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Minimoog Model D Manual
3 IMPORTANT SAFETY INSTRUCTIONS WARNING - WHEN USING ELECTRIC PRODUCTS, THESE BASIC PRECAUTIONS SHOULD ALWAYS BE FOLLOWED. 1. Read all the instructions before using the product. 2. Do not use this product near water - for example, near a bathtub, washbowl, kitchen sink, in a wet basement, or near a swimming pool or the like. 3. This product, in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level or at a level that is uncomfortable. 4. The product should be located so that its location does not interfere with its proper ventilation. 5. The product should be located away from heat sources such as radiators, heat registers, or other products that produce heat. No naked flame sources (such as candles, lighters, etc.) should be placed near this product. Do not operate in direct sunlight. 6. The product should be connected to a power supply only of the type described in the operating instructions or as marked on the product. 7. The power supply cord of the product should be unplugged from the outlet when left unused for a long period of time or during lightning storms. 8. Care should be taken so that objects do not fall and liquids are not spilled into the enclosure through openings. There are no user serviceable parts inside. Refer all servicing to qualified personnel only. NOTE: This equipment has been tested and found to comply with the limits for a class B digital device, pursuant to part 15 of the FCC rules. -
Moog DFAM – Analog Percussion Synthesizer
Moog DFAM – Analog Percussion Synthesizer This time no Minimoog, no Phatty, no MoogerFooger, no … The Moog DFAM is a real drum computer – an analog synthesizer with step-sequencer. The DFAM (Drummer From Another Mother) can be used as a stand-on device or in any Eurorack modular system. Certainly, the combination of DFAM and MOTHER-32 looks particularly elegant. The DFAM concept is classic, yet flexible: 2 analog oscillators and noise provide the necessary sounds, and the attached patchbay can be used for in-depth sound-programming and cross-patching. Features: SOUND ENGINE: Analog SOUND SOURCES: 2 Oscillators With Square and Triangle Waveforms, 1 White Noise Generator, 1 External Audio Input ANALOG SEQUENCER: 8-Steps With Pitch and Velocity Per-Step SEQUENCER CONTROLS: Tempo, Run/Stop, Trigger, Advance FILTER: 20Hz-20KHz Switchable Low Pass / High Pass 4-Pole Transistor Ladder Filter | 1 Moog DFAM – Analog Percussion Synthesizer ENVELOPES: VCO EG w/ Voltage Controlled Decay and Bipolar Amount Control, VCF EG w/ Voltage Controlled Decay and Bipolar Amount Control, VCA EG w/ Voltage Controlled Decay and Selectable Fast/Slow Attack Time PATCHBAY: 24 x 3.5mm Jacks > INPUTS: Trigger, VCA CV, Velocity, VCA Decay, External Audio, VCF Decay, Noise Level, VCO Decay, VCF Mod, VCO 1 CV, 1→2 FM Amount, VCO 2 CV, Tempo, Run/Stop, Advance/Clock. > OUTPUTS: VCA, VCA EG, VCF EG, VCO EG, VCO 1, VCO 2, Trigger, Velocity, Pitch. AUDIO OUTPUT: ¼” TS Line / ¼” TRS Headphones (Shared Output Jack) “DFAM is the first addition to the Mother ecosystem of synthesizers and presents an expressive hands-on approach to percussive pattern creation. -
Rack Mount Edition by R.Stephen Dunnington
USER’s MANUAL for the Rack Mount Edition By R.Stephen Dunnington Here it is – the Minimoog Voyager Rack Mount Edition®. Moog Music has put more than 30 years of experience with analog synthesizer technology into the design of this instrument to bring you the fattest lead synthesizer since the minimoog was introduced in 1970. We’ve done away with the things that made 30-year- old analog synthesizers difficult – the tuning instability, the lack of patch memory, and the lack of compatibility with MIDI gear. We’ve kept the good parts – the rugged construction, the fun of changing a sound with knobs in real time, and the amazing, warm, fat, pleasing analog sound. The Voyager is our invitation to you to explore analog synthesis and express yourself. It doesn’t matter what style of music you play – the Voyager is here to help you tear it up in the studio, on stage, or in the privacy of your own home. Have fun! Acknowledgements – Thanks to Bob Moog for designing yet another fantastic music making machine! Thanks are also due to the Moog Music Team, Rudi Linhard of Lintronics for his amazing software, Brian Kehew, Nigel Hopkins, and all the great folks who contributed design ideas, and of course, you – the Moog Music customer. TABLE OF CONTENTS: I. Getting Started……………………………………………………... 2 II. The Basics of Analog Synthesis…………………………………… 5 III. Basic MIDI................................................................................ 12 IV. The Voyager’s Features…………………………………………… 13 V. The Voyager’s Components A. Mixer……………………………………………………………... 17 B. Oscillators……………………………………………………….. 19 C. Filters…………………………………………………………….. 22 D. Envelope Generators………………………………………….. 26 E. Audio Outputs…………………………………………………… 28 F. -
BOX DIMENSIONS Width, Height
2/19/2015 BOX DIMENSIONS width, height div { CSS height: 300px; width: 400px; background-color: #ee3e80;} p { height: 75%; width: 75%; background-color: #e1ddda;} RESULT 1 2/19/2015 LIMITING WIDTH min-width, max-width CSS td.description { min-width: 450px; max-width: 650px; text-align: left; padding: 5px; margin: 0px;} RESULT 2 2/19/2015 LIMITING HEIGHT min-height, max-height h2, p { CSS width: 400px; font-size: 90%; line-height: 1.2em;} h2 { color: #0088dd; border-bottom: 1px solid #0088dd;} p { min-height: 10px; max-height: 30px;} RESULT 3 2/19/2015 OVERFLOWING CONTENT overflow CSS p.one { overflow: hidden;} p.two { overflow: scroll;} RESULT 4 2/19/2015 BORDER, MARGIN & PADDING BORDER MARGIN PADDING WHITE SPACE & VERTICAL MARGIN Moog Moog Moog synthesizers were created Moog synthesizers were created by Dr. Robert Moog under the by Dr. Robert Moog under the company name Moog Music. company name Moog Music. Popular models include Moog Popular models include Moog Modular, Minimoog, Micromoog, Modular, Minimoog, Micromoog, Moog Rogue, and Moog Source Moog Rogue, and Moog Source Arp Arp ARP Instruments Inc. was set up ARP Instruments Inc. was set up by Alan Peralman, and was the by Alan Peralman, and was the main competitor for Moog during main competitor for Moog during the 1970's. Popular models the 1970's. Popular models include the Arp 2600 and the include the Arp 2600 and the ARP Odyssey. ARP Odyssey. Sequential Circuits Sequential Circuits Inc was Sequential Circuits founded by Dave Smith, and the Sequential Circuits Inc was company was pivotal in the founded by Dave Smith, and the creation of MIDI. -
Dorm Deposit Fee at MSU Tripled
Recycle This Paper A free press nn of course be good or ~d. but, most certainly, without frMdom it will never be ~@[UJ EXPONENT anythin9 but bild. Our 691h Year Albert Camus Volume 69, No. 26., An ASllllSU Publication Bozeman, MT Friday, Jan. 27, 1978 Winter Fair Extravaganza! Moo. The 32nd Annual Montana Winter Fair gets under way today at the Gallatin .County Fair.grounds. Over 100,000 visitors are expected to pass through the gates before the fair closes Sunday, Feb. 5. This year's event features the Championship Horse Pulling Contest as well as the Second Annual Indoor Chicken Flying Contest. Over 80 commercial exhibitors will display wares ranging from farm equipment to the " Dustamatlc," an automatic household device said to resemble a giant bathroom brush. Other exhibits include irrigation systems, sewing machines, paints, lumber products, poles and fence posts, jewelry, horse trailers and many others. Represented at the fair will be the Gallatin County Humane Society, the Montana Department of Natural Resources, two solar heating companies, a local radio station, a taxidermist, an artificial inseminator, and the women's auxiliaries of all the livestock associations. Food will be provided by the Hope Lutheran Men's Club, the Sheriff's Posse and the 4-H Club. Other groups providing snacks are the CowBelles, the Montana Angus Association, and several commercial establishments. The CowBelles will reportedly serve beef fudge, for the adventurous palates in the crowd. A greatly expanded · Arts and Crafts section this year will feature weaving, painting , sculpture, woodwork, photography and an assortment of other crafts. And for a change of pace, a llama will be strutting around the petting zoo at the Kiddie Korner. -
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University of Huddersfield Repository Quinn, Martin The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980 Original Citation Quinn, Martin (2019) The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34986/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ 0. A Musicological Exploration of the Musicians and Their Use of Technology. 1 The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. A Musicological Exploration of the Musicians and Their Use of Technology. MARTIN JAMES QUINN A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Master of Arts. -
Minimoog Voyager Features and Technical Specifications
Minimoog Voyager Features and Technical Specifications The MINIMOOG VOYAGER Synthesizer is a monophonic (one note at a time) analog performance synthesizer. It incorporates virtually all of the sound resources and functions of the original Model D Minimoog, which was produced by Moog Music, Inc. from 1970 to 1982. It has many new additional features, including a three dimensional touch surface, MIDI IN and MIDI OUT implementation, extensive patching facilities, and a large number of new panel features. The signal path starts with a bank of three wide-range, high-stability voltage controlled oscillators, one noise source, and one audio preamplifier for externally-applied audio signals. The sound modifiers are two Moog filters and one stereo VCA (Voltage Controlled Amplifier). Modulation sources are two ADSR (Attack Decay Sustain Release) envelope generators and one multiwaveform LFO (Low Frequency Oscillator).Control devices include a 44-key keyboard with velocity and afterpressure outputs, pitch bend and modulation wheels, a three dimensional touch surface, and many control/pedal input jacks. The MINIMOOG VOYAGER has a hinged, multi-position panel and a solid hardwood cabinet. The power supply accepts any power voltage from 100 volts to 240 volts. Oscillators Module Three wide-range, high stability VCO's (Voltage Controlled Oscillators) with continuously-variable waveforms. • FREQUENCY controls (2) vary the frequencies of Oscillators #2 and #3 over a +/-7 semitone range with respect to Oscillator #1. • OCTAVE selectors (3) set the frequency ranges of the oscillators in six octave steps. • WAVE controls (3) provide continuous control over the waveforms of the oscillators, from triangular, to sawtooth, to square, to narrow rectangular. -
Product Informations Product Informations
Product Informations Product Informations A WORD ABOUT SYNTHESIS A - Substractive (or analog) synthesis (usually called “Analog” because it was the synthesis you could find on most of the first analog synthesizers). It starts out with a waveform rich in harmonics, such as a saw or square wave, and uses filters to make the finished sound. Here are the main substractive synthesis components : Oscillators: The device creating a soundwave is usually called an oscillator. The first synthesizers used analog electronic oscillator circuits to create waveforms. These units are called VCO's (Voltage Controlled Oscillator). More modern digital synthesizers use DCO's instead (Digitally Controlled Oscillators). A simple oscillator can create one or two basic waveforms - most often a sawtooth-wave - and a squarewave. Most synthesizers can also create a completely random waveform - a noise wave. These waveforms are very simple and completely artificial - they hardly ever appear in the nature. But you would be surprised to know how many different sounds can be achieved by only using and combining these waves. 2 / 17 Product Informations Filters: To be able to vary the basic waveforms to some extent, most synthesizers use filters. A filter is an electronic circuit, which works by smoothing out the "edges" of the original waveform. The Filter section of a synthesizer may be labled as VCF (Voltage Controlled Filter) or DCF (Digitally Controlled Filter). A Filter is used to remove frequencies from the waveform so as to alter the timbre. •Low-Pass Filters allows the lower frequencies to pass through unaffected and filters out (or blocks out) the higher frequencies. -
Bob Moog Tribute Edition
Bob Moog Tribute Edition Table of Contents FORWARD from Mike Adams .................................. 4 THE USER INTERFACE Preset Mode .......................................................................... 23 THE BASICS Master Mode ......................................................................... 25 How to use this Manual ....................................... 5 A. Menus ........................................................................ 25 Setup and Connections ........................................ 5 B. System Utilities ..................................................... 29 Overview and Features ........................................ 7 C. System Exclusive ................................................. 30 Signal Flow .................................................................... 9 Receiving SysEx Data ........................................................ 31 Basic Operation ......................................................... 10 Performance Sets ................................................................ 32 How the LP handles MIDI ............................................. 34 THE COMPONENTS A. Oscillator Section ................................................ 11 APPENDICES B. Filter Section ........................................................... 13 A – Tutorial ............................................................................. 35 C. Envelope Generators Section ..................... 15 B – MIDI Implementation .............................................. 40 D. Modulation -
PATCH & TWEAK with Moog
PATCH KIM BJØRN PATCH& TWEAK with Moog Become a true master of your moog synthesizer PATCH & TWEAK provides an opportunity for new and experienced users to become true masters of their modular systems. In addition to a select & history of modular synthesis, this book systematically covers core concepts, real-world applications and creative possibilities of specific modules and TWEAK techniques, as well as how to get started using software, semi-modular, or pre-configured systems. Dive into topics such as Harmonics, Voltage control, VCOs, Drums and percussion, Samplers, VCFs, Waveshapers, VCAs, LPGs, Mixers, Effects, Envelope generators, LFOs, Random sources, CV modifiers, Rhythm pattern generators, Logic functions, Sequencers, Controllers, and more. 100+ tips, exclusive interviews and a vintage synth timeline Including Colin Benders, Caterina Barbieri, Hans Zimmer, Robert Rich, with Moog Bana Haffar, Richard Devine, Junkie XL, Russell E. L. Butler, Ian Boddy, NODE, Robin Rimbaud, Todd Barton, Make Noise, Endorphin.es, Noise Engineering, 4ms Company, Rossum Electro-Music, Erica Synths, Bastl with Moog Instruments, and Music Thing Modular. Others includes Doepfer, Buchla, Serge, Moog, and Synthesizers.com. KIM BJØRN 9 788799 999514 FOREWORD BY PUBLISHED BY BJOOKS · BJOOKS.COM HANS ZIMMER MIXING SOUND SOURCES The Mixers Mixing waveforms – what does it look like? Overdrive and feedback The Mixer section on the Grandmother Above is an example of two oscillators being mixed. The Mixer section on the Grandmother and and Matriarch has separate inputs, which The shape of the audible waveform (in red) results Matriarch has the ability to overdrive the signals means you can replace any sound source in a new combination of harmonics and a different when turned up sufficiently. -
Yek's Guide to the Fractal Audio Amplifier Models
Yek’s Guide to the Fractal Audio Amplifier Models Original content by Yek AdditionalContent: Alexander content by van Simviz Engelen (yek) Firmware:Additional Q3.03 content by Simviz Revision: April 2017 Firmware: Quantum 7.02 Fractal Audio Amplifier Models Table of Contents Table of Contents ..................................................................................................................................... 1 Introduction by simviz ............................................................................................................................. 7 Introduction by yek .................................................................................................................................. 8 Disclaimers ............................................................................................................................................... 9 Guide Revisions ......................................................................................................................................10 The Amps ...............................................................................................................................................11 5F1 Tweed (Fender Narrow Panel Tweed Champ, 5F1) ....................................................................12 5F8 Tweed (Keith Urban's Fender Narrow Panel high-powered Tweed Twin, 5F8) .........................14 6G4 Super ('60 brown Fender Super, 6G4)........................................................................................17 6G12 Concert -
TAD Products 2013.Pdf
2 3 3 News Disclaimer 8 Tubes – TAD Matched Power Tubes Marshall Amplification, VOX Amplification, ALPHA, TAD MERCHANDISE 14 Tubes – TAD Premium Selected Preamp Tubes Accutronics, Ampeg, Belton, Bogner, Brunetti, Ce- Die neue TAD T-Shirt Kollektion! Aus 100% Show what you play with our brand new Tube 18 Tubes – TAD Premium Selected Rectifier Tubes lestion, Crate, CTS, Diezel Amplification, Dunlop, Baumwolle mit hochwertigem Digitaldruck. Amp Doctor T-shirt collection. All garments are 20 Tubes – EH, JJ Echoplex, Engl, Fane, Fender Musical Instruments 100% cotton and digital printed. 22 Tubes – Gold Lion, SED Svetlana, Shuguang Corp, Fulltone, Jensen Speakers, Gibson, Hiwatt, 23 Tubes – Sovtek, TAD/OEM, Tung-Sol, NOS Hughes & Kettner, Koch Guitar Electronics, Laney, check page 73 for more information 24 Earmax headphone amplifier Leslie, Mesa Boogie, Music Man, Orange, Peavey, Polytone, Sprague, Soldano, Trace Elliot, Electro 25 Tubes – PSVANE Reference T-Series – Special Hi-Fi Harmonix, GE, Genalex, Gold Lion, JJ, Mullard, 26 TAD Silencer Attenuator, Speaker Emulator Psvane, RCA, Sovtek, Sylvania, Svetlana, SWITCH- 27 TAD RangeKing, ToneBone, BiasMaster CRAFT, Telefunken, Tungsol, are registered trade PSVANE MARK II REFERENCE SERIES 28 Amp-Kit „Build your own amp….“ names of the respective owner of the trademark. Von Psvane kommt die neue Mark II Serie Psvane launched the Mark II Series featuring 32 Amp-Kit / TWEED They are not affiliated with nor there is any legal mit Aluminium ummanteltem Teflonsockel, Teflon base with oxidized aluminum collar, en- connection to Tube Amp Doctor Musikhandels eingravierter Seriennummer und einer neu- graved serial number and an innovative new 34 Amp-Kit / BLACKFACE GmbH.