P36-40 Layout 1

Total Page:16

File Type:pdf, Size:1020Kb

P36-40 Layout 1 lifestyle SUNDAY, JULY 5, 2015 Tamara Gray waits with other Grateful Dead fans for the gates of Soldier Field to open. (From left) Phil Lesh, Mickey Hart, Bob This undated file photo shows Weir and Jeff Chimenti of The Grateful Grateful Dead band members Dead perform at Grateful Dead Fare Thee (from left) Mickey Hart, Phil Lesh, Well Show at Soldier Field on Friday in Jerry Garcia, Brent Mydland, Bill Chicago. — AP/AFP photos In this June 30, 2015 photo, a banner of an Al Hirschfeld caricature of the Grateful Kreutzmann, and Bob Weir. Band members hangs over the Field Museum’s famous Sue, the most extensive Tyrannosaurus rex specimen ever found, as part of a Dead exhibit in Chicago. Thousands truckin’ to Chicago for final Grateful Dead shows he Grateful Dead is closing the lid on its storied half-century “Yes, my wife and I are coming for the Saturday and Sunday and signed by longtime Dead artist Stanley Mouse to pricey “More than anything this is going to be a celebration of the whole of concerts this weekend in Chicago, where a museum has shows,” said former comedian and avowed Deadhead Al Franken, hotels. Hotel bookings are up more than 120 percent from last Grateful Dead thing, the camaraderie, the outlook of life,” said Bill Tcaptured the band’s prankster heart by displaying its arti- who now represents Minnesota in Washington. “To me they repre- year’s July Fourth weekend, and the rates are 77 percent higher on Stanley, who is a director of the Gantz Family Collections Center at facts, skeletons-and-roses iconography included, in the shadow of sent a big part of my life, they are a touchstone for a long time and average, according to travel booking website Orbitz. the Field Museum. He’s attended more than 100 shows, including a world-famous dinosaur. Soldier Field, which was the last place they still are.” The centerpiece of the Field Museum’s exhibit is Garcia’s Garcia’s last one. He not only recalls those “magical” experiences, legendary guitarist Jerry Garcia played with the band before his The Democrat began seeing the Dead about the time he was favorite guitar, “Tiger”. On Tuesday, fans wore the same look of but the loneliness he felt when he was in the mountains of death in 1995, is hosting the final three shows of the short “Fare getting out of college in the early 1970s, and later became friends wonder on their faces as one sees in the people looking at the Tanzania in Aug 1995 and received an airgram from his girlfriend Thee Well” tour in what the remaining core members - rhythm with Garcia and other members of the band when they appeared skull of Sue. “This is history,” said Rebecca Ostrega, a 49-year-old that read, “I hope you are sitting down. We lost Jerry.” guitarist Bob Weir, bassist Phil Lesh and percussionists Mickey Hart on “Saturday Night Live,” on which Franken was a cast member. “I Deadhead who brought her 10-year-old son. They both wore tie- “Everybody here was able to call the person who turned them and Bill Kreutzmann - say will be the last. still listen to them pretty much every chance I get,” he said. That so dyed Dead shirts she bought at the museum and she had pur- onto the Dead (but) I had no one to reach out to,” he said. This The lakefront stadium, just south of the Field Museum and the many older fans are coming in may help explain why the city chased several of the Mouse posters. weekend, though, he expects all those old feelings a Dead concert bones of Sue the Tyrannosaurus rex, will be a sea of tie-dyed heard few complaints after it nixed the idea of overnight camping Tickets for the main attraction - where Trey Anastasio of Phish used to elicit to return: “People are going to be walking past, shirts, and the sounds of bootleg concert tapes will fill the air in sites near Soldier Field. will tackle Garcia’s guitar parts alongside keyboardists Bruce thinking, ‘Look at those old hippies. I’ll be grateful when they’re the parking lots. Certainly, there’ll be young people who never “I would not even have a car back in my San Francisco State Hornsby and Jeff Chimenti - were no higher than $199 at face val- dead.’” — AP saw Garcia play among the tens of thousands of fans, but they’ll days (and) I would find people to hitch rides with and find homes ue, both through the old-style mail order system or Ticketmaster. likely be outnumbered Deadheads who display more than a to sleep on the couch or on the floor,” said Rick Wolfish, a 59-year- For those seeking to get into the sold-out shows, tickets on the touch of grey. old partner in a large accounting firm in Burlington, Vermont. secondary market StubHub ranged from $295 to $5,000 for one Many of those who followed the band around decades ago - “This trip I’m flying to a concert and staying at a Hilton hotel five night, with an average price of about $600. Wolfish paid $200 total and can recite the exact number of shows they’ve seen as easily as blocks from Soldier Field.” for three nights behind the stage - a “miracle,” he said. Albarn musical they can their Social Security numbers - have become lawyers, Deadheads are shelling out for one more Saturday night - from No matter the price, fans say it’s worth the chance to recon- accountants and, in at least one case, a member of the US Senate. $100 Dead-themed dinosaur posters at the Field Museum created nect with both an important band and the family-like community. whisks ‘Alice’ into the virtual world troubled teenage girl who seeks refuge in a fan- Tongan king crowned in traditional ceremony tastical online world is the star of a new musical Aco-written by Blur frontman Damon Albarn to mark the 150th anniversary of “Alice in Wonderland”. upou VI was formally crowned King of Tonga Hundreds of school children sitting on traditional Loosely based on Lewis Carroll’s book, “wonder.land” is yesterday before thousands of people including mats, formed a guard of honour as the robed King being performed at Manchester’s Palace Theatre until heads of state and dignitaries from around the Tupou VI and his wife, Queen Nanasipau’u arrived at T July 12 before moving to London’s National Theatre and world, capping a week steeped in traditional rites. the Free Wesleyan Centenary Church for the ceremo- the Theatre du Chatelet in Paris next year. The rock Because it is taboo for Tongans to touch their king’s ny. The celebrations were to continue in the evening opera-style musical opens in the bedroom of Aly (Lois head, a retired Australian minister was flown in to per- with a Tupakapakanava - the lighting of torches along Chimimba), a complex teenager who is in conflict with form the televised crowning. The new king also the coastline - and will end on Tuesday with a military her parents and picked on by classmates who post becomes the 24th Tu’i Kanokupolu, an ancient Tongan tattoo. insulting messages on social media. title that pre-dates the monarchy by centuries. To escape, the girl connects, via her smartphone, to Celebrations and ancient rituals leading up to the Deep Respect for Tongan Monarchy “wonder.land”, a brilliantly-coloured virtual world based coronation began last Saturday with a Taumafa Kava, Although Tonga has economic problems including on the “Wonderland” of Reverend Charles Lutwidge a traditional ceremony in which Tupou VI drank the high youth unemployment, most of its citizens have Dodgson, whose pen name was Lewis Carroll. The pixel- mildly narcotic kava drink to confirm his title as king of deep respect for their monarchy and the lavishness of lated world invites Alice “to achieve your ideal,” where- Tonga. The historic rite - in which about 150 nobles, the coronation was not a concern. Auckland-based upon she creates “Alice”, a beautiful, intelligent and wearing traditional ta’ovala mats around their waists, Ofa Taufo’ou, who returned home for the celebrations, loved alter-ego who embodies the qualities she sat in a circle to drink kava from coconut shells - told Radio New Zealand that Tongans valued their believes herself to be missing. launched seven days of street parties, black-tie balls, royalty and culture. “I don’t have the words to explain The first scene sets the tone with Aly tapping on her fashion shows and feasting before the king was how much it means to me to have royalty, and to have keypad while digital images of “wonder.land” are pro- crowned by Australian D’Arcy Wood. this occasion,” he said. jected on stage, with the Cheshire Cat becoming a giant “No Tongan citizen can do it as it is forbidden for a Wood said Tonga’s affection for their monarch was virtual tom cat. In bringing the story into the digital age, Tongan to touch the king’s head,” the 78-year-old deeply entrenched in their history. “The monarch rep- director Rufus Norris hopes to explore how new tech- retired Methodist minister said last week before flying resents for them continuity and security - a symbolic nologies have reshaped social relations and how mobile to Tonga from his home near Melbourne. Wood was role which unites and reassures the people.” Tonga’s devices have become extensions of people’s aspirations. born in Tonga when his father worked there in 1924 monarchy can trace its history back 1,000 years and by It is also a study of the tribulations of adolescence and and met the new king when he was Tonga’s High the 13th century the nation wielded power and influ- the difficulties of forging an identity.
Recommended publications
  • Art Nouveau Revival 1960S-1990S
    Art Nouveau Revival 1960s-1990s Stanley Mouse & Alton Kelly Kathleen James | ADM-103 – The Essay | 13 January 2020 Introduction ................................................................................................................................. 1 Social Context .............................................................................................................................. 1 The Rise and Fall of Art Nouveau ............................................................................................... 2 Origins & Revival ...................................................................................................................... 2 Le style Mucha .......................................................................................................................... 2 ContemPorary Artists .................................................................................................................. 3 Kelley Mouse Studios & the Grateful dead ............................................................................. 3 Stephanie young and street art ............................................................................................... 5 Bibliography ................................................................................................................................. 7 Table of Figures ............................................................................................................................ 7 Introduction This essay investigates the relationshiP between the Art
    [Show full text]
  • Publicsite.R?Scontinent=USA&Screen=
    Results and Description Print Page 1 of 4 Print Results Close Screen Sale 15537 - Life on the Golden Road with the Grateful Dead: The Ram Rod Shurtliff Collection, 8 May 2007 220 San Bruno Avenue, San Francisco, California Prices are inclusive of Buyer's Premium and sales tax (VAT, TVA etc) and may be subject to change. Lot Description Hammer Price 1 A Bob Seidemann mounted-to-board photographic print of The Grateful Dead, $1,680 1971 2 Two color photographs of Jerry Garcia and Bob Weir, circa 1968 $900 3 Five black and white photographs of The Grateful Dead, circa 1969 $780 4 A massive display piece of The Grateful Dead from The Winterland Ballroom, circa $9,600 1966-1978 5 A poster of Pig Pen and Janis Joplin, 1972 $720 6 A Herb Greene signed black and white photograph of The Grateful Dead, 1965, $1,320 1988 7 A Herb Greene signed black and white photograph of Jerry Garcia, 1966, 1980s $960 8 A Herb Greene signed limited edition black and white photograph of The Grateful $2,400 Dead with Bob Dylan, 1987, 1999 9 A Herb Greene signed black and white photograph of The Grateful Dead and Bob $1,440 Dylan, 1987, 1999 10 A Herb Greene signed and numbered limited edition poster of Jerry Garcia, 1966, $900 2003 11 A group of photographs of The Grateful Dead, 1960s-1990s $480 12 A William Smythe signed color photograph of Phil Lesh, 1983 $360 13 A Bob Thomas group of original paintings created for The Grateful Dead album $87,000 jacket "Live/Dead," 1969 14 An RIAA gold record given to The Grateful Dead for "Grateful Dead" (aka "Skull $11,400 and
    [Show full text]
  • Urban Maori Authorities
    TEENA BROWN PULU Minerals and Cucumbers in the Sea: International relations will transform the Tongan state Abstract Constitution law researcher Guy Powles, a Pakeha New Zealander residing in Australia was not optimistic accurate predictions on “the [Tonga] election which is coming up now in November” could be made (Garrett, 2014). “A man would be a fool to try to guess just where the balance will finish up,” he uttered to Jemima Garrett interviewing him for Radio Australia on April 30th 2014 (Garrett, 2014). Picturing the general election seven months away on November 27th 2014, Powles thought devolving the monarch’s executive powers to government by constitutional reform was Tonga’s priority. Whether it would end up an election issue deciding which way the public voted was a different story, and one he was not willing to take a punt on. While Tongans and non-Tongan observers focused attention on guessing who would get into parliament and have a chance at forming a government after votes had been casted in the November election, the trying political conditions the state functioned, floundered, and fell in, were overlooked. It was as if the Tongans and Palangi (white, European) commentators naively thought changing government would alter the internationally dictated circumstances a small island developing state was forced to work under. Teena Brown Pulu has a PhD in anthropology from the University of Waikato. She is a senior lecturer in Pacific development at AUT University. Her first book was published in 2011, Shoot the Messenger: The report on the Nuku’alofa reconstruction project and why the Government of Tonga dumped it.
    [Show full text]
  • Grateful Dead Records: Artwork MS.332.Ser
    http://oac.cdlib.org/findaid/ark:/13030/c8ff3qrq Online items available Grateful Dead Records: Artwork MS.332.Ser. 9 Wyatt Young, Alix Norton University of California, Santa Cruz 2018 1156 High Street Santa Cruz 95064 [email protected] URL: http://guides.library.ucsc.edu/speccoll Grateful Dead Records: Artwork MS.332.Ser. 9 1 MS.332.Ser. 9 Contributing Institution: University of California, Santa Cruz Title: Grateful Dead Records: Artwork Creator: Grateful Dead Productions Identifier/Call Number: MS.332.Ser. 9 Physical Description: 178 Linear Feet42 boxes, 9 map-case drawers, and 103 oversized items Date (inclusive): 1972-2012 Date (bulk): 1980-2008 Language of Material: English . https://www.gdao.org/ Access Collection is open for research. Advance notice is required to access large and framed items so that they can be retrieved from storage. Please contact Special Collections and Archives in advance to request access. Accruals The first accrual was received in 2008. A second accrual was received in June 2012. Acquisition Information Gift of Grateful Dead Productions, 2008 and 2012. Arrangement This collection is arranged in three series: Series 1: Business Art Series 2: Fan Art Series 3: Band Art Materials within each series are arranged alphabetically by last name of artist, where identified. Biography The Grateful Dead were an American rock band that formed in 1965 in Northern California. They came to fame as part of author Ken Kesey's Acid Tests, a series of multimedia happenings centered around then-legal LSD. Famed for their concerts, the band performed more than 2,300 shows over thirty years, disbanding after the death of lead guitarist Jerry Garcia in August 1995.
    [Show full text]
  • Introduction in Their Thirty Years Together, the Grateful Dead Forever
    Introduction In their thirty years together, the Grateful Dead forever altered the way in which popular music is performed, recorded, heard, marketed, and shared. Founding members Jerry Garcia, Bill Kreutzmann, Phil Lesh, Ron “Pigpen” McKernan, and Bob Weir took the name Grateful Dead in 1965, after incarnations as Mother McCree’s Uptown Jug Champions and The Warlocks. Despite significant changes in the band’s lineup, including the addition of Mickey Hart and the death of Ron McKernan, the band played together until Jerry Garcia’s death in 1995. From the beginning, the Grateful Dead distinguished themselves by their preference for live performance, musical and business creativity, and an unprecedented dedication to their fans. Working musicians rather than rock stars, the Dead developed a distinctive sound while performing as latter-day American troubadours, bringing audio precision to their live performances and the spontaneity of live performances to their studio work. Side-stepping the established rules of the recording industry, the Dead took control of the production and distribution of their music. With a similar business savvy, they introduced strategic marketing innovations that strengthened the bond with their fans. This exhibition, the first extensive presentation of materials from the Grateful Dead Archive housed at the University of California, Santa Cruz, testifies to the enduring impact of the Grateful Dead and provides a glimpse into the social upheavals and awakenings of the late twentieth century—a transformative period that profoundly shaped our present cultural landscape. Amalie R. Rothschild, Fillmore East Marquee, December 1969. Courtesy Amalie R. Rothschild Beginnings The Grateful Dead began their musical journey in the San Francisco Bay Area at a pivotal time in American history, when the sensibilities of the Beat generation coincided with the spirit of the burgeoning hippie movement.
    [Show full text]
  • The Mann Center and AEG Live Present Furthur
    FOR IMMEDIATE RELEASE CONTACT: Christine Reimert / 610‐639‐2136 / [email protected] Lucy MacNichol / 215‐568‐2525 / [email protected] Corey Bonser / 215‐546‐7900 / [email protected] The Mann Center and AEG Live Present Furthur Celebrating 75 Years of Live Music in the Park: July 10 & 11 Feature Rock Legends Phil Lesh and Bob Weir PHILADELPHIA – June xx, 2010 – Grateful Dead members Phil Lesh and Bob Weir are embarking on a musical adventure with their new band Furthur. Fans can expect Lesh and Weir to push the musical envelope with jaw-dropping improvisations and loving renditions of Grateful Dead classics along with an all-star band that includes keyboardist Jeff Chimenti (RatDog), drummer Joe Russo (Benevento - Russo Duo, Trey Anastasio), and guitarist John Kadlecik (Dark Star Orchestra). New and old fans of the Grateful Dead alike will be entranced as the two rock legends take the musical journey "further," exploring some of the Grateful Dead's most beloved songs in a tour that promises to keep the feet stomping and the bodies shaking. Tickets for this event are $43.50 & $33.50. Saturday & Sunday performances begin at 7:30 PM. For detailed ticket information, call 215.893.1999, visit the Mann Center box office at 52nd and Parkside Avenue in Fairmount Park, or buy online: www.manncenter.org, www.ticketphiladelphia.org or www.ticketmaster.com. For ticket package information, call 215.893.1955 or visit www.manncenter.org. Editor's Note: Photos of artists are available at http://www.manncenter.org/news/pressroom and upon request. About AEG Live AEG Live, the live-entertainment division of Los Angeles-based AEG, is dedicated to all aspects of live contemporary music performance.
    [Show full text]
  • The Psychedelic Poster Art and Artists of the Late 1960S
    Focus on Topic The Psychedelic Poster Art and Artists of the late 1960s by Ted Bahr Bahr Gallery New York, USA 46 Focus on Topic The stylistic trademarks of the 1960s To advertise these concerts, both promoters turned to Wes Wilson at Contact Printing, who had been laying psychedelic poster were obscured and disguised out the primitive handbills used to advertise the Mime lettering, vivid color, vibrant energy, flowing Troupe Benefits and the Trips Festival. Wilson took organic patterns, and a mix of cultural images LSD at the Festival and was impacted by the music, from different places and periods -- anything to the scene, and the sensuous free-love sensibilities of confuse, enchant, thrill, and entertain the viewer. the hippie ethos. His posters quickly evolved to match the flowing, tripping, improvisational nature of the The style was also tribal in the sense that if you developing psychedelic music -- or “acid rock” -- and could decipher and appreciate these posters his lettering began to protrude, extend, and squeeze then you were truly a member of the hippie into every available space, mimicking and reflecting the subculture – you were hip, man. totality of the psychedelic experience. His early style culminated in the July 1966 poster for The Association which featured stylized flame lettering as the image The psychedelic poster movement coincided with the itself, a piece that Wilson considered to be the first rise of hippie culture, the use of mind-altering drugs like truly psychedelic poster. LSD, and the explosion of rock and roll. San Francisco was the center of this universe, and while prominent psychedelic poster movements also developed in London, Detroit, Los Angeles, and Austin, Bay Area artists both initiated and dominated the genre.
    [Show full text]
  • Grateful Dead Archive Online
    Ithaka S+R Case Study Grateful Dead Archive Online University of California at Santa Cruz www.gdao.org The Ithaka S+R Case Studies in Sustainability were conducted in partnership with the Association of Research Libraries and were made possible by the generous support of the Institute of Museum and Library Services. A summary report, “Searching for Sustainability: Strategies from Eight Digitized Special Collections,” is available at http://www.sr.ithaka. org/research-publications/searching-sustainability. This specific case study was researched and written by Nancy L. Maron, Program Director, Ithaka S+R. ABSTRACT Few archives come with a built-in fanbase. The Grateful Dead Archive Online (GDAO) is distinguished from many other academic special collections by the variety of media it holds, from concert tickets to audio files and art created by fans of the band, and by its potential audience, the many thousands of fans of the Grateful Dead. Support for the Archive has come from grant funding, private donors, and from this fan base, which poses one of the project’s fascinating opportunities and challenges. How can the GDAO benefit from the enormous potential audience of devoted fans, and from the material they could contribute, while still remaining true to its academic home at the University Library of the University of California at Santa Cruz? INTRODUCTION Some archives may have devoted researchers who use them, but few have true fans. The Grateful Dead Archive (GDA), housed at the University of California at Santa Cruz (UCSC), is a real exception in several ways. The focus of the archive—the live music and touring of the Grateful Dead, the jam band fronted by Jerry Garcia—is part of fairly recent cultural memory.
    [Show full text]
  • Doctor 1 William Doctor Dr. Colley Intercultural Communications 10/13
    Doctor 1 William Doctor Dr. Colley Intercultural Communications 10/13/2020 Tonga The kingdom of Tonga is made up of 169 islands with people of Polynesian descent groups. Most of the Tonga islands are non-inhabited, with a general area of 750 square miles spread over 270000 square miles of the Pacific Ocean. Tonga is home to more than one hundred thousand people, with most of them residing in Tongatapu island. Tonga people speak Tongan and English languages, and they study Wesleyanism religion (Sugden, 344). They are surrounded by territories such as Fiji, Wallis, and Futunan, Samoa, New Zealand, and Caledonia. Tonga was founded in 1845. It became a traditional kingdom monarchy in 1875. It was a British protected state from 1900 to 1970 through a friendship agreement. From 1970 to 2010, the kingdom has never renounced its freedom to foreign states. Despite that, in 2010, the country becomes a constitutional monarchy. Primarily, the type of government in Tonga is the hereditary constitutional monarchy with King Tupou VI, a one-time prime minister as the current head of state. Pohiva Tuʻiʻonetoa is the current prime minister of the state; he took office in October 2019 following the death of ʻAkilisi Pohiva in September of 2019. Doctor 1 Agriculture and fishing are the main economic activities in Tonga. Notably, Tonga has a gross domestic product of 450.4 million US dollars, and the main import is food and beverages, automobiles and machinery while the main exports are fish and agricultural products like Squash, coconuts, bananas, and vanilla beans, limes, and tomatoes (Sutherland, 355).
    [Show full text]
  • FOR IMMEDIATE RELEASE August 27, 2018
    Contact: Amy Schreiber Executive Assistant for Advancement and Administration 260. 422. 6467, ext. 334 [email protected] FOR IMMEDIATE RELEASE August 27, 2018 Solo exhibition by Chuck Sperry, legendary rock poster artist, opens September 15 Including a sister exhibition of work from the psychedelic era opening September 8 [Fort Wayne, IN] ̶ The Fort Wayne Museum of Art is pleased to announce dual exhibitions exploring the intersection of art, music, and journalism, and their influence by the psychedelic era of the 1960s. On September 8, FWMoA will open Litmus Test: Works on Paper from the Psychedelic Era, followed by the opening of All Access: Exploring Humanism in the Art of Chuck Sperry a week later on September 15. The Psychedelic Era was, among many things, a cultural frontier for colors and imagery. Music, politics, and drugs ignited an unprecedented expansion of art revolving around these elements. From Berkeley College to the Grande Ballroom in Detroit, young idealists organized and the art of the era came to fruition. This exhibition will be our bridge to that time, showcasing a psychedelic era works on paper. The poster work and ephemera of Gary Grimshaw and the photography of Leni Sinclair will showcase the art that poured from that time and place. Blotter sheets from Mark Mothersbaugh, H.R. Giger, S. Clay Wilson, Chuck Sperry, and more will represent the creative fuel for many of the artists of the time. Also featured will be the work of the poster artists of the time: Wes Wilson, Victor Moscoso, Stanley Mouse, Rick Griffin, and Alton Kelley.
    [Show full text]
  • Jerry Garcia from Wikipedia, the Free Encyclopedia
    Jerry Garcia From Wikipedia, the free encyclopedia Background information Birth name Jerome John Garcia Born August 1, 1942, San Francisco, California, United States Died August 9, 1995 (aged 53), Forest Knolls, California, United States Genres Folk rock, bluegrass, progressive rock Occupation(s) Musician, songwriter Instruments Guitar, vocals, pedal steel guitar, banjo Years active 1960–1995 Labels Rhino, Arista, Warner Bros., Acoustic Disc, Grateful Dead Associated acts Grateful Dead, Legion of Mary, Reconstruction, Jerry Garcia Band, Old and in the Way, Jerry Garcia Acoustic Band, New Riders of the Purple Sage͵ Garcia Grisman Band Notable instruments Fender Stratocaster "Alligator" Doug Irwin-modified Alembic "Wolf" Gibson SGs Guild Starfire 1957 Gibson Les Paul Gold-top Les Paul with P-90 Doug Irwin Custom "Tiger" Doug Irwin Custom "Rosebud" Stephen Cripe Custom "Lightning Bolt," Martin D-28, Takamine acoustic-electric guitars Travis Bean TB1000S, TB500[1] Jerome John "Jerry" Garcia (August 1, 1942 – August 9, 1995) was an American musician best known for his lead guitar work, singing and songwriting with the band the Grateful Dead, which came to prominence during the counterculture era. Though he disavowed the role, Garcia was viewed by many as the leader or "spokesman" of the group. One of its founders, Garcia performed with the Grateful Dead for their entire thirty-year career (1965–1995). Garcia also founded and participated in a variety of side projects, including the Saunders-Garcia Band (with longtime friend Merl Saunders), the Jerry Garcia Band, Old and in the Way, the Garcia/Grisman acoustic duo, Legion of Mary, and the New Riders of the Purple Sage (which Garcia co-founded with John Dawson and David Nelson).
    [Show full text]
  • The Hashemite Kingdom of Jordan
    Dipartimento di International Relations Cattedra Mediterranean Studies The Resilience of Arab Monarchies during the Uprisings of 2011 and 2012: The Hashemite Kingdom of Jordan RELATORE: Professoressa Francesca Corrao CANDIDATO Uberto Marchesi Matricola 626222 CORRELATORE: Professor Marco Mayer ANNO ACCADEMICO 2015 – 2016 1 TABLE OF CONTENTS SUMMARY 4 INTRODUCTION 6 CHAPTER 1: A HISTORICAL PERSPECTIVE 10 The Birth and Evolution of the Hashemite Kingdom of Jordan 12 Ottoman Rule 13 Conflicting Ideologies: Arab Nationalism and Zionism 14 The First World War: The Role of Diplomacy 17 Transjordan 21 The Hashemite Kingdom of Jordan 25 The Coronation 26 Legitimacy of the regime 27 The Arab Awakenings in the Middle East and North Africa 32 The Boom of Young People 38 Economic and Social Marginalization 39 The Absence of Political Freedom 40 Regress of National Integration Factors 41 The growing role of Foreign and Regional Forces 42 A Comparative Overview 44 2011 – 2012 Jordanian’s Protests 46 Conclusionary Remarks 55 2 CHAPTER 2: LEGITIMACY 56 Monarchies Today 57 Legitimacy of Arab Monarchies 58 The Hashemite King 67 Abdullah II Bin al-Hussein 70 Conclusionary Remarks 78 CHAPTER 3: STABILITY 80 The eye of the cyclone 81 The Effects of the Arab Awakenings in the Stability of the Country 84 Domestic Level 88 Intermestic Level 91 Refugees and Jordan 91 The Threat of Da’esh 93 International Level 97 Neighbors 98 The Pull of the Gulf Cooperation Council 100 Washington, Amman… and Rabat 103 Conclusionary Remarks 108 CONCLUSION 113 Areas for Improvement and Further Studies 114 ANNEX I: GENERAL TIMELINE 117 ANNEX II: LIST OF CURRENT MONARCHIES 123 REFERENCES 127 3 SUMMARY On January 2013, the Kingdom of Jordan had its first elections according to the new electoral law implemented at the end of the rush of protests that shook Jordan and the Middle East during the two previous years.
    [Show full text]