laser Scanning, CNC Machining and the Digital enlarging of my 4 Montreal Canadiens Hockey maquettes.

ATELIER DU BRONZE Owner: PIERRE-ANDRÉ GAGNON Address: 1905 Dublin, Inverness, Quebec G0S 1K0 Phone: (418) 453 -2251 [email protected] www.atelierdubronze.com Have been making since 1995, the molds and the casting for most of the monumental sculpture projects I received in Quebec.

USIMM Owner: MICHEL MASSÉ Address: 5025 Bd St Jean Baptiste, Pointe-aux-Trembles Quebec H1B 5V3 Phone: (514) 640-4144 [email protected] www.usimm.carn Provided in 2013 and in 2019 the 3D Laser Scanning, CNC Machining and the Digital enlarging for 4 monumental sculptures.

ART COLLECTIONS Museum Studies Department of Art/Art History Wheaton College, Norton, MA, USA. Pratt & Whitney, Mirabel, Que., Canada. Kevlar Group Inc., Montreal, Que., Canada. The Canadiana Fund Collection, Official Residences of Canada, Ont., Canada. Club de Hockey Canadiens Inc., Montreal, Que., Canada. Cosette Communication Marketing, Montreal, Que., Canada. The Bata Museum Foundation, Toronto, Ont., Canada. Museum J. Armand Bombardier, Montreal, Que., Canada. Gestion Place d'Armes, Montreal, Que., Canada. City of Laval, Laval, Que., Canada. City of Terrebonne, Terrebonne, Que., Canada. Claridge14th Street Collection, Roundabout C.Bronfman, Montreal, Que., Canada. Page 427 of 1673 Fortier

Call ID: 1588356 Artist ID: 216105 Status: Received Marc Andre Fortier (Continued)

Cromwell Management, Montreal, Que., Canada. Bélanger, Sauvé, Lawyers, Montreal, Que., Canada. Royal Canadian Mint Collection, Ottawa, Ont., Canada. Bombardier Aeronautics, Montreal, Que., Canada. Richmond Art Museum, Richmond, B.C., Canada. Browns Shoes, Montreal, Que.,Canada. John Fluevog, Calgary, Seatle, NY, USA, Canada.

Please include a proposed budget estimate for this project consisting of estimates for fabrication and materials, design and engineering (including foundation), lighting, transportation, installation, artist fee, and other associated costs. -BUDGET FOR THE 14th STREET & US 41 ROUNDABOUT ART PROJECT:

-Total Budget: $ 150,000.00 + Applicable taxes

-10% unexpected cost: - $ 15,000.00 + Applicable taxes

-Liability Insurance: - $ 1,500.00 + Applicable taxes

-Artist Fee (15%): - $ 20,000.00 + Applicable taxes

-Scanning +Digital Enlarging: - $ 10,000.00 + Applicable taxes

-Mold fabrication: - $ 16,500.00 + Applicable taxes

-Casting: - $ 70,000.00 + Applicable taxes

-Engineer: - $ 2,500.00 + Applicable taxes

-Travel expenses: - $ 5,000.00 + Applicable taxes

-Transport & Installation: - $ 3,500.00 + Applicable taxes

-Lighting: - $ 6,000.00 + Applicable taxes

- This budget took into account the savings made on the cost of the base platform (+/- $15,000.00 for reinforced concrete base) and on the electrical conduit. These savings were directly transferred into the size of the bronze sculpture, to maximize its effect.

- "American Bronze Foundry" is a reputable Art foundry casting enterprise that as been running for 26 years. It's licensed and insured for liability and product liability.

- Terms are 50% down upon approval of estimate and balance on completion of the project.

- Estimate is valid for 90 days effective from the above date.

Please provide a brief current resume emphasizing art experience, public collections, and public art commissions.  Please be sure to include contact information including telephone number and email address.You can type in your experience or copy and paste from an existing resume document.  Text is limited to 5,000 characters. Born in Montreal, Quebec, Canada, on April 19th, 1961. Self-taught and a professional artist for more then 32 years, I have been presenting and selling my work in various solo and group shows in private galleries, art centers, museums in Canada and in the United States. During the month of March 2008 after being referred by one of the major art foundries in Canada, I was interviewed by the Board of the Montreal Canadians Hockey Team. They gave me the mandate to create 4 monumental bronze sculptures for their Centennial Plaza, in front of the Bell Centre in downtown Montreal. The official deadline and opening date for their 100th Birthday was on December the 4th 2008. The budget for the 4 bronze sculptures was $ 450 000.00 (excluding the bases). The coordination was made with and around the Marketing Vice-President Ray Lalonde, the Art Director Jean Simard, Digital Atelier in New Jersey and l'Atelier du Bronze in Inverness. Having very little time to achieve the mandate, I had to be well organized, methodic and responsible. Everything went well, according to plan and on budget. Head Office : 1275 rue St-Antoine ouest, 5e étage, Montreal, Quebec Canada H3C 5L2 Art Director (2008 to19): Jean Simard / [email protected] / T : (514) 743-7442

In September 2012, I was approached by the Senior Architect from Regis Côte & Associates Serge Jacques, for the creation of a monumental exterior fountain in bronze for the new section the of the DIX30 marketplace in Brossard, Quebec, Canada. The budget for the Sculpture was 250 000,00 $ CAD. After a few meetings with the planners, I made an official presentation of the maquette, with the time needed to execute the piece and a cost sheet for the President, Vice-President and Senior Architect present at the reunion. The project was approved with a 14th Street Roundabout Page 428 of 1673 Fortier

Call ID: 1588356 Artist ID: 216105 Status: Received Marc Andre Fortier (Continued) delivery date set for the end of March 2013. This sculpture needed to fit perfectly with the base plumbing system created by another building contractor, SoucyAquatik. The design of the sprinklers, the water and lighting effects surrounding it, along with the clearance of the armatures and electrical circuits underneath had to be checked and verified to make sure that not a single miscalculation or changes would occur without being first informed. The weight of the water retained in the sculpture, it's balance, it's secureness, the water flow, the light and shadow effects and the wind were all taken into consideration before finalizing the piece. Everything went well, on budget, according to plan and schedule. Client : Carbonleo & Oxford Properties/ T : (450) 550-8080 Head Office : 9160 Blvd Leduc, bureau 510, Brossard (Qc) J4Y 0L3 Administration : Jean-Luc Dion / jldion@carbonléo.com Architect Firm: Regis Côte & Associates / T : (514) 871-8595 Chief Architect : Serge Jacques / [email protected] / C : (514) 726-3375

In May 2012, I was approached by the owner of Gestion Place D'Armes, George Gantcheff to create two monumental sculptures for the exterior of his high-rise building, located in Old Montreal, Quebec. The total budget was $ 250 000.00 (excluding the base) and I was free from any restraint of creation or subject matter. Because it was situated on a prominent historical site, the sculptures needed to be also approved by a special committee created specifically for that district. To start methodically, I needed to know the maximum surface space I could use for each sculpture. I calculated the official clearance needed for emergency exits, easy maintenance and pedestrians. The size of two bases could not exceed 38in L. x 24in D. and they had to be at 216 feet apart from each other. To stand out and be appreciated by the public, these bronze sculptures would need to be at least 10' feet high. The challenge for me was to tell a story that would be fun, aesthetic, that would be appropriate to the historical site and would unify the two distant sculptures. I came up with the idea of the Anglophone and the Francophone snobbing at each other while their dogs are deeply in love... I made the two Marquette's and presented the concept to my client. He loved it and the special Historical Committee of Old Montreal approved it. I got the two small models enlarged to 10 feet, reworked all the details in modeling clay, transferred them both to the foundry where we did the silicone molds, wax, casting...etc. Before the official delivery date of August 2013, the lighting and the two granites base were made to my specifications. Everything went well, on budget and according to plan. Client : Gestion Place d'Armes / T : (514) 844-7275 Head Office : A-3488, Chemin de la Côte-des-Neiges, Montréal (Qc) H3H 2M6 Administration : Stan Zipkin / [email protected] / T : (514) 907-7276 Assistant : Luc Levesque / [email protected] rn

Art Detail

Category Statement

"The English Pug & the French Poodle" #03 2x Bronze Sculptures Lost wax process 120" x 38" x 24" $250000.00 2013

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Call ID: 1588356 Artist ID: 216105 Status: Received Marc Andre Fortier (Continued)

The English Pug and the French Poodle #05 2x Bronze Sculpture Lost wax process 120" x 38" x 24" $250000.00 2013

Centennial Plaza / Montreal Canadiens #02 4x Bronze Sculptures / Lost wax process 92" x 72" x 60" $450000.00 2008

Centennial Plaza / Montreal Canadiens #06 Bronze Sculpture / Lost wax process 60" x 72" x 60" $450000.00 2008

14th Street Roundabout Page 430 of 1673 Fortier

Call ID: 1588356 Artist ID: 216105 Status: Received Marc Andre Fortier (Continued)

SAXOPHONE #06 Bronze Sculpture / Lost wax process 87" x 30" x 66" $80000.00 2017

SAXOPHONE #05 Bronze Sculpture / Lost wax process 87" x 30" x 66" $80000.00 2017

\"EQUILIBRIUM\" #06 Bronze Sculpture / Lost wax process 144" x 96" x 96" $250000.00 2013

14th Street Roundabout Page 431 of 1673 Fortier

Call ID: 1588356 Artist ID: 216105 Status: Received Marc Andre Fortier (Continued)

"Equilibrium" #03 (at night) Bronze Sculpture Fountain / Lost wax process 12' x 8' x 8' $250000.00 2013

14th Street Roundabout Page 432 of 1673 Fortier

14th Street Roundabout Page 433 of 1673