The Facts About NATO
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Orchestral Works He Had Played in His 35-Year Tenure in the Orchestra
KALEVI AHO ORCHESTRAL WORKS KALEVI AHO – a composer of contrasts and surprises alevi Aho (born in Finland in 1949) possesses one of today’s most exciting creative voices. A composer with one foot in the past and one in the pres- K ent, he combines influences from the most disparate sources and transforms them through his creative and emotional filter into something quite unique. He does not believe in complexity simply for the sake of it. His music always communicates directly with the listener, being simultaneously ‘easy’ yet ‘difficult’, but never banal, over-intellectual, introvert or aloof. In his own words, “A composer should write all sorts of works, so that something will always evoke an echo in people in different life situations. Music should come to the help of people in distress or give them an ex- perience of beauty.” Kalevi Aho is equally natural and unaffected in his symphonies and operas as he is in his intimate musical miniatures. Monumental landscapes painted in broad brush- strokes go hand in hand with delicate watercolours, serious artistic confessions and humour. The spectrum of human emotions is always wide, and he never lets his lis- teners off lightly. He poses questions and sows the seeds of thoughts and impulses that continue to germinate long after the last note has died away. “His slightly unassuming yet always kind appearance is vaguely reminiscent of Shosta- kovich, while his musical voice, with its pluralistic conception of the world and its intricate balance between the deliberately banal and the subtle, is undoubtedly closer to late Mahler.” It is easy to agree with this anonymous opinion of Kalevi Aho. -
Quinlan Road Sheet Music Order Form - Canada, USA and International
Apr 18-11 Quinlan Road Sheet Music Order Form - Canada, USA and International . Quinlan Road Ltd. Phone: 1-519-273-3876 Fax: 1-519-273-4553 P.O. Box 933, Stratford ON Canada N5A 7M3 Phone: 1-800-361-7959 Fax: 1-800-882-0833 Note: Each QR Sheet Music piece listed below may be purchased for $3.95CDN. Please note that the price is subject to change without notice. We are sorry but there is no volume discount. Parallel Dreams A Midwinter Night’s Dream The Visit Ancient Pines Breton Carol All Souls Night Annachie Gordon Coventry Carol Between The Shadows Breaking the Silence Emmanuel* Bonny Portmore Dickens’ Dublin (The Palace) Gloucestershire Wassail* Courtyard Lullaby Huron ‘Beltane’ Fire Dance God Rest Ye Merry, Gentlemen Cymbeline Moon Cradle Good King Wenceslas Greensleeves Samain Night In the Bleak Midwinter Lady of Shalott Standing Stones Noel Nouvelet Old Ways Seeds of Love Tango to Evora Elemental Snow Blacksmith The Holly and the Ivy To Drive The Cold Winter Away Carrighfergus The Seven Rejoices of Mary Balulalow* Banks of Claudy Un Flambeau, Jeannette, Isabelle Banquet Hall Come by the Hills Let Us the Infant Greet Kellswater An Ancient Muse In Praise of Christmas The Lark in the Clear Air Beneath a Phrygian Sky The King* Lullaby Caravanserai Let All That are to Mirth Inclined She Moved Through the Fair English Ladye and the Knight The Seasons Stolen Child Gates of Istanbul Snow Kecharitomene The Stockford Carol Never-Ending Road The Wexford Carol Penelope’s Song Sacred Shabbat The Book of Secrets Dante’s Prayer All songs now include harp notations Highwayman with the exception of those La Serenissima marked with an asterisk (*). -
Humanism As Symphonic Fuel
MATS LILJEROOS constitutes a stylistically independent project. The writer is a musicologist, freelance writer on music and music critic of the daily newspaper Hufvudstadsbladet. The Sixth Symphony had explored one avenue to the end and it was time to fi nd a new angle on the symphonic problem. AN ABSOLUTE SYMPHONIC Humanism as symphonic fuel AESTHETIC Kalevi Aho’s music reaches out into new territories If the ”abstract intrigue” so prominent in Aho’s mainly non-programmatic music is absent in the programmatic, post-modernist Seventh Sym- phony (virtually unique among the Aho sympho- nies), then Aho is back on home ground in the extremely demanding Piano Concerto and the Imagine a steep mountainside in seances via evocative tone paintings of the mid- OPERATIC SATIRE WITH massive Eighth Symphony (1993) for organ and the heart of myth-drenched Finnish winter darkness and the midnight sun to a raging A CRITICAL BARB orchestra. In the Piano Concerto he continues storm in the mountains, in four movements of to tackle the individual-collective relationship Lapland. In the background a majestic very varied character. The Neoclassical and at times tonal traits of the and pursues his thesis (with the soloist to guide fell, in the foreground a deep valley fi rst period were replaced by a more modernis- him on his journey) of the abstract intrigue to STRIKING IDIOM tic approach in the structurally and emotionally unprecedented heights. The same tendency is against a backdrop of dusky forests intricate Fifth Symphony (1975–76), which is al- apparent in the broadly-conceived Eighth Sym- and bare mountains. -
QRCD107R-TBOS-Web.Pdf
L OREENA M C K ENNITT the book of secrets A GOOD TRAVELLER HAS NO FIXED PLANS AND IS NOT INTENT ON ARRIVING. L AO T ZU (570-490 BC) QRCD107R Over a number of years Après de nombreuses années de spent ruminating on the distinctive réflexion sur ce qui caractérise les Celtes, je characteristics of the Celts, I began to wonder me suis demandée si leur nomadisme légendaire if their legendarily nomadic ways arose from an n’était pas l’expression d’une pulsion; une sorte inner need; a restlessness that had its roots d’agitation interne qui procède d’une curiosité insatiable. in an insatiable curiosity. Je crois bien que c’est depuis que j’ai pris conscience et de mon I suspect it was my growing awareness of my own wanderlust that irrésistible envie de voyager que j’ai le sentiment d’appartenir à la descendance celte. Plus j’en apprends sur la culture panceltique, plus je cherche made me aware of the connection I felt to the Celtic lineage. And the à en savoir davantage sur d’autres peuples du temps des Celtes, ce qui à son tour, more I learned of pan-Celtic culture and its unexpected turns and twists, me jette sur des pistes qui ont peu ou pas de lien avec les Celtes en tant que tels. the more I was drawn to learn about the Celts’ contemporaries, which in turn set me off on tangents which might have little L’artiste en quête d’inspiration tend son filet et devient plus humble lorsqu’il voit ses or no connection to the Celts themselves. -
Leihmaterial Verlagsvertretungen Im Deutschsprachigen Raum Auswahl Aus Den Katalogen - Stand: Dezember 2009
Leihmaterial Verlagsvertretungen im deutschsprachigen Raum Auswahl aus den Katalogen - Stand: Dezember 2009 - Komponist / Titel Instrumentation Dauer / Verlag Aaltoila, Heikki 1 Akselin ja Elinan häävalssiF 1.1.2.2-2.2.3.0-perc(1):timp/vib-strings 7' Fennica Wedding Waltz Adam, Adolph Charles 2 O Holy Night O 2 fl, ob, 2 cl, bn, 2 hn, hp, str 6' OUP Cantique de Noel Der Toreador (Schickele/Rumpel)C Chappell Buffo-Oper in 2 Akten Addison, John Inventions O OUP f Serenade for WindO Quintet and Harp fl, ob, cl, bn, hn, hp 18' OUP t Wellington Suite O timp, 2 perc, str [2 solo horns, solo piano] 16' OUP Aho, Kalevi a Chamber SymphonyF No. 3 alto saxophone and 20 strings 30' Fennica 2 Concerto for ClarinetF and Orchestra 2222/3221.barhn/01/1/str 30' Fennica 2 Concerto for FluteF and Orchestra 2222/32.barhn.21/02/1/str - soloist: flute (also alto flute) 31' Fennica 2 Concerto for SaxophoneF Quartet and Orchestra 2.2.2.2.-2.2.2.0-perc-strings 28' Fennica Kellot 3 Hyönteiselämää F 3.2.heckelphone.3.asax.3-4.3.3.barhn.1-timp.perc(3)- 165' Fennica Insect Life (after Karel and Josef Capek) 2harp-strings-tape S The Key F Soloist: baritone Fennica Dramatic Monologue for Baritone and Chamber Orchestra fl/ca/bcl/bn/2hn/barhn/pianino/1perc/vn/va/vc/db Quintett F Fennica 3 The Rejoicing of theF Deep Water 3.3.3.asax.3-4.3.3.1-timp.perc-strings 10' Fennica Den Djupa Vattens Fest S Salaisuuksien KirjaF Soloists, mixed choir and orchestra: Fennica The book of secrets - Opera in One Act and Four Scenes 32.heck.33/4331/4perc/hp.pf(cel)/str 2 Symphony No. -
Loreena Mckennitt the Mummers' Dance Mp3, Flac, Wma
Loreena McKennitt The Mummers' Dance mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: The Mummers' Dance Country: US Released: 1998 Style: Folk Rock, Acoustic, Synth-pop, Ethereal MP3 version RAR size: 1597 mb FLAC version RAR size: 1997 mb WMA version RAR size: 1780 mb Rating: 4.8 Votes: 133 Other Formats: MPC AUD FLAC AU MP3 DXD AIFF Tracklist Hide Credits The Mummers' Dance (Single Version) 1 4:01 Remix, Producer [Additional] – Neal Slateford, Nick Batt 2 The Mummers' Dance (Album Version) 6:06 3 The Mystic's Dream 7:40 Companies, etc. Mixed At – Audio Toyshop Published By – Quinlan Road Music Ltd. Phonographic Copyright (p) – Quinlan Road Limited Copyright (c) – Quinlan Road Limited Manufactured By – WEA Manufacturing Pressed By – WEA Mfg. Olyphant – W2385 Credits Producer, Music By, Lyrics By – Loreena McKennitt Notes Track 1 Remix and Additional Production for DNA Productions/Mixed at the Audio Toyshop. Published by Quinlan Road Music Ltd. (SOCAN/BMI) ℗ 1994, 1997 Quinlan Road Limited © 1998 Quinlan Road Limited Made in U.S.A. Mfg. By WEA Manufacturing Barcode and Other Identifiers Barcode (Text): 0 5439-17241-2 0 Barcode (String): 054391724120 Mastering SID Code: ifpi L901 Matrix / Runout: wea mfg. OLYPHANT W2385 1 17241-2 01 *M2 S1 Rights Society: SOCAN Rights Society: BMI Other versions Category Artist Title (Format) Label Category Country Year Loreena The Mummers' Warner Bros. CD 22507 CD 22507 Canada 1998 McKennitt Dance (CD, Single) Records The Mummers' Warner Bros. Loreena 9 17241-4 Dance (Cass, Records, 9 17241-4 US 1998 McKennitt Single) Quinlan Road The Mummers' Loreena Quinlan Road QRLP107MD Dance (12", Single, QRLP107MD Canada 2016 McKennitt Limited Ltd, Num) The Mummers' Warner Bros.