Gayle Bard:A Singular Vision Oct 12, 2013

Total Page:16

File Type:pdf, Size:1020Kb

Gayle Bard:A Singular Vision Oct 12, 2013 TM rt Grice A , 2004, oil on canvas 64” x 60”. Photo: Skagit Flats , GAYLE BARD GAYLE BARD: A SINGULAR VISION OCT 12, 2013 - JAN 5, 2014 ALSO ON VIEW: Richard Jesse Watson: Inner Zoo, Outer Orbit Selections from the Permanent Collection Artist’s Books: Chapter Two Heikki Seppa: Master Metalsmith Volume 22 OCTOBER • NOVEMBER • DECEMBER 2013 Number 4 www.artaccess.com A R T A C C E S S THE MONTHLY GUIDE TO THE ARTS V o l u m e 2 2 N u m b e r 4 CONTENTS VISUAL ART Listings Portland, OR 6 Anacortes, WA 6 Bainbridge Island, WA 7 Bellevue, WA 9 Bellingham, WA 10 Edison, WA 10 Edmonds, WA 11 Enumclaw, WA 11 Everett, WA 11 Richard Jesse Watson • “On Earth” Friday Harbor, WA 12 oil on board, photo: Darryl Schmidt Kirkland, WA 12 Bainbridge Island Museum of Art Bainbridge Island, WA La Conner, WA 13 Mercer Island, WA 13 “Art is the mirror that reflects back to us Port Orchard, WA 14 the essence of humanity, our communities, Port Townsend, WA 14 ourselves, our hearts, and our souls.” Puyallup, WA 15 ~Judy, Bainbridge Island Seattle, WA Contributor to BIMA Conversation of Art • Ballard 16 • Belltown 16 • Capitol Hill 17 • Columbia City 17 FRONT COVER: • Downtown 17 Gayle Bard • “Skagit Flats,” 2004 • First Hill 21 oil on canvas, 64 x 60 inches, photo: Art Grice • Madison Park 21 Bainbridge Island Museum of Art Bainbridge Island, WA • Pioneer Square 21 • SODO 27 Gayle Bard • South Lake Union 28 “A Singular Vision” • University District 29 • West Seattle 29 Richard Jesse Watson Shoreline, WA 29 “Inner Zoo, Outer Orbit” Tacoma, WA 30 Vashon Island, WA 31 “Artist’s Books: Chapter Two” CALL TO ARTISTS 31 “Selections from MAPS Maps the Permanent Collection” Bainbridge Island, WA 6 Kirkland, WA 12 Heikki Seppa Seattle, WA: “Master Metalsmith” • Belltown 16 • Downtown 18 October 12-January 5 • Pioneer Square 22 BAINBRIDGE ISLAND MUSEUM OF ART 550 Winslow Way E., Bainbridge Island Art Access (206) 842-4451 • [email protected] (888) 970-9991 Daily: 10 A.M.-6 P.M. [email protected] www.biartmuseum.org Box 4163, Seattle, WA 98194 P u b l i s h e r Debbi Lester Jan/Feb/March info is due Dec 10 Special Thanks No Exceptions! “Off with your head!” Helen Johanson, Greg Miller, Karen Stanton, Gregory Hischak, Elizabeth Bryant, Reed Bargren, Alec Clayton, Deloris Tarzan Ament, Sean Carman, Gwen Wilson, Cheryl H. Hahn, Clare McLean, Ron Glowen, Listing in Art Access is a paid service. Susan Platt, Adriana Grant, Katie Kurtz, Molly Rhodes, Milton Freewater, Molly Norris, Rachella Anderson, Kathy Cain, The charge for 60 word listing per month is David John Anderson, Eleanor Pigman, Saylor Jones, $35 or $39 with map placement, if available. Tammy Spears, Meg McHutchison (Happy Birthday!), Erica Applewhite,Steve Freeborn & Tia Matthies, Chris The Initial map placement fee is $28. Mitchell, Ron Turner, Mitchell Weitzman, Image(s) above the listing: $100 each. Limit 3. Steve Freeborn & Tia Matthies, Bill Frisell & Carole d’Inverno, Seattle Art Museum, Tacoma Art Museum, Schack Art Center, Henry Art Gallery, Bainbridge Island Museum of Art, Submission and payment are done online: Bellevue Arts Museum, Portland Art Museum, Museum of Northwest Art, Frye Art Museum, www.artaccess.com/submitprintad Doris Lester, Teresa Cassady, Joey Lester (Happy Birthday!), Danny Lester, Debbie & Richard Vancil, Corbin, Madeline (Happy Birthday!), Parker, Cayden, & Ryan www.artaccess.com © OCT • NOV • DEC 2013 3 (L-R) Maestro Lino Tagliapietra Etsuko Ichikawa stands next artist John Kiley with artist Jason with his glass art her wall sculpture his glass art next to his Traver Gallery • Seattle, WA Davidson Galleries • Seattle, WA Traver Gallery • Seattle, WA Gallery Seattle, artist Francesca Sundsten artist Claude Utley with his painting artists/beloveds Jessica stands next to her painting Gallery IMA • Seattle, WA Punch Gallery Grover/Thurston Gallery • Seattle, WA (L-R) artists Paul Rucker and Joel Cain artist Warren Dykeman stands (L-R) curators Deborah Gallery 4 Culture • Seattle, WA among his artworks Greg Kucera Gallery Davidson Galleries • Seattle, WA artist Jeff Scott next to his painting artist Cass Walker stands next to her photograph artist Courtney Room 104 • Seattle, WA Gallery 110 • Seattle, WA beaded jewelry Stonington artist Zanetka Gavronski with her paintings (L-R) artists Thomas Wood artist Daniel Dust 4 Core Gallery • Seattlewww.artaccess.com, WA ©and OCT “Fishboy” • NOV Randy •Clark DEC 2013 Davidson Galleries Lisa Harris Gallery • Seattle, WA Huff stands artist Cara Jaye and her daughter artist Z.Z. Wei stands artist Tony Dattilo with his sculpture sculpture Punch Gallery • Seattle, WA next to his painting Core Gallery • Seattle, WA IMA Patricia Rovzar Gallery • Seattle, WA WA Bonin & James Reisen artist Jen Grabarczyk front artist Lindsay Pichaske her wall sculptures • Seattle, WA of her large scale artwork installation Foster/White Gallery • Seattle, WA Shift Gallery • Seattle, WA Paine and Beth Sellars (L-R) artists Ben Beres and Zac Culler, two of the (L-R) aritsts Bill Whipple, Laurie LeClair, • Seattle, Washington three artists making up the SuttenBeresCuller David C. Kane, and Room 104 co-owner Dave Logan Greg Kucera Gallery • Seattle, WA Room 104 • Seattle, WA Lipson with her (L-R) artists Richard Hutter and Patricia Hagen artist Anne Petty stands with her painting and paintings stand next to their artworks Linda Hodges Gallery • Seattle, WA Gallery • Seattle, WA Lisa Harris Gallery • Seatle, WA with his painting artist Tom Hughes stands artist Rickie Wolfe • Seattle, WA www.artaccess.cominside his temporary architectural © OCT structure • NOV • DECstands 2013 next to her wall sculpture 5 Gallery 4 Culture • Seattle, WA Gallery IMA • Seattle, WA Jonsson, Dederick Ward, Clayton James, OREGON Kathryn Glowen, Greg Tate, and John Mix Stanley. Reception: Friday, October 4, 6-9 PORTLAND P.M. Talk by artist/curator Ron Glowen PORTLAND ART MUSEUM at 7 P.M. Through November 24. ngton Anchor Artist in Residence 2014 i 1219 SW Park Avenue • (503) 226-2811 • Sun: 12-5 P.M.; Tues, Weds, & Sat: 10 Anchor Art Space is now accepting Artist A.M.-5 P.M.; Thurs & Fri: 10 A.M.-8 P.M.; in Residence (AIR) applications from any ash Closed Mondays • $15 Adults, $12 Seniors/ artist and/or artist team working within the visual arts. Develop, learn, and contribute , W Students. Free for children under 17 • www. portlandartmuseum.org to the evolution of new ideas during this Samurai! 4-week residency beginning in January. “Samurai! Armor from the Ann and Include: full resume, artist statement, 500 Gabriel Barbier-Mueller Collection” is word proposal, 5 images, 3 references, $20 one of the fi nest and most comprehensive fee. Due: October 12. Questions, contact: collections in the world. “Samurai!” is a [email protected]. fascinating opportunity to view the Holiday Art & Craft Sale • Anacortes • remarkable battle gear that illuminates the Local and regional artists are contributing life, culture, and pageantry of the samurai. unique art, unusual crafts, and diverse Portland is the only West Coast appearance holiday ornaments to the Gallery sale this for this exhibit. October 5-January 12. season beginning Black Friday. Whatever regon Contemporary Northwest Art Awards the occasion, make Anchor Art Space your The Portland Art Museum is pleased gifting destination. All proceeds of the sale to present the 2013 Awards. Regional arts supports Anchor Art Space, its artists, and its professionals nominated artists on the programming. November 29-December 22. basis of quality, innovation, relevance to SCOTT MILO GALLERY community or global issues, continuity of 420 Commercial Avenue (across from vision, and dedication to studio practice. Portland, O the Majestic Hotel) • (360) 293-6938 • Come explore their fascinating work to Mon-Sat: 10:30 A.M.-4:30 P.M. and by see what Northwest artists are creating. appointment • [email protected] • Through January 12. www.scottmilo.com The Question of Hope: Presenting mixed media landscape Robert Adams in Western Oregon collage work by BJ Dollahite of Friday This exhibit features 70 photographs— Harbor. Also showing are oils by Matt most never before exhibited or published— Dollahite, photography by Lewis Jones, that demonstrate Robert Adams’ reverence pastels by Steve Hill, and oils by Ramona for Oregon’s limited natural resources. Hammerly. A new selection of glass work Adams has infl uenced modern photography Reception: Friday, VISUAL ART is featured as well. and has been at the forefront of a October 4, 6-9 P.M. October 4-29. commanding shift in the aesthetic and Featuring new watercolors and acrylics emotional tone of American landscape by Eric Wiegardt of Ocean Park, WA. photography. Through January 5. Wiegardt brings a selection of seascapes, WASHINGTON boats, fl orals, and landscapes. Also showing are oils by Sandy Byers, photography ANACORTES by Dick Garvey, photograph encaustics by Kathy Hastings, and etchings and ANCHOR ART SPACE watercolors by Elizabeth Ockwell. 216 Commercial Avenue, Anacortes Reception: Friday, November 1, 6-9 P.M. WA 9 8 2 2 1 • F r i - S u n : 1 2 - 5 P.M. Jennifer Bowman lights up the Gallery • [email protected] • www. with her dynamic landscapes, seacapes, and anchorartspace.org fl orals in acrylic. Also showing are pastels Dry Ice: Shaping the and oils by Amanda Houston, photographs NW Landscape Twelve artists BAINBRIDGEERICKSEN ISLAND Map MADISON MADRONE e x p l o r e u n i q u e l y FERNCLIFF THE HWY PLAYHOUSE THEATER nd eroded landscapes, BAINBRIDGE City Hall ISLAND KIDIMU HISTORICAL 305 w h i c h a l l u d e t o MUSEUM A V A E. NE. E. t h e P N W ’ s e p i c VE. N 4 geological history: 6 3 THE 5 1 .
Recommended publications
  • Crime, Law Enforcement, and Punishment
    Shirley Papers 48 Research Materials, Crime Series Inventory Box Folder Folder Title Research Materials Crime, Law Enforcement, and Punishment Capital Punishment 152 1 Newspaper clippings, 1951-1988 2 Newspaper clippings, 1891-1938 3 Newspaper clippings, 1990-1993 4 Newspaper clippings, 1994 5 Newspaper clippings, 1995 6 Newspaper clippings, 1996 7 Newspaper clippings, 1997 153 1 Newspaper clippings, 1998 2 Newspaper clippings, 1999 3 Newspaper clippings, 2000 4 Newspaper clippings, 2001-2002 Crime Cases Arizona 154 1 Cochise County 2 Coconino County 3 Gila County 4 Graham County 5-7 Maricopa County 8 Mohave County 9 Navajo County 10 Pima County 11 Pinal County 12 Santa Cruz County 13 Yavapai County 14 Yuma County Arkansas 155 1 Arkansas County 2 Ashley County 3 Baxter County 4 Benton County 5 Boone County 6 Calhoun County 7 Carroll County 8 Clark County 9 Clay County 10 Cleveland County 11 Columbia County 12 Conway County 13 Craighead County 14 Crawford County 15 Crittendon County 16 Cross County 17 Dallas County 18 Faulkner County 19 Franklin County Shirley Papers 49 Research Materials, Crime Series Inventory Box Folder Folder Title 20 Fulton County 21 Garland County 22 Grant County 23 Greene County 24 Hot Springs County 25 Howard County 26 Independence County 27 Izard County 28 Jackson County 29 Jefferson County 30 Johnson County 31 Lafayette County 32 Lincoln County 33 Little River County 34 Logan County 35 Lonoke County 36 Madison County 37 Marion County 156 1 Miller County 2 Mississippi County 3 Monroe County 4 Montgomery County
    [Show full text]
  • Buster Turns Kristin Smart Case Upside-Down!
    http://CaliforniaRegister.com SAN LUIS OBISPO - SPECIAL EDITION Volume 3 - Issue 1 JANUARY 15, 2015 PRSRT STD “Congress shall make no law ... **********ECRWSSEDDM**** ECRWSS abridging the freedom of speech, or of the press...” U.S. POSTAGE PAID Residential Customer PISMO BEACH, CA Ratified by Congress: December 15, 1791 PERMIT NO. 99 Buster Turns Kristin Smart Case Upside-Down! Search Dog “Buster” Detects Human Remains Behind Arroyo Grande Home Soil Sample Contains a Human-Specific Chemical, but Sheriff Ignores it All! specific chemical normally found response. The lack of action by the found a woman’s earring. On the The following article is an update in human remains. San Luis Obispo Sheriff’s department following day, Joseph Lassiter while for those who have been following • August 1, 2014, Buster alerts in was disappointing and troublesome. being deposed stated he and his wife the Kristin Smart disappearance. the backyard of 523 E. Branch When Mrs. Smart asked the sheriff were in possession of the earring. Newcomers to the Kristin Smart St., Arroyo Grande. A forensic about it, he dismissed the dog alerts Joseph Lassiter described the earring case are encouraged to first read the scientist and a retired police because Buster was not a “certified” as: hooped with beads and a flat piece entire story at: CaliforniaRegister. search dog. Additionally, Parkinson which connects to the ear, a “little com/kristin-smart/ detective believe human-specific chemicals are present in the soil did not place too much faith in the beaded thing that hangs down.” around the backyard of 529 E. soil-sample analysis either.
    [Show full text]
  • Igncc18 Programme
    www.internationalgraphicnovelandcomicsconference.com [email protected] #IGNCC18 @TheIGNCC RETRO! TIME, MEMORY, NOSTALGIA THE NINTH INTERNATIONAL GRAPHIC NOVEL AND COMICS CONFERENCE WEDNESDAY 27TH – FRIDAY 29TH JUNE 2018 BOURNEMOUTH UNIVERSITY, UK Retro – a looking to the past – is everywhere in contemporary culture. Cultural critics like Jameson argue that retro and nostalgia are symptoms of postmodernism – that we can pick and choose various items and cultural phenomena from different eras and place them together in a pastiche that means little and decontextualizes their historicity. However, as Bergson argues in Memory and Matter, the senses evoke memories, and popular culture artefacts like comics can bring the past to life in many ways. The smell and feel of old paper can trigger memories just as easily as revisiting an old haunt or hearing a piece of music from one’s youth. As fans and academics we often look to the past to tell us about the present. We may argue about the supposed ‘golden age’ of comics. Our collecting habits may even define our lifestyles and who we are. But nostalgia has its dark side and some regard this continuous looking to the past as a negative emotion in which we aim to restore a lost adolescence. In Mediated Nostalgia, Ryan Lizardi argues that the contemporary media fosters narcissistic nostalgia ‘to develop individualized pasts that are defined by idealized versions of beloved lost media texts’ (2). This argument suggests that fans are media dupes lost in a reverie of nostalgic melancholia; but is belied by the diverse responses of fandom to media texts. Moreover, ‘retro’ can be taken to imply an ironic appropriation.
    [Show full text]
  • Foregrounding Narrative Production in Serial Fiction Publishing
    University of Rhode Island DigitalCommons@URI Open Access Dissertations 2017 To Start, Continue, and Conclude: Foregrounding Narrative Production in Serial Fiction Publishing Gabriel E. Romaguera University of Rhode Island, [email protected] Follow this and additional works at: https://digitalcommons.uri.edu/oa_diss Recommended Citation Romaguera, Gabriel E., "To Start, Continue, and Conclude: Foregrounding Narrative Production in Serial Fiction Publishing" (2017). Open Access Dissertations. Paper 619. https://digitalcommons.uri.edu/oa_diss/619 This Dissertation is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. TO START, CONTINUE, AND CONCLUDE: FOREGROUNDING NARRATIVE PRODUCTION IN SERIAL FICTION PUBLISHING BY GABRIEL E. ROMAGUERA A DISSERTATION SUBMITTED IN PARTIAL FULLFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ENGLISH UNIVERSITY OF RHODE ISLAND 2017 DOCTOR OF PHILOSOPHY DISSERTATION OF Gabriel E. Romaguera APPROVED: Dissertation Committee: Major Professor Valerie Karno Carolyn Betensky Ian Reyes Nasser H. Zawia DEAN OF THE GRADUATE SCHOOL UNIVERSITY OF RHODE ISLAND 2017 Abstract This dissertation explores the author-text-reader relationship throughout the publication of works of serial fiction in different media. Following Pierre Bourdieu’s notion of authorial autonomy within the fields of cultural production, I trace the outside influence that nonauthorial agents infuse into the narrative production of the serialized. To further delve into the economic factors and media standards that encompass serial publishing, I incorporate David Hesmondhalgh’s study of market forces, originally used to supplement Bourdieu’s analysis of fields.
    [Show full text]
  • Read This Article Online
    INDEX Archaeological excavations: in Quindaro, 126, 141 A Archaeology of Large-Scale Manipulation of Prey, The: The Economic Aaronson, Reuben: Strangers in Town, 220–21 and Social Dynamics of Mass Hunting: reviewed, 297 Abilene Weekly Reflecto , 179 Archives. See Dole Archives Abolitionists: escaped slaves aided by, 163; Kansas settlers, Arkansas City (Cowley Co.): immigrant railroad workers, 181 157–58; relations with free-state movement, 157–60, 168; slave Arts: Brown v. Board of Education mural, 210; festival in Wichita’s rescues, 264. See also Doy, John; Gardner, Joseph; Underground East Douglas area, 280–81; post-office murals, 208 Railroad Arvin, Lester, 280 “Affair at Ci cleville: The Strike on the Kansas Central Railway Assaria (Saline Co.): immigrant railroad workers, 179 in the Aftermath of the Great Upheaval”:article by Charles F. Atchison (Atchison Co.): Greek Americans, 174, 177; lynchings, Harris, 20–31 170; slave-catching raids, 162–63, 164; Soldiers Orphans Home, African Americans: civil rights leaders, 120; competition from No. 4 back cover immigrants, 184; decoys for slave-cathers, 163–64, 168, Atchison, David Rice, 86–87 263, 264, 268; freedmen’s school (Quindaro), 99, 106–7, 114; Atchison, Topeka & Santa Fe Railroad: immigrant workers, 176, interracial marriages, 181; lynchings, 168, 169, 170, 258, 259, 177–78, 182; in Ottawa, 35; wages, 22 260, 267–68, 268; middle-class women’s clubs, 37, 44-45; Atchison Champion, 25, 27 migration to Kansas, 115, 206; at Ottawa Chautauqua, photo, Atchison County: slave-catching raids, 161, 164, 170 43; racist violence against, 259, 260–61; railroad workers, 177; Atchison Daily Globe, 170, 177 spirituals, 117–18, 119, 120; in Topeka, 210–11; in Union Armyh Atkins, George, 127 248; urban renewal and, 145; voting rights, 105–6; in woman’s Atkins, Natalie, 127 suffrage movement, 41.
    [Show full text]
  • Artists Network - 2010 All-Media Online Competition Winners
    Artists Network - 2010 All-Media Online Competition Winners The Artist's Magazine The Pastel Journal Watercolor Artist Southwest Art WetCanvas ArtistsNetwork.TV Art Books Home | Articles | Community | Blogs | Competitions | Art Videos | Subscribe | Books | Resources | Shop All-Media Online Competition | Splash | The Artist's Magazine Annual Art Competition | The Pastel 100 | 21 Under 31 Competition | Watermedia Showcase | Strokes ofBrowse Genius by medium: Select Browse by genre: Select Free Email Newsletter Home » Competitions » 2010 All-Media Online Competition Winners Sign up to receive free news, tips and special offers from 2010 All-Media Online Competition Winners ArtistsNetwork.com. Congratulations to the winners and honorable mentions in our 2010 All-Media Online Competition. These artists' works, selected from more than 1,800 entries, impressed us with their sensibility, ingenuity and passion. The grand prize winner receives a $500 prize as well as a subscription to The Artist's Magazine and $100 worth of North Light Books. All seven first place winners receive $100, complimentary subscriptions to The Artist's Magazine and $100 worth of North Light Books. Honorable mentions receive complimentary subscriptions to The Artist's Magazine and $50 worth of North Light Books. Learn about our current art competition opportunities here. GRAND PRIZE WINNER Adam Miller, Brooklyn, NY Role Play (oil, 24x18) See the winners in: Oil and oil pastel Acrylic Watercolor http://www.artistsnetwork.com/2010-online-competition[2/18/2011 7:08:04 PM]
    [Show full text]
  • (OR LESS!) Food & Cooking English One-Off (Inside) Interior Design
    Publication Magazine Genre Frequency Language $10 DINNERS (OR LESS!) Food & Cooking English One-Off (inside) interior design review Art & Photo English Bimonthly .
    [Show full text]
  • Mcwilliams Ku 0099D 16650
    ‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry © 2019 By Ora Charles McWilliams Submitted to the graduate degree program in American Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Henry Bial Germaine Halegoua Joo Ok Kim Date Defended: 10 May, 2019 ii The dissertation committee for Ora Charles McWilliams certifies that this is the approved version of the following dissertation: ‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Date Approved: 24 May 2019 iii Abstract The comic book industry has significant challenges with intellectual property rights. Comic books have rarely been treated as a serious art form or cultural phenomenon. It used to be that creating a comic book would be considered shameful or something done only as side work. Beginning in the 1990s, some comic creators were able to leverage enough cultural capital to influence more media. In the post-9/11 world, generic elements of superheroes began to resonate with audiences; superheroes fight against injustices and are able to confront the evils in today’s America. This has created a billion dollar, Oscar-award-winning industry of superhero movies, as well as allowed created comic book careers for artists and writers.
    [Show full text]
  • NPRC) VIP List, 2009
    Description of document: National Archives National Personnel Records Center (NPRC) VIP list, 2009 Requested date: December 2007 Released date: March 2008 Posted date: 04-January-2010 Source of document: National Personnel Records Center Military Personnel Records 9700 Page Avenue St. Louis, MO 63132-5100 Note: NPRC staff has compiled a list of prominent persons whose military records files they hold. They call this their VIP Listing. You can ask for a copy of any of these files simply by submitting a Freedom of Information Act request to the address above. The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website.
    [Show full text]
  • Catalog 2018 General.Pdf
    TERRY’S COMICS Welcome to Catalog number twenty-one. Thank you to everyone who ordered from one or more of our previous catalogs and especially Gold and Platinum customers. Please be patient when you call if we are not here, we promise to get back to you as soon as possible. Our normal hours are Monday through Friday 8:00AM-4:00PM Pacific Time. You can always send e-mail requests and we will reply as soon as we are able. This catalog has been expanded to include a large DC selection of comics that were purchased with Jamie Graham of Gram Crackers. All comics that are stickered below $10 have been omitted as well as paperbacks, Digests, Posters and Artwork and many Magazines. I also removed the mid-grade/priced issue if there were more than two copies, if you don't see a middle grade of an issue number, just ask for it. They are available on the regular web-site www.terryscomics.com. If you are looking for non-key comics from the 1980's to present, please send us your want list as we have most every issue from the past 35 years in our warehouse. Over the past two years we have finally been able to process the bulk of the very large DC collection known as the Jerome Wenker Collection. He started collecting comic books in 1983 and has assembled one of the most complete collections of DC comics that were known to exist. He had regular ("newsstand" up until the 1990's) issues, direct afterwards, the collection was only 22 short of being complete (with only 84 incomplete.) This collection is a piece of Comic book history.
    [Show full text]
  • Comics and Graphic Novels for Young People
    27 SPRING 2010 Going Graphic: Comics and Graphic Novels for Young People CONTENTS Editorial 2 ‘Remember Me’: An Afrocentric Reading of CONFERENCE ARTICLES Pitch Black 14 Kimberley Black The State of the (Sequential) Art?: Signs of Changing Perceptions of Comics, Manga and Graphic Novels and the Holocaust 15 Graphic Novels in Britain 3 Rebecca R. Butler Mel Gibson Copulating, Coming Out and Comics: The High From Tintin to Titeuf: Is the Anglophone Market School Comic Chronicles of Ariel Schragg 16 too Tough for French Comics for Children? 4 Erica Gillingham Paul Gravett Is Henty’s History Lost in Graphic Translation? The Short but Continuing Life of The DFC 5 Won by the Sword in 45 pages 17 David Fickling Rachel Johnson Out of the Box 6 Sequences of Frames by Young Creators: The Marcia Williams Impact of Comics in Children’s Artistic Development 18 Raymond Briggs: Blurring the Boundaries Vasiliki Labitsi among Comics, Graphic Novels, Picture Books and Illustrated Books 7 ‘To Entertain and Educate Young Minds’: Janet Evans Graphic Novels for Children in Indian Publishing 19 Graphic Novels in the High-School Malini Roy Classroom 8 Bill Boerman-Cornell Strangely Familiar: Shaun Tan’s The Arrival and the Universalised Immigrant Experience 20 Britain’s Comics Explosion 9 Lara Saguisag Sarah McIntyre Journeys in Time in Graphic Novels from Reading between the Lines: The Subversion of Greece 21 Authority in Comics and Graphic Novels Mariana Spanaki Written for Young Adults 10 Ariel Kahn Crossing Boundaries 22 Emma Vieceli Richard Felton Outcault and The Yellow Kid 10 Dora Oronti Superhero Comics and Graphic Novels 22 Jessica Yates As Old as Clay 11 Daniel Moreira de Sousa Pinna Composing and Performing Masculinities: Of Reading Boys’ Comics c.
    [Show full text]
  • GREAT EXPECTATIONS -- by Charles Dickens
    This is a Public Domain Document. There is no copyright protection on this particular work. You may copy it, use it, print it, edit it, extract quotes from it, make transparencies from it, use it in Power Point, transfer it to disk, or give it to another person. You may load this document into your computer. This form of document was created on Lotus Word Pro(c), Microsoft Word(c) and Adobe PDF (c) formats. GREAT EXPECTATIONS -- by Charles Dickens Chapter 1 My father's family name being Pirrip, and my Christian name Philip, my infant tongue could make of both names nothing longer or more explicit than Pip. So, I called myself Pip, and came to be called Pip. I give Pirrip as my father's family name, on the authority of his tombstone and my sister - Mrs. Joe Gargery, who married the blacksmith. As I never saw my father or my mother, and never saw any likeness of either of them (for their days were long before the days of photographs), my first fancies regarding what they were like, were unreasonably derived from their tombstones. The shape of the letters on my father's, gave me an odd idea that he was a square, stout, dark man, with curly black hair. From the character and turn of the inscription, "Also Georgiana Wife of the Above," I drew a childish conclusion that my mother was freckled and sickly. To five little stone lozenges, each about a foot and a half long, which were arranged in a neat row beside their grave, and were sacred to the memory of five little brothers of mine - who gave up trying to get a living, exceedingly early in that universal struggle - I am indebted for a belief I religiously entertained that they had all been born on their backs with their hands in their trousers-pockets, and had never taken them out in this state of existence.
    [Show full text]