The Ambiguities of Rousseau's Conception of Happiness
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Rousseau and the Roots of Modernity
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repozytorium Instytucjonalne Krakowskiej Akademii X: 2013 nr 1 Christopher Lazarski ROUSSEAU AND THE ROOTS OF MODERNITY The general will is always right, but the judgment that guides it is not always enlightened.1 Since Machiavelli, man and woman have become the center of political theory as the sole source and the ultimate sanction of political order. The theoretical order – contemplated by classical Greek philosophy and the Judeo-Christian tradition as the origin, the measure and the limit of political order – was rejected, at first as irre- levant and later on as non-existent. During the Enlightenment, theories of progress, the state of nature, and the social contract replaced the transcendent order. Man and woman were to lift themselves by their own bootstraps from misery and despotism, and usher humanity into a secularized paradise. One summer day in 1749, Jean-Jacques Rousseau, just starting out as a phi- losopher and contributor to the French Encyclopedia, experienced a sudden illumi- nation while walking to Vincennes to visit his incarcerated friend, Denis Diderot (1713–1784). In the Mercure de France, he had found an announcement about an essay contest organized by the Academy of Dijon. “Has the restoration of the sciences and the arts helped to purify morals?” ran the prize question. The powerful inspiration prompted by this question became the starting point for the political theory that Jean-Jacques perfected throughout his life. He challenged the idea of progress, so central to the Enlightenment, and succeeded in placing his concept of omnipotent general will among the canons of enlightened teaching. -
Rousseau and the Social Contract
In Dialogue with Humanity Rousseau and The Social Contract by Leung Mei Yee Ho Wai Ming Yeung Yang Part I Rousseau‟s life and works Part II The Discourses – Critique of society and civilization Part III The Social Contract Part 1 Rousseau‟s life and works… and the people who influenced him 3 Jean-Jacques Rousseau (1712-1778) One of the most influential yet controversial figures of the Enlightenment 4 He was the most portrayed character of the 18th century apart from Napoleon. (Jean-Jacques Monney) 5 Best known to the world by his political theory, he was also a well admired composer, and author of important works in very different fields. 6 Major works Novels Julie: or the New Héloïse (1761) Emile: or, on Education (1762) Autobiographical works The Reveries of the Solitary Walker (1782) The Confessions (1782-89) Essays Discourse on the Sciences and Arts (1750) Discourse on Inequality (1755) Discourse on Political Economy (1755-56) The Social Contract (1762) 7 Major Works Letters Letters on French Music (1753) Letters on the Elements of Botany (1780) Letter to M. d’Alembert on the Theatre (1758) Letters written from the Mountain (1764) Music Opera: Le devin du village (1752) Dictionary of Music (1767) 8 Born in 1712 in Geneva Small Calvinist city-state surrounded by large, predominately Catholic nations; Republic in the midst of duchies and monarchies Was brought up by his father The house where Rousseau since his mother died in was born at number 40, place du Bourg-de-Four childbirth 9 Left Geneva at the -
Moral Education and Authority: a Model for Education That Understands Moral Growth As a Consequence of the Teacher-Learner Relationship
Moral Education and Authority: A Model for Education that Understands Moral Growth as a Consequence of the Teacher-Learner Relationship By Lisa MacDonald Supervisor: Dr. Andrea English Committee Members: Dr. Donovan Plumb, Dr. Mary Jane Harkins Thesis for Masters of Arts in Educational Foundations Copyright 2014 Lisa MacDonald To my mother and Mary, Table of Contents Abstract ........................................................................................................................................... i Acknowledgements ....................................................................................................................... ii Introduction ....................................................................................................................................1 Part I: Forgotten Aspects of Moral Education -- A Theoretical Analysis Chapter 1: The Cultivation of the Good Will J.-J. Rousseau and J.F. Herbart on Education and Morality ..............................................................................................................9 1.1 Rousseau’s Emile and the Development of Amour de Soi-même and Amour-Propre ......10 1.2 Amour de Soi-même Complemented by Amour-Propre Founded on Self-Love, Pity, and Compassion ..............................................................................................................................19 1.3 Johann F. Herbart on Morality as the Whole Purpose of Education .................................24 1.3.1 The Inner Censor as a Key Concept in Moral Education -
ROUSSEAU's ENGAGEMENT with AMOUR-PROPRE Peter Fuss
Canadian Journal of Political and Social TheorylReuue canadienne de theorie politique et sociale. Volume X. Number 3 (Fall/Automne) 1986 . ROUSSEAU'S ENGAGEMENT WITH AMOUR-PROPRE Peter Fuss A number of years ago, while reflecting on the notion of self, I had occasion to wonder to what extent the French expression amour-propre had found its way into North American usage . Several standard American dictionaries had it, though flagged as being a foreign term . The translation given was self- esteem . I tried Larousse's small French-English, which offered two defini- tions : self-pride and self-respect . A considerably larger Cassell's gave four translations : self-love, self-respect, conceit, and vanity . Even this brief immer- sion in the ways of ordinary language was enough to bring out in me the frustrated philosopher, with his passion for making distinctions : Are self- esteem, self-love, and self-respect fundamentally the same things? And do any or all of these compounds amount or reduce to uncompounded conceit or vanity? Or is it that amour-propre is complicated, ambiguous, perhaps even in some sense "dialectical," so that self-respect and vanity mark out, respectively, its polar extremes? Lacking sufficient self-esteem (or is it conceit?) simply to retire to my study and think this through on my own, I cast about for inspiration . It took a while to find some . The passions and affections in general are not traditionally among the preferred subjects of the philosophical mainliners, who seem to have a distinctive passion of their own for quarreling about the so-called higher, more noetic human faculties . -
THE POLITICAL PHILOSOPHY of JEAN-JACQUES ROUSSEAU the Impossibilityof Reason
qvortrup.cov 2/9/03 12:29 pm Page 1 Was Rousseau – the great theorist of the French Revolution – really a Conservative? THE POLITICAL PHILOSOPHY OF JEAN-JACQUES ROUSSEAU This original study argues that the author of The Social Contract was a constitutionalist much closer to Madison, Montesquieu and Locke than to revolutionaries. Outlining his profound opposition to Godless materialism and revolutionary change, this book finds parallels between Rousseau and Burke, as well as showing that Rousseau developed the first modern theory of nationalism. The book presents an inte- grated political analysis of Rousseau’s educational, ethical, religious and political writings. The book will be essential readings for students of politics, philosophy and the history of ideas. ‘No society can survive without mutuality. Dr Qvortrup’s book shows that rights and responsibilities go hand in hand. It is an excellent primer for any- one wishing to understand how renewal of democracy hinges on a strong civil society’ The Rt. Hon. David Blunkett, MP ‘Rousseau has often been singled out as a precursor of totalitarian thought. Dr Qvortrup argues persuasively that Rousseau was nothing of the sort. Through an array of chapters the book gives an insightful account of Rousseau’s contribution to modern philosophy, and how he inspired individuals as diverse as Mozart, Tolstoi, Goethe, and Kant’ John Grey, Professor of European Political Thought,LSE ‘Qvortrup has written a highly readable and original book on Rousseau. He approaches the subject of Rousseau’s social and political philosophy with an attractively broad vision of Rousseau’s thought in the context of the development of modernity, including our contemporary concerns. -
Rousseau and the Ancients Rousseau Et Les Anciens
, ". Rousseau and the Ancients Rousseau et les Anciens edited by SODS la direction de Ruth Grant & Philip Stewart Pen see Libre N° 8 CANADIAN CATALOGING DONNEESDECATALOGAGE IN PUBLICATION DATA AVANT LA PUBLICATION Main entry under title: Vedette principale au titre: Rousseau and the Ancients Rousseau et les Anciens (Pensee Libre: no. 8) (Pensee Libre: no. 8) Text in French and English Texte en fram;:ais et en anglais. Includes bibliographical references Comprend des references bibliographiques ISBN 0-9693132-7-6 ISBN 0-9693132-7-6 1. Rousseau, Jean-Jacques, 1712- 1. Rousseau, Jean-Jacques, 1712- 1778. 1. Grant, Ruth. II. Stewart, 1778. J. Grant, Ruth. II. Stewart, Philip. III. North American Asso Philip. III. Association nord ciation for the Study of Jean americaine des etudes Jean Jacques Rousseau IV. Title: Jacques Rousseau. IV. Titre: Rousseau and the Ancients. Rousseau et les Anciens. V. Series V. Collection The publication of this volume was made possible by cooperation of the North American Association for the Study of Jean-Jacques Rousseau, Duke University and Wabash College. Ouvrage publie grace au concours d l'Association nord-americaine des etudes Jean-Jacques Rousseau, Duke University et Wabash College. ISBN 0-9693132-7-6 © North American Association for the Study of Jean-Jacques Rousseau! Association nord-americaine des etudes Jean-Jacques Rousseau, 200 I. Collection Pensee Libre dirigee par Melissa Butler Pensee Libre series editor: Melissa Butler Imprime aux Btats Un is Printed in the United States Jean-Jacques Rousseau and Bernard Lamy: the Platonic education of amour-propre In the Confessions, Rousseau acknowledged his debt to the Oratorian father, Bernard Lamy. -
Jean Jacques Rousseau 1
From the Stanford Encyclopedia of Philosophy http://plato.stanford.edu/entries/rousseau/#Lan Jean Jacques Rousseau 1. Life Jean-Jacques Rousseau was born in the independent Calvinist city-state of Geneva in 1712, the son of Isaac Rousseau, a watchmaker, and Suzanne Bernard. Rousseau's mother died nine days after his birth, with the consequence that Rousseau was raised and educated by his father until the age of ten. Isaac Rousseau was one of the small minority of Geneva's residents who enjoyed the rank of citizen of Geneva, a status which Jean-Jacques was to inherit from him. According to Rousseau's own subsequent accounts, the haphazard education that he received from his father included both the inculcation of republican patriotism and the reading of classical authors such as Plutarch who dealt with the Roman republic. On his father's exile from the city to avoid arrest, Jean-Jacques was put in the care of a pastor at nearby Bossey and subsequently apprenticed to an engraver. Rousseau left the city the age of sixteen and came under the influence of a Roman Catholic convert noblewoman, Francoise-Louise de la Tour, Baronne de Warens. Mme de Warens arranged for Rousseau to travel to Turin, where he converted to Roman Catholicism in April 1728. Rousseau spent some time working as a domestic servant in a noble household in Turin, and during this time a shameful episode occurred in which he falsely accused a fellow servant of the theft of a ribbon. This act marked him deeply and he returns to it in his autobiographical works. -
Jean-Jacques Rousseau's Writings on Music As an Aspect of Preromanticism
The University of North Carolina at Greensboro JACKSON LIBRARY GQ no. 986 Gift of Oesmdr* Pritchett M»be COLLEGE COLLECTION MABE, CASSANDRA PRITCHETT. Jean-Jacques Rousseau's Writings on Music as an Aspect of Preromanticism. (1972) Directed by: Dr. Elizabeth Barineau. pp. 120 Rousseau's works concerning music reveal various recurrent themes which are now considered preromantic. While the writings on theory may be viewed as a treatise on Rousseau's preromantic philosophy, the characters and themes of his operas seem to foretell his most outstanding sentimental work, La nouvelle Heloi'se. Rousseau wrote the "Lettre a M. Grimm," "Lettre sur la musique francaise," and the "Lettre d'un symphoniste," in which he revealed his preferences for the simple Italian melodic music over the more complex French harmonic music, at the time of the "Guerre des bouffons" in France. During the "Guerre des Gluckistes et des Piccinistes" Rousseau wrote "Fragments d'observations sur l'Alceste" and the "Extrait d'une re'ponse du petit faiseur a son prete-nom sur un morceau de l'Orphe'e" in support of Christoph Willibald Gluck's emotive French reform operas. The theme of melody versus harmony as a conveyor of passion also appears in Rousseau's other works on music theory which do not pertain to one of the eighteenth century polemical musical battles: the Dictionnaire de musique, the articles which he contributed to the Encyclope'die, the "Projet concernant de nouveaux signes pour la musique," "Dissertation sur la musique moderne," "Lettre a M. Burney," "Examen de deux principes avance's par M. -
Values of Happiness: Toward an Anthropology of Purpose in Life
Values of Happiness Toward an Anthropology of Purpose in Life Edited by Iza Kavedžija and Harry Walker Afterword by Joel Robbins VALUES OF HAP P INESS Hau BOOKS Executive Editor Giovanni da Col Managing Editor Sean M. Dowdy Editorial Board Anne-Christine Taylor Carlos Fausto Danilyn Rutherford Ilana Gershon Jason Troop Joel Robbins Jonathan Parry Michael Lempert Stephan Palmié www.haubooks.com VALUES OF HAP P INESS TOWARD AN ANTHROPOLOGY OF PURPOSE IN LIFE Special Issues in Ethnographic Teory Series Edited by Iza Kavedžija and Harry Walker Hau Books Chicago © 2016 Hau Books Hau Books Special Issues in Ethnographic Teory Series (Volume 2) Te HAU Books Special Issues in Ethnographic Teory Series prints paperback versions of pathbreaking collections, previously published in HAU: Journal of Ethnographic Teory. Cover and layout design: Sheehan Moore Cover Photo © Skye Hohmann Typesetting: Prepress Plus (www.prepressplus.in) ISBN: 978-0-9861325-7-5 LCCN: 2016959208 Hau Books Chicago Distribution Center 11030 S. Langley Chicago, IL 60628 www.haubooks.com Hau Books is marketed and distributed by Te University of Chicago Press. www.press.uchicago.edu Printed in the United States of America on acid-free paper. Table of Contents List of Contributors vii introduction Values of happiness Harry Walker and Iza Kavedžija 1 chapter one Ambivalent happiness and virtuous sufering C. Jason Troop 29 chapter two Being careful what you wish for: Te case of happiness in China Charles Staford 59 chapter three Te good life in balance: Insights from aging Japan -
Classic Terms
Classic Terms Alberti Bass: "Broken" arpeggiated triads in a bass line, common in many types of Classic keyboard music; named after Domenico Alberti (1710-1740) who used it extensively but did not invent it. Aria: A lyrical type of singing with a steady beat, accompanied by orchestra; a songful monologue or duet in an opera or other dramatic vocal work. Bel Canto: (Italian for "beautiful singing") An Italian singing tradition primarily in opera seria and opera buffa in the late17th- to early-19th century. Characterized by seamless phrasing (legato), great breath control, flexibility, tone, and agility. Most often associated with singing done in the early-Romantic operas of Rossini, Bellini and Donizetti. Cadenza: An improvised or written-out ornamental virtuosic passage played by a soloist in a concerto. In Classic concertos, a cadenza occurs at a dramatic moment before the end of a movement, when the orchestra stops so the soloist can play in free time, and then after the cadenza is finished the orchestra reenters to bring the movement to its conclusion. Castrato The term for a male singer who was castrated before puberty to preserve his high soprano range (this practice in Italy lasted until the late 1800s). Today, the rendering of castrato roles is problematic because it requires either a male singing falsetto (weak) or a mezzo-soprano (strong, but woman must impersonate a man). Counterpoint: Combining two or more independent melodies to make an intricate polyphonic texture. Empindsam: (German for "sensitive") The term used to describe a highly-expressive style of German pre- Classic/early Classic instrumental music, that was intended to intensely express true and natural feelings, featuring sudden contrasts of mood. -
Taming Amour-‐‑Propre
Taming Amour-Propre: A Study of Book IV of Rousseau's Emile by Antong Liu Department of Political Science Duke University Date: _________________ Approved: ___________________________ Ruth W. Grant, Supervisor ___________________________ Michael A. Gillespie ___________________________ Thomas A. Spragens, Jr. Thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Political Science in the Graduate School of Duke University 2014 ABSTRACT Taming Amour-Propre: A Study of Book IV of Rousseau's Emile by Antong Liu Department of Political Science Duke University Date: _________________ Approved: ___________________________ Ruth W. Grant, Supervisor ___________________________ Michael A. Gillespie ___________________________ Thomas A. Spragens, Jr. An abstract of a thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Political Science in the Graduate School of Duke University 2014 Copyright by Antong Liu 2014 Abstract Amour-propre is a crucial concept of Rousseau's philosophy. Although recent studies have confirmed its moral ambiguity, they paid insufficient attention to Rousseau's account of amour-propre in his Emile and thus failed to appreciate the method Rousseau proposes therein to tame Emile's amour-propre. By close textual examinations of Emile, especially of the first part of its Book IV, this paper analyzes the moral ambiguity of amour-propre and Rousseau's remedy for its almost inevitable inflammation. Rather than eliminating amour-propre, the education of Emile aims at preventing his innocuous amour-propre from being inflamed. This at first requires that a cosmopolitan type of friendship be cultivated in Emile's heart so as to further cultivate his pity. -
No Pain Like My Own Chakravarti
Law, Culture and the Humanities http://lch.sagepub.com/ No Pain like My Own: Guilt in the Works of Jean-Jacques Rousseau and Antjie Krog Sonali Chakravarti Law, Culture and the Humanities published online 21 August 2013 DOI: 10.1177/1743872113498469 The online version of this article can be found at: http://lch.sagepub.com/content/early/2013/08/19/1743872113498469 Published by: http://www.sagepublications.com On behalf of: Association for the Study of Law, Culture and the Humanities Additional services and information for Law, Culture and the Humanities can be found at: Email Alerts: http://lch.sagepub.com/cgi/alerts Subscriptions: http://lch.sagepub.com/subscriptions Reprints: http://www.sagepub.com/journalsReprints.nav Permissions: http://www.sagepub.com/journalsPermissions.nav >> OnlineFirst Version of Record - Aug 21, 2013 What is This? Downloaded from lch.sagepub.com at WESLEYAN UNIV on November 6, 2013 LCH0010.1177/1743872113498469Law, Culture and the HumanitiesChakravarti 4984692013 LAW, CULTURE AND THE HUMANITIES Article Law, Culture and the Humanities 0(0) 1 –17 No Pain like My Own: Guilt © The Author(s) 2013 Reprints and permissions: in the Works of Jean-Jacques sagepub.co.uk/journalsPermissions.nav DOI: 10.1177/1743872113498469 Rousseau and Antjie Krog lch.sagepub.com Sonali Chakravarti Wesleyan University, USA Abstract Within political theory, it is Jean-Jacques Rousseau who is often associated with the idea that humans have an intrinsic response to the pain of others. Yet, this article argues that he should also be understood as a theorist of the paralyzing effects of guilt and that it was his guilt, not sympathy, which marked the most intense interpersonal moments in his life.