Yaffle Films & Sikhya Entertainment Co-Producers, Pardesi Films
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Movie Aquisitions in 2010 - Hindi Cinema
Movie Aquisitions in 2010 - Hindi Cinema CISCA thanks Professor Nirmal Kumar of Sri Venkateshwara Collega and Meghnath Bhattacharya of AKHRA Ranchi for great assistance in bringing the films to Aarhus. For questions regarding these acquisitions please contact CISCA at [email protected] (Listed by title) Aamir Aandhi Directed by Rajkumar Gupta Directed by Gulzar Produced by Ronnie Screwvala Produced by J. Om Prakash, Gulzar 2008 1975 UTV Spotboy Motion Pictures Filmyug PVT Ltd. Aar Paar Chak De India Directed and produced by Guru Dutt Directed by Shimit Amin 1954 Produced by Aditya Chopra/Yash Chopra Guru Dutt Production 2007 Yash Raj Films Amar Akbar Anthony Anwar Directed and produced by Manmohan Desai Directed by Manish Jha 1977 Produced by Rajesh Singh Hirawat Jain and Company 2007 Dayal Creations Pvt. Ltd. Aparajito (The Unvanquished) Awara Directed and produced by Satyajit Raj Produced and directed by Raj Kapoor 1956 1951 Epic Productions R.K. Films Ltd. Black Bobby Directed and produced by Sanjay Leela Bhansali Directed and produced by Raj Kapoor 2005 1973 Yash Raj Films R.K. Films Ltd. Border Charulata (The Lonely Wife) Directed and produced by J.P. Dutta Directed by Satyajit Raj 1997 1964 J.P. Films RDB Productions Chaudhvin ka Chand Dev D Directed by Mohammed Sadiq Directed by Anurag Kashyap Produced by Guru Dutt Produced by UTV Spotboy, Bindass 1960 2009 Guru Dutt Production UTV Motion Pictures, UTV Spot Boy Devdas Devdas Directed and Produced by Bimal Roy Directed and produced by Sanjay Leela Bhansali 1955 2002 Bimal Roy Productions -
Media Release Reliance Entertainment and Phantom Films
Media Release Reliance Entertainment and Phantom Films’ Super 30 to release on 23rd Nov, 2018 Directed by Vikas Bahl, “Super 30” will star Hrithik Roshan Mumbai, November 4, 2017: Anil D. Ambani led Reliance Entertainment and Phantom Films’ “Super 30” directed by Vikas Bahl and starring Hrithik Roshan in the lead role will release on 23rd November 2018. Super 30 is a story of a mathematics genius from a modest family in Bihar, Anand Kumar, who was told that only a king’s son can become a king. But he went on to prove how one poor man could create some of the world’s most genius minds. Anand Kumar’s training program is so effective that students post cracking IIT have gone on to become some of the most successful professionals. Many students trained under the Super 30 program have joined some of the top global companies like Adobe, Samsung Research Institute, Amazon etc. Anand Kumar said, “I trust Vikas Bahl with my life story and I believe that he will make a heartfelt film. I am a rooted guy so I feel some level of emotional quotient is required to live my life on screen. I have seen that in Hrithik – on and off screen. I have full faith in his capabilities.” Vikas Bahl, truly inspired by Anand Kumar’s initiative, said, “Super 30 is a story of the struggles of those genius kids who have one opportunity and how those 30 amongst thousands of others redefine success. The film will focus on the Super 30 program that Kumar started, which trains 30 IIT aspirants to crack its entrance test.” Vikas Bahl is one of the most critically and commercially acclaimed directors of our country. -
MAMI PRESENTS the INDIA PREMIERE of Oscar Nominated LION in ASSOCIATION with PICTURE WORKS
MAMI PRESENTS THE INDIA PREMIERE OF Oscar Nominated LION IN ASSOCIATION WITH PICTURE WORKS ~ The incredible true story spellbinds the audience ~ Mumbai, Wednesday, February 1, 2017: MAMI in association with Picture Works today screened the India premiere of LION at PVR Icon, Versova, Mumbai. Lion is the incredible true story of Saroo Brierley’s journey to find his birth mother 20 years after he was accidently separated from her and his family. The film is based on the real-life memoir titled “A Long Way Home”. The icing on the cake was the Q & A session with celebrated director Garth Davis,Saroo Brierley and the Indian cast with Rajeev Masand. The premiere was attended by the real life Saroo Brierley, director Garth Davis as well as newcomer actor, Sunny Pawar (who plays the role of role 5 year old Saroo Brierley). Fellow cast members Deepti Naval, Tannishtha Chatterjee, Priyanka Bose also attended. As well as known personalities and actors- Radhika Apte, Rajkummar Rao, Vikramaditya Motwane, Shakun Batra, Ali Fazal, Kabir Khan, Mini Mathur,Nidhi Singh,Sumeet Vyas,Anupam Kher,Ayan Mukherji and Arshad Warsi. Lion has garnered phenomenal global acclaim- receiving six Oscar nominations at the 89th Academy Awards, including Best Picture, Best Supporting Actor (Dev Patel), Best Supporting Actress (Kidman) and Best Adapted Screenplay. The film stars Dev Patel, Rooney Mara, David Wenham, Nicole Kidman, Abhishek Bharate, Divian Ladwa, Priyanka Bose, Deepti Naval, Tannishtha Chatterjee, Nawazuddin Siddiqui and Sunny Pawar. MAMI Creative Director Smriti Kiran said, “We are delighted to have screened LION at MAMI; the story is a powerful narrative on hope and love. -
E-Waste Mass Awareness Programme Through Ad Film in Cinema/Theatres (Phase-II)
E-Waste Mass Awareness Programme through Ad Film in Cinema/Theatres (Phase-II) CAMPAIGN REPORT Conducted by PHD Chamber of Commerce and Industry in association with Ministry of Electronics and IT (MeitY), Government of India Report: E- Waste Mass Awareness Programme through Cinema 1 CAMPAIGN REPORT Report: E- Waste Mass Awareness Programme through Cinema 2 Table of Contents S. No. Particular Page No. 1 Acknowledgement 4 2 Executive Summary 5 3 Introduction 6 4 Agencies Involved 9 5 Flow of the Project – E- Waste Mass Awareness 11 Programme through Cinema Phase-II 6 Concept of the Ad Film – E -Positive 13 7 E- Waste Mass Awareness Programme through 15 Cinema - Phase-II- Schedule 7.1 Successful movies – Phase-II – E-Waste Mass 15 Awareness Programme through Cinema 7.2 List of Movies where Ad Film on E-Waste 18 Broadcasted 7.3 Partners during the campaign 24 7.4 Phase-II – Impact 24 8 Feedback from the viewers 25 9 Overall Feedback - National 26 8.1 City wise Feedback Analysis 30 8.2 City wise Feedback Analysis – Gurgaon 30 8.3 City wise Feedback Analysis – Trivandrum 33 8.4 City wise Feedback Analysis – Gandhinagar 37 8.5 City wise Feedback Analysis – Mumbai 40 8.6 City wise Feedback Analysis – Shimla 44 8.7 City wise Feedback Analysis – Madurai 47 8.8 City wise Feedback Analysis – Delhi 51 8.9 City wise Feedback Analysis – Raipur 54 8.10 City wise Feedback Analysis – Bangalore 58 8.11 City wise Feedback Analysis – Hyderabad 61 9 General feedback of the respondents 65 10 Post Event Activities 65 11 Recommendations and Suggestions 66 12 Organising Team 67 13 Annexure – A 68 Report: E- Waste Mass Awareness Programme through Cinema 3 ACKNOWLEDGEMENT It is with great pleasure that we present the post campaign report emerging out of Phase-II of ‘E-Waste Mass Awareness Programme through Ad Film in Cinema/Theatres’. -
D-Company and the 1993 Mumbai Bombings: Rethinking a Case of ‘Crime-Terror Convergence’ in South Asia
Mahadevan – D-company & 1993 Mumbai Bombings 54 The European Review of Organised Crime Original article D-Company and the 1993 Mumbai Bombings: rethinking a case of ‘crime-terror convergence’ in South Asia Prem Mahadevan* Abstract: In 1993, a transnational crime organization known as D-Company carried out mass-casualty terrorist bombings in Mumbai, India. The reasons for this action have been attributed to religious grievances. However, little attention has been given to the role played by Pakistan’s Inter Services Intelligence in supporting the bombings. Taking into account what has emerged in the public domain over the last 28 years regarding ISI links with D-Company and with international jihadist groups more generally, a re-assessment of the 1993 bombings is required. Hitherto regarded as an example of ‘crime-terror convergence’, it appears that D-Company might be more aptly considered an instrument of covert action. Keywords: Terrorism, heroin, gold, intelligence, covert operations. * Prem Mahadevan is Senior Analyst, Global Initiative Against Transnational Organized Crime. Email: [email protected] The European Review of Organised Crime 6(1), 2021, pp. 54-98. ISSN: 2312-1653 © ECPR Standing Group of Organised Crime. For permissions please email: [email protected] 54 Mahadevan – D-company & 1993 Mumbai Bombings 55 Introduction This article examines why the transnational crime syndicate known as ‘D-Company’ bombed the city of Mumbai in 1993. In what remains the bloodiest-ever terror incident on Indian soil, 257 civilians were killed by 12 near-synchronous explosions. The bombs had been assembled using military-grade explosive smuggled from abroad. The events of that day, Friday 12 March 1993, are considered by scholars as an example of hybridity between organized crime and political terrorism (Rollins, Wyler and Rosen, 2010: 14-16). -
Magazine1-4Final.Qxd (Page 2)
Comical and illogical...Page 4 SUNDAY, NOVEMBER 27, 2016 INTERNET EDITION : www.dailyexcelsior.com/magazine Why disrespect....Page 3 TALWARA goes organic Dr. Banarsi Lal Jammu and Kashmir is a mountainous state in which Jammu region is predominantly sub-tropical while Kashmir and Ladakh regions are temperate. The total geographical area of Jammu & Kashmir state is 2, 22, 236 sq. km and its population is 1, 25, 48,926 as per 2011 Census. Agriculture is the mainstay of Jammu and Kashmir state. This sector provides employment to about 70 per cent of the state population. Agriculture contributes about 65 per cent of the state revenue which signi- fies the overdependence of the state on agriculture. The average size of land holding of the state is only 0.67 hectare against 1.33 hectares' land holding size on national basis. Organic farming is picking up pace in the state and there is need of awareness and trainings of farmers for organic farming. J&K has huge potential for organic farming as the large area in the state is already under semi- organic cultivation in hilly districts of the state due to the lack of availability of chemical fertilizers in these areas and the farmers of these areas avoid to apply the chemical fertilizers. Basmati rice of R. S. Pura, rajmash of Bhaderwah, pota- to of Gurez and Machil and red rice of Tangdar, Kupwara, ginger and turmer- ic of Pouni, Reasi are major exportable organic products in the state and have the potential to fetch more returns in the market. Organic farming means holis- tic production systems which refer earth friendly methods for cultivation and food processing. -
Rewrite Her Story 5
THE STATE OF THE WORLD’S GIRLS 2019 Rewrite HerStory How film and media stereotypes affect the lives and leadership ambitions of girls and young women COUNTRIES FEATURED IN THIS RESEARCH SWEDEN FINLAND DENMARK CANADA NETHERLANDS germany UNITED STATES JAPAN VIETNAM DOMINICAN REPUBLIC INDIA HONDURAS SENEGAL BENIN PHILIPPINES SIERRA LEONE SOUTH SUDAN UGANDA PERU ZIMBABWE THE STATE OF THE WORLD’S GIRLS REPORTS Plan International first published The State of the Rewrite World’s Girls Report in 2007. The 2019 report on girls’ Contents representation in the media is the second in a new Her series that each year will examine the behaviours, attitudes and beliefs that limit girls’ freedom and Story opportunities in specific environments or sectors. Foreword .................................................. 5 Introduction .............................................. 6 Setting the scene ..................................... 9 Media, gender and leadership What girls see ........................................ 13 Content and analysis of box office hits Seeing and being the change ............... 18 Female filmmakers from around the world What girls say ........................................ 20 Reflections on the stories being told SWEDEN FINLAND DENMARK CANADA Films I dream about making ................. 29 NETHERLANDS germany Special feature by Egyptian filmmaker Mayye Zayed UNITED STATES The way forward .................................... 30 JAPAN What girls want to see VIETNAM Conclusions and recommendations .... 32 DOMINICAN REPUBLIC INDIA -
Satya 13 Ram Gopal Varma, 1998
THE CINEMA OF INDIA EDITED BY LALITHA GOPALAN • WALLFLOWER PRESS LO NOON. NEW YORK First published in Great Britain in 2009 by WallflowerPress 6 Market Place, London WlW 8AF Copyright © Lalitha Gopalan 2009 The moral right of Lalitha Gopalan to be identified as the editor of this work has been asserted in accordance with the Copyright, Designs and Patents Act of 1988 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transported in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of both the copyright owners and the above publisher of this book A catalogue record for this book is available from the British Library ISBN 978-1-905674-92-3 (paperback) ISBN 978-1-905674-93-0 (hardback) Printed in India by Imprint Digital the other �ide of 1 TRUTH l Hl:SE\TS IU\ffi(W.\tYEHl\"S 1 11,i:1111111,1:11'1111;1111111 11111111:U 1\ 11.IZII.IH 11.1\lli I 111 ,11 I ISll.lll. n1,11, UH.Iii 236 24 FRAMES SATYA 13 RAM GOPAL VARMA, 1998 On 3 July, 1998, a previously untold story in the form of an unusual film came like a bolt from the blue. Ram Gopal Varma'sSatya was released all across India. A low-budget filmthat boasted no major stars, Satya continues to live in the popular imagination as one of the most powerful gangster filmsever made in India. Trained as a civil engineer and formerly the owner of a video store, Varma made his entry into the filmindustry with Shiva in 1989. -
Gangs of Wasseypur As an Active Archive of Popular Cinema
M A D H U J A M U K H E R J E E Of Recollection, Retelling, and Cinephilia: Reading Gangs of Wasseypur as an Active Archive of Popular Cinema This paper studies Gangs of Wasseypur (Parts 1 and 2, 2012) as a definitive text via which Anurag Kashyap’s style became particularly provocative and pointed. While a range of films (both directed and produced by Kashyap) seemingly bear a certain ‘Kashyap mark’ in the manner in which they tackle subjects of violence and belligerent speech with an unpredictable comic sense, I argue that, more importantly, these films work within a particular visual framework with regard to its mise-en- scène (including the play of light, camera movement, modes of performance), as well as produce recognisable plot structures (involving capricious and realistic events), settings and locations (like the city’s underbelly, police stations, etc.), and so on. Indeed, Kashyap has made a set of films—including Paanch (unreleased), No Smoking (2007) and Ugly (2014)—which deal with similar issues, and explore contemporary cityscapes, especially Mumbai, with fervidness, thereby commenting on urban dystopia.1 Furthermore, these films speak to what has been analysed as the ‘Bombay noir’ mode by Lalitha Gopalan, by means of thoughtful art and set design, engaging (and often hand-held) camera movements and swish-pans, uses of blue or yellow filters, character prototypes, and reflective performances, which generate a world that is engulfed by a deep sense of disquiet and distress. This paper draws attention to such stylistic explorations, especially JOURNAL OF THE MOVING IMAGE 91 to the ways in which it has developed through Kashyap’s recent films. -
Download Guidelines and Role Descriptions For
Book of Projects 2012 ProectsBook12ofScript&Pitch Audience Design Writer’s Room The Pixel Lab FrameWork AdaptLab 1 Book of Projects 2012 ProectsBook12ofScript&Pitch Audience Design Writer’s Room The Pixel Lab FrameWork AdaptLab TorinoFilmLab has reached its fifth edition this year, Now that we are 5 years old, I must think of and it is a pleasure to celebrate together with those what I hope we can achieve for our 10th birthday. who have supported us since the very beginning: TorinoFilmLab is on the map now, but what is most Regione Piemonte, Comune di Torino and Ministero important is that we become, more and more, a per i Beni e le Attività culturali. community of filmmakers from all around the world, sharing experiences, knowledge, successes, failures, In these years, TorinoFilmLab has grown steadily, friendships, collaborations, projects, ideas…. adding programmes, activities and partners from all TorinoFilmLab works to offer opportunities, to create over Europe and the world. What in 2008 started a space were professionals in the cinema and media with 2 training activities, a co-production market and world can - if not find all they need, at least find a production fund, now runs 6 training activities that useful directions. We have worked hard and will try still all come together (except Interchange, that finds even harder in the next years. I say we, not because I a dedicated platform at the DFC during the Dubai deserve pluralis maiestatis, but because TorinoFilmLab International Film Festival) for the TFL Meeting Event is already a community, where staff, tutors and in Torino, during the Torino Film Festival. -
Anurag Kashyap, Guneet Monga, Nawazuddin Siddiqui, Richa Chadda, Vikramaditya Motwane
[LISTED] THE UNDERDOG TURNED SUPERSTAR ANURAG KASHYAP, GUNEET MONGA, NAWAZUDDIN SIDDIQUI, RICHA CHADDA, VIKRAMADITYA MOTWANE Text Shahnaz Siganporia Photography Ishika Mohan Motwane N THE INDIAN FILM INDUSTRY, there are good and bad words. ‘Un- derdog’, ‘struggler’, ‘starlet’ are clubbed into the ‘bad’ category while I words such as ‘Superstar’, ‘100 Crore Club’, ‘legacy’ fall into the ‘good’ category. However, sometimes the two combine to form a heady cocktail. The starlet bags a 100 crore film and the underdog becomes the superstar. The latter is a tricky balance—there’s the formulaic superstar and then there’s the superstar who paves his or her own way and creates cinema that goes way beyond the norm. Over the last few years, the tides have been busy changing, contorting and transforming our home-grown film industry. And let’s face it, in an industry raking in the moolah, thanks to wish-fulfilment and feel- good stories, we’re suckers for the runt who becomes the alpha. In the 100th year of Indian cinema, Platform celebrates the erstwhile underdogs who have gone on to carve out a space for themselves and have begun their ascent to stardom. NOV/DEC 2013 · PLATFORM · CREATIVE LIFESTYLE · 031 [LISTED] Anurag Kashyap FROM BANNED TO LAUDED THE BEGINNING I don’t know why I wanted to make films. It’s like asking yourself why you love someone. How do you explain that? You just do, you know? I just knew that filmmaking is what I wanted to do. I was studying to be a scientist and something just snapped—I knew that I should have- been making films. -
Annual-Report-2014-2015-Ministry-Of-Information-And-Broadcasting-Of-India.Pdf
Annual Report 2014-15 ANNUAL PB REPORT An Overview 1 Published by the Publications Division Ministry of Information and Broadcasting, Government of India Printed at Niyogi offset Pvt. Ltd., New Delhi 20 ANNUAL 2 REPORT An Overview 3 Ministry of Information and Broadcasting Annual Report 2014-15 ANNUAL 2 REPORT An Overview 3 45th International Film Festival of India 2014 ANNUAL 4 REPORT An Overview 5 Contents Page No. Highlights of the Year 07 1 An Overview 15 2 Role and Functions of the Ministry 19 3 New Initiatives 23 4 Activities under Information Sector 27 5 Activities under Broadcasting Sector 85 6 Activities under Films Sector 207 7 International Co-operation 255 8 Reservation for Scheduled Castes, Scheduled Tribes and other Backward Classes 259 9 Representation of Physically Disabled Persons in Service 263 10 Use of Hindi as Official Language 267 11 Women Welfare Activities 269 12 Vigilance Related Matters 271 13 Citizens’ Charter & Grievance Redressal Mechanism 273 14 Right to Information Act, 2005 Related Matters 277 15 Accounting & Internal Audit 281 16 CAG Paras (Received From 01.01.2014 To 31.02.2015) 285 17 Implementation of the Judgements/Orders of CATs 287 18 Plan Outlay 289 19 Media Unit-wise Budget 301 20 Organizational Chart of Ministry of I&B 307 21 Results-Framework Document (RFD) for Ministry of Information and Broadcasting 315 2013-2014 ANNUAL 4 REPORT An Overview 5 ANNUAL 6 REPORT Highlights of the Year 7 Highlights of the Year INFORMATION WING advertisements. Consistent efforts are being made to ● In order to facilitate Ministries/Departments in promote and propagate Swachh Bharat Mission through registering their presence on Social media by utilizing Public and Private Broadcasters extensively.