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Teacher Notes
Media Series - TV Teacher Notes Television in the Global Age Teachers’ Notes The resources are intended to support teachers delivering on the new AS and A level specifications. They have been created based on the assumption that many teachers will already have some experience of teaching Media Studies and therefore have been pitched at a level which takes this into consideration. Other resources are readily available which outline e.g. technical and visual codes and how to apply these. There is overlap between the different areas of the theoretical framework and the various contexts, and a “text-out” teaching structure may offer opportunities for a more holistic approach. Slides are adaptable to use with your students. Explanatory notes for teachers/suggestions for teaching are in the Teachers’ Notes. The resources are intended to offer guidance only and are by no means exhaustive. It is expected that teachers will subsequently research and use their own materials and teaching strategies within their delivery. Television as an industry has changed dramatically since its inception. Digital technologies and other external factors have led to changes in production, distribution, the increasingly global nature of television and the ways in which audiences consume texts. It is expected that students will require teacher-led delivery which outlines these changes, but the focus of delivery will differ dependent on texts chosen. THE JINX: The Life and Deaths of Robert Durst Episode Suggestions Episode 1 ‘The Body in the Bay’ is the ‘set’ text but you may also want to look at others, particularly Episode 6 with its “shocking” conclusion. -
The Look of Silence and Last Day of Freedom Take Top Honors at the 2015 IDA Documentary Association Awards
Amy Grey / Ashley Mariner Phone: 818-508-1000 Dish Communications [email protected] / [email protected] The Look of Silence and Last Day of Freedom Take Top Honors at the 2015 IDA Documentary Association Awards Best of Enemies, Listen to Me Marlon & HBO’s The Jinx Also Pick Up Awards LOS ANGELES, December 5, 2015 – Winners in the International Documentary Association’s 2015 IDA Documentary Awards were announced during tonight’s program at the Paramount Theatre, giving Joshua Oppenheimer’s THE LOOK OF SILENCE top honors with the Best Feature Award. This critically acclaimed, powerful companion piece to the Oscar®-nominated The Act of Killing, follows a family of survivors of the Indonesian genocide who discover how their son was murdered and the identities of the killers. Also announced in the ceremony was the Best Short Award, which honored LAST DAY OF FREEDOM, directed by Dee Hibbert-Jones and Nomi Talisman. The film is an animated account of Bill Babbitt’s decision to support and help his brother in the face of war, crime and capital execution. Grammy-nominated comedian Tig Notaro hosted the ceremony, which gathered the documentary community to honor the best nonfiction films and programming of 2015. IDA’s Career Achievement Award was presented to Gordon Quinn, Founder and Artistic Director of Kartemquin Films. He has produced, directed and/or been cinematographer on over 55 films across five decades. A longtime activist for public and community media, Quinn was integral to the creation of ITVS, public access television in Chicago; in developing the Documentary Filmmakers Statement of Best Practice in Fair Use; and in forming the Indie Caucus to support diverse independent voices on Public Television. -
2010 Holiday Movie Guide - in Theaters November 28-December 4 - Movies - News - IFC.Com 11/29/10 11:17 AM
Page 7 - 2010 Holiday Movie Guide - In Theaters November 28-December 4 - Movies - News - IFC.com 11/29/10 11:17 AM IFC.com > News > Movies > 2010 Holiday Movie Guide - In Theaters November 28-December 4 > Page 7 KEEPIN' IT INDIE SINCE 1994 MOVIES | TV | MUSIC | GAMES SHARE Like permalink In theaters the week ending December 4 NATALIE PORTMAN IN "BLACK SWAN," FOX SEARCHLIGHT, 2010 "Black Swan" (IMDb, trailer, Facebook) The Cast: Natalie Portman, Vincent Cassel, Mila Kunis, Barbara Hershey, Winona Ryder Director: Darren Aronofsky Fest Cred: Venice, Telluride, Toronto, AFI The Gist: If Aronofsky's "The Wrestler" was an uplifting comeback story of a man trying to his best chase away his demons, "Black Swan" is the story of a young woman encouraged to embrace hers in the pursuit of perfection. Yet contrary to early comparisons to his last film, Aronofsky's latest is far more in line with "Requiem for a Dream" by way of Brian De Palma thrillers of the late '70s and early '80s, starring Portman as a strait-laced ballerina who vies for lead in the Lincoln Center's production of "Swan Lake" against a fun-loving newcomer (Kunis), but is suspected by the company's artistic director (Cassel) of not having the inherent danger and daring to play the Black Swan as well as the purer White. (Opens on December 1st.) "All Good Things" (IMDb) The Cast: Kirsten Dunst, Ryan Gosling, Kristen Wiig, Frank Langella, Diane Venora, Zoe Lister Jones, Trini Alvarado, Philip Baker Hall http://www.ifc.com/news/2010/10/2010-holiday-movie-guide-theaters.php?page=7 Page 1 of 3 Page 7 - 2010 Holiday Movie Guide - In Theaters November 28-December 4 - Movies - News - IFC.com 11/29/10 11:17 AM Director: Andrew Jarecki The Gist: Sometimes being the founder of Moviefone has its advantages as Jarecki was able to buy back the rights to his much anticipated narrative feature debut from the Weinstein Company over the summer and resettled with Magnolia Pictures after this murder mystery sat in completed form since 2008. -
The Jinx, the Imposter, and Re-Enacting the Digital Thriller in True Crime Documentaries
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 3-23-2017 "You want it all to happen now!": The inxJ , The Imposter, and Re-enacting the Digital Thriller in True Crime Documentaries Brett ichM ael Phillips University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the Other Film and Media Studies Commons Scholar Commons Citation Phillips, Brett ichM ael, ""You want it all to happen now!": The inxJ , The mposI ter, and Re-enacting the Digital Thriller in True Crime Documentaries" (2017). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/6743 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. “You want it all to happen now!”: The Jinx, The Imposter, and Re-enacting the Digital Thriller in True Crime Documentaries by Brett Phillips A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Film Studies Department of Humanities and Cultural Studies College of Arts and Sciences University of South Florida Major Professor: Amy Rust, Ph.D. Maria Cizmic, Ph.D. Andrew Berish, Ph.D. Date of Approval: March 10, 2017 Keywords: True crime, Documentary, Digital, Thriller, Reenactment, Affect Copyright © 2017, Brett Phillips ACKNOWLEDGEMENTS First and foremost, thank you to Amy, Maria, and Andrew for not only helping me shape this thesis—with both tiny chisel and sledgehammer—but for guiding me through an entire discipline with kindness and understanding. -
Why Documentaries Matter Recognised As an Innovative Cultural Form
RISJ CHALLENGES CHALLENGES Documentaries have for many decades inhabited the schedules of public Why Documentaries Matter Why broadcasters. They have chronicled the lives and institutions of western democracies. In the past two decades, however, documentaries have become Why Documentaries Matter recognised as an innovative cultural form. Instead of being exclusively funded by television channels, documentaries receive money from a number of sources, including film funds, private investors and foundations. Rather than observing, documentaries are now thought capable of changing the world. Is this what they really do? How do we define a documentary? What does it mean to be the ‘author’ of a film? Nick Fraser has been editor of the BBC’s Storyville series since 1997; here he looks at the history of documentaries, showing how definitions of documentaries have changed – and how fragile is their funding. If we want good documentaries, he concludes, we have to find ways of encouraging their creators. “Nick Fraser writes about documentaries with unique authority. Not only has he made some good ’uns, he has commissioned more than practically anyone else on earth (for the BBC’s Storyville) and - as this book shows - he Nick Fraser has watched docs from their earliest days. His ideas on what the growth of the web and the decline of public service broadcasters mean for doc-makers are informed, imaginative and challenging.” Brian Lapping Chairman and Executive Producer, Brook Lapping “The rise of documentaries over the past two decades owes more to Nick Fraser than to any other single person. For so many of us who make non-fiction films, Nick’s peerless brand of tough love and mischievous curiosity have inspired us to aim higher as we try to promote greater understanding of the major events and issues of our time.” Eugene Jarecki Documentary film maker “This expert lament is beautifully written. -
Silver Spoon Oligarchs
CO-AUTHORS Chuck Collins is director of the Program on Inequality and the Common Good at the Institute for Policy Studies where he coedits Inequality.org. He is author of the new book The Wealth Hoarders: How Billionaires Pay Millions to Hide Trillions. Joe Fitzgerald is a research associate with the IPS Program on Inequality and the Common Good. Helen Flannery is director of research for the IPS Charity Reform Initiative, a project of the IPS Program on Inequality. She is co-author of a number of IPS reports including Gilded Giving 2020. Omar Ocampo is researcher at the IPS Program on Inequality and the Common Good and co-author of a number of reports, including Billionaire Bonanza 2020. Sophia Paslaski is a researcher and communications specialist at the IPS Program on Inequality and the Common Good. Kalena Thomhave is a researcher with the Program on Inequality and the Common Good at the Institute for Policy Studies. ACKNOWLEDGEMENTS The authors wish to thank Sarah Gertler for her cover design and graphics. Thanks to the Forbes Wealth Research Team, led by Kerry Dolan, for their foundational wealth research. And thanks to Jason Cluggish for using his programming skills to help us retrieve private foundation tax data from the IRS. THE INSTITUTE FOR POLICY STUDIES The Institute for Policy Studies (www.ips-dc.org) is a multi-issue research center that has been conducting path-breaking research on inequality for more than 20 years. The IPS Program on Inequality and the Common Good was founded in 2006 to draw attention to the growing dangers of concentrated wealth and power, and to advocate policies and practices to reverse extreme inequalities in income, wealth, and opportunity. -
The Myth and Reality of the CSI Effect
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Court Review: The Journal of the American Judges Association American Judges Association 2011 Fact or Fiction? The Myth and Reality of the CSI Effect Steven M. Smith Saint Mary’s University, [email protected] Veronica Stinson Saint Mary’s University, [email protected] Marc W. Patry Saint Mary’s University, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/ajacourtreview Smith, Steven M.; Stinson, Veronica; and Patry, Marc W., "Fact or Fiction? The Myth and Reality of the CSI Effect" (2011). Court Review: The Journal of the American Judges Association. 355. https://digitalcommons.unl.edu/ajacourtreview/355 This Article is brought to you for free and open access by the American Judges Association at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Court Review: The Journal of the American Judges Association by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Fact or Fiction? The Myth and Reality of the CSI Effect Steven M. Smith, Veronica Stinson, & Marc W. Patry nyone who has been to a crime lab or experienced the WHAT IS THE CSI EFFECT? presentation of forensic evidence in open court knows Typically, media reports of the CSI effect include references Athat there is a disconnect between the way forensic sci- to an undesirable effect exhibited during jury trials, which ence is depicted on popular television programs and the real- results from jurors’ -
Robert Durst: an Id Murder Mystery”
HOW THE MIGHTY HAVE FALLEN: ID EXPLORES THE BIZARRE LIFE OF INFAMOUS REAL ESTATE TYCOON IN LIMITED SERIES “ROBERT DURST: AN ID MURDER MYSTERY” - Two-Part Special Event Premieres Monday, January 21 at 9/8c, Exclusively on Investigation Discovery- (Silver Spring, MD) – Money, privilege and power – millionaire Robert Durst had it all. But behind closed doors, Durst was more than a mogul… he was wanted for murder. The latest installment in the top- rated ID Murder Mystery franchise from America’s leading true crime network, Investigation Discovery (ID), ROBERT DURST: AN ID MURDER MYSTERY, delves into the twisted truth behind one of New York’s most infamous real estate heirs. From the suspicious disappearance of Durst’s wife, Kathleen, to the execution-style murder of his confidant, Susan Berman, and finally the brutal killing of his neighbor, Morris Black, this two-part special event pulls the curtain back on this 40-year saga. ROBERT DURST: AN ID MURDER MYSTERY premieres Monday, January 21 at 9/8c and Tuesday, January 22 at 9/8c, only on Investigation Discovery. “Truth is stranger than fiction, and there are few stories as bizarre – and, frankly, disturbing – as the one currently unraveling, today, around Robert Durst,” said Henry Schleiff, Group President of Investigation Discovery, Travel Channel, American Heroes Channel and Destination America. “The adage that money can’t buy happiness rings especially true in the epic tale of Robert Durst – and, perhaps, in this case, we’ll learn that it also can’t buy freedom.” ROBERT DURST: AN ID MURDER MYSTERY is an unabridged look into the investigation of Robert Durst for the murder of Susan Berman, Durst’s close friend, who was found shot execution-style nearly two decades ago. -
15-091 Rober
Case 2:15-cr-00091-HGB-SS Document 136 Filed 10/06/15 Page 1 of 16 UNITED STATES DISTRICT COURT EASTERN DISTRICT OF LOUISIANA UNITED STATES OF AMERICA CRIMINAL ACTION VERSUS NUMBER: 15-091 ROBERT DURST SECTION C (1) ORDER and REASONS Before this Court is Robert Durst's Motion to Suppress filed on June 4, 2015. Rec. Doc. 52. Mr. Durst seeks to suppress evidence from: (1) his arrest; (2) the subsequent interrogation; (3) the warrantless search of his hotel room; and (4) the subsequent execution of a search warrant of the same hotel room. The government has filed an opposition on September 4, 2015. Rec. Doc. 115. Mr. Durst was granted leave to file a reply which he did on September 16, 2015. Rec. Doc. 129. The Court issued an order for supplemental briefing regarding the issue of whether an evidentiary hearing was warranted. Rec. Doc. 124. Mr. Durst and the government each filed a memorandum on the issue. Rec. Docs. 126 and 127. After reviewing the extensive pleadings and exhibits submitted, including the requested supplemental memoranda, the court finds that the Motion to Suppress can be resolved without an evidentiary hearing. For the following reasons, the motion is DENIED. I. Background Defendant, Robert Durst is currently under indictment for allegedly violating 18 U.S.C. §922(g)(1) and 924(a)(2), for being a felon in possession of a firearm. Rec. Doc. 9. The indictment stems from events occurring on March 14, 2015 at the J.W. Marriott Hotel in New Orleans. While at the hotel to execute a probable cause arrest warrant for Durst issued by California authorities, federal agents arrested Durst. -
Guilty Pleasure: a Case Study of True Crime's Resurgence in a Binge
A Case Study of True Crime’s Resurgence in a Binge Consumption Era by Rachel Tinker — 95 Guilty Pleasure: A Case Study of True Crime’s Resurgence in a Binge Consumption Era Rachel Tinker Strategic Communications Elon University Submitted in partial fulfillment of the requirements in an undergraduate senior capstone course in communications Abstract While the fascination of the true crime genre can be traced to the 16th century, it has grown in widespread popularity in the last three years. This study explored potential causes for why the genre has become popular through a narrative rhetorical analysis of three popular pieces of true crime media – season one of the podcast Serial, The Jinx: The Life and Deaths of Robert Durst, and Making a Murderer. The study found that the true crime genre has grown due to a variety of circumstances, largely because of the resurgence of the binge-consumption era, which allows the audience to get more instant gratification for the program’s cliffhangers. It can also be deduced that true crime shows with certain rhetorical consistencies are more likely to take off in today’s media landscape. I. Introduction Humans’ bloody fascination with crime and murder has been linked to primitive needs for safety and security, in addition to the desire for certainty and justice.1 Within the last three years, the “true crime” genre has experienced a cultural revolution of sorts, and can be found across a variety of media platforms, from Netflix and HBO to podcasts and magazines. True crime, as it is referred to throughout the remainder of this paper, is broadly defined by Oxford Dictionary as “a genre of writing, film, etc., in which real crimes are examined or portrayed.”2 What used to be relegated to a specific corner of media is now stretching into the likes of CBS and NBC; as cable channels like the Oxygen Network focus solely on true crime, it gains additional coverage. -
All Good Things
ALL GOOD THINGS EEN FILM VAN ANDREW JARECKI WILD BUNCH HAARLEMMERDIJK 159 - 1013 KH – AMSTERDAM WWW.WILDBUNCH.NL [email protected] WILDBUNCHblx ALL GOOD THINGS – ANDREW JARECKI PROJECT SUMMARY EEN PRODUCTIE VAN GROUNDSWELL PRODUCTIONS, HIT THE GROUND RUNNING FILMS, MAGNOLIA PICTURES TAAL ENGELS LENGTE 97 MINUTEN GENRE DRAMA LAND VAN HERKOMST USA FILMMAKER ANDREW JARECKI HOOFDROLLEN RYAN GOSLING, KIRSTEN DUNST, FRANK LANGELLA RELEASEDATUM DVD 20 SEPTEMBER KIJKWIJZER SYNOPSIS David, de erfgenaam van een vastgoedmagnaat, wordt verliefd op Katie, een meisje uit een lagere sociale klasse. De relatie komt abrupt tot een einde wanneer Katie plotseling verdwijnt. Een verlopen detective neemt de schijnbaar hopeloze zaak op zich, die doorklinkt tot in de hoogste politieke regionen en de ondergang van de welgestelde familie lijkt te betekenen. Gebaseerd op een van de meest geruchtmakende moordzaken in New York. CAST DAVID MARKS RYAN GOSLING KATIE MARKS KIRSTEN DUNST SANFORD MARKS FRANK LANGELLA DEBORAH LEHRMAN LILY RABE MALVERN BUMP PHILIP BAKER HALL DANIEL MARKS MICHAEL ESPER JANICE RIZZO DIANE VENORA JIM MCCARTHY NICK OFFERMAN LAUREN FLECK KRISTEN WIIG TODD FLECK STEPHEN KUNKEN RICHARD PANATIERRE JOHN CULLUM MARY MCCARTHY MAGGIE KILEY SHARON MCCARTHY LIZ STAUBER ANN MCCARTHY MARION MCCORRY KATIE’S AUNT MIA DILLON KATIE’S UNCLE TOM KEMP SARAH DAVIS TRINI ALVARADO BARRY DAVIS TOM RIIS FARRELL BRIAN CALLENDER BRUCE NORRIS KELLY CALLENDER FRANCIE SWIFT MAYOR DAVID MARGULIES SIDNEY GREENHAUS GLENN FLESHLER SOLLY SACHS STEPHEN SINGER DANIEL PATRICK MOYNIHAN FRANCIS GUINAN MOYNIHAN’S WIFE ELLEN SEXTON MOYNIHAN’S ASSISTANT WILLIAM JACKSON HARPER 1 ALL GOOD THINGS – ANDREW JARECKI CREW DIRECTOR ANDREW JARECKI WRITER MARC SMERLING MARCUS HINCHEY PRODUCERS MICHAEL LONDON BRUNA PAPANDREA MARC SMERLING ANDREW JARECKI EXECUTIVE PRODUCERS JANICE WILLIAMS BARBARA A. -
And HERRICK ENTERTAINMENT Presents in Associated with GROUNDSWELL PRODUCTIONS Written
and HERRICK ENTERTAINMENT presents In Associated with GROUNDSWELL PRODUCTIONS Written and Directed by Naomi Foner Run Time: 91 minutes Rating: R Press Materials: http://tribecafilm.com/press-center/tribeca-film/films Distributor: Tribeca Film 375 Greenwich Street New York, NY 10011 TRIBECA FILM ID PR Brandon Rohwer 212-941-2038 [email protected] [email protected] [email protected] 1 SYNOPSIS Best friends Lily (Dakota Fanning) and Gerry (Elizabeth Olsen), home for one last New York summer, make a pact to lose their virginity before leaving for college. But when they both fall for the same handsome artist (Boyd Holbrook) and Lily starts seeing him in secret, a lifelong friendship is tested. With Demi Moore, Richard Dreyfuss, Ellen Barkin, Peter Sarsgaard, and Clark Gregg, and featuring new music by Rilo Kiley's Jenny Lewis. DIRECTOR’S STATEMENT In the end, it’s always about family. We drag them along with us. Often without knowing. Good and bad. And then comes the moment when it dawns on us to take a look at the load. We can put it down, or carry it for the rest of our lives. If our parents love us, they encourage us to put it down. They own their mistakes. They wish for us to surpass them. To be free. And that sets the stage for our lives to begin. Complete with the magic of sex and adventure and risk taking. The highs and lows of our own making. The truth setting us free. This is the summer that Gerri and Lilly learn all this.