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The Collected Verse of A.B. Paterson : Containing the Man from Snowy
The Collected Verse of A.B. ^^ Banjo^^ Paterson First published in 1921, The Collected Verse of A. B. Paterson has won and held a large and varied audience. Since the appearance of The Man from Snoiuy River in 1895, bushman and city dweller alike have made immediate response to the swinging rhythms of these inimitable tales in verse, tales that reflect the essential Australia. The bush ballad, brought to its perfection by Paterson, is the most characteristic feature of Australian literature. Even Gordon produced no better racing verse than "The Ama- teur Rider"' and "Old Pardon, the Son of Reprieve"; nor has the humour of "A Bush Christening" or "The Man from Ironbark" yet been out- shone. With their simplicity of form and flowing movement, their adventu- rous sparkle and careless vigour, Paterson's ballads stand for some- thing authentic and infinitely preci- ous in the Australian tradition. They stand for a cheerful and carefree attitude, a courageous sincerity that apart from is all too rare today. And, the humour and lifelikeness and ex- citement of his verse, Paterson sees kRNS and feels the beauty of the Australian landscape and interprets it so sponta- neously that no effort of art is ap- parent. In this he is the poet as well as the story-teller in verse. With their tales of bush life and adventure, their humour and irony "Banjo" Paterson's ballads are as fresh today as they ever were. (CoiUinued on back flap) "^il^ \v> C/H-tAM ) l/^c^ TUFTS UNIVERSITY LIBRARIES nil 3 9090 014 556 118 THE COLLECTED VERSE of A. -
The Man from Snowy River and Other Verses
The Man From Snowy River and Other Verses Paterson, Andrew Barton (1864-1941) University of Sydney Library Sydney 1997 http://setis.library.usyd.edu.au/ © Copyright for this electronic version of the text belongs to the University of Sydney Library. The texts and Images are not to be used for commercial purposes without permission Source Text: The Man From Snowy River and Other Verses Andrew Barton Paterson Angus and Robertson Sydney 1917 Includes a preface by Rolf Boldrewood Scanned text file available at Project Gutenberg, prepared by Alan R.Light. Encoding of the text file at was prepared against first edition of 1896, including page references and other features of that work. All quotation marks retained as data. All unambiguous end-of-line hyphens have been removed, and the trailing part of a word has been joined to the preceding line. Author First Published 1895 Australian Etexts 1910-1939 poetry verse Portrait photograph: A.B. Paterson Preface Rolf Boldrewood It is not so easy to write ballads descriptive of the bushland of Australia as on light consideration would appear. Reasonably good verse on the subject has been supplied in sufficient quantity. But the maker of folksongs for our newborn nation requires a somewhat rare combination of gifts and experiences. Dowered with the poet's heart, he must yet have passed his ‘wander-jaehre’ amid the stern solitude of the Austral waste — must have ridden the race in the back-block township, guided the reckless stock-horse adown the mountain spur, and followed the night- long moving, spectral-seeming herd ‘in the droving days’. -
The Skaggs Foundation Cowboy Poetry Collection : Authors M-Z,, 1890S-2008
The Skaggs Foundation cowboy poetry collection : authors M-Z,, 1890s-2008 Overview of the Collection Creator L. J. and Mary Skaggs Foundation. Title The Skaggs Foundation cowboy poetry collection : authors M-Z, Dates 1890s-2008 (inclusive) 18902008 Quantity ca. 20 linear feet Collection Number USU_FOLK COLL 11 Summary Utah State University's cowboy poetry collection, containing books, pamphlets, etc. of cowboy poetry, songs, and related material; including both trade and self published works. Repository Utah State University, Merrill-Cazier Library, Special Collections and Archives Division Special Collections and Archives Merrill-Cazier Library Utah State University Logan, UT 84322-3000 Telephone: 435-797-2663 Fax: 435-797-2880 [email protected] Access Restrictions Restrictions Open to public research. To access the collection a patron must have the following information: collection number, box number, folder number and item number. The materials do not circulate and are available in USU's Special Collections and Archives. Patrons must sign and comply with the USU Special Collections and Archives Use Agreement and Reproduction Order form as well as any restrictions placed by the collector or informant(s). Languages English. Sponsor Library Services and Technology Act (LSTA) grant, 2007-2008 Historical Note Folk Coll 11 is Utah State University's cowboy poetry collection. The collection, originally created by a generation donation by the L. J. and Mary Skaggs Foundation, includes books that were gathered during a fieldwork project in the early 1980s to document cowboy poetry in the U.S. west. (See Folk Coll 11f.) From this important fieldwork project came the impetus for the first Cowboy Poetry Gathering held in January 1985 in Elko, Nevada. -
Banjo Paterson
Banjo Paterson His Life Andrew Barton Paterson was born on 17th February 1864 on his family’s property, ‘Narrambla’, near Orange, New South Wales. He was the eldest of seven children. To his family, he was known as Barty. His father, Andrew Bogle Paterson, was a Scottish immigrant. His mother, Rose Isabella Barton, was Australian- born and related to Australia’s future first prime minister, Edmund Barton. His parents worked as graziers though his father loved to write poetry and shared this passion with his children. Birth: His early childhood was spent on the 17th February 1864, ‘Narrambla’ farm. He received his early education at near Orange, New South Wales home from a governess. A governess was Death: a private tutor who lived with the family. 5th February 1941, Sydney, New However, once he could ride a pony, he South Wales attended a simple local bush school. He was a keen horse rider and took Occupation: the nickname Banjo from his favourite Poet, lawyer, journalist and soldier horse of the same name. At the age of 10, Andrew moved to Sydney and attended Sydney Grammar School. He was an excellent student and fine sportsman, excelling at polo. During this time, he lived with his grandmother in a cottage called ‘Rockend’ in the Sydney suburb of Gladesville that you can still visit today. In 1880 and at the age of 16, having failed to win a scholarship to the University of Sydney, Banjo Paterson took a job as a law clerk with a Sydney law firm called Spain and Salway. Six years later, in 1886, he was admitted as a solicitor. -
Banjo Paterson - Poems
Classic Poetry Series Banjo Paterson - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Banjo Paterson(17 February 1864 – 5 February 1941) Banjo Paterson was born at the property "Narrambla", near Orange, New South Wales, the eldest son of Andrew Bogle Paterson, a Scottish immigrant from Lanarkshire and Australian-born Rose Isabella Barton, related to the future first Prime Minister of Australia Edmund Barton. Paterson's family lived on the isolated Buckinbah Station in the Monaro until he was five when his father lost his wool clip in a flood and was forced to sell up. When Paterson's uncle died, his family took over the uncle's farm in Illalong, near Yass, close to the main route between Melbourne and Sydney. Bullock teams, Cobb and Co coaches and drovers were familiar sights to him. He also saw horsemen from the Murrumbidgee River area and Snowy Mountains country take part in picnic races and polo matches, which led to his fondness of horses and inspired his writings. Paterson's early education came from a governess, but when he was able to ride a pony, he was taught at the bush school at Binalong. In 1874 Paterson was sent to Sydney Grammar School, performing well both as a student and a sportsman. At this time, he lived in a cottage called Rockend, in the suburb of Gladesville. The cottage is now listed on the Register of the National Estate. Matriculating at 16, he took up the role of an articled clerk in a law firm and on 28 August 1886 Paterson was admitted as a qualified solicitor. -
Literature: Australian Identity Unit
Classic Australian literature: Australian Identity Unit Featuring the ballads of Banjo Paterson & Henry Lawson Suitable for Grades 8,9 & 10 Contains: Text, Themes, Poetry Analysis questions, Activities, Teacher’s Guide, Assessment Topics and Australian Curriculum Outline In this lesson series students will focus on Australian poetry in particular the ballad form found in the poems of Lawson and Paterson. Students will understand the characteristics of the ballad and the vocabulary and language of early poetry and gain insight into the cultural and social context of the time. Teacher’s summary Henry Lawson is described as the ‘people’s poet’ or ‘bush bard’. Born in 1867 he is Australia’s best known poet and fiction writer. His work contains themes of sadness and hardship inspired as they were by his own upbringing in poverty and bouts of alcoholism. He wrote copious ballads, lyrics, radical songs, sketches and stories which appeared in journals and published in collection form in Australia and England. Some well known ballads include Freedom on the Wallaby ,A Song of the Republic, the Drover’s Wife and The Old Bark school Andrew Barton Paterson was born in 1864 in NSW. The first publication of his poetry came in 1889 when the Sydney Bulletin placed Clancy of the Overflow by ‘The Banjo’ in its edition. It was followed in 1895 by Banjo’s the Man from Snowy River. His bush ballads were typical of the bush life and his writing has a special connection to the times in which it was written. The Bulletin in 1880 was encouraging Australians everywhere to write about life in the outback and the ‘new’ country was searching for an identity. -
The Man from Snowy River and Other Verses
University of North Dakota UND Scholarly Commons Settler Literature Archive Department of English 1917 The aM n From Snowy River and Other Verses Andrew Barton Paterson Follow this and additional works at: https://commons.und.edu/settler-literature Recommended Citation Paterson, Andrew Barton, "The aM n From Snowy River and Other Verses" (1917). Settler Literature Archive. 100. https://commons.und.edu/settler-literature/100 This Book is brought to you for free and open access by the Department of English at UND Scholarly Commons. It has been accepted for inclusion in Settler Literature Archive by an authorized administrator of UND Scholarly Commons. For more information, please contact [email protected]. The Man From Snowy River and Other Verses Paterson, Andrew Barton (1864-1941) University of Sydney Library Sydney 1997 http://setis.library.usyd.edu.au/ © Copyright for this electronic version of the text belongs to the University of Sydney Library. The texts and Images are not to be used for commercial purposes without permission Source Text: The Man From Snowy River and Other Verses Andrew Barton Paterson Angus and Robertson Sydney 1917 Includes a preface by Rolf Boldrewood Scanned text file available at Project Gutenberg, prepared by Alan R.Light. Encoding of the text file at was prepared against first edition of 1896, including page references and other features of that work. All quotation marks retained as data. All unambiguous end-of-line hyphens have been removed, and the trailing part of a word has been joined to the preceding line. Author First Published 1895 Australian Etexts 1910-1939 poetry verse Portrait photograph: A.B. -
Banjo Paterson's Nation
Nebula2.3, September 2005 His Masterpiece, Our Haunting: Banjo Paterson’s Nation- Making Artefact. By Christopher Kelen This paper considers the late Victorian story of a late Victorian artefact, one with great resonance in contemporary Australia: the song which – though not the national anthem – happens to be that with which Australians most closely identify. As with the official anthem, ‘Advance Australia Fair’ (with which I dealt in a paper in AJVS Vol. 9) much of what interests the contemporary reader about ‘Waltzing Matilda’, concerns the twentieth century story of the nineteenth century song: how it achieved and retained its canonic status, how it has come and continues to embody the national ethos and pathos. Questions as to whether these songs might or might not represent Australia, officially or unofficially, are undoubtedly twentieth century questions. As with my treatment of ‘Advance Australia Fair’, my aim here is to focus on a reading of the text in context. For the purposes of this paper, I shall forego some of the close reading of the lyrics developed elsewhere, in favour of historicizing the song, its story and their context. By context in this case I mean that of the song’s original composition and reception; in the Australia of those much less recent nineties. Specifically I wish to concern myself with the relationship between the song’s allegorical investment in the events of the decade leading up to Federation or putative Australian nationhood. While it will be necessary for these purposes to refer to the almost entirely twentieth century scholarship on the song, my aim in this paper is to focus on relevant events and non-events, texts and contexts, of the 1890’s. -
Religious Attitudes in Australian Literature of the 1890S
University of Wollongong Research Online University of Wollongong Thesis Collection 1954-2016 University of Wollongong Thesis Collections 1979 Religious attitudes in Australian literature of the 1890s M. Zaunbrecher University of Wollongong Follow this and additional works at: https://ro.uow.edu.au/theses University of Wollongong Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this work may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the author. Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Unless otherwise indicated, the views expressed in this thesis are those of the author and do not necessarily represent the views of the University of Wollongong. Recommended Citation Zaunbrecher, M., Religious attitudes in Australian literature of the 1890s, Master of Arts thesis, Department of History, University of Wollongong, 1979. https://ro.uow.edu.au/theses/2169 Research Online is the open access institutional repository for the University of Wollongong. -
Teachers' Notes
TEACHERS’ NOTES This is Banjo Paterson written by Tania McCartney and illustrated by Christina Booth ‘ Published by National Library of Australia, ISBN: 9780642278980 Recommended Year Levels: Foundation to Year 3 Author: Tania McCartney taniamccartney.blogspot.com.au/2012/11/quick-facts-faqs.html and Tania at NLA Publishing Tania simply adores books and words and pictures. If she could, she would live inside a book and, as an author, illustrator and editor—she kind of already does. As an ambassador for the National Year of Reading, an ambassador for the Chief Minister’s Reading Challenge and the Founder of Kids’ Book Review, she is mad about juvenile literacy. She’s also mad about illustration and that’s why she founded the 52-Week Illustration Challenge. Tania’s books have won awards and shortlistings and, in November 2016, her 22nd (and first self- illustrated) book, Australia Illustrated, was released. Tania lives in New South Wales, with a very nice husband, two marvellous kids and a mountain of books. This is Banjo Paterson Teachers’ Notes Page 1 Illustrator: Christina Booth www.christinabooth.com and Christina at NLA Publishing Christina Booth is a writer, illustrator and landscape artist. She illustrates her own books, as well as books for other authors, such as Colin Thiele, Max Fatchen and Christobel Mattingley. A number of her books have won awards, including Kip, which won an Honour Book Award in the 2010 Children's Book Council of Australia Book of the Year Awards, and Welcome Home, which won the 2014 Environment Award for Children's Literature. Christina lives on a bush property in Tasmania with her family, chickens, fish, a cat and a dog. -
2015 HSC English (Standard) Paper 2
HIGHER SCHOOL CERTIFICATE 2015 EXAMINATION English (Standard) Paper 2 — Modules Total marks – 60 Section I Pages 2–4 20 marks • Attempt either Question 1 or Question 2 General Instructions • Allow about 40 minutes for this section • Reading time – 5 minutes Section II Pages 5–8 • Working time – 2 hours 20 marks • Write using black pen • Attempt ONE question from Questions 3–8 • Allow about 40 minutes for this section Section III Pages 9–10 20 marks • Attempt either Question 9 or Question 10 • Allow about 40 minutes for this section 1052 STD Section I — Module A: Experience Through Language 20 marks Attempt either Question 1 or Question 2 Allow about 40 minutes for this section Answer the question in a writing booklet. Extra writing booklets are available. Your answer will be assessed on how well you: ■ demonstrate understanding of how distinctive voices or the distinctively visual are created in texts ■ demonstrate understanding of meanings shaped through distinctive voices or the distinctively visual ■ organise, develop and express your ideas using language appropriate to audience, purpose and form Question 1 — Elective 1: Distinctive Voices (20 marks) Distinctive voices offer a variety of perspectives on the world. Compare how this is achieved in your prescribed text and ONE other related text of your own choosing. The prescribed texts are listed on the next page. Question 1 continues on page 3 STD – 2 – Question 1 (continued) The prescribed texts are: • Prose Fiction – Andrea Levy, Small Island • Drama – Ray Lawler, Summer of the Seventeenth Doll • Poetry – Komninos, Komninos by the Kupful The prescribed poems are: * back to melbourne * hillston welcome * cobar, july 1993 * eat * noura from narooma * thomastown talk – A B ‘Banjo’ Paterson: Banjo Paterson Collected Verse The prescribed poems are: * Clancy of the Overflow * In Defence of the Bush * Old Pardon, the Son of Reprieve * A Bush Christening * Mulga Bill’s Bicycle * Saltbush Bill, J.