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Art Nouveau Revival 1960S-1990S
Art Nouveau Revival 1960s-1990s Stanley Mouse & Alton Kelly Kathleen James | ADM-103 – The Essay | 13 January 2020 Introduction ................................................................................................................................. 1 Social Context .............................................................................................................................. 1 The Rise and Fall of Art Nouveau ............................................................................................... 2 Origins & Revival ...................................................................................................................... 2 Le style Mucha .......................................................................................................................... 2 ContemPorary Artists .................................................................................................................. 3 Kelley Mouse Studios & the Grateful dead ............................................................................. 3 Stephanie young and street art ............................................................................................... 5 Bibliography ................................................................................................................................. 7 Table of Figures ............................................................................................................................ 7 Introduction This essay investigates the relationshiP between the Art -
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Results and Description Print Page 1 of 4 Print Results Close Screen Sale 15537 - Life on the Golden Road with the Grateful Dead: The Ram Rod Shurtliff Collection, 8 May 2007 220 San Bruno Avenue, San Francisco, California Prices are inclusive of Buyer's Premium and sales tax (VAT, TVA etc) and may be subject to change. Lot Description Hammer Price 1 A Bob Seidemann mounted-to-board photographic print of The Grateful Dead, $1,680 1971 2 Two color photographs of Jerry Garcia and Bob Weir, circa 1968 $900 3 Five black and white photographs of The Grateful Dead, circa 1969 $780 4 A massive display piece of The Grateful Dead from The Winterland Ballroom, circa $9,600 1966-1978 5 A poster of Pig Pen and Janis Joplin, 1972 $720 6 A Herb Greene signed black and white photograph of The Grateful Dead, 1965, $1,320 1988 7 A Herb Greene signed black and white photograph of Jerry Garcia, 1966, 1980s $960 8 A Herb Greene signed limited edition black and white photograph of The Grateful $2,400 Dead with Bob Dylan, 1987, 1999 9 A Herb Greene signed black and white photograph of The Grateful Dead and Bob $1,440 Dylan, 1987, 1999 10 A Herb Greene signed and numbered limited edition poster of Jerry Garcia, 1966, $900 2003 11 A group of photographs of The Grateful Dead, 1960s-1990s $480 12 A William Smythe signed color photograph of Phil Lesh, 1983 $360 13 A Bob Thomas group of original paintings created for The Grateful Dead album $87,000 jacket "Live/Dead," 1969 14 An RIAA gold record given to The Grateful Dead for "Grateful Dead" (aka "Skull $11,400 and -
Urban Maori Authorities
TEENA BROWN PULU Minerals and Cucumbers in the Sea: International relations will transform the Tongan state Abstract Constitution law researcher Guy Powles, a Pakeha New Zealander residing in Australia was not optimistic accurate predictions on “the [Tonga] election which is coming up now in November” could be made (Garrett, 2014). “A man would be a fool to try to guess just where the balance will finish up,” he uttered to Jemima Garrett interviewing him for Radio Australia on April 30th 2014 (Garrett, 2014). Picturing the general election seven months away on November 27th 2014, Powles thought devolving the monarch’s executive powers to government by constitutional reform was Tonga’s priority. Whether it would end up an election issue deciding which way the public voted was a different story, and one he was not willing to take a punt on. While Tongans and non-Tongan observers focused attention on guessing who would get into parliament and have a chance at forming a government after votes had been casted in the November election, the trying political conditions the state functioned, floundered, and fell in, were overlooked. It was as if the Tongans and Palangi (white, European) commentators naively thought changing government would alter the internationally dictated circumstances a small island developing state was forced to work under. Teena Brown Pulu has a PhD in anthropology from the University of Waikato. She is a senior lecturer in Pacific development at AUT University. Her first book was published in 2011, Shoot the Messenger: The report on the Nuku’alofa reconstruction project and why the Government of Tonga dumped it. -
Grateful Dead Records: Artwork MS.332.Ser
http://oac.cdlib.org/findaid/ark:/13030/c8ff3qrq Online items available Grateful Dead Records: Artwork MS.332.Ser. 9 Wyatt Young, Alix Norton University of California, Santa Cruz 2018 1156 High Street Santa Cruz 95064 [email protected] URL: http://guides.library.ucsc.edu/speccoll Grateful Dead Records: Artwork MS.332.Ser. 9 1 MS.332.Ser. 9 Contributing Institution: University of California, Santa Cruz Title: Grateful Dead Records: Artwork Creator: Grateful Dead Productions Identifier/Call Number: MS.332.Ser. 9 Physical Description: 178 Linear Feet42 boxes, 9 map-case drawers, and 103 oversized items Date (inclusive): 1972-2012 Date (bulk): 1980-2008 Language of Material: English . https://www.gdao.org/ Access Collection is open for research. Advance notice is required to access large and framed items so that they can be retrieved from storage. Please contact Special Collections and Archives in advance to request access. Accruals The first accrual was received in 2008. A second accrual was received in June 2012. Acquisition Information Gift of Grateful Dead Productions, 2008 and 2012. Arrangement This collection is arranged in three series: Series 1: Business Art Series 2: Fan Art Series 3: Band Art Materials within each series are arranged alphabetically by last name of artist, where identified. Biography The Grateful Dead were an American rock band that formed in 1965 in Northern California. They came to fame as part of author Ken Kesey's Acid Tests, a series of multimedia happenings centered around then-legal LSD. Famed for their concerts, the band performed more than 2,300 shows over thirty years, disbanding after the death of lead guitarist Jerry Garcia in August 1995. -
Introduction in Their Thirty Years Together, the Grateful Dead Forever
Introduction In their thirty years together, the Grateful Dead forever altered the way in which popular music is performed, recorded, heard, marketed, and shared. Founding members Jerry Garcia, Bill Kreutzmann, Phil Lesh, Ron “Pigpen” McKernan, and Bob Weir took the name Grateful Dead in 1965, after incarnations as Mother McCree’s Uptown Jug Champions and The Warlocks. Despite significant changes in the band’s lineup, including the addition of Mickey Hart and the death of Ron McKernan, the band played together until Jerry Garcia’s death in 1995. From the beginning, the Grateful Dead distinguished themselves by their preference for live performance, musical and business creativity, and an unprecedented dedication to their fans. Working musicians rather than rock stars, the Dead developed a distinctive sound while performing as latter-day American troubadours, bringing audio precision to their live performances and the spontaneity of live performances to their studio work. Side-stepping the established rules of the recording industry, the Dead took control of the production and distribution of their music. With a similar business savvy, they introduced strategic marketing innovations that strengthened the bond with their fans. This exhibition, the first extensive presentation of materials from the Grateful Dead Archive housed at the University of California, Santa Cruz, testifies to the enduring impact of the Grateful Dead and provides a glimpse into the social upheavals and awakenings of the late twentieth century—a transformative period that profoundly shaped our present cultural landscape. Amalie R. Rothschild, Fillmore East Marquee, December 1969. Courtesy Amalie R. Rothschild Beginnings The Grateful Dead began their musical journey in the San Francisco Bay Area at a pivotal time in American history, when the sensibilities of the Beat generation coincided with the spirit of the burgeoning hippie movement. -
The Mann Center and AEG Live Present Furthur
FOR IMMEDIATE RELEASE CONTACT: Christine Reimert / 610‐639‐2136 / [email protected] Lucy MacNichol / 215‐568‐2525 / [email protected] Corey Bonser / 215‐546‐7900 / [email protected] The Mann Center and AEG Live Present Furthur Celebrating 75 Years of Live Music in the Park: July 10 & 11 Feature Rock Legends Phil Lesh and Bob Weir PHILADELPHIA – June xx, 2010 – Grateful Dead members Phil Lesh and Bob Weir are embarking on a musical adventure with their new band Furthur. Fans can expect Lesh and Weir to push the musical envelope with jaw-dropping improvisations and loving renditions of Grateful Dead classics along with an all-star band that includes keyboardist Jeff Chimenti (RatDog), drummer Joe Russo (Benevento - Russo Duo, Trey Anastasio), and guitarist John Kadlecik (Dark Star Orchestra). New and old fans of the Grateful Dead alike will be entranced as the two rock legends take the musical journey "further," exploring some of the Grateful Dead's most beloved songs in a tour that promises to keep the feet stomping and the bodies shaking. Tickets for this event are $43.50 & $33.50. Saturday & Sunday performances begin at 7:30 PM. For detailed ticket information, call 215.893.1999, visit the Mann Center box office at 52nd and Parkside Avenue in Fairmount Park, or buy online: www.manncenter.org, www.ticketphiladelphia.org or www.ticketmaster.com. For ticket package information, call 215.893.1955 or visit www.manncenter.org. Editor's Note: Photos of artists are available at http://www.manncenter.org/news/pressroom and upon request. About AEG Live AEG Live, the live-entertainment division of Los Angeles-based AEG, is dedicated to all aspects of live contemporary music performance. -
The Psychedelic Poster Art and Artists of the Late 1960S
Focus on Topic The Psychedelic Poster Art and Artists of the late 1960s by Ted Bahr Bahr Gallery New York, USA 46 Focus on Topic The stylistic trademarks of the 1960s To advertise these concerts, both promoters turned to Wes Wilson at Contact Printing, who had been laying psychedelic poster were obscured and disguised out the primitive handbills used to advertise the Mime lettering, vivid color, vibrant energy, flowing Troupe Benefits and the Trips Festival. Wilson took organic patterns, and a mix of cultural images LSD at the Festival and was impacted by the music, from different places and periods -- anything to the scene, and the sensuous free-love sensibilities of confuse, enchant, thrill, and entertain the viewer. the hippie ethos. His posters quickly evolved to match the flowing, tripping, improvisational nature of the The style was also tribal in the sense that if you developing psychedelic music -- or “acid rock” -- and could decipher and appreciate these posters his lettering began to protrude, extend, and squeeze then you were truly a member of the hippie into every available space, mimicking and reflecting the subculture – you were hip, man. totality of the psychedelic experience. His early style culminated in the July 1966 poster for The Association which featured stylized flame lettering as the image The psychedelic poster movement coincided with the itself, a piece that Wilson considered to be the first rise of hippie culture, the use of mind-altering drugs like truly psychedelic poster. LSD, and the explosion of rock and roll. San Francisco was the center of this universe, and while prominent psychedelic poster movements also developed in London, Detroit, Los Angeles, and Austin, Bay Area artists both initiated and dominated the genre. -
Grateful Dead Archive Online
Ithaka S+R Case Study Grateful Dead Archive Online University of California at Santa Cruz www.gdao.org The Ithaka S+R Case Studies in Sustainability were conducted in partnership with the Association of Research Libraries and were made possible by the generous support of the Institute of Museum and Library Services. A summary report, “Searching for Sustainability: Strategies from Eight Digitized Special Collections,” is available at http://www.sr.ithaka. org/research-publications/searching-sustainability. This specific case study was researched and written by Nancy L. Maron, Program Director, Ithaka S+R. ABSTRACT Few archives come with a built-in fanbase. The Grateful Dead Archive Online (GDAO) is distinguished from many other academic special collections by the variety of media it holds, from concert tickets to audio files and art created by fans of the band, and by its potential audience, the many thousands of fans of the Grateful Dead. Support for the Archive has come from grant funding, private donors, and from this fan base, which poses one of the project’s fascinating opportunities and challenges. How can the GDAO benefit from the enormous potential audience of devoted fans, and from the material they could contribute, while still remaining true to its academic home at the University Library of the University of California at Santa Cruz? INTRODUCTION Some archives may have devoted researchers who use them, but few have true fans. The Grateful Dead Archive (GDA), housed at the University of California at Santa Cruz (UCSC), is a real exception in several ways. The focus of the archive—the live music and touring of the Grateful Dead, the jam band fronted by Jerry Garcia—is part of fairly recent cultural memory. -
Doctor 1 William Doctor Dr. Colley Intercultural Communications 10/13
Doctor 1 William Doctor Dr. Colley Intercultural Communications 10/13/2020 Tonga The kingdom of Tonga is made up of 169 islands with people of Polynesian descent groups. Most of the Tonga islands are non-inhabited, with a general area of 750 square miles spread over 270000 square miles of the Pacific Ocean. Tonga is home to more than one hundred thousand people, with most of them residing in Tongatapu island. Tonga people speak Tongan and English languages, and they study Wesleyanism religion (Sugden, 344). They are surrounded by territories such as Fiji, Wallis, and Futunan, Samoa, New Zealand, and Caledonia. Tonga was founded in 1845. It became a traditional kingdom monarchy in 1875. It was a British protected state from 1900 to 1970 through a friendship agreement. From 1970 to 2010, the kingdom has never renounced its freedom to foreign states. Despite that, in 2010, the country becomes a constitutional monarchy. Primarily, the type of government in Tonga is the hereditary constitutional monarchy with King Tupou VI, a one-time prime minister as the current head of state. Pohiva Tuʻiʻonetoa is the current prime minister of the state; he took office in October 2019 following the death of ʻAkilisi Pohiva in September of 2019. Doctor 1 Agriculture and fishing are the main economic activities in Tonga. Notably, Tonga has a gross domestic product of 450.4 million US dollars, and the main import is food and beverages, automobiles and machinery while the main exports are fish and agricultural products like Squash, coconuts, bananas, and vanilla beans, limes, and tomatoes (Sutherland, 355). -
FOR IMMEDIATE RELEASE August 27, 2018
Contact: Amy Schreiber Executive Assistant for Advancement and Administration 260. 422. 6467, ext. 334 [email protected] FOR IMMEDIATE RELEASE August 27, 2018 Solo exhibition by Chuck Sperry, legendary rock poster artist, opens September 15 Including a sister exhibition of work from the psychedelic era opening September 8 [Fort Wayne, IN] ̶ The Fort Wayne Museum of Art is pleased to announce dual exhibitions exploring the intersection of art, music, and journalism, and their influence by the psychedelic era of the 1960s. On September 8, FWMoA will open Litmus Test: Works on Paper from the Psychedelic Era, followed by the opening of All Access: Exploring Humanism in the Art of Chuck Sperry a week later on September 15. The Psychedelic Era was, among many things, a cultural frontier for colors and imagery. Music, politics, and drugs ignited an unprecedented expansion of art revolving around these elements. From Berkeley College to the Grande Ballroom in Detroit, young idealists organized and the art of the era came to fruition. This exhibition will be our bridge to that time, showcasing a psychedelic era works on paper. The poster work and ephemera of Gary Grimshaw and the photography of Leni Sinclair will showcase the art that poured from that time and place. Blotter sheets from Mark Mothersbaugh, H.R. Giger, S. Clay Wilson, Chuck Sperry, and more will represent the creative fuel for many of the artists of the time. Also featured will be the work of the poster artists of the time: Wes Wilson, Victor Moscoso, Stanley Mouse, Rick Griffin, and Alton Kelley. -
Jerry Garcia from Wikipedia, the Free Encyclopedia
Jerry Garcia From Wikipedia, the free encyclopedia Background information Birth name Jerome John Garcia Born August 1, 1942, San Francisco, California, United States Died August 9, 1995 (aged 53), Forest Knolls, California, United States Genres Folk rock, bluegrass, progressive rock Occupation(s) Musician, songwriter Instruments Guitar, vocals, pedal steel guitar, banjo Years active 1960–1995 Labels Rhino, Arista, Warner Bros., Acoustic Disc, Grateful Dead Associated acts Grateful Dead, Legion of Mary, Reconstruction, Jerry Garcia Band, Old and in the Way, Jerry Garcia Acoustic Band, New Riders of the Purple Sage͵ Garcia Grisman Band Notable instruments Fender Stratocaster "Alligator" Doug Irwin-modified Alembic "Wolf" Gibson SGs Guild Starfire 1957 Gibson Les Paul Gold-top Les Paul with P-90 Doug Irwin Custom "Tiger" Doug Irwin Custom "Rosebud" Stephen Cripe Custom "Lightning Bolt," Martin D-28, Takamine acoustic-electric guitars Travis Bean TB1000S, TB500[1] Jerome John "Jerry" Garcia (August 1, 1942 – August 9, 1995) was an American musician best known for his lead guitar work, singing and songwriting with the band the Grateful Dead, which came to prominence during the counterculture era. Though he disavowed the role, Garcia was viewed by many as the leader or "spokesman" of the group. One of its founders, Garcia performed with the Grateful Dead for their entire thirty-year career (1965–1995). Garcia also founded and participated in a variety of side projects, including the Saunders-Garcia Band (with longtime friend Merl Saunders), the Jerry Garcia Band, Old and in the Way, the Garcia/Grisman acoustic duo, Legion of Mary, and the New Riders of the Purple Sage (which Garcia co-founded with John Dawson and David Nelson). -
The Hashemite Kingdom of Jordan
Dipartimento di International Relations Cattedra Mediterranean Studies The Resilience of Arab Monarchies during the Uprisings of 2011 and 2012: The Hashemite Kingdom of Jordan RELATORE: Professoressa Francesca Corrao CANDIDATO Uberto Marchesi Matricola 626222 CORRELATORE: Professor Marco Mayer ANNO ACCADEMICO 2015 – 2016 1 TABLE OF CONTENTS SUMMARY 4 INTRODUCTION 6 CHAPTER 1: A HISTORICAL PERSPECTIVE 10 The Birth and Evolution of the Hashemite Kingdom of Jordan 12 Ottoman Rule 13 Conflicting Ideologies: Arab Nationalism and Zionism 14 The First World War: The Role of Diplomacy 17 Transjordan 21 The Hashemite Kingdom of Jordan 25 The Coronation 26 Legitimacy of the regime 27 The Arab Awakenings in the Middle East and North Africa 32 The Boom of Young People 38 Economic and Social Marginalization 39 The Absence of Political Freedom 40 Regress of National Integration Factors 41 The growing role of Foreign and Regional Forces 42 A Comparative Overview 44 2011 – 2012 Jordanian’s Protests 46 Conclusionary Remarks 55 2 CHAPTER 2: LEGITIMACY 56 Monarchies Today 57 Legitimacy of Arab Monarchies 58 The Hashemite King 67 Abdullah II Bin al-Hussein 70 Conclusionary Remarks 78 CHAPTER 3: STABILITY 80 The eye of the cyclone 81 The Effects of the Arab Awakenings in the Stability of the Country 84 Domestic Level 88 Intermestic Level 91 Refugees and Jordan 91 The Threat of Da’esh 93 International Level 97 Neighbors 98 The Pull of the Gulf Cooperation Council 100 Washington, Amman… and Rabat 103 Conclusionary Remarks 108 CONCLUSION 113 Areas for Improvement and Further Studies 114 ANNEX I: GENERAL TIMELINE 117 ANNEX II: LIST OF CURRENT MONARCHIES 123 REFERENCES 127 3 SUMMARY On January 2013, the Kingdom of Jordan had its first elections according to the new electoral law implemented at the end of the rush of protests that shook Jordan and the Middle East during the two previous years.