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The Roots of Middle-Earth: William Morris's Influence Upon J. R. R. Tolkien
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-2007 The Roots of Middle-Earth: William Morris's Influence upon J. R. R. Tolkien Kelvin Lee Massey University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Literature in English, British Isles Commons Recommended Citation Massey, Kelvin Lee, "The Roots of Middle-Earth: William Morris's Influence upon J. R. R. olkien.T " PhD diss., University of Tennessee, 2007. https://trace.tennessee.edu/utk_graddiss/238 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Kelvin Lee Massey entitled "The Roots of Middle-Earth: William Morris's Influence upon J. R. R. olkien.T " I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in English. David F. Goslee, Major Professor We have read this dissertation and recommend its acceptance: Thomas Heffernan, Michael Lofaro, Robert Bast Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation written by Kelvin Lee Massey entitled “The Roots of Middle-earth: William Morris’s Influence upon J. -
Produce Business July 2007
inside...The Pundit Looks At Whole Food’s London Store • Wal-Mart Pricing Report • Asian Marketing Industry Software • New York State Vegetables ALSO INSIDE Garlic • Dates and Dried Figs • FLORAL DISPLAYS 9TH ANNUAL PRODUCE FOODSERVICE PORTFOLIO Starts on Page 99 JULY 2007 • VOL. 23 • NO. 7 • $9.90 1010 TOPTOP TasteTaste ALSO INSIDE: TrendsTrends New York Regional Market Profile 2007 TheThe rolerole ofof produceproduce onon America’sAmerica’s menusmenus isis growinggrowing exponentiallyexponentially.. Starts on Page 43 Reader Service # 8 JULY 2007 • VOL. 23 • NO. 7 40 FEATURES ASIAN CONSUMER MARKET REMAINS LARGELY UNTAPPED . 40 Savvy retailers are looking for ways to enter this billion-dollar market. Photo courtesy of the Idaho Potato Commission: Idaho Potato and Chicken Gumbo SOFTWARE TARGETS A SAFER FOOD SUPPLY . 91 New functionalities open up more information sharing. COVER STORY NEW YORK STATE VEGETABLE REPORT . 96 10 TOP TASTE TRENDS . 18 In season, New York state provides the The role of produce on America’s East Coast with a long list of fresh vegetables. menus is growing exponentially. DEPARTMENTS COMMENTARY MERCHANDISING REVIEW THE FRUITS OF THOUGHT The Dish On Garlic . 123 Foodservice And Food Safety . 8 Consumers need garlic for many dishes and retailers should capitalize on that need. RETAIL PERSPECTIVE DRIED FRUIT AND NUTS Taste Or No Taste? . 134 Dates And Dried Figs — More Than Holiday Treats. 127 EUROPEAN MARKET Offering dates and dried figs year-round Global Warming will garner sales year-round. Will Not Go Quietly . 136 FLORAL AND FOLIAGE MARKETING Engineer A Stunning Floral Display (Part 2 of a 2-part series) . -
Japanese Native Speakers' Attitudes Towards
JAPANESE NATIVE SPEAKERS’ ATTITUDES TOWARDS ATTENTION-GETTING NE OF INTIMACY IN RELATION TO JAPANESE FEMININITIES THESIS Presented in Partial Fulfillment of the Requirements for The Degree Master of Arts in the Graduate School of The Ohio State University By Atsuko Oyama, M.E. * * * * * The Ohio State University 2008 Master’s Examination Committee: Approved by Professor Mari Noda, Advisor Professor Mineharu Nakayama Advisor Professor Kathryn Campbell-Kibler Graduate Program in East Asian Languages and Literatures ABSTRACT This thesis investigates Japanese people’s perceptions of the speakers who use “attention-getting ne of intimacy” in discourse in relation to femininity. The attention- getting ne of intimacy is the particle ne that is used within utterances with a flat or a rising intonation. It is commonly assumed that this attention-getting ne is frequently used by children as well as women. Feminine connotations attached to this attention-getting ne when used by men are also noted. The attention-getting ne of intimacy is also said to connote both intimate and over-friendly impressions. On the other hand, recent studies on Japanese femininity have proposed new images that portrays figures of immature and feminine women. Assuming the similarity between the attention-getting ne and new images of Japanese femininity, this thesis aims to reveal the relationship between them. In order to investigate listeners’ perceptions of women who use the attention- getting ne of intimacy with respect to femininity, this thesis employs the matched-guise technique as its primary methodological choice using the presence of attention-getting ne of intimacy as its variable. In addition to the implicit reactions obtained in the matched- guise technique, people’s explicit thoughts regarding being onnarashii ‘womanly’ and kawairashii ‘endearing’ were also collected in the experiment. -
Francis Poulenc and Surrealism
Wright State University CORE Scholar Master of Humanities Capstone Projects Master of Humanities Program 1-2-2019 Francis Poulenc and Surrealism Ginger Minneman Wright State University - Main Campus Follow this and additional works at: https://corescholar.libraries.wright.edu/humanities Part of the Arts and Humanities Commons Repository Citation Minneman, G. (2019) Francis Poulenc and Surrealism. Wright State University, Dayton, Ohio. This Thesis is brought to you for free and open access by the Master of Humanities Program at CORE Scholar. It has been accepted for inclusion in Master of Humanities Capstone Projects by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. Minneman 1 Ginger Minneman Final Project Essay MA in Humanities candidate Francis Poulenc and Surrealism I. Introduction While it is true that surrealism was first and foremost a literary movement with strong ties to the world of art, and not usually applied to musicians, I believe the composer Francis Poulenc was so strongly influenced by this movement, that he could be considered a surrealist, in the same way that Debussy is regarded as an impressionist and Schönberg an expressionist; especially given that the artistic movement in the other two cases is a loose fit at best and does not apply to the entirety of their output. In this essay, which served as the basis for my lecture recital, I will examine some of the basic ideals of surrealism and show how Francis Poulenc embodies and embraces surrealist ideals in his persona, his music, his choice of texts and his compositional methods, or lack thereof. -
浜崎あゆみ Next Level Mp3, Flac, Wma
浜崎あゆみ Next Level mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock / Pop Album: Next Level Country: Japan Released: 2009 Style: J-pop, Techno, Pop Rock, Synth-pop MP3 version RAR size: 1324 mb FLAC version RAR size: 1492 mb WMA version RAR size: 1405 mb Rating: 4.9 Votes: 778 Other Formats: DXD VOC VQF AU AUD AIFF XM Tracklist Hide Credits Bridge To The Sky 1 1:40 Music By, Arranged By, Programmed By – Yuta Nakano Next Level 2 Arranged By, Programmed By – HAL Backing Vocals – Junko HirotaniGuitar – Takehito 4:28 ShimizuMusic By – D.A.I.Programmed By [Additional] – Mayuko Maruyama Disco-munication 3 1:30 Music By, Arranged By, Programmed By, Guitar, Bass – CMJK Energize 4 4:29 Arranged By, Programmed By, Guitar – CMJKMusic By – Yuta Nakano Sparkle 5 4:30 Arranged By, Programmed By, Guitar, Bass – CMJKMusic By – Kazuhiro Hara Rollin' 6 5:02 Arranged By, Programmed By, Guitar – CMJKMusic By – Yuta Nakano Green 7 Arranged By [Strings] – Gen IttetsuArranged By, Programmed By, Guitar – TasukuDrums – 4:46 Tom Tamada*Music By – Tetsuya YukumiStrings – Gen Ittetsu Strings* Load Of The Shugyo 8 1:30 Music By, Arranged By, Programmed By, Guitar, Bass – CMJK Identity Backing Vocals [Additional] – Sharlotte Gibson, Stephanie AlexandraBass – Chris 9 4:16 ChaneyDrums – Josh FreeseGuitar – Tim PierceGuitar [Additional] – KIKU , Ryota AkizukiMusic By, Arranged By, Programmed By – Yuta Nakano Rule Arranged By, Programmed By – HAL Bass – Junko KitasakaDrums – Tom Tamada*Guitar – 10 4:07 Takehito ShimizuMusic By – Miki WatanabeProgrammed -
Mahina, the Hawaiian Moon Calendar, and Shamanic Astrology by Liz Dacus
Mahina, the Hawaiian Moon Calendar, and Shamanic Astrology By Liz Dacus In August of 2009, a Shamanic Astrology group gathered for a week long event on the Big Island. The main purpose of the gathering was to learn more about the night sky and the Hawaiian Moon Calendar. It is exciting to see how the Hawaiian Moon Calendar can be integrated into the Shamanic Astrology Mystery School’s current understanding of the Moon cycles. I think it is worthwhile to begin with the Hawaiian story of how the Moon came to be, in the words of noted artist and post contact historian Herbert Kane.(1) “In the beginning there was only Po, the Darkness, an infinite, formless night without beginning, without end. But within that emptiness there emerged a Thought, an intelligence that brooded through an immensity of time and space, Hina. And in that darkness was created a womb, the Earth Mother, Papa (pa-PAH). Then light was created, the light of the Sky Father, Wakea. In their embrace, male light penetrated female darkness, and from this union of opposites was created a universe of opposites---male and female, light and dark, heat and cold, rough and smooth, wet and dry, storm and stillness-a universe where all things are defined by their opposites. Thus the Universe was given form and life; for only in the marriage of light and darkness can forms be revealed. Only in sunlight can there be growth of living things, all fathered by light and mothered in the darkness of the womb, the egg, or the soil. -
Aya Hirano Bouken Desho Desho? Mp3, Flac, Wma
Aya Hirano Bouken Desho Desho? mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop / Stage & Screen Album: Bouken Desho Desho? Country: US Released: 2007 Style: J-pop, Karaoke, Theme MP3 version RAR size: 1330 mb FLAC version RAR size: 1975 mb WMA version RAR size: 1606 mb Rating: 4.5 Votes: 251 Other Formats: MIDI WAV MMF FLAC APE DXD VQF Tracklist 1 Bouken Desho Desho? 4:18 2 Kazeyomi Ribbon 3:47 3 Bouken Desho Desho? (Karaoke Version) 4:18 4 Kazeyomi Ribbon (Karaoke Version) 3:43 Companies, etc. Recorded At – Studio Magic Garden Credits Arranged By – Junpei Fujita (tracks: 1, 3), Takahiro Ando (tracks: 2, 4) Art Direction – Junya Imai Composed By – Akiko Tomita (tracks: 1, 3), Morihiro Suzuki (tracks: 2, 4) Directed By – Shigeru Saito Engineer – Atsushi Kobayashi , Haruhiko Shimokawa, Katsumi Moriya Executive-Producer – Kazuoki Ohnishi, Shunji Inoue Illustration – Shoko Ikeda Lyrics By – Aki Hata Mastered By – Yoshihiko Ando Painting – Naomi Ishida Photography By – Takahiro Yoshimoto Producer – Shigeru Saito Strings – Gen Ittetsu Strings* Tenor Saxophone – Kazuki Katsuta Trombone – Hiroki Sato Trumpet – Shirou Sasaki* Notes Tracks 1 and 3 are opening theme of TV anime "The Melancholy of Haruhi Suumiya". Tracks 2 and 4 are opening theme of radio drama "The Melancholy of Haruhi Suzumiya SOS Brigade Radio Division". Other versions Category Artist Title (Format) Label Category Country Year LACM-4255 Aya Hirano 冒険でしょでしょ? (CD, Maxi) Lantis LACM-4255 Japan 2006 Related Music albums to Bouken Desho Desho? by Aya Hirano Masayoshi Takanaka - T-Wave 山瀬まみ - 親指姫 Koda Kumi - Eternity ~Love & Songs~ Ai Otsuka - Love Is Best Taeko Ohnuki, Shigeru Suzuki, Haruomi Hosono, Kaze , Yuko Tomita, Ryohei Yamanashi, Haruomi Hosono - On The Beach Ayumi Hamasaki - A Ballads Takahiro Saito - Mandom-Lovers Of The World / 25 Minutes To Go Ayumi Hamasaki - Ayu-mi-x 7 -Version Acoustic Orchestra- Ai Otsuka - Love Fantastic Various - Carol Tribute Sam Morgan's Jazz Band / The Get-Happy Band / The Blue Ribbon Syncopators - Sam Morgan Etc. -
Green Bond Pricing in the Primary Market
GREEN BOND PRICING H1 IN THE PRIMARY MARKET: (Q1-Q2) 2019 January - June 2019 Report highlights • Includes 61 green bonds from 52 issuers with a combined face value of USD56.6bn issued in H1 (Q1-Q2) 2019 • EUR green bonds achieved larger book cover, and greater spread compression than vanilla equivalents, on average • USD green bonds were similar to vanilla equivalents, on average • Two thirds of green bonds in our sample priced without new issue premium • 53% of green bonds were sold to green investors • 28 days after pricing, green bonds tend to have tightened more than their benchmarks, on average • Spotlight on EUR Utility bonds With funding support by Obvion Hyptheken and Lyxor Asset Management Green Bond Pricing in the Primary Market: January - June 2019 1 Introduction Report highlights This is the 8th report in our pricing series, • On average, EUR green bonds achieved • Seven days after pricing, vanilla bonds in which we observe how green bonds larger oversubscription and spread had tightened more than green bonds, on perform in the primary markets. This compression than vanilla equivalents (for average. After 28 days, green bonds had, report includes bonds issued in the first six the same sector and period). on average, tightened more than vanilla months of 2019 (H1 2019). See more on page 3 bonds. See more on pages 12 During this period, USD117bn of green bonds • On average, USD green bonds achieved were issued that complied with the Climate lower oversubscription and spread • In Q3 more green benchmark Utilities Bonds Taxonomy.1 Our analysis for H1 2019 compression than vanilla equivalents. -
The Recording Industry in Japan 2005
RIAJ Yearbook 2005 The Recording Industry in Japan English Edition 2005 Statistics Analysis Trends CONTENTS Overview of Production of Recordings in 2004 ..................................1 Production Statistics by Format (Unit Basis•Value Basis) ............2 1. Total Recorded Music — Unit Basis......................................................................2 2. Total Audio Recordings — Unit Basis ..................................................................2 3. Total CDs — Unit Basis ........................................................................................2 4. Total Recorded Music — Value Basis....................................................................3 5. Total Audio Recordings — Value Basis ................................................................3 6. Total CDs — Value Basis......................................................................................3 7. CD Singles — Unit Basis ......................................................................................4 8. 5" CD Albums — Unit Basis ................................................................................4 0. Reference 1. Video Recordings — Unit Basis ................................................................4 9. CD Singles — Value Basis....................................................................................5 10. 5" CD Albums — Value Basis ..............................................................................5 0. Reference 2. Video Recordings — Value Basis ..............................................................5 -
Schielke, Samuli. "Destiny As a Relationship." HAU: Journal of Ethnographic Theory 8 (1/2): 343–346
Schielke, Samuli. "Destiny as a relationship." HAU: Journal of Ethnographic Theory 8 (1/2): 343–346. DOI: 10.1086/698268 Destiny as a relationship AFTERWORD to the special section ANTHROPOLOGIES OF DESTINY: ACTION, TEMPORALITY, FREEDOM Samuli Schielke, Leibniz-Zentrum Moderner Orient, Berlin Abstract: This afterword takes a closer look at relationships of power involved in destiny, taking inspiration from questions and answers offered in this special section on anthropologies of destiny. Destiny offers a theory of human action according to which humans can have power over their condition only in accordance and alliance with very powerful or omnipotent superhuman beings or processes, such as the monotheist God, polytheistic pantheons, heaven, planets, but also history, progress, or markets. Who are they? Do they need to be intentional? What kinds of power relations, or “relationship power,” do humans and the superhuman authors of their destiny craft? I return to the opening question of the special section—What does it mean to live a life that has already been written?—and suggest that destiny as an intimate relationships of power is meaningful in the sense that it provides practical, moral answers to the question why. Keywords: predestination, power, relationality, morality, God, divination, Tralfamadore Was the situation just structured that way? It is possible to imagine a destiny that is not a relationship but instead a deterministic causal chain that writes itself without intervention by powerful others. Kurt Vonnegut ([1969] 1979) did so in his novel Slaughterhouse-Five about the firebombing of Dresden, which he witnessed as a young prisoner of war. The protagonist, Billy Pilgrim, travels in time between World War II, a postwar American present, and a near future. -
OVER the MOON Written by Audrey Wells OTM Final Conformed Draft - 07.30.20 1
OVER THE MOON Written by Audrey Wells OTM Final Conformed Draft - 07.30.20 1. SEQUENCE 0100 - SPACE DOG FADE UP ON BLACK Billions of glistening stars. MOTHER (O.S) Scientists can tell us many things about space. They can tell us how far away the stars are. They can tell us that space starts one hundred kilometers above the Earth. FORMING OUT OF THE STARS - An impossibly huge object lumbers past, too close for us to see it in its entirety. Is it a spacecraft? A meteor? No - it seems to have FUR. MOTHER (O.S.) (CONT’D) But they can’t tell us about the Space Dog! SPACE DOG [BARKING EFFORTS][GRUMBLES] MOTHER (O.S.) He likes to chase comets and roll in the star dust! Enormous PAWS paddle through the blackness. A gargantuan pink TONGUE flaps in slow motion. The SPACE DOG heads for the FULL MOON. His epic jaws open wide in a state of happy doggie delirium. MOTHER (O.S.) (CONT’D) As far as the Space Dog’s concerned, the Moon is just a big, tempting ball. And almost every night he takes a bite. SPACE DOG [CHOMPING EFFORT] The gargantuan Space Dog bites the Moon, getting part of it into his mouth. CHOMP. WIDER FROM SPACE - it looks like the Moon WANES. SEQUENCE 0200 - LEGEND OF CHANG’E A giant foot enters screen and taps the water next to where the moon is reflected. OTM Final Conformed Draft - 07.30.20 2. EXT. CANAL/WUZHEN WATER TOWN/CHINA - EVENING - THAT MOMENT The foot belongs to Fei Fei, 5, who contemplates this information from the comfort of her mother’s lap. -
Arara Report ５May 16 Th , 2011 Arara Inc
arara report ５May 16 th , 2011 arara inc. “““ARAPPLI“ARAPPLIARAPPLI”””” is used for the national tour of worldworld----famousfamous Japanese singer, Ayumi Hamasaki. A character, “ayupan”, appears from the tour catalogcatalog as AR and introduces tour itemsitems.... arara inc.(Minato-ku, Tokyo/CEO Yosuke Iwai) announces that our AR application for smart phone, “ARAPPLI”, is used for the of famous Japanese singer, Ayumi Hamasaki’s national tour which began from May 7 th The promotional items’ AR catalog is distributed at Ayumi Hamasaki’s national wide tour which is called “ayumi hamasaki 〜POWER of MUSIC 〜 2011 A” and began from May 7 th . On the catalog, there are seven different QRAR marks. When a smart phone with “ARAPPLI” is held over the QRAR marks, “ayupan”, the character of Ayumi Hamasaki, appears as the AR and explains the promotional items. Since the downloaded AR contents are saved under the “Collection” of “ARAPPLI”, fans can enjoy after the concert. Moreover, the content is only distributed at the concert as original limited contents. By using “ARAPPLI” for tour items’ brochure, the promotional items can be introduced not only with the two dimensional information such as drawings and pictures, but also with sounds, movies, and 3D information. Those information can help introducing the items that cannot be explained only with catalog more attractively in detail. arara inc. is promoting our AR application for smart phone, “ARAPPLI”, and we aim to bring AR closer to everyone’s everyday life by providing various services with AR. Capture image of AR 「ayumi hamasaki ~Power of Music~ 2011 A 」 tour items’ brochure front page About AR (Augmented Reality) AR is a technology and the images that blended virtual graphics onto a physical reality.