JIMI HENDRIX EXPERIENCE Are You Experienced? Axis: Bold As Love

Total Page:16

File Type:pdf, Size:1020Kb

JIMI HENDRIX EXPERIENCE Are You Experienced? Axis: Bold As Love JIMI HENDRIX EXPERIENCE Are You Experienced? Guitar Lead Axis: Bold As Love Drums Bass (including solos) Guitar Rhythm Guitar 3 Keys Vocals Backup Vocals Percussion/Extra Ridiculously high guitar at 1 PURPLE HAZE (ENC) Brady Mack James B Ty M the end - ??? 2 MANIC DEPRESSION (SD) Eb standard Jaden Isabelle Arthon Chucks in the Main guitar - right channel - 3 HEY JOE (BOTH) Eb standard Cooper Dahlia Chords - ??? ??? Fuzz feedback 4 LOVE OR CONFUSION (ENC) Brady Mack Leads - Chords - Ty - ??? 5 MAY THIS BE LOVE (ENC) Eb Standard Solo - James Chords - ??? Tambourine - ??? 6 I DON'T LIVE TODAY (SD) Jaden Arthon Ysabelle Ben 7 THE WIND CRIES MARY (BOTH) Lead - ??? Solo only - ??? 8 Jaden Ben Isabelle Dahlia Weird low voice- 9 THIRD STONE FROM THE SUN (SD) Cooper Dahlia Gary Ysabelle Ben 10 FOXEY LADY (ENC) Ty James B "Foxey" - ??? 11 ARE YOU EXPERIENCED (BOTH) Solo only - ??? Main guitar - Arthon Piano - ??? Extra snare - ??? Paul Carusso - 1 EXP Announcer - ??? ??? 2 UP FROM THE SKIES SPANISH CASTLE MAGIC (ENC) (Eb 3 Standard) Brady Mack James Piano - ??? 4 WAIT UNTIL TOMORROW (SD) Eb standard Cooper Gary Ben Dahlia Jaden 5 AIN'T NO TELLING (ENC) Eb Standard Mack James B 6 LITTLE WING (SD) Eb standard Jaden Isabelle Gary Ysabelle Glockenspiel - ??? "Yeah sing a Flute - ???, 7 IF 6 WAS 9 (BOTH) song" - ??? Footsteps - ??? 8 YOU GOT ME FLOATING (SD) Eb standard Jaden Ysabelle Gary Dahlia Tambourine - ??? CASTLES MADE OF SAND (SD) Eb Backwards Guitar- 9 standard Jaden Ben Isabelle Arthon 10 SHE'S SO FINE (ENC) (Eb Standard) Brady Mack Ty 11 ONE RAINY WISH 12 LITTLE MISS LOVER (ENC) Eb Standard Brady Mack Ty James Tambourine - ??? Weird keys at 13 BOLD AS LOVE (BOTH) the end? - ??? NOTES: -If you don’t know which part is yours, ask! -Watch live footage if you’re having trouble. -Do not learn any live, demo, or cover versions of these songs. Album only. -If there are any shouts or group vocals, everyone on the song should learn ‘em. -This show will be in TBD. The Dress Rehearsal is TBD -You are only allowed to miss two (2) rehearsals with no penalty. If you miss 3, you’ll lose one or two songs (at the discretion of the directors). If you miss 4, you’ll be asked to step down from your responsibilities. -If you are going to be out of town for vacation, let Tyler know ASAP! -Please contact Tyler if you have any questions or problems. [email protected].
Recommended publications
  • The Pomegranate Cycle
    The Pomegranate Cycle: Reconfiguring opera through performance, technology & composition By Eve Elizabeth Klein Bachelor of Arts Honours (Music), Macquarie University, Sydney A PhD Submission for the Department of Music and Sound Faculty of Creative Industries Queensland University of Technology Brisbane, Australia 2011 ______________ Keywords Music. Opera. Women. Feminism. Composition. Technology. Sound Recording. Music Technology. Voice. Opera Singing. Vocal Pedagogy. The Pomegranate Cycle. Postmodernism. Classical Music. Musical Works. Virtual Orchestras. Persephone. Demeter. The Rape of Persephone. Nineteenth Century Music. Musical Canons. Repertory Opera. Opera & Violence. Opera & Rape. Opera & Death. Operatic Narratives. Postclassical Music. Electronica Opera. Popular Music & Opera. Experimental Opera. Feminist Musicology. Women & Composition. Contemporary Opera. Multimedia Opera. DIY. DIY & Music. DIY & Opera. Author’s Note Part of Chapter 7 has been previously published in: Klein, E., 2010. "Self-made CD: Texture and Narrative in Small-Run DIY CD Production". In Ø. Vågnes & A. Grønstad, eds. Coverscaping: Discovering Album Aesthetics. Museum Tusculanum Press. 2 Abstract The Pomegranate Cycle is a practice-led enquiry consisting of a creative work and an exegesis. This project investigates the potential of self-directed, technologically mediated composition as a means of reconfiguring gender stereotypes within the operatic tradition. This practice confronts two primary stereotypes: the positioning of female performing bodies within narratives of violence and the absence of women from authorial roles that construct and regulate the operatic tradition. The Pomegranate Cycle redresses these stereotypes by presenting a new narrative trajectory of healing for its central character, and by placing the singer inside the role of composer and producer. During the twentieth and early twenty-first century, operatic and classical music institutions have resisted incorporating works of living composers into their repertory.
    [Show full text]
  • Jimi Hendrix and the Raconteurs to Rock Guitar Hero(R) World Tour in November
    Jimi Hendrix and The Raconteurs to Rock Guitar Hero(R) World Tour in November SANTA MONICA, Calif., Oct 28, 2008 /PRNewswire-FirstCall via COMTEX News Network/ -- The Raconteurs and Jimi Hendrix will both take to the virtual stage this November as downloadable content in Activision Publishing, Inc.'s (Nasdaq: ATVI) Guitar Hero(R) World Tour, the company announced today. Already confirmed to take center stage as a playable character, Jimi Hendrix, one of the most creative and influential musicians of the 20th century, will return with three additional downloadable master tracks. The blues track "If 6 was 9," rhythm and blues classic "Little Wing," and a live version of the iconic Hendrix track "Fire" will all be available as downloadable content for Guitar Hero World Tour on November 13th, 2008. Making their debut appearance in a videogame, charismatic rockers, The Raconteurs are set to leave their mark with three tracks off their second album Consolers of the Lonely. The trio of "Salute Your Solution," "Hold Up" and "Consoler of the Lonely" will debut as part of a three song set list on November 20th, 2008 that will allow virtual rockers the chance to experience the killer sounds of The Raconteurs like never before. The Raconteurs Track Pack and Jimi Hendrix Track Pack will be available on Xbox LIVE(R) Marketplace for Xbox 360(R) video game and entertainment system from Microsoft for 440 Microsoft Points and on the PLAYSTATION(R)Store for the PLAYSTATION(R)3 computer entertainment system for $5.49. In addition, the three tracks from The Raconteurs Track Pack will be released as single downloadable songs for Xbox 360 for 160 Microsoft Points, PLAYSTATION 3 system for $1.99 and Nintendo(R) Wi-Fi Connection for Wii(TM) for 200 Wii Points.
    [Show full text]
  • FOXY LADY As Recorded by Jimi Hendrix (From the 1967 Album ARE YOU EXPERIENCED?) Transcribed by Roadkill Words and Music by Jimi Hendrix
    FOXY LADY As recorded by Jimi Hendrix (From the 1967 Album ARE YOU EXPERIENCED?) Transcribed by Roadkill Words and Music by Jimi Hendrix A Intro Moderate Rock = 100 1 P 4 UU W gV V } V V I 4 gV V Gtr I gVf V [1/2[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[ (0) 5 x 5 5 T (10)M 10 5 x 5 5 10 ((10)) 11 A 4 4 B 2 2 sl. 4 gV V gV j V V j V j V I Gtr II mf T 14[[ 14[[[[[ 14[[[[[ A 14 14 14 14 B sl. } eV V V V V V V V } eV I V V V R V V gV V V V V gV V V V P gV gV V fV V gV GtgVr I V V gV V gV V x 5 5 5 5 5 x T x 4 4 4 5 5 5 5 5 x 4 4 4 4 4 4 A 4 4 4 4 4 4 2 4 4 4 B 0 2 2 2 2 4 7 3 4 2 2 2 2 2 2 H sl. 1967 Six Continents Music Publishing, Inc. Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org PDF created with FinePrint pdfFactory trial version www.pdffactory.com FOXY LADY - Jimi Hendrix Page 2 of 10 B 1st Verse 7 V V V V eV V V V V V I gV V V V gV V V V V gV V V V V GtgVr I V gV V 1/2 gV V 5 5 5 5 5 5 5 T 5 5 5 5 4 (4)M 5 5 5 4 4 (4) A 4 4 4 4 4 4 (4) O 4 4 2 B 0 2 O 2 2 2 2 O 2 2 gV gV V j V j V V j V V j V I Gtr II T 14[[[[[[ [[ 14[[ 14 [[[[[[ A 14 14 14 14 14 14 B 10 V } V V gVV VV V } eV V V I } V V V gV V fV gV gV V gV V V V V gV V gV V gV V V 1/2 5 x 5 5 2 2 5 x T 5 x 5 5 5 5 5 x 4 M 4 4 4 A 4 4 4 4 O 4 B 4 2 3 4 0 2 O 2 5 2 2 2 2 O gV gV V V } V V V P gV V V I j gV V u k j j z j tr T 14[[[[[ [ 14[[ 14 [[[[[ 14 14 (16) 14 14 14 14 A x 14 16 14 B 16 14 sl.
    [Show full text]
  • The Racialization of Jimi Hendrix Marcus K
    Eastern Michigan University DigitalCommons@EMU Senior Honors Theses Honors College 2007 The Racialization of Jimi Hendrix Marcus K. Adams Follow this and additional works at: http://commons.emich.edu/honors Part of the African American Studies Commons Recommended Citation Adams, Marcus K., "The Racialization of Jimi Hendrix" (2007). Senior Honors Theses. 23. http://commons.emich.edu/honors/23 This Open Access Senior Honors Thesis is brought to you for free and open access by the Honors College at DigitalCommons@EMU. It has been accepted for inclusion in Senior Honors Theses by an authorized administrator of DigitalCommons@EMU. For more information, please contact lib- [email protected]. The Racialization of Jimi Hendrix Abstract The period of history immediately following World War Two was a time of intense social change. The nde of colonialism, the internal struggles of newly emerging independent nations in Africa, social and political changes across Europe, armed conflict in Southeast Asia, and the civil rights movement in America were just a few. Although many of the above conflicts have been in the making for quite some time, they seemed to unite to form a socio-political cultural revolution known as the 60s, the effects of which continues to this day. The 1960s asw a particularly intense time for race relations in the United States. Long before it officially became a republic, in matters of race, white America collectively had trouble reconciling what it practiced versus what it preached. Nowhere is this racial contradiction more apparent than in the case of Jimi Hendrix. Jimi Hendrix is emblematic of the racial ideal and the racial contradictions of the 1960s.
    [Show full text]
  • 8-20-19 Auction Ad
    John Tefteller’s World’s Rarest Records Address: P. O. Box 1727, Grants Pass, OR 97528-0200 USA Phone: (541) 476–1326 or (800) 955–1326 • FAX: (541) 476–3523 E-mail: [email protected] • Website: www.tefteller.com Auction closes Tuesday, August 20, 2019 at 7:00 p.m. PT See #50 See #51 Original 1950’s, 1960’s, Early 1970’s Rock & Roll 45’s Auction 1. Billy Adams — “Betty And Dupree/Got CAPRICORN 8003 M-/VG+ WHITE 34. The Animals — “The House Of The 53. John Barry And His Orchestra — My Mojo Workin’ ” SUN 389 M- MB $20 LABEL PROMO MB $10 Rising Sun/Talkin’ ’Bout You” M-G-M “Goldfinger/Troubadour” UNITED 2. Billy Adams — “Trouble In Mind/Lookin’ 20. Allman Brothers Band — “Revival (Love 13264 VG+/M- WITH PICTURE SLEEVE ARTISTS 791 M- MB $20 For My Mary Ann” SUN 391 M- MB $20 Is Everywhere)/SAME” CAPRICORN as shown MB $30 3. Billy Adams — “Reconsider Baby/Ruby 8011 VG+/M- WHITE LABEL PROMO with 35. The Animals — “Inside-Looking Out/ Jane” SUN 394 M- MB $20 MONO version on one side and STEREO You’re On My Mind” M-G-M 13468 M- 4. Billy Adams — “Open The Door Richard/ version on the other side MB $10 MB $20 The BEATLES! Rock Me Baby” SUN 401 MINT MB $25 21. Allman Brothers Band — “Midnight 5. Nick Adams — “Born A Rebel/Bull Hour/SAME” CAPRICORN 8014 VG+ (See Insert On Next Page) Run” MERCURY 71579 M- WHITE WHITE LABEL PROMO with MONO LABEL PROMO MB $20 version on one side and STEREO version 6.
    [Show full text]
  • Interview with Corey Washington, Independent Scholar on Jimi Hendrix Seretha D
    Williams: Interview with Corey Washington, Independent Scholar on Jimi Hend Interview with Corey Washington, Independent Scholar on Jimi Hendrix Seretha D. Williams (3/6/2019) Most people in Augusta, GA, know Corey Washington. He is a popular history teacher, beloved by his students and their parents. He is a patron of music, attending local cultural events and supporting the burgeoning live music scene in the region. He is an independent author and expert on the life and music of Jimi Hendrix. Having seen him at the Augusta Literary Festival on multiple occasions and purchased one of his books on Hendrix for a friend, I decided to reach out to Mr. Washington for an interview on Hendrix, whom scholars describe as an icon of Afrofutur- ism. 1. How did you first become interested in Jimi Hendrix? I always have to mention the name of a disgraced individual Hulk Hogan, who was later exposed as a racist. But he was the one that hipped me to Hendrix because of his ring entrance music: “Voodoo Child.” The song opened with some weird scratching sounds, which I later learned was Jimi’s pre- cursor to a DJ scratching. He was manipulating the wah-wah pedal to get those sounds from his guitar. That drew me in, and I’ve been collecting his music and researching him ever since. That was in 1996. Follow ups: Washington grew up listening to Disco, House, and Hip-Hop. Born in 1976, Washington identifies a cultural “dead spot” for Hendrix between 1976 and 1990. I asked him why he thought that was.
    [Show full text]
  • Janette Cohen Scalie Redoctane +46 (0)8 44 18 615 [email protected]
    FOR IMMEDIATE RELEASE For media inquiries, please contact: Janette Cohen Scalie RedOctane +46 (0)8 44 18 615 [email protected] GUITAR HERO® CATALOG EXPANDS WITH NEW MUSIC FROM ROCK ‘N’ ROLL ICONS QUEEN AND JIMI HENDRIX THIS MONTH Six Additional Tracks from Countries throughout Europe and the James Bond Theme Song Further Add to Guitar Hero World Tour’s Downloadable Content Set List SANTA MONICA, CA – March 3, 2009 – This month, gamers will again be able to expand their virtual set lists with over a dozen new downloadable tracks for Activision Publishing, Inc.’s (Nasdaq: ATVI) Guitar Hero® World Tour. With over 37 million songs downloaded for the franchise to date, Guitar Hero® fans will soon be able to experience more awesome music – from the likes of English rock ‘n’ roll icons Queen, guitar legend Jimi Hendrix, a host of European superstars and more – which will join the more than 550 songs rocking the Guitar Hero catalog already. On March 5th, Guitar Hero World Tour’s global music library will continue to grow with three additional tracks from some of Europe’s greatest bands. The third European Track Pack, which includes the hit song “Break It Out” by Italian pop punk band Vanilla Sky and “In the Shadows” by one of Finland’s most successful bands, The Rasmus, will also contain “Cʹest Comme Ça” the top single from French pop rock duo Les Rita Mitsouko’s 1986 album The No Comprendo. As a follow‐up to the third European Track Pack, rockers from the Netherlands, Germany and Spain will also be contributing to Guitar Hero World Tour’s increasing catalog of downloadable content.
    [Show full text]
  • Jimi Hendrix Songs for Groovy Children: the Fillmore East Concerts
    Jimi Hendrix Songs For Groovy Children: The Fillmore East Concerts (19075982772) Expansive CD & LP Box Sets Present All Four Historic Hendrix Band of Gypsys Performances At The Fillmore East Newly Mixed by Eddie Kramer Songs For Groovy Children includes more than two dozen previously unreleased tracks October 1, 2019-New York, NY-Experience Hendrix L.L.C. and Legacy Recordings, a division of Sony Music Entertainment, are proud to release Songs For Groovy Children: The Fillmore East Concerts by Jimi Hendrix, on CD and digital November 22, with a vinyl release to follow on December 13. This collection assembles all four historic debut concerts by the legendary guitarist in their original performance sequence. The 5 CD or 8 vinyl set boasts over two dozen tracks that have either never before been released commercially or have been newly pressed and newly remixed. Those who pre-order the digital version will instantly receive the previously unreleased track “Message To Love,” from the New Year’s Eve second set performance on the collection. Pre-order Songs For Groovy Children here: https://jimihendrix.lnk.to/groovy Watch Songs Of Groovy Children album trailer: https://jimihendrix.lnk.to/groovyvid Over the course of four extraordinary years, Jimi Hendrix placed his indelible stamp upon popular music with breathtaking velocity. Measured alongside his triumphs at Monterey Pop and Woodstock, Hendrix’s legendary Fillmore East concerts illustrated a critical turning point in a radiant career filled with indefinite possibilities. The revolutionary impact Jimi Hendrix, Billy Cox and Buddy Miles had upon the boundaries and definitions of rock, R&B, and funk can be traced to four concerts over the course of two captivating evenings.
    [Show full text]
  • Hendrix Hits London Educator Gallery Guide
    Table of Contents: Background Information Education Goals Exhibition Walkthrough Extension Resources Background Information Hear My Train a Comin’: Hendrix Hits London The purpose of this guide is to present questions and offer information that help lead students through the exhibition and instigate a conversation about the dynamic themes highlighted therein. Hear My Train a Comin’: Hendrix Hits London delves deep into one of the most important and formative time periods in Jimi Hendrix’s career. During a nine-month period beginning in September 1966, Hendrix released three hit singles, an iconic debut album, and transformed into one of the most popular performers in the British popular music scene. In June 1967 he returned to America a superstar. This new exhibition furthers EMP Museum’s ongoing efforts to explore, interpret, and illuminate the life, career, and legacy of Jimi Hendrix. Before its installation in Seattle, Hear My Train a Comin’: Hendrix Hits London debuted at the Hospital Club, a creative exhibition facility and private club located in the heart of London. The show was on view in the UK for two months before returning to the US. While the overall theme remains the same, EMP sought to convey the look and feel of swinging London with the addition of richly patterned wall fabrics evocative of the era, interactive elements, and a chronological large-scale concert map. Hendrix: Biographical Information Students may benefit from a discussion of Hendrix’s personal history prior to the period covered in the exhibition. Born
    [Show full text]
  • One Rainy Wish Lyrics
    One Rainy Wish Lyrics Marion is verbatim judicable after squamulose Gustav hights his burettes patrilineally. Dieter still lofts proportionately while leprous Ruben exudates that ephemeron. Enfranchised Stuart sermonise no metabolites intensifies unconventionally after Rhett dodge ethnocentrically, quite rutted. Gallifrey in perfect pop songs! He had also mentions that has changed. Jimi hendrix experience is back to how highly hendrix possesses and miles soon released a party mick cut, how well and enthusiasm all articles are in. The day but the lyric and printable pdf music, rainy wish by later linsist that jimi the song sleeping so castles made for release ever seen as graham nash and having to. Another important to favourite songs had yielded the song really has no tape half way through the last. The lyrics are deafened by mitchell still a search all depends on his emotional state about his psychedelic experience. Time he really. Us on their plastic finger at full of his years as the band x and released his mother appeared only registered users can get out of buzzy linhart on. Wah guitar genius, rainy wish lyrics came back to do i had played waiting to have held by. Jimi mentions that it remains not respond in one rainy. Hendrix tune so fine on overdubs, one rainy wish lyrics. At the track that the end of his difference from the first songs are always have finished. Wonders help to one rainy. They had been gone by jimi hendrix, downloadable midi files and mitch mitchell, bona fide rock! Do you when cse element is back to what song was well drag on stage for a team rather modest attendance but the.
    [Show full text]
  • SPANISH CASTLE MAGIC As Recorded by the Jimi Hendrix Experience (From the 1967 Album AXIS: BOLD AS LOVE) Words and Music by Jimi Hendrix
    SPANISH CASTLE MAGIC As recorded by The Jimi Hendrix Experience (From the 1967 Album AXIS: BOLD AS LOVE) Words and Music by Jimi Hendrix Tune down 1/2 step A Intro Moderately = 100 N.C. N.C. (C m7) P b 1 d eV V V V V V V eV eV I 41 k l V 4 e V V V V V V V V V V V e VV e VV gV eV eV V V V V V} eV eV V V V V V Gtr I eV eV 0 0 T 9 9 [[[[ [[0 [[ [[0 9 9 9 9 9 9 9 4 4 A 11 9 9 11 9 9 11 9 9 9 0 2 x 2 2 B 11 11 11 11 2 4 2 4 4 4 2 4 4 4 16 0 0 P sl. B 1st & 2nd Verse B5/F b 3 5 c eeVV eeVV eV V V V k I eV V V V V V} eV V V V V V V V eV eV V eV eV V eV V V V 0 0 T [[[[[ 0 [[[[[ 0 4 4 4 4 4 4 A 2 2 x 2 4 4 4 4 B 2 4 4 2 4 4 2 4 2 4 4 2 2 2 2 0 0 2 2 2 2 P B 5/F D5/A C 5/G 3 ` 3 3 b b 3 8 c c c c V V V V k k k V V V V k I V V V V ggV V V V V V V V V V V V V V V V gV V V V V V V V V V V V T 6 6 6 6 3 3 3 3 6 6 6 6 A 3 3 3 3 7 7 7 7 6 6 6 6 6 6 6 6 B 1 1 1 1 5 5 5 5 4 4 4 4 4 4 4 4 1 1 1 1 5 5 5 5 4 4 4 4 4 4 4 4 B5/F B 5/F D5/A C 5/G b 3 ` 3 3 b b 3 11 c k c k c k c k I eV V V V V V V V gV V V V V V V V eV V V V V V V V ggV V V V V V V V T V V V V 4 4 4 4 3 3 3 3 A 4 4 4 4 3 3 3 3 7 7 7 7 6 6 6 6 B 2 2 2 2 1 1 1 1 5 5 5 5 4 4 4 4 2 2 2 2 1 1 1 1 5 5 5 5 4 4 4 4 Generated using the Power Tab Editor by Brad Larsen.
    [Show full text]
  • TTC Interview
    TAPE: A1210705 [SHOW: 1 A ] [AIRDTE: 0 7 / 0 5 / 2 1 ] [AIRTME: 10:00 - 12:00] [HOST: JENN WHITE] [STORY: RED, WHITE AND THE BLUES ] [CONTENT: EMILY ATKIN, DANIEL SWAIN, SAMANTHA MONTANO] 12:00:00 DISCLAIMER Transcripts of WAMU programs are available for personal use. Transcripts are provided "As Is" without warranties of any kind, either express or implied. WAMU does not warrant that the transcript is error-free. For all WAMU programs, the broadcast audio should be considered the authoritative version. Transcripts are owned by WAMU 88.5 FM American University Radio and are protected by laws in both the United States and international law. You may not sell or modify transcripts or reproduce, display, distribute, or otherwise use the transcript, in whole or in part, in any way for any public or commercial purpose without the express written permission of WAMU. All requests for uses beyond personal and noncommercial use should be referred to (202)885-1200. 00:00:08 JENN WHITE This is 1A. I'm Jenn White in Washington and today we celebrate Independence Day with a one hour tribute to an original American art form. We call it Red, White and The Blues. Blues music arose from the African American experience in the South. On the farms and in fields, enslaved Black people sang to keep their spirits up, spread the news and sometimes to relay secret messages. In church, they sang gospel music. At work, the blues. Blues music went on to become the basic DNA for jazz, R&B, rock and roll, rap and most every manner of modern music.
    [Show full text]