March 2021 Newsletter
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Army of the Dead” Films in New Mexico
Michelle Lujan Grisham Governor Alicia J. Keyes Cabinet Secretary Todd Christensen Director FOR IMMEDIATE RELEASE: Bruce Krasnow August 5, 2019 (505) 827-0226, cell: (505) 795-0119 [email protected] “Army of the Dead” films in New Mexico Santa Fe, N.M. – The Netflix-produced feature film “Army of the Dead,” has started principal photography at Albuquerque Studios and will continue through October, announced New Mexico State Film Office Director Todd Christensen. The production will employ 501 New Mexico crew members, 20 New Mexico actors, and 2,163 New Mexico background talent. The feature is directed and produced by Zack Snyder (“Watchmen,” “Man of Steel,” “300”) alongside producers Deborah Snyder (“Watchmen,” “Man of Steel,” “300”) and Wesley Coller (“Watchmen,” “Man of Steel,” “300”). In “Army of the Dead” Snyder returns to his directorial roots, offering this zombie- adventure film. “Army of the Dead” follows a group of mercenaries who, following a zombie outbreak in Las Vegas, take the ultimate gamble, venturing into the quarantine zone to pull off the greatest heist ever attempted. “Netflix is making good on its promise, as part of the 2018 partnership with New Mexico, to bring $1 billion dollars in production to New Mexico over the next 10 years and create up to 1,000 production jobs a year,” said Cabinet Secretary Alicia J. Keyes of the Economic Development Department. “Netflix is a great partner for the State of New Mexico and we are very excited that they chose to film such a high profile project as one of their first films under the NM Partnership Agreement” Starring Dave Bautista (“Guardians of the Galaxy,” “Guardians of the Galaxy Vol. -
Race, Markets, and Hollywood's Perpetual Antitrust Dilemma
Michigan Journal of Race and Law Volume 18 2012 Race, Markets, and Hollywood's Perpetual Antitrust Dilemma Hosea H. Harvey Temple University, James E. Beasley School of Law Follow this and additional works at: https://repository.law.umich.edu/mjrl Part of the Antitrust and Trade Regulation Commons, Civil Rights and Discrimination Commons, Entertainment, Arts, and Sports Law Commons, and the Law and Race Commons Recommended Citation Hosea H. Harvey, Race, Markets, and Hollywood's Perpetual Antitrust Dilemma, 18 MICH. J. RACE & L. 1 (2012). Available at: https://repository.law.umich.edu/mjrl/vol18/iss1/1 This Article is brought to you for free and open access by the Journals at University of Michigan Law School Scholarship Repository. It has been accepted for inclusion in Michigan Journal of Race and Law by an authorized editor of University of Michigan Law School Scholarship Repository. For more information, please contact [email protected]. RACE, MARKETS, AND HOLLYWOOD'S PERPETUAL ANTITRUST DILEMMA Hosea H. Harvey* This Article focuses on the oft-neglected intersection of racially skewed outcomes and anti-competitive markets. Through historical, contextual, and empirical analysis, the Article describes the state of Hollywood motion-picture distributionfrom its anti- competitive beginnings through the industry's role in creating an anti-competitive, racially divided market at the end of the last century. The Article's evidence suggests that race-based inefficiencies have plagued the film distribution process and such inefficiencies might likely be caused by the anti-competitive structure of the market itself, and not merely by overt or intentional racial-discrimination.After explaining why traditional anti-discrimination laws are ineffective remedies for such inefficiencies, the Article asks whether antitrust remedies and market mechanisms mght provide more robust solutions. -
September 1995
Features CARL ALLEN Supreme sideman? Prolific producer? Marketing maven? Whether backing greats like Freddie Hubbard and Jackie McLean with unstoppable imagination, or writing, performing, and producing his own eclectic music, or tackling the business side of music, Carl Allen refuses to be tied down. • Ken Micallef JON "FISH" FISHMAN Getting a handle on the slippery style of Phish may be an exercise in futility, but that hasn't kept millions of fans across the country from being hooked. Drummer Jon Fishman navigates the band's unpre- dictable musical waters by blending ancient drum- ming wisdom with unique and personal exercises. • William F. Miller ALVINO BENNETT Have groove, will travel...a lot. LTD, Kenny Loggins, Stevie Wonder, Chaka Khan, Sheena Easton, Bryan Ferry—these are but a few of the artists who have gladly exploited Alvino Bennett's rock-solid feel. • Robyn Flans LOSING YOUR GIG AND BOUNCING BACK We drummers generally avoid the topic of being fired, but maybe hiding from the ax conceals its potentially positive aspects. Discover how the former drummers of Pearl Jam, Slayer, Counting Crows, and others transcended the pain and found freedom in a pink slip. • Matt Peiken Volume 19, Number 8 Cover photo by Ebet Roberts Columns EDUCATION NEWS EQUIPMENT 100 ROCK 'N' 10 UPDATE 24 NEW AND JAZZ CLINIC Terry Bozzio, the Captain NOTABLE Rhythmic Transposition & Tenille's Kevin Winard, BY PAUL DELONG Bob Gatzen, Krupa tribute 30 PRODUCT drummer Jack Platt, CLOSE-UP plus News 102 LATIN Starclassic Drumkit SYMPOSIUM 144 INDUSTRY BY RICK -
Through the Lens of Critical Race Theory
AN ANALYSIS OF DUVERNAY’S “WHEN THEY SEE US” THROUGH THE LENS OF CRITICAL RACE THEORY by Uwode Ejiro Favour A Thesis Submitted in Partial Fulfillment for the Requirements for the Degree MASTER OF ARTS Major Subject: Communication West Texas A&M University Canyon, TX May 2020 APPROVED: ___________________________ Date: _____________________ Chairperson, Thesis Committee ___________________________ Date: _______________________ Member, Thesis Committee ___________________________ Date: _______________________ Member, Thesis Committee _________________________________ Date: ___________________ Head, Major Department _________________________________ Date: ___________________ Dean, Graduate School ABSTRACT The film series, When They See Us, has been the most popular four part mini- series on Netflix since its release in 2019. It was produced and directed by Ava DuVernay and it touches upon true events that happened in 1989 at Central Park. The series presents the story of five black and brown boys and their brutal experiences in the hands of the American justice system. Kevin Richardson, Korey Wise, Raymond Santana, Yusef Salam, and Antron McCray were all fourteen to sixteen years old when they were accused of raping and brutalizing Trisha Meili at Central Park. DuVernay crafts scenes that are raw and horrifying but points to the lived experiences of people of color in America. The purpose of this thesis was to explore Ava DuVernay’s movie, When They See Us and its portrayal of the bias nature of the criminal justice system in America against people of color. This study sought to explore the connection of microaggressions and racism to police brutality against people of color in the United States. By using both critical race theory and standpoint theory, the study analyzes the experiences of the men of color in the movie as it relates to racism and judicial inequality, and how this directly reflects the experiences of people of color within the American society. -
Download Issue 3 of Autitude
Welcome to the third thrill-packed edition of Autitude! Autitude is a magazine for the autistic community featuring an eclectic mix of articles, reviews, blogs, cartoons, photos and lots more. Illustrated and curated by the talented Ash Loydon, Autitude is shaped by what matters most to you. Thank you so much to everyone who has contributed to this edition, if you have something you would like to share please get in touch with us at [email protected]. To make sure you are updated when the latest edition is released sign up here – thank you! 4. Winter Connections update. 5. Reasonable Adjustment – A series by Lea B. 8. Taking Things Literally – An ongoing cartoon series by Peter Vermeulen. 10. Poems by C.D. 13. Hello Kitty! - Ash Loydon confesses all as teen hormones and cult horror collide. 18. Andrew Moodie casts a critical eye over Coming 2 America. 20. Artitude! Featuring Alistair Cowell. 22. Spectrum Superstars! 23. The Last Word. Email us at [email protected] 2. Fallen in Love, From a Chair December 2018. Dear Santa, think ble" it this #ear, a$ter all. %# too&good&to&be true 'ob no" "ill be devoured b# a bunch o$ unhel($ul $eelings acting in m# chest in coordinated "a#s. Santa, have tried to masks things, but #ou !no" ho" it is b# the time get home, get tired o$ it all. So last "ee! m# $ianc), aka elusive bo#$riend asked me i$ "as in love. said *#es+. ,hen he as!ed me i$ it "as someone at "ork and said *#es+. -
Recommend Me a Movie on Netflix
Recommend Me A Movie On Netflix Sinkable and unblushing Carlin syphilized her proteolysis oba stylise and induing glamorously. Virge often brabble churlishly when glottic Teddy ironizes dependably and prefigures her shroffs. Disrespectful Gay symbolled some Montague after time-honoured Matthew separate piercingly. TV to find something clean that leaves you feeling inspired and entertained. What really resonates are forgettable comedies and try making them off attacks from me up like this glittering satire about a writer and then recommend me on a netflix movie! Make a married to. Aldous Snow, she had already become a recognizable face in American cinema. Sonic and using his immense powers for world domination. Clips are turning it on surfing, on a movie in its audience to. Or by his son embark on a movie on netflix recommend me of the actor, and outer boroughs, leslie odom jr. Where was the common cut off point for users? Urville Martin, and showing how wealth, gives the film its intended temperature and gravity so that Boseman and the rest of her band members can zip around like fireflies ambling in the summer heat. Do you want to play a game? Designing transparency into a recommendation interface can be advantageous in a few key ways. The Huffington Post, shitposts, the villain is Hannibal Lector! Matt Damon also stars as a detestable Texas ranger who tags along for the ride. She plays a woman battling depression who after being robbed finds purpose in her life. Netflix, created with unused footage from the previous film. Selena Gomez, where they were the two cool kids in their pretty square school, and what issues it could solve. -
Amazon.Com, Inc
Table of Contents UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 _________________________ FORM 8-K _________________________ CURRENT REPORT Pursuant to Section 13 or 15(d) of the Securities Exchange Act of 1934 February 2, 2021 Date of Report (Date of earliest event reported) _________________________ AMAZON.COM, INC. (Exact name of registrant as specified in its charter) _________________________ Delaware 000-22513 91-1646860 (State or other jurisdiction of (Commission File Number) (IRS Employer Identification No.) incorporation) 410 Terry Avenue North, Seattle, Washington 98109-5210 (Address of principal executive offices, including Zip Code) (206) 266-1000 (Registrant’s telephone number, including area code) _________________________ Check the appropriate box below if the Form 8-K filing is intended to simultaneously satisfy the filing obligation of the registrant under any of the following provisions: ☐ Written communications pursuant to Rule 425 under the Securities Act (17 CFR 230.425) ☐ Soliciting material pursuant to Rule 14a-12 under the Exchange Act (17 CFR 240.14a-12) ☐ Pre-commencement communications pursuant to Rule 14d-2(b) under the Exchange Act (17 CFR 240.14d-2(b)) ☐ Pre-commencement communications pursuant to Rule 13e-4(c) under the Exchange Act (17 CFR 240.13e-4(c)) Securities registered pursuant to Section 12(b) of the Act: Title of Each Class Trading Symbol(s) Name of Each Exchange on Which Registered Common Stock, par value $.01 per share AMZN Nasdaq Global Select Market Indicate by check mark whether the registrant is an emerging growth company as defined in Rule 405 of the Securities Act of 1933 (§230.405 of this chapter) or Rule 12b-2 of the Securities Exchange Act of 1934 (§240.12b-2 of this chapter). -
Sports Emmy Awards
Sports Emmy Awards OUTSTANDING LIVE SPORTS SPECIAL 2018 College Football Playoff National Championship ESPN Alabama Crimson Tide vs. Georgia Bulldogs The 113th World Series FOX Houston Astros vs Los Angeles Dodgers The 118th Army-Navy Game CBS The 146th Open NBC/Golf Channel Royal Birkdale The Masters CBS OUTSTANDING LIVE SPORTS SERIES NASCAR on FOX FOX/ FS1 NBA on TNT TNT NFL on FOX FOX Deadline Sunday Night Football NBC Thursday Night Football NBC 8 OUTSTANDING PLAYOFF COVERAGE 2017 NBA Playoffs on TNT TNT 2017 NCAA Men's Basketball Tournament tbs/CBS/TNT/truTV 2018 Rose Bowl (College Football Championship Semi-Final) ESPN Oklahoma vs. Georgia AFC Championship CBS Jacksonville Jaguars vs. New England Patriots NFC Divisional Playoff FOX New Orleans Saints vs. Minnesota Vikings OUTSTANDING EDITED SPORTS EVENT COVERAGE 2017 World Series Film FS1/MLB Network Houston Astros vs. Los Angeles Dodgers All Access Epilogue: Showtime Mayweather vs. McGregor [Showtime Sports] Ironman World Championship NBC Deadline[Texas Crew Productions] Sound FX: NFL Network Super Bowl 51 [NFL Films] UFC Fight Flashback FS1 Cruz vs. Garbrandt [UFC] 9 OUTSTANDING SHORT SPORTS DOCUMENTARY Resurface Netflix SC Featured ESPNews A Mountain to Climb SC Featured ESPN Arthur SC Featured ESPNews Restart The Reason I Play Big Ten Network OUTSTANDING LONG SPORTS DOCUMENTARY 30 for 30 ESPN Celtics/Lakers: Best of Enemies [ESPN Films/Hock Films] 89 Blocks FOX/FS1 Counterpunch Netflix Disgraced Showtime Deadline[Bat Bridge Entertainment] VICE World of Sports Viceland Rivals: -
Eddie Murphy Reprises His Role As the Ever-Charming Prince Akeem and Leads an All-Star Cast for the Much-Anticipated Sequel, COMING 2 AMERICA
COMING 2 AMERICA - An American Marvel! Eddie Murphy reprises his role as the ever-charming Prince Akeem and leads an all-star cast for the much-anticipated sequel, COMING 2 AMERICA. Three decades and three beautiful daughters later, Akeem prepares to take over the reigns of his homeland of Zamunda. As antiquated gender roles are being challenged within his home, he is also faced with a new dilemma on the outside. While tradition has always required a male heir to take the throne, Akeem feels torn between following custom and creating change. While considering his eldest daughter, Meeka, who is the strongest choice, his rival, General Izzi, is plotting a union of dynasties with his son, Idi, as Meeka’s groom. Meanwhile, an ailing King Joffer delivers the shocking news that Akeem has a long-lost son, Lavelle, in Queens. After an unexpected turn of events, Akeem, now the King of Zamunda, along with his trusted confidante, Semmi, return to New York to tend to this unfinished royal family business. Upon finding Lavelle, Akeem convinces him to travel to Zamunda in order to learn the customs of royal life in preparation for becoming the heir to the throne. While Akeem smooths tensions with his wife and three daughters, General Izzi decides that his daughter, Bopoto, will become Lavelle’s wife. All the while, Lavelle is falling in love with his royal barber, Mirembe, who has dreams of owning her own barbershop. Arsenio Hall returns as Semmi, alongside James Earl Jones as King Jaffe Joffer, Shari Headley as Lisa, John Amos as Cleo McDowell, Louie Anderson as Maurice and the legendary barbershop crew who sparked the laughs in 1988 for COMING TO AMERICA. -
Download Full
Luenell’s Bio – 2021 “ … one of the top 25 funniest people in LA.” – LA Magazine Luenell is the self-proclaimed “Original Bad Girl of Comedy.” She may be small in stature, but she more than makes up for it with her big personality, booming voice and infectious laughter. Born in Tollette, Arkansas and raised in Oakland, Calif. Luenell, has been thrilling audiences with her brand of comedy for more than 30 years. As the eighth child of eight children; any lack of attention she may have received growing up as the baby in the family, she now gets plenty of it from her exuberant fans around the country. Luenell is one of the most sought-after and in-demand female comics on the scene, currently headlining her own tour, titled “The Fresh Out of Favors Comedy Tour.” With the touch of a remote control, her body of work in television and film can be found on network and cable television as well as popular streaming services. Plus, fans can also tune into her popular YouTube show -- that is, Hey Luenell -- for comedic thoughts on her mind. Currently, Luenell appears in two very popular Eddie Murphy movies! She is part of the all-star cast of the “Coming 2 America” sequel, starring Murphy and Arsenio Hall, streaming on Amazon Prime Video as well as the ensemble cast of “Dolemite Is My Name,” starring Murphy, currently streaming on Netflix. Other sightings of Luenell include an appearance on “Hacks” on HBO Max; Jamie Foxx’s new Netflix show, “Dad, Stop Embarrassing Me!” Tracy Morgan’s “The Last O.G.” on TBS; the sequel, “Power Book II: Ghost” on Starz; a cameo in Rihanna’s Savage x Fenty Fashion Show, streaming on Amazon Prime Video and a cameo appearance in the music video, “I Like Boys,” by former American Idol singer/songwriter and choreographer Todrick Hall, which has already amassed millions of views on YouTube – just to name a few. -
An Analysis of the Permeation of Racial Stereotypes in Top-Grossing Black
University of Massachusetts Boston ScholarWorks at UMass Boston Honors College Theses 8-2016 Still Waiting: An analysis of the permeation of racial stereotypes in top-grossing Black Romance films from the 1960s to the 2000s Jasmine Boyd-Perry University of Massachusetts Boston Follow this and additional works at: http://scholarworks.umb.edu/honors_theses Part of the African American Studies Commons, Film and Media Studies Commons, Race and Ethnicity Commons, and the Social Psychology Commons Recommended Citation Boyd-Perry, Jasmine, "Still Waiting: An analysis of the permeation of racial stereotypes in top-grossing Black Romance films from the 1960s to the 2000s" (2016). Honors College Theses. Paper 25. This Open Access Honors Thesis is brought to you for free and open access by ScholarWorks at UMass Boston. It has been accepted for inclusion in Honors College Theses by an authorized administrator of ScholarWorks at UMass Boston. For more information, please contact [email protected]. Still Waiting: An analysis on the permeation of racial stereotypes in top grossing Black Romance films from the 1960’s to the 2000’s Jasmine Boyd-Perry Honors College University of Massachusetts Boston August 26, 2016 Advisors: Philip Kretsedemas Department of Sociology University of Massachusetts Boston Megan Rokop Honors College University of Massachusetts Boston 1 Table of Contents Introduction p. 3 Methods p. 10 Results p. 13 Discussion p. 33 References p. 39 Appendix: Plot Summaries of each film p. 40 Acknowledgements I would like to thank Philip Kretsedemas, Megan Rokop, Rajini Srikanth, Ralston Grose, Hannah Brown, Emmanuel Oppong-Yeboah, Catienna Regis, Soren DuBon, Samantha Nam-Krane, my mother Rashida Boyd and my nana Judy Boyd. -
Small Business Entrepreneurs Innovation
BOARD OF DIRECTORS ATHENS, GEORGIA BRIEFING BOOK AUGUST 29, 2019 INNOVATION ENTREPRENEURS TEAM WORK Yes we are INVESTMENT OPEN SMALL BUSINESS GEORGIA DEPARTMENT OF ECONOMIC DEVELOPMENT BOARD BOOK TABLE OF CONTENTS Georgia Council for the Arts ......................................................................................... 1 Centers of Innovation .....................................................................................................3 Film .....................................................................................................................................5 Global Commerce ............................................................................................................7 International Relations .................................................................................................. 9 International Trade .........................................................................................................11 Marketing and Communications ................................................................................ 13 Rural Initiatives ............................................................................................................... 15 Tourism .............................................................................................................................16 Georgia Department of Economic Development | 75 Fifth Street, NW | Suite 1200 | Atlanta, GA 30308 | +1.404.962.4000 GEORGIA COUNCIL FOR THE ARTS By the Numbers FY20 Grant Review April – June 2019 GCA