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República Argentina - Poder Ejecutivo Nacional 2019 - Año De La Exportación
República Argentina - Poder Ejecutivo Nacional 2019 - Año de la Exportación Resolución Número: Referencia: EX-2018-29901019- -APN-DGD#MP - CONC. 1643 VISTO el Expediente N° EX-2018-29901019- -APN-DGD#MP, y CONSIDERANDO: Que, en las operaciones de concentración económica en las que intervengan empresas cuya envergadura determine que deban realizar la notificación prevista en el Artículo 9° de la Ley Nº 27.442, procede su presentación y tramitación por los obligados ante la ex COMISIÓN NACIONAL DE DEFENSA DE LA COMPETENCIA, organismo desconcentrado en el ámbito de la SECRETARÍA DE COMERCIO INTERIOR del MINISTERIO DE PRODUCCIÓN Y TRABAJO, en virtud de lo dispuesto y por la integración armónica de los Artículos 7° a 17 y 80 de dicha ley. Que la operación de concentración económica, se notificó el día 22 de junio de 2018, que se produce en el exterior generando efectos a nivel nacional, y consiste en la adquisición del control exclusivo de la firma AT&T INC., sobre la firma TIME WARNER INC., de acuerdo con el Contrato y el Plan de Fusión de fecha 22 de octubre de 2016. Que conforme a lo establecido en el Acuerdo de Fusión, la firma WEST MERGER SUB INC, una subsidiaria totalmente controlada por la firma AT&T INC., fue fusionada con y dentro de la firma TIME WARNER INC., siendo ésta última la empresa sobreviviente como una subsidiaria totalmente controlada por la firma AT&T INC. Que inmediatamente después, la firma TIME WARNER INC., se fusionó con y dentro de la firma WEST MERGER SUB II, LLC, y subsidiaria totalmente controlada por AT&T. -
Media Ownership Chart
In 1983, 50 corporations controlled the vast majority of all news media in the U.S. At the time, Ben Bagdikian was called "alarmist" for pointing this out in his book, The Media Monopoly . In his 4th edition, published in 1992, he wrote "in the U.S., fewer than two dozen of these extraordinary creatures own and operate 90% of the mass media" -- controlling almost all of America's newspapers, magazines, TV and radio stations, books, records, movies, videos, wire services and photo agencies. He predicted then that eventually this number would fall to about half a dozen companies. This was greeted with skepticism at the time. When the 6th edition of The Media Monopoly was published in 2000, the number had fallen to six. Since then, there have been more mergers and the scope has expanded to include new media like the Internet market. More than 1 in 4 Internet users in the U.S. now log in with AOL Time-Warner, the world's largest media corporation. In 2004, Bagdikian's revised and expanded book, The New Media Monopoly , shows that only 5 huge corporations -- Time Warner, Disney, Murdoch's News Corporation, Bertelsmann of Germany, and Viacom (formerly CBS) -- now control most of the media industry in the U.S. General Electric's NBC is a close sixth. Who Controls the Media? Parent General Electric Time Warner The Walt Viacom News Company Disney Co. Corporation $100.5 billion $26.8 billion $18.9 billion 1998 revenues 1998 revenues $23 billion 1998 revenues $13 billion 1998 revenues 1998 revenues Background GE/NBC's ranks No. -
J U L I a N a M O
J u l i a n a M o r i [email protected] www.julianamori.com Objective To contribute with my experience, knowledge and skills to develop new ways and contents of audiovisual media expression Education Universitat Pompeu Fabra — Digital Arts, Masters Barcelona-Spain, 2009 Pos graduate-level coursework towards a Masters in Digital Arts. Courses in experimental media and art history, human-computer-interaction, physical interfaces, networks, creative programming, web development, photographism and algorithmic video. PUC-SP — Social Communication-Journalism, BA São Paulo-Brazil, 2000 Graduated with a Bachelor of Communication with a majour in journalism. Courses in social and media sciences, communication theory, semiotics, reporting, news editing, media writing, photography and video production. Specialization on Documentary Video. Professional Experience Tugo Filmes — Director São Paulo, 2004-... Directed the audiovisual branch of the studio producing documentaries, experimental and videoart projects. Collaborated with several brazilian producers and broadcast channels creating television contents for clients such as MTV Brasil, TV Cultura, GW Productions/GloboTV. Avalanche Filmes — Assistant Director São Paulo, 2008 Assistant directed several advertisement films. Worked with multidisciplinary teams helping to define and organize the productions needs. Responsible for working with the director on script decoupage, casting tests, shooting schedules and post-production supervising. Hiper Produções — Editor São Paulo, 2006-07 Editor of gastronomical tv program Diário do Olivier, hosted weekly on broadband brazilian channel TV Record. Responsible for script the program since the shooting (acting as the second cinematographer on the team) untill the material selection, editing and masterization of the program. RedeTV— Assistant Director São Paulo, 2005-06 Assistant directed tv program Top Report, hosted weekly on broadband brazilian channel RedeTv. -
FCC-06-11A1.Pdf
Federal Communications Commission FCC 06-11 Before the FEDERAL COMMUNICATIONS COMMISSION WASHINGTON, D.C. 20554 In the Matter of ) ) Annual Assessment of the Status of Competition ) MB Docket No. 05-255 in the Market for the Delivery of Video ) Programming ) TWELFTH ANNUAL REPORT Adopted: February 10, 2006 Released: March 3, 2006 Comment Date: April 3, 2006 Reply Comment Date: April 18, 2006 By the Commission: Chairman Martin, Commissioners Copps, Adelstein, and Tate issuing separate statements. TABLE OF CONTENTS Heading Paragraph # I. INTRODUCTION.................................................................................................................................. 1 A. Scope of this Report......................................................................................................................... 2 B. Summary.......................................................................................................................................... 4 1. The Current State of Competition: 2005 ................................................................................... 4 2. General Findings ....................................................................................................................... 6 3. Specific Findings....................................................................................................................... 8 II. COMPETITORS IN THE MARKET FOR THE DELIVERY OF VIDEO PROGRAMMING ......... 27 A. Cable Television Service .............................................................................................................. -
Carlos Eduardo Pereira De Oliveira Universidade Do Estado De Santa Catarina (UDESC)
“EU QUERO MINHA MTV”: NARRATIVAS SOBRE UMA NOVA EMISSORA NO BRASIL DEMOCRÁTICO (1988-1990) Carlos Eduardo Pereira de Oliveira Universidade do Estado de Santa Catarina (UDESC). E-mail: [email protected] Resumo O presente artigo analisa as narrativas sobre a inserção da MTV no Brasil, relacionando com o processo de abertura política no país. Partindo de algo já formatado, a operação brasileira trazia diferenças profundas, que repousavam na sua transmissão e no contexto de inserção, com uma série de acontecimentos que estruturaram a narrativa de abertura política, social e cultural. Coloco como marco central a promulgação da Constituição Cidadã, em 1988, por compreendê-la enquanto fator crucial de um processo de redemocratização, reverberando na radiodifusão no país, consolidando clima de liberdade, protagonismo e renovação. Com isso, o contexto de entrada da MTV no país está intimamente ligado com as reverberações da promulgação, em que as expectativas sobre o futuro estavam na ordem do dia. As fontes trabalhadas são matérias do jornal Folha de São Paulo, entre 1985 e 1990, em diferentes cadernos e colunas e que tiveram como foco as narrativas sobre a MTV. Portanto, o início das atividades desta emissora em solo brasileiro esteve associado ao desenvolvimento de narrativas que aventavam a ideia de liberdade, mediante conteúdo musical na programação, voltada ao público jovem. Palavras-chave: MTV Brasil; redemocratização; História do Tempo Presente “A TV Abril é a MTV no Brasil. A emissora brasileira anunciou ontem [07/03/1990], oficialmente, que passará a transmitir – e a produzir – programação com a marca da rede mundial Music Television” (MARSIAJ, 1990, p.E3). -
Ficción Televisiva Y Modelos De Negocio En La Era Digital En El Uruguay
UNIVERSIDAD DE LA REPÚBLICA ORIENTAL DEL URUGUAY FACULTAD DE CIENCIAS ECONÓMICAS Y DE ADMINISTRACIÓN Tesis para optar al título de Licenciado en Economía FICCIÓN TELEVISIVA Y MODELOS DE NEGOCIO EN LA ERA DIGITAL EN EL URUGUAY Autoras: ANA JOSEFINA MAROTTA MESTRE MARÍA FERNANDA OSORIO LAENZ Tutor: Ec. GUSTAVO BUQUET Montevideo, Uruguay 2011 i PÁGINA DE APROBACIÓN FACULTAD DE CIENCIAS ECONÓMICAS Y DE ADMINISTRACIÓN El tribunal docente integrado por los abajo firmantes aprueba la Tesis de Investigación: Título ....................................................................................................................... ....................................................................................................................... Autor/s ....................................................................................................................... ....................................................................................................................... Tutor ....................................................................................................................... Carrera ....................................................................................................................... Puntaje ....................................................................................................................... Tribunal Profesor..............................................................................(Nombre y firma) Profesor..............................................................................(Nombre -
Channel Lineup
D I R E C T V™ Marine Seasonal Package more than tv Galaxy 3C , 95 West Beam Channels DIRECTOTAL - BASIC PACKAGE DIRECTOTAL - Annual Basic Package * English Video Channels US $28.00 (Monthly) * English Video Channels * DIRECTV VARIETY KIDS 201 ON DIRECTV 217 FX 250 HGTV 304 Cartoon Network 207 A & E 219 SYFY 254 Spike USA 308 Nickelodeon LA 208 Sony West 222 E! Entertainment 256 A&E USA 314 Disney 209 AXN 224 Glitz 260 MTV USA 316 Disney XD 213 TNT Series 228 Lifetime 262 VHI USA 321 ZooMoo 215 Comedy Central 229 Discovery Home & Health 264 MTV LA 322 Nickelodeon USA 216 TBS Very Funny 233 Food Network 330 Discovery Kids CIMEMA WORLD SPORTS 502 TNT 702 CNN 736 Discovery Turbo 600 DIRECTV Sports Portal 503 Golden 706 CNN International 740 Discovery Travel & Living 610 DIRECTV Sports 504 Turner Classic Movies 710 Bloomberg 742 History Channel 644 NBA TV INT'L 508 Studio Universal 712 Weather Nation 744 History Channel 2 654 Golf USA 510 Paramount 730 National Geographic 746 Film & Arts 511 AMC 732 Discovery 756 History USA 517 Golden Edge 734 Animal Planet 768 BBC World HD Channels 1201 DIRECTV HD 1510 Paramount HD 1308 Nick HD 1630 Formula 1 HD 1312 Disney HD 1742 History Channel HD 1503 Golden HD Audio Channels 900 Music Mix 918 Classic R&B 940 Reggae 960 Opera 901 Hottest Hits 922 70's Hits 942 Soft Hits 978 88.9 902 Adult Comtemporary 924 80's Hits 944 Love Songs 979 RQ 910 904 Hot Jamz 926 90 Hits 946 Beautiful Instrumentals 980 1090 am 906 Euro Hits 928 Latin Contemporary 948 New Age 982 Caracol 908 Dance 930 Musica de las Americas -
Universidade Federal De Juiz De Fora Faculdade De Comunicação Social Mestrado Em Comunicação
UNIVERSIDADE FEDERAL DE JUIZ DE FORA FACULDADE DE COMUNICAÇÃO SOCIAL MESTRADO EM COMUNICAÇÃO Pedro Augusto Silva Miranda INTIMIDADE MEDIADA: as estratégias narrativas do GloboNews Em Pauta na comunicação com o público Juiz de Fora 2019 Pedro Augusto Silva Miranda INTIMIDADE MEDIADA: as estratégias narrativas do GloboNews Em Pauta na comunicação com o público Dissertação apresentada ao Programa de Pós- graduação em Comunicação, da Universidade Federal de Juiz de Fora como requisito parcial a obtenção do grau de Mestre em Comunicação. Área de concentração: Comunicação e Sociedade. Orientadora: Prof.a Dra. Cláudia de Albuquerque Thomé Juiz de Fora 2019 Ficha catalográfica elaborada através do programa de geração automática da Biblioteca Universitária da UFJF, com os dados fornecidos pelo(a) autor(a) Miranda, Pedro Augusto Silva. Intimidade Mediada : as estratégias narrativas do GloboNews Em Pauta na comunicação com o público / Pedro Augusto Silva Miranda. -- 2019. 173 p. Orientadora: Cláudia de Albuquerque Thomé Dissertação (mestrado acadêmico) - Universidade Federal de Juiz de Fora, Faculdade de Comunicação Social. Programa de Pós Graduação em Comunicação, 2019. 1. Narrativas. 2. Estratégias. 3. TV por assinatura. 4. Telejornalismo. 5. GloboNews Em Pauta. I. Thomé, Cláudia de Albuquerque, orient. II. Título. Dedico este trabalho aos meus pais, Xavier e Maria, e ao meu irmão Junior. Exemplos de coragem, dedicação e amor incondicional. AGRADECIMENTOS Agradeço, primeiramente, a Deus, por permitir que esse momento acontecesse e por ser luz em meio às adversidades dessa caminhada. Obrigado por me fazer acreditar e mostrar que todos os meus sonhos são possíveis. Agradeço a minha família, pai, mãe e irmão, por sempre estarem ao meu lado com muito amor e acreditando em mim e que tudo daria certo. -
Market Access Guide – Brazil 2020 – Table of Contents 01
Market Access Guide – Brazil 2020 – Table of Contents 01. COUNTRY OVERVIEW ....................................................................................................................................... 3 02. BRAZILIAN RECORDED MUSIC MARKET .................................................................................................... 5 THE MAJORS .......................................................................................................................................................... 1 INTERVIEW WITH PAULO JUNQUEIRO, PRESIDENT, SONY MUSIC BRASIL ................................ 10 THE INDEPENDENTS ........................................................................................................................................ 11 CHART SERVICES ................................................................................................................................................. 1 03. POPULAR BRAZILIAN MUSIC - GENRES ...................................................................................................... 1 GOSPEL .................................................................................................................................................................. 16 FUNK ...................................................................................................................................................................... 20 SERTANEJA .......................................................................................................................................................... -
•Fawmassy Channel Lineup 8.5X14 V2
WATCH IT ALL 197 PVR CHANNELS * Includes all channels from Watch a lot more Never miss a moment with your personal video recorder. 498 SportsMax 1 HD Record your favourite movies or TV series to watch whenever 499 SportsMax 2 HD 501 HBO Signature HD 505 HBO Plus Ea HD 507 HBO Family Ea HD 509 HBO Caribbean Ole HD 515 MAX Prime HD CHANNEL 517 MAX Caribbean HD ACTIVE CHANNEL LIST 521 MAX Up HD 522 Fox 1 HD Cool features you can do with your TV service. 524 Fox Aion HD 526 Fox Movies HD 528 Fox Comedy HD LINEUP 530 Fox Family HD • You can see your channels by genre category 532 Fox Cinema (Sports, Children’s, HD) 534 Fox Classics • ADD ON PACKAGES • Go to Menu MAXPAK ADD ON PACKAGE • Press Enter 498 SportsMax 1 HD • Enter is found underneath the number 9 499 SportsMax 2 HD • 80+ HD HBO & MAX COMBO CHANNELS 501 HBO Signature HD • 505 HD 507 HD • Go to menu 509 HBO Caribbean Ole HD 515 MAX Prime HD • 517 MAX Caribbean HD • 521 MAX Up HD • HBO ADD ON PACKAGE • Click OK 501 HBO Signature HD • 505 HD 507 HD channels accordingly 509 HBO Caribbean Ole HD MAX ADD ON PACKAGE • Set Parental controls to block programs on all channels 515 MAX Prime HD that are higher than the control rating you have set 517 MAX Caribbean HD • 521 MAX Up HD FOX MOVIES ADD ON PACKAGE 522 Fox 1 HD COMING SOON 524 HD 526 Fox Movies HD 528 Fox Comedy HD exciting features coming down the pipeline. -
35--!29 /& !##/-0,)3(-%.43
,5,)2!$&!(2%2 4*.1-&35--!29/&!##/-0,)3(-%.43 WHY SIMPLE? 3 SUmmarY OF QUaliFicaTions PRODUCT DEVELOPMENT/ (Curriculum Vitæ) 4 – 5 BRAND ARCHITECTURE 18 – 31 Coca-Cola booths 19 Coors Light 20 DIGITAL Bradesco 21 CONTENT MANAGEMENT 6 – 17 dpz.com 22 MAC Virtual 7 Coca-Cola Light 23 Telemig Celular 8 Costa do Sauípe 23 Element^n 9 Starmedia 24 – 25 AOL (re)design 10 – 13 AlmapBBDO/ONMedia 26 McDonald’s McInternet 13 VISA 27 FIAT Marea 14 Volkswagen Polo 27 MTV Brasil 14 JR Duran 27 Cineclick 15 .comDominio 27 Shop160 (UK) 15 Kropki 28 Telesp Celular 16 BankBoston 29 CarltonArts 17 Klabin 29 Jontex 17 MOODs 30 FNAC 17 New Media consultancy 31 2 Digital should mean “simple”. TecH SHOUldn’T be THE 21ST-cenTURY BUreaUcraT. Efficient digital solutions must be straightforward: the average user doesn’t have time and/or patience enough to figure out what was in a programmer’s mind. That’s my motto: “If you can’t make it simple, why make it?” My name is Luli. I’ve been working with digital media for quite ACADEMIC / TEXTS / LECTURES some time now, as stated in the next pages. I usually work as a AND COLLABORATIVE PROJECTS 32 – 39 Creative Director, but this is quite an inaccurate term, so I’d rather Education 33 define myself as a Creative Planner, whatever that may mean. LOV (Location Of Value) 34 Teaching (postgrad) 35 Besides that, we all know that there are times, places and Teaching (graduation) 35 situations where you just can’t help dealing simultaneously with Tutoring 35 quite a handful of subjects. -
Broadcasting Decision CRTC 2011-43
Broadcasting Regulatory Policy CRTC 2011-43 PDF version Ottawa, 25 January 2011 Revised lists of eligible satellite services – Annual compilation of amendments 1. In Broadcasting Public Notice 2006-55, the Commission announced that it would periodically issue public notices setting out revised lists of eligible satellite services that include references to all amendments that have been made since the previous public notice setting out the lists was issued. 2. Accordingly, in Appendix 1 to this regulatory policy, the Commission sets out all amendments made to the revised lists since the issuance of Broadcasting Regulatory Policy 2010-57. In addition, the lists of eligible satellite services approved as of 31 December 2010 are set out in Appendix 2. 3. The Commission notes that, as set out in Broadcasting Regulatory Policy 2010-839, it approved a request by TELUS Communications Company for the addition of 17 new language tracks to Baby TV, a non-Canadian service already included on the lists of eligible satellite services for distribution on a digital basis. Secretary General Related documents • Addition of 17 new language tracks to Baby TV, a service already included on the lists of eligible satellite services for distribution on a digital basis, Broadcasting Regulatory Policy CRTC 2010-839, 10 November 2010 • Revised lists of eligible satellite services – Annual compilation of amendments, Broadcasting Regulatory Policy CRTC 2010-57, 4 February 2010 • A new approach to revisions to the Commission’s lists of eligible satellite services,