The Record of the Class
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LCSH Section L
L (The sound) Formal languages La Boderie family (Not Subd Geog) [P235.5] Machine theory UF Boderie family BT Consonants L1 algebras La Bonte Creek (Wyo.) Phonetics UF Algebras, L1 UF LaBonte Creek (Wyo.) L.17 (Transport plane) BT Harmonic analysis BT Rivers—Wyoming USE Scylla (Transport plane) Locally compact groups La Bonte Station (Wyo.) L-29 (Training plane) L2TP (Computer network protocol) UF Camp Marshall (Wyo.) USE Delfin (Training plane) [TK5105.572] Labonte Station (Wyo.) L-98 (Whale) UF Layer 2 Tunneling Protocol (Computer network BT Pony express stations—Wyoming USE Luna (Whale) protocol) Stagecoach stations—Wyoming L. A. Franco (Fictitious character) BT Computer network protocols La Borde Site (France) USE Franco, L. A. (Fictitious character) L98 (Whale) USE Borde Site (France) L.A.K. Reservoir (Wyo.) USE Luna (Whale) La Bourdonnaye family (Not Subd Geog) USE LAK Reservoir (Wyo.) LA 1 (La.) La Braña Region (Spain) L.A. Noire (Game) USE Louisiana Highway 1 (La.) USE Braña Region (Spain) UF Los Angeles Noire (Game) La-5 (Fighter plane) La Branche, Bayou (La.) BT Video games USE Lavochkin La-5 (Fighter plane) UF Bayou La Branche (La.) L.C.C. (Life cycle costing) La-7 (Fighter plane) Bayou Labranche (La.) USE Life cycle costing USE Lavochkin La-7 (Fighter plane) Labranche, Bayou (La.) L.C. Smith shotgun (Not Subd Geog) La Albarrada, Battle of, Chile, 1631 BT Bayous—Louisiana UF Smith shotgun USE Albarrada, Battle of, Chile, 1631 La Brea Avenue (Los Angeles, Calif.) BT Shotguns La Albufereta de Alicante Site (Spain) This heading is not valid for use as a geographic L Class (Destroyers : 1939-1948) (Not Subd Geog) USE Albufereta de Alicante Site (Spain) subdivision. -
Out of the Wasteland: Hope for a Greener World Transcript
Out of the Wasteland: Hope for a greener world Transcript Date: Tuesday, 23 June 2009 - 12:00AM Location: St. Paul's Cathedral Out of the Wasteland: Hope for a greener world Rt Revd and Rt Hon Dr Richard Chartres Bishops are often accused of talking rubbish. Tonight is probably the first occasion on which a bishop intends to talk rubbish. 'Sweet Thames, run softly till I end my song, Sweet Thames, run softly, for I speak not loud or long.' You will recognise those encouraging lines from T.S.Eliot's poem The Wasteland, published soon after the First World War in 1922.It is one of the genuinely prophetic statements of the 20th century not in the sense that it foretells things to come but in that it is a 'forth-telling' from a level of awareness of what was buried beneath the surface of a civilisation, which in the 1920's appeared to have recovered its hectic pace and gaiety but which in reality was exhausted - a wasteland. 'What are the roots that clutch, what branches grow Out of this stony rubbish? Son of man, You cannot say, or guess, for you know only A heap of broken images, where the sun beats, And the dead tree gives no shelter, the cricket no relief, And the dry stone no sound of water.' There had of course been a profound crisis of faith for more than a century before the dreadful self-mutilation of Europe in the Great War. Widespread loss of awareness of the presence of the divine had created a vacuum in which political religions had established themselves. -
University" Microfilms International 300 N
The music of Cuthbert Hely in Cambridge, Fitzwilliam music ms. 689 Item Type text; Thesis-Reproduction (electronic) Authors Cockburn, Brian, 1963- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 27/09/2021 06:38:47 Link to Item http://hdl.handle.net/10150/276717 INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame. -
NPR ISSUES/PROGRAMS (IP REPORT) - March 1, 2021 Through March 31, 2021 Subject Key No
NPR ISSUES/PROGRAMS (IP REPORT) - March 1, 2021 through March 31, 2021 Subject Key No. of Stories per Subject AGING AND RETIREMENT 5 AGRICULTURE AND ENVIRONMENT 76 ARTS AND ENTERTAINMENT 149 includes Sports BUSINESS, ECONOMICS AND FINANCE 103 CRIME AND LAW ENFORCEMENT 168 EDUCATION 42 includes College IMMIGRATION AND REFUGEES 51 MEDICINE AND HEALTH 171 includes Health Care & Health Insurance MILITARY, WAR AND VETERANS 26 POLITICS AND GOVERNMENT 425 RACE, IDENTITY AND CULTURE 85 RELIGION 19 SCIENCE AND TECHNOLOGY 79 Total Story Count 1399 Total duration (hhh:mm:ss) 125:02:10 Program Codes (Pro) Code No. of Stories per Show All Things Considered AT 645 Fresh Air FA 41 Morning Edition ME 513 TED Radio Hour TED 9 Weekend Edition WE 191 Total Story Count 1399 Total duration (hhh:mm:ss) 125:02:10 AT, ME, WE: newsmagazine featuring news headlines, interviews, produced pieces, and analysis FA: interviews with newsmakers, authors, journalists, and people in the arts and entertainment industry TED: excerpts and interviews with TED Talk speakers centered around a common theme Key Pro Date Duration Segment Title Aging and Retirement ALL THINGS CONSIDERED 03/23/2021 0:04:22 Hit Hard By The Virus, Nursing Homes Are In An Even More Dire Staffing Situation Aging and Retirement WEEKEND EDITION SATURDAY 03/20/2021 0:03:18 Nursing Home Residents Have Mostly Received COVID-19 Vaccines, But What's Next? Aging and Retirement MORNING EDITION 03/15/2021 0:02:30 New Orleans Saints Quarterback Drew Brees Retires Aging and Retirement MORNING EDITION 03/12/2021 0:05:15 -
Let the Heavens Rejoice!
April 27, 2018 April 28, 2018 April 29, 2018 St. Noel Church Lakewood Congregational Church Plymouth Church UCC LET THE HEAVENS REJOICE! Concert de Simphonies (1730) – Jacques Aubert (1689–1753) Ouverture – Menuets – Gigues Sarabande – Tambourins – Chaconne In convertendo – Jean-Philippe Rameau (1683–1764) Récit: In convertendo (Owen McIntosh) Choeur: Tunc repletum est gaudio Duo: Magnificavit Dominus (Elena Mullins, Jeffrey Strauss) Récit: Converte Domine captivitatem nostram (Strauss) Choeur dialogué: Laudate nomen Dei (Sarah Coffman) Trio: Qui seminant in lacrimis (McIntosh, Mullins, Strauss) Choeur: Euntes ibant et flebant INTERMISSION Conserva me (1756) – Louis-Antoine Lefebvre (1700–1763) Owen McIntosh, tenor Salve Regina à trois choeurs and basse continue – Marc-Antoine Charpentier (1643–1704) Quire Cleveland Venite exultemus (1743) – Jean-Joseph Cassanea de Mondonville (1711–1772) Récit et choeur: Venite exultemus (Mullins, Coffman) Récit: Quoniam Deus Magnus Dominus (Strauss) Récit: Quoniam ipsius est mare (Strauss) Récit: Venite adoremus (Mullins) Récit: Quia ipse est Dominus (Mullins) Récit et choeur: Hodie si vocem (Coffman) Récit: Sicut in exacerbatione (McIntosh) Récit: Quadraginta annis proximus fui (McIntosh) Duo et choeur: Gloria patri (Coffman, Mullins) Quire Cleveland (Ross Duffin, Artistic Director) Les Délices (Debra Nagy, Artistic Director) Scott Metcalfe, Guest Conductor Heartfelt thanks to Charlotte & Jack Newman and Donald W. Morrison for their generous sponsorship of this program. 2017/2018 SEASON anniversaries HELP YOUR and FAVORITE ARTS farewells ORGANIZATION Martin Kessler MUSIC DIRECTOR AS A VOLUNTEER! OPPORTUNITIES INCLUDE: Event Support MAESTRO’S FINAL CONCERT October 15th May 14th at 8pm December 10th Artist Host February 4th Maltz Performing Arts Center at the Temple-Tifereth Israel March 18th Sponsored By Case Western Ambassador Reserve Department of Music Admin. -
Download Teachers' Notes
INTRODUCTION About these Teacher’s Notes These notes suggest practical activities to enhance student learning in the HSC Contemporary Australian theatre topic area. They also provide students with reflections on professional practice surrounding the creation of contemporary Australian theatre. The notes were originally written to support and accompany the playreading and discussion of Stolen, staged at Riverside Theatres, Parramatta, in June 2013, and were written by director Anni Finsterer. The activites at the end of these pack were part of these original notes collated by Amy Matthews. In 2016 National Theatre of Parramatta has re‐staged the work under the director Vicki Van Hout. The notes from designers and sketches have been added to incorporate information from this new production. National Theatre of Parramatta STOLEN CAST and Creatives CREATIVES Directed By Vicki Van Hout Designed By Imogen Ross Lighting and Video Designer Toby K Composer and Sound Designer Phil Downing Production Manager Annette Rowlison Stage Manager Carl Sciberras Assistant to the Director Bianca ‘Bee’ Cruse CAST Shirley Henrietta Baird Ann Matilda Brown Jimmy Mathew Cooper Ruby Berthalia Selina Reuben Sandy Kerri Simpson National Theatre of Parramatta STOLEN Directors note: Vicki Van Hout Stolen at it’s core is a provocation to the importance of acting with humanity. Stolen follows the lives of 5 characters who have been affected by careless governance, from it’s leaders down to the smallest common denominator, the individuals who enforced this predicament upon them. Why is Stolen relevant? It serves as a reminder how not to act. As a reminder that young lives are the adults of our future. -
Organ Faculty: Marilyn Mason, "The Well·Tempered Chorister" by Passacaglia and Fugue in C Minor
THE DIAPASON AN INTERNATIONAL llONTllLl' DEVOTED TO TIlE ORGAN AND THE INTERESTS OF ORGANISTS Sixly-third rt"ar. Nrl. 10 - WI/cle No. i54 SEPTEMHER. 19;2 S"llScript;ollS $4.00 n )'t'ar - 40 cellI! tJ copy University of Iowa Dedicates New Facilities N~chthorn .. fl. The 5Ccond studio organ \\'~5 built Prinzillal 2 h. hf the Moller Organ Company in 1971. "oll£.lole 2 h. The 2i-SIOp. 3-manual instrumcnt has Sc:squiahera II 2% h . Kleinmhtur III I (t. electro· pneumatic key and stop action. Zimhel III y. re. al!d the manual compa5S is 61 noles. Duq ian l ti h. It ill Mollcr'!! opus 10500. Oboe 8 ft. The new Caso\'onl organ in Clapp R,citol Ha:l. KI:.rine -I It. GREAT T U:mui;Ult Ilrill1ipal 8 h. PEDAL Rnhrflnle 8 h. Prinzillal 16 ft. Ocla\·c" h. Subbass 16 It. Dnllblelle 2: h . The School or Music of the Unh'crsity The llIain case contains the Hauptwcrk Okla,· 8 ft . Fourniturc III I ft. of IOW3, Iowa Cit)'. has IlImcd into a and Sthwellwcrk, the Pedal didsion be· Rohrpomlllrr B ft. Sordlln 16 ft. (POIili\') multi-million dollar cOlllpl c: x consisting ing dh'idcd in two cases at each side Cllnralbus .. ft. SWELL of a new Music Building. CIOlPP Recilal o£ the main case £om'ard on the org:tn Rnhr"lrife -I ft. Unurdon 8 fl. Hall, ami Hancher Auditorium. plat£orm. The manual compass is 56 Nachlhorn 2 ft. Sal:cinnal 8 ft. The organ department, which "rof. -
CHAN 0686 BOOK.Qxd 22/5/07 3:06 Pm Page 2
CHAN 0686 Front.qxd 22/5/07 3:04 pm Page 1 CHAN 0686 CHACONNE CHANDOS early music CHAN 0686 BOOK.qxd 22/5/07 3:06 pm Page 2 Elisa is the fayrest Quene 1 Suite of five Galliards 7:51 Galliard I, by Estienne du Tertre (fl. mid-16th century): ‘Galliarde Première’ from Septième Livre de Danceries (Paris, 1557) – Lebrecht Collection Lebrecht Galliard II, by Anonymous, from the Lumley Collection (mid-16th century) – Galliard III, by Pierre Attaingnant (c. 1494–1551/52), from Second Livre de Danceries (Paris, 1547) – Galliard IV, by Anonymous, from the Lumley Collection (mid-16th century) – Galliard V, by Claude Gervaise (fl. 1540–1560): ‘Fin de Galliard’ from Sixième Livre de Danceries (Paris, 1555) Richard Thomas, Rachel Brown, Philip Dale, Adam Woolf, Adrian France, Kathryn Cok; Elizabeth Pallett, Raf Mizraki Edward Johnson (fl. 1572–1601) For the Elvetham entertainment, 1591 2 Elisa is the fayrest Quene, Verse 1 1:08 Stephen Wallace; Richard Thomas, Philip Dale, Adam Woolf, Adrian France, Kathryn Cok 3 Come againe, sweet Nature’s treasure 1:50 Stephen Wallace, Timothy Massa; Philip Dale, Adam Woolf, Adrian France 4 Elisa is the fayrest Quene, Verse 2 1:10 Stephen Wallace; Richard Thomas, Philip Dale, Adam Woolf, Adrian France, Kathryn Cok William Byrd (c. 1540–1623) 5 Fantasia (‘A Lesson of Voluntarie’) 5:21 Title page of John Dowland’s ‘First Booke of Songes Richard Thomas, Rachel Brown, Philip Dale, Adam Woolf, Adrian France, or Ayres’, 1597 Kathryn Cok 3 CHAN 0686 BOOK.qxd 22/5/07 3:06 pm Page 4 John Dowland (?1563–1626) Francis Cutting (before 1571–1596) From The First Booke of Songes or Ayres of fowre partes 10 Divisions on ‘Walsingham’ 3:12 (London, 1597) Elizabeth Pallett 6 Come again, sweet love doth now invite 4:46 Stephen Wallace, Timothy Massa, Julian Podger, Robert McDonald; Antony Holborne (?1545–1602) Richard Thomas, Philip Dale, Adam Woolf, Adrian France; Elizabeth Pallett From Pavans, Galliards, Almains, and other short Aeirs both Robert Parsons (c. -
Guide to the Dowd Harpsichord Collection
Guide to the Dowd Harpsichord Collection NMAH.AC.0593 Alison Oswald January 2012 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical / Historical.................................................................................................... 2 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: William Dowd (Boston Office), 1958-1993................................................ 4 Series 2 : General Files, 1949-1993........................................................................ 8 Series 3 : Drawings and Design Notes, 1952 - 1990............................................. 17 Series 4 : Suppliers/Services, 1958 - 1988........................................................... -
Resurrecting the Women of the Waste Land
W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 5-2020 Resurrecting the Women of The Waste Land Angela Rose Granados West Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the Ancient History, Greek and Roman through Late Antiquity Commons, Celtic Studies Commons, European History Commons, Literature in English, British Isles Commons, Other Classics Commons, and the Women's Studies Commons Recommended Citation West, Angela Rose Granados, "Resurrecting the Women of The Waste Land" (2020). Undergraduate Honors Theses. Paper 1527. https://scholarworks.wm.edu/honorstheses/1527 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Resurrecting the Women of The Waste Land A thesis submitted in partial fulfillment of the requirement for the degree of Bachelor of Arts in the Department of English from The College of William and Mary by Angela Rose Granados West Accepted for Honors Henry Hart ________________________________________ Henry Hart, Thesis Director Christopher MacGowan ________________________________________ Christopher MacGowan, Committee Chair ________________________________________ Suzanne Raitt ________________________________________ Leisa Meyer Williamsburg, VA May 8, 2020 West 2 INTRODUCTION When The Waste Land was published in 1922, it marked the end of seven and a half years of T.S. Eliot’s attempts to match the potency of his most significant work to date: “The Love Song of J. Alfred Prufrock.” In the interlude between his two greatest works, Eliot had married, settled quite permanently in England, and begun to fear that his potential as a poet, once so promising, was all for naught. -
The University · Mnsical Society
The University ·Mnsical Society \ of The Universi~y 01 Michigan Presents CONCENTUS MUSICUS, VIENNA SATURDAY EVENING, NOVEMBER 6, 1971, AT 8:30 RACKHAM AUDITORIUM, ANN ARBOR, MICHIGAN PRO G RAM Concerto in C major TOMASO ALBINONI (1671-1750) Allegro Adagio Allegro Fantasia, "On the Plainsong," Air WILLIAM LAWES (1602-1645) Suite from "Castor and Pollux" JEAN PHILIPPE RAMEAU (1683-1764 ) Ouverture, Menuet-Tambourin, Loure, Gavotte 1,2, Air gay, Entree, Gigue, Chaconne INTERMISSION Three Sonatas from "La Cetra"-1673 GIOVANNI LEGRENZI (1626-1690) Brandenburg Concerto No.5 in D major, BWV 1050, for Harpsichord, Flauto traverso, Violin, and Strings JOHANN SEBASTIAN BACH (1685-1750) Allegro Affetuoso Allegro Telefunken and Decca Records Third Concert Ninth Annual Chamber Arl~ Series Complete Program 3740 PROGRAM NOTES The Concentus Musicus plays only on original instruments of the seventeenth and eighteenth centuries, or on exact copies of these. Even the string instruments have been restored to their original design; they are strung with gut strings and are played with bows of the eighteenth century. The tone of these instruments, and also the playing technique, are distinctly different than those of modern instruments. In other words, old music sounds completely different when played on these instruments rather than on mod ern ones. It should be noted that the old instruments are in no way primitive predecessors of the technically developed modern ones. They are indeed the culmination of their type, as the price of every technical improvement was a degeneration of the tone quality. The Musicians and Their Instruments ALICE HARNONCOURT, Violin Jacobus Stainer, Absam 1665 WALTER PFEIFFER, Violin Matthias Albanus, Bozen 1712 PETER SCHOBERWALTER, Violin Barak Norman, London 1709 JOSEF DE SORDI, Violin . -
Travellers of the Wasteland
Travellers Of The Wasteland Scott Wylie Roberts Travellers of the Wasteland First Published 2009 First Printing August 2009 Copyright © Scott Wylie Roberts, 1986, 2009 Illustrations copyright © J D Neal, Martin Siesto, Zhu Baije (www.nightsoil.co.uk/zhu/), 2009 Cover art and illustrations copyright © Daniel Heald, 2002 All art used with permission Regul is copyright © Rick Burlow and used with permission All Rights Reserved Proofreading by Jacqui Mofield and Tiffany McLeod Advice and feedback by Rick Burlow, Matthew Hunt, and the Dragonsfoot Workshop (dragonsfoot.org) Special thanks to Tiffany McLeod Typeset in Soutane and Soutane Black Printed by Lulu.com Ysgthru Mundi http://stores.lulu.com/ysgthrumundi [email protected] This work is protected by copyright law. Any reproduction or unauthorised use of the material or artwork presented herein is prohibited without express permission. 2 Travellers of the Wasteland "It is not down on any map; true places never are." - Moby Dick (Herman Melville) 3 Travellers of the Wasteland Foreword When I was in high school, Fighting Fantasy was my gateway drug to Dungeons & Dragons . Instead of doing my homework, I drew coloured maps of the world of Sceptre. I also wrote an adventure, strongly influenced by The Voyage of the Dawn Treader, The Shamutanti Hills , The Goonies and a scattering of science fiction novels. What if I had run campaigns in Travellers of the Wasteland , instead of the next game world I created, for the next ten years? I’d like to think it would have turned out a fair bit like this game. In writing this, I feel like I have come home after a long sojourn in distant lands; that I have reconnected with what got me into fantasy and gaming in the first place.